WINNERS: Charlie Jemmett & Travis Gagne – VIDA THE VET: EP 208 – THE MAMAS’ SPA DAY/JUNO’S NO NAP DAY
Bec Cranwick, Sophia Loffreda, Rachel Guergis, Kallan Treadwell & Sarah Fricker – SPIDEY AND HIS AMAZING FRIENDS: EP 412 – A SQUIRREL GIRL AND TIPPY TOE PIRATE ADVENTURE/KNIGHT AT THE MUSEUM
Gavin Ebedes & Ryan Mohammed – RUBBLE AND CREW: THE CREW BUILDS A GIANT SKATE TRACK
Paul Hunter, CCE & Katie Tomchishen – CARL THE COLLECTOR: EP 121 – THE GREEN PIECE/THE FUZZYWORLD BOOK OF RECORDS
Shawn Rocca – LET’S GO BANANAS!: EP 125A – WHISK3RS
Sponsored by: Canadian Cinema Editors
WINNERS: Lesley Mackay Hunter, CCE & Jeff Seibenick, ACE – SAUSAGE PARTY: FOODTOPIA EP 201 – NINTH COURSE
Rob Smith & Orion McCaw – LEGO DREAMZZZ: ENTER THE CYBER GAME EP 306 – INTERFERENCE
Vanessa Seecharran & Jeff Seibenick, ACE – SAUSAGE PARTY: FOODTOPIA EP 203 – ELEVENTH COURSE
Sponsored by: Canadian Cinema Editors
WINNER: Michael Tersigni, CCE – THE AMAZING RACE CANADA: EP 1101 – CANADA IS SOMETHING SPECIAL
Elianna Borsa, Jessica Graore, Andrew Gurney, Pat Fairbairn & Mike Scott – TOP CHEF CANADA: EP 1206 – PULL UP A CHAIR
Kailey Birk – CANADA’S DRAG RACE: EP 605 – THE SHADE
Peter Topalovic & Holly Benson – PROJECT RUNWAY CANADA: EP 306 – STEP IT UP
Ryan Monteith, Michael Tersigni, CCE & Katie Awad – THE AMAZING RACE CANADA: EP 1110 – DOUBLE ROADBLOCK
Sponsored by: Boris FX
WINNER: Eui Yong Zong – THERE ARE NO WORDS
Eugene Weis, CCE – BAM BAM: THE SISTER NANCY STORY
Greg Ng, CCE & Hart Snider – SAINTS AND WARRIORS
Mahi Rahgozar – SEARCHING FOR SATYRUS
Xavier Levesque – SIMPLE PLAN: THE KIDS IN THE CROWD
Sponsored by: Canadian Cinema Editors
WINNERS: Brendan Mills & Martin Edralin – LA MAYORDOMÍA
Daniel Montiel – NERVES
Marie-Pier Grignon – QUIET STORM
Marie-Pier Grignon – RANG DU LIÈVRE
Sponsored by: Canadian Cinema Editors
WINNER: Amy Mielke – ABSOLUTELY CANADIAN – APEX: THE BLACK MASTERS
Katie Flach & Dan Hawkes, CCE – AN OPTIMIST’S GUIDE TO THE PLANET: EP 201 – PROTECT
Louis Chevalier-Dagenais – À LA POURSUITE DU RÊVE GLACÉ: EP 105 – LA BATAILLE DE L’ONTARIO
Rebecca Lessard – MICHELLE ROSS UNKNOWN ICON
Ryan Monteith, Chelsea Bennett & Ben O’Neil – 50,000 FIRST DATES- A TRUE STORY: EP 101 – BLANK SLATE
Sponsored by: Canadian Cinema Editors
WINNER: Meagan Oravec – QUEEN OF THE CASTLE: EP 107 – KEEP CALM AND SCARY ON
Andrew King – CELEBRITY IOU: EP 1002 – CAN JOEL MCHALE GET EMOTIONAL?
David Bitton – LA GRANDE ADOPTION: EP 104 – ADORA, LE SHORKIE
Guillaume Marin, Patrice Ouimet & Maxime Dumont – ON RAMASSERA DEMAIN: EP 310 – LA VÉRITÉ
Peter Topalovic & Ken Yan – DRAG BRUNCH SAVED MY LIFE: EP 101 – BLOOM BISTRO, BARRIE ON
Sponsored by: Canadian Cinema Editors
Jérémie Boutin, Les Rois Henry (Université du Québec à Montréal)
Justin Gagné, Catherine Fafard, José Charbonneau, Raphaël Bédard, James Est Mort (Cégep de Jonquière)
Maël Corneau, Rizz-O-Thon (Université du Québec à Montréal)
Oleksii Kucherchuk, Take it Easy Joey (Humber Polytechnic)
Rowan McKellar, Depth of Field (Concordia University)
Sponsored by: Take 5 Productions
Annie Jean, CCE
Didier Kennel
Heath Fashina – MITTENS & PANTS: EP 337 – PUPPY DETECTIVE & THE CASE OF THE SMELLY SMELL
David Bitton – BANA KONESANS: EP 104 – L’ORIGINE AFRICAINE DES MUSIQUES MODERNES
Fabiola Caraza – GANGNAM PROJECT: EP 210 – HERE COMES ASTRA
Lisa Binkley, CCE – ZOMBIES 4: DAWN OF THE VAMPIRES
Sponsored by: IATSE 891
WINNERS: Yvann Thibaudeau, CCE & Dorian Rigal-Ansous – MA MÈRE, DIEU ET SYLVIE VARTAN
Isabelle Malenfant, CCE – OUT STANDING
Kurt Walker -BLUE HERON
Matthieu Bouchard & Isabelle Malenfant, CCE – LES FURIES
Sabrina Pitre, CCE – FINAL DESTINATION- BLOODLINES
Sponsored by: Meridian Artists
WINNER: Saeed Vahidi – CHRISTMAS ABOVE THE CLOUD
Arlein Wharf-Garcia – THE CHRISTMAS BABY
Daria Ellerman, CCE – MY SECRET SANTA
Gloria Tong – A HUSBAND TO DIE FOR- THE LISA AGUILAR STORY
Julia Blua & Peter Watson, CCE – TERROR COMES KNOCKING- THE MARCELA BORGES STORY
Sponsored by: Canadian Cinema Editors
WINNER: Michelle Szemberg, CCE – DISH PIT
Arielle Skolnik – BRIEF SOMEBODIES
Justin Li – THE LITTLES
Maria Bykina – YEAR OF THE DRAGON
Véronique Barbe, CCE & Charles Burroughs – THIS ISN’T HOW I PICTURED IT
Sponsored by: Canadian Cinema Editors
WINNER: Isabelle Malenfant, CCE – DOUBLE JEU: EP 112 – LA FINALE
Drew MacLeod – SHORESY: EP 406 – GO WHERE YOU’RE NEEDED
Jay Prychidny, CCE – WEDNESDAY: EP 208 – THIS MEANS WOE
Paul Winestock, CCE – MURDERBOT: EP 103 – RISK ASSESSMENT
Sophie Dumesny & Marc Fourreau – IMPROTÉINE EXPOSE 2025
Yvann Thibaudeau, CCE – CASSE-GUEULE: EP 101-102 DOUBLE FEATURE
Sponsored by: DGC Ontario
WINNER:Véronique Barbe, CCE – HEATED RIVALRY: EP 105 – I’LL BELIEVE IN ANYTHING
Christopher Minns – GINNY AND GEORGIA: EP 309 – IT’S TIME FOR MY SOLO
Lara Johnston, CCE – THE TWISTED TALE OF AMANDA KNOX: EP 102 – CI VEDIAMO PIÙ TARDI
Lauren Brandon – THE TWISTED TALE OF AMANDA KNOX: EP 106 – COLPEVOLE
Valérie Tremblay – ALERTES – PELLETIER: EP 106 – CHASSE À L’HOMME
Sponsored by: Vanguarde Artist Management
WINNER: Zoé Guèvremont – FLEUR DE PEAU: EP 105 – SEVRAGE
Andrea Novoa – PHANTOM LINE: EP 104 – UNRAVELING
Guillaume Marin – DENIS DANGER: EP 108 – THE END OF THE END
Mike Fly – DYING SECONDS: EP 101 – HAVE I TOLD YOU ABOUT THIS HOCKEY CARD?
Myriam Coulombe – COEUR VINTAGE: EP 204 – ORGUEIL ET GROS CLICHÉ
Sponsored by: Canadian Cinema Editors
Andrew Bukovac – WEDNESDAY
Geneviève Roberge – HEATED RIVALRY
Majda Drinnan – DMV
Paul Kwan – CELEBRITY IOU
Wesley Demkiw – THE TWISTED TALE OF AMANDA KNOX
Sponsored by: Insight Productions
Special Award Recipients

Scholarship recipient of the National Apprenticeship Program of the Academy of Canadian Cinema & Television in 1988, Annie Jean has never left the editing rooms since then, going from sound to image, from assistant to editor. As chief editor she has worked on more than 65 productions. Many have won awards both in Canada and abroad. She has been involved in sharing her knowledge through various editing courses and workshops in Montreal. Very much involved in the collective interests of editors over the last 25 years, she puts at the centre of her values solidarity among colleagues.

Didier Kennel, born and raised in Africa, became a freelance picture editor in 1985, and has worked in news, broadcast and specialized in Documentaries. For the past 26 years, Didier has been teaching Visual post production at Sheridan College’s BFTV, Media Arts, and the Journalism undergraduate programs, and in the post-graduate Advanced Television and Film Program. During his tenure he has trained over a thousand students in the art of picture editing. In 2008 Didier received the NISOD Award of Excellence. This international award was handed out in Austin Texas, for outstanding contribution to teaching, leadership and learning. Didier has also been an Avid Certified Instructor since 1994 and has successfully trained 100’s of professional editors on four continents.
Celebrating Assistant Editors
As we approach the CCE Awards gala, we are celebrating the assistant editors who are an invaluable part of the editorial team.
The following are the Assistant Editors who worked on this year's nominated projects:
Guylaine Allard
Mark Allison
Rémi Amorim
Javier Aparisi
Lucas Armstrong
François Artacho
Gregory Austen
Meraj Badiuzzaman
Alicia Barbeau
Emmanuelle Beaudoin-Roy
Mélina Bélanger
William Bellavance
Sébastien Benoit
Melissa Bernin
Jordana Bleiwas
Magnus Boyer
Amélie Boyter
Meagan Brown
Andrew Bukovac
Revan Caluya
Katrina Carrasco
Keegan Carter
Rachel Champion
Charlie Chase
Verona Choi
Fiyin Coker
Marie-Océane Collignon
Adrian Conway
Mel Corrigan
Antony Côté
Scott Coulthart
Eliott Couture
Cassidy Croft
Jordan Davies
Wes Demkiw
Mathieu Dodier
Youri Drouadaine
Joanie Drouin-Laplante
Ivan Dudarev
Clarisse Efstratiou
Abasi Ekpenyon
Dilan Farrell
Luis Figueroa-Ducharme
Marie-Andrée Fredette
William Gagnon
Alisa Gorokhova
Miro Gauvin
Jeff Geisel
Kevin Glover
Philippe Goulet
Natasha Grant
Dominic Guérard
Megan Halligan
Howard Hamilton
Hongku Han
Natalie Harrison-Lim
Victor Helwani
Stéphanie Hubert
Sanel Huskic
Denise Lee Hutchinson
Chengzhi Jin
Chorong Kim
Mike T. King
Mary Komech
Paul Kwan
Félix Lacourse
Alexandrea Lamoureux
Marek Latzmann
Lou Lapierre
William Lapointe
Jake Lee
Pier-Yvon Lefebvre
Émilie Lemieux
Laurent Léveille
Brittany Lewis
Tom Lounsbury
Jonathan Lussier
Shane MacDonald
Carlie Macfie
Chris McLean
Lana McLean
Meeka McLean
Samie Mcnicoll
Vrishub Merai
Sonya Mwambu
Nik Nikalaidis
Jacon Nosan
Gianluca Olamastroni
Frédéric Ouellet
Mackenzie Phillips
Valérie Précourt
Rachel Perone
Julie Proulx
Akeylah Rivero
Geneviève Roberge
François Robin
Tara Robinson
Matt Rorabeck
Isabella Salinas-Velasco
Cat Senior
Victor Sepulveda
Thomas Serres
Krusan Sivanayagam
Nadine Scott
Lauren Scratch
Alexandra Spadafora
Nicholas St Jacques
Jasmine Stafford
Mike Sutherland
Eli Terlson
Thomas Therrien
Rose Trimboli
Paul-Édouard Vallée
Andrew Vanderhoof
Charles-Étienne Viau
Jeremy Winkels
Jean Wharf-Garcia
James Young
Our Host Richard Crouse

Richard Crouse is the regular film critic for the 24 hour news sources CTV’s News Channel and CP24 and is a frequent guest on many national Canadian radio and television shows. His nationally syndicated Saturday afternoon radio show, THE RICHARD CROUSE SHOW, originates on News Talk 1010 in Toronto. He is also the author of ten books on pop culture history including Who Wrote the Book of Love, the best-selling The 100 Best Movies You’ve Never Seen, its sequel The Son of the 100 Best Movies You’ve Never Seen, the best selling Raising Hell: Ken Russell and the Unmasking of The Devils and Elvis is King: Costello’s My Aim is True. He also writes about pop culture and cars for The Toronto Star.
CCE Awards Raffle Tickets
Congratulations to our Raffle Winners
Our annual raffle features the fabulous prizes listed below.
The draw will take place during the Awards ceremony.
2 x Blackmagic Cloud Store Mini 16TB
Thank you to our committees & volunteers:
Awards Committee:
Majda Drinnan
Peter Hordylan, CCE
Lesley Mackay Hunter, CCE
Meagan McGraw
Jennifer Kidson
Jane MacRae
Adam van Boxmeer
Thank you to our CCE staff:
CCE Operations Manager:
Alison Dowler
CCE Communications Assistant:
Academy Award nominee, Sandra Adair, ACE, has enjoyed an ongoing artistic collaboration with director Richard Linklater, having edited 24 films for him over the past 33 years. Some of their collaborative work includes the cult classic DAZED AND CONFUSED, BEFORE SUNRISE, BEFORE SUNSET AND BEFORE MIDNIGHT, and last year’s HIT MAN. Their latest collaboration is this year’s BLUE MOON. In 2014, Linklater’s BOYHOOD earned 6 Academy Award nominations, including Best Editing for Sandra. Sandra is a member of the Academy of Motion Picture Arts and Sciences, American Cinema Editors, and The Motion Picture Editor’s Guild.

Joseph Landauer is a New York-based editor whose career spans indie gems to bigger studio projects. His feature credits include cult phenomenon TEETH, sci-fi comedy SAFETY NOT GUARANTEED, and THE MISEDUCATION OF CAMERON POST, which won the Grand Jury Prize at Sundance. His work with director Ry Russo-Young stands out as one of his most rewarding professional partnerships, working together on BEFORE I FALL, THE SUN IS ALSO A STAR , and the HBO documentary series NUCLEAR FAMILY, for which he served as executive producer and which earned an Independent Spirit Award nomination. More recently, he earned an Emmy nomination for his work on SEVERANCE.
Geoffrey Richman is the editor of MURDERBALL, SICKO, and THE COVE and TIME FREAK (all Academy Award nominated). THE COVE went on to win the Oscar, along with awards for producing, directing, writing, and editing. Geoff’s work includes a mix of narrative and documentary features and series. Credits include DON’T THINK TWICE, PALMER, KNIGHT OF CUPS, ESCAPE AT DANNEMORA, SEVERANCE, DESCENDANT, THE ORDER OF MYTHS, EATING ANIMALS, RACING EXTINCTION, BEFORE THE FLOOD, and the Sundance Grand Jury and Audience Award winner GOD GREW TIRED OF US. He has been awarded the Eddie Award three times, as well as Emmy nominations for his work on Severance and Tiger King. Geoff has mentored for the Sundance Documentary Edit & Story Lab and the Karen Schmeer Film Editing Fellowship, and taught classes at NYU, Motion Picture Editors Guild, and The Edit Center.
Ryan is a CCE and Emmy award winning documentary editor/director from Montreal, Quebec. His directorial feature CHAMELEON won the Emerging Filmmaker award at Hot Docs. Since then, he has worked as an editor on I AM THE BLUES, INFLUENCE, MIDWIVES, SOFTIE, the latter of which won the Sundance documentary editing award. In 2024 he completed editing on YINTAH, which won the Rogers Audience Award at Hot Docs and BLINK, which won the 2025 Emmy for outstanding editing in documentary.
Born in Hong Kong, Mary graduated from Communications Arts at Concordia University. She was Eric Rohmer’s editor and music co-composer for 3 decades and worked extensively with fiction and documentary filmmakers from several continents as editor, script advisor or associate producer. She is a frequent mentor at training workshops, guest-teaches at film institutions and nominated for many editing awards. She directed VISION FROM THE EDGE: BREYTEN BREYTENBACH PAINTING THE LINES and the TIFF-premièred PALIMPSEST: THE STORY OF A NAME. She is a member of the Academy of Motion Picture Arts and Sciences, and a French Ministry of Culture’s Chevalier des arts et des lettres.
Elad is a Vancouver-based director, editor and co-founder of Scopitone Films. He’s a graduate of UBC’s Film Production Program, the TIFF Filmmaker Lab and Whistler Documentary Lab. Recent editing credits include TREASURE OF THE RICE TERRACES, LOST IN THE SHUFFLE, CORRECTIVE MEASURES, PORTRAITS FROM A FIRE, ALL JOKING ASIDE, BROIL, and SHE WHO MUST BURN. He also edited both seasons of THE DRIVE (CCE nominated best Webseries editing). Elad’s directorial work includes UNARCHIVED, the narrative short RUN and two Heritage Minutes: EDWIN BAKER, and MARY RITER HAMILTON.
Nick Hector, CCE, BFE, ACE is a Canadian Screen, HotDocs, Canadian Cinema Editors, Directors Guild of Canada, and Gemini Award-winning film editor of more than 150 films and programs. His work has been included in the Criterion Collection and screened at most major international festivals, including the Berlinale, Sundance, and TIFF. Nick is an Associate Professor of film production at the University of Windsor. His scholarly research explores the relationship between the craft process and artistic outcomes in documentary film editing. Nick holds a Master of Arts in Media Education and a Doctorate in Fine Art.
Alexander DeSouza is an Indian-Canadian 1st Assistant Picture Editor, Editor and Director. An assistant editor with 8 years of experience in both documentary and narratives, Alexander has worked on shows such as The Z-SUITE, SURREAL ESTATE S2 , SUZE and LILITH FAIR. In 2025, Alexander received the CCE Assistant Editor’s Recognition Award for his work on the CSA nominated documentary, DISCO’S REVENGE. He recently made his television editing debut on the spin-off series THE NEXT STEP: CHEER FOR CBBC.
Emily Gilhooley spent five years at Boat Rocker working as an editor in their digital department. After leaving, she joined the DGC working as a scripted editor on shows such as THE NEXT STEP, MEDIA STAMPED, and ANNA’S OCCASIONS, to name a few. Wanting more experience in reality, Emily joined the BIG BROTHER CANADA team as an edit assist for its final 2 seasons, as well as LOVE ISLAND USA for the last 3 seasons, and just finished up on season 2 of LOVE ISLAND GAMES.
Lester Lubuguin is a Toronto-based film and television Assistant Editor with over 14 years of experience. His work spans across unscripted television and documentaries, including AIR CRASH INVESTIGATION and CRYSTAL PITE: ANGELS’ ATLAS, as well as feature films such as STOLEN BY THEIR FATHER and acclaimed scripted dramas like THE HANDMAID’S TALE. Known to never stay in his own lane, Lester decided that sitting in front of the Avid wasn’t enough—so he wrote and directed his own short film, Eden, which came out in 2025. With a versatile skill set, he’s well-versed with the ins and outs of production—from pre to post—and brings both his expertise and a dash of creativity to every project he is a part of.
Victoria Cho is an assistant film and television editor with a background in the literary arts. She blends together an easy-going spirit with a driven work ethic and thrives on collaboration. She is dedicated to telling stories that imagine new ways of being and belonging. Her recent projects include FROM, THE HANDMAID’S TALE, and THE TESTAMENTS.
Andréanne has been an assistant editor for more than 10 years, working primarily in film and on fictional TV series. She is also a musician with a keen eye (and ear) for detail and a knack for sound design—one of her favourite parts of her work. She has a reputation for thoroughness and versatility, as well as professionalism and excellent listening skills. She has worked on productions like the series SOCIÉTÉ DISTINCTE and the movie MISS BOOTS, both of which have been selected and nominated for numerous festivals and galas in Quebec and beyond.
Sara is a documentary assistant editor for Nikan Productions, an indigenous production company. They discovered their passion for editing at 15 years old while experimenting with after effects on their old family computer and eventually decided to study film. In 2024, after working for Nikan as a production assistant during their studies, they started doing assistant editing work for them. They work closely with the editors while also managing multiple projects that are on different post-production stages at the same time, from ingesting to the online stage.
Geneviève Roberge has been an assistant editor for film and television for more than 15 years. She loves seeing storyboards come to life as the creative process unfolds. She balances technical precision with creative flair and loves working on projects that push her to her limits. She throws herself entirely into every production she works on and is known for her dedication, attention to detail, and ability to collaborate. Her latest projects include Philippe Falardeau’s, A THOUSAND SECRETS, A THOUSAND DANGERS and Jacob Tierney’s HEATED RIVALRY.
After earning a college degree in communication and literature, and dreaming of the theatre, Véronique decided to change courses and study at the Cégep de Jonquière’s school of media arts and technologies. She graduated in 2008 and enjoyed a wonderful internship at Radio-Canada, then joined the team at the now-closed STATION 29. It was during her time at the post-production studio that she fell in love with everything to do with assistant editing. It was also there that she connected with Muse Entertainment and its numerous editors, giving her the chance to work on many of their projects—an opportunity that saw her working not only in Montreal, but in Toronto and Los Angeles as well. Over the past year, she has worked on an impressive collection of projects, including co-production series SO LONG MARIANNE for Crave, THE STICKY for Amazon, and the fourth season of hit sitcom GHOSTS for CBS.
Amélie Labrèche is an editor based in Montreal. She has edited 17 narrative feature films, including NADIA BUTTERFLY by Pascal Plante, selected at the 2020 Cannes Film Festival, and various documentaries, series, short films and music videos. In 2023, she participated in Berlinale Talents. A film buff, her desire is to deepen the creative process of editing and to contribute to profound and innovative works through the narrative and emotional power of film editing. Over the years, her work has received several nominations and awards. Among these, she was awarded with co-editor Olivier Higgins for Best Editing in a Documentary for WANDERING, A ROHINGYA STORY at the Quebec Cinema Awards in 2021.
Brendan Mills is a Canadian film editor whose work has premiered on the stages of Cannes, Venice, TIFF, Sundance and more. Working across narrative and documentary, his nuanced eye is informed by both worlds of storytelling. Brendan’s feature credits include LUCKY LU, 100 SUNSET, SWAN SONG, THE MAIDEN, and TITO.
Kurt Walker is a director, picture editor, and assistant editor from Vancouver/ As a director, he makes movies concerned with place, connection, and time. In 2014, his debut film HIT 2 PASS won doclisboa’s Universidade Lusíada Award for Best International Competition Film. His latest film, I THOUGHT THE WORLD OF YOU, was dubbed “A truly beautiful lyrical essay” by Guy Maddin. The film also won top awards at Festival du Nouveau Cinéma and Torino’s Seeyousound Film Festival. Most recently, he edited Sophy Romvari’s award-winning debut feature BLUE HERON.
Raised on STAR TREK: THE NEXT GENERATION, Justin’s original plan was to push flashy buttons on a Starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room as an editor. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, Locarno as well as the small screens of HBO, Netflix, FX, Hulu, Crave, SRC, TVA, and Télé-Québec.
Matt Lyon, CCE is a versatile film and television editor who is equally at home cutting genre, comedy and arthouse. A DGC Award winner and two-time CCE Award nominee, Matt’s feature credits include Writer/Director Eli Roth’s upcoming ICE CREAM MAN, Hubert Davis’ re-imagining of the hockey classic YOUNGBLOOD, Brad Anderson’s THE SILENT HOUR. and the number one Netflix film CODE 8: PART II. Matt loves sharing his knowledge and runs a popular sound editing workshop for picture editors. He is currently chair of the CCE mentorship committee.
The career of veteran filmmaker Cathy Gulkin, CCE spans the analogue and digital eras. She is best known for her editing of the Genie award-winning FORBIDDEN LOVE (1992) and the Donald Brittain Award-winning GUANTANAMO’S CHILD (2015) for which she also won Best Documentary Editing Awards (Atlantic Film Festival, Directors Guild of Canada and Canadian Cinema Editors). Gulkin has also won awards for CRY OF THE ANCESTORS (1996), YOU ARE HERE (2018), and EVERY CHILD MATTERS (2020) and has been nominated for many others. She has edited over 50 documentary films and TV programmes.
Pauline Decroix is an award-winning Picture Editor based in Toronto with 25 years of experience in both Canada and France. Throughout her career, Pauline has worked across a broad range of genres and styles, though narrative stories and documentaries remain her central passions. In 2020, she received her first Canadian Screen Award for Best Editing on the documentary ON THE LINE. She also won the Canadian Cinema Editors award for best editing in a short film two years in a row (2020 & 2021). More recently, she has been nominated several times for her work on the TV series SON OF A CRITCH, and in 2025, she received her first Director’s Guild of Canada Award for her work on the NFB documentary THE NEST, directed by Julietta Singh and Chase Joynt.
Baun is an award-winning editor whose work has spanned multiple genres –including the CBS sitcom DMV, Jasmeet Raina’s LATE BLOOMER, the AMC+ horror anthology SLASHER, CANADA’S DRAG RACE, and LEARN TO SWIM, a dramatic feature that was nominated for Best International Feature at the 2023 NAACP Image Awards. Baun’s also served as a director/producer on BIG BROTHER CANADA and his award-winning short documentary A CHINK IN THE ARMOUR. He’s currently working on the third season of LATE BLOOMER and finds it ironic that cutting scenes all these years has done nothing to improve his ability to cut carbs.
Jordan Hayles is an Award-winning Film & Television Editor, hailing from Scarborough. From editing multiple genres, spanning from Lifestyle, Sports, Documentary, and Narrative, he stubbornly refuses to be boxed into one category when it comes to what is possible to create in his career. This is evidenced by his work appearing across networks like VICE, NBC, CBC, CTV, Crave, and with the Toronto teams owned by Maple Leafs Sports & Entertainment. Mentorship is also something that Jordan takes pride in, by helping others see the possibilities of working in Post Production; maintaining that we can all do something to affect positive change.
Jane was 10 years old when she started her first editing gig by hooking up two VCRs to cut the commercials out of her favourite TV shows. Since then, she’s been fortunate enough to find some folks to trust her with their own projects, and she now has over 15 years’ experience in feature films and series. She has been nominated for three CCE Awards and two Canadian Screen Awards for editing, and her work has screened at festivals around the world. She loves to aim for projects across all genres, and can usually be talked into working when she should be taking time off.




Rachel Guergis is currently an editor at Atomic Cartoons, where she works on the popular animated television series, SPIDEY AND HIS AMAZING FRIENDS, a collaboration with Disney and Marvel Studios. After graduating from Vancouver Film School in 2016, she went on to edit numerous live action projects, including music videos, shorts, and documentaries. In 2021, she had a chance to pursue her passion for animation and has been working on Spidey with her dream team ever since! Rachel has been nominated for six CCE Awards, and most recently the SPIDEY edit team received a 2025 Emmy nomination for Outstanding Editing!
Chris Holmes is an editor with more than two decades of experience across animation, documentary, and unscripted television. His animation credits include Lead and Supervising Production Editorial roles on Netflix’s OCTONAUTS franchise, contributing to the editorial team behind OCTONAUTS: RING OF FIRE, which earned a 2023 Children’s & Family Emmy nomination for Outstanding Editing. His broader career spans award-winning documentary work and series for CBC, HGTV, W Network, and Slice. Chris is currently working as the Lead Editor and Supervisor on PBS’s new preschool series PHOEBE & JAY.
Vanessa is a Vancouver based film and television editor. With over 15 years of experience, she combines her love of animation and creative flair to bring animated series and feature films to life. Her most recent credits include the series SAUSAGE PARTY: FOODTOPIA, KUNG FU PANDA: THE DRAGON KNIGHT and the feature film THE WILLOUGHBYS.
Kevin Pavlovic is a Vancouver-based, award-winning editor with over 25 years in animation. His film credits include editing the R-rated cult-hit SAUSAGE PARTY and THE ADDAMS FAMILY, and Co-Directing THE ADDAMS FAMILY 2. With a career rooted in animation, he has held roles ranging from in-betweener, animator, and compositing artist, to picture editor on major studio productions. He brings a deep understanding of animation pipelines and editorial craft and continues to contribute to Vancouver’s vibrant animation community. Beyond the cutting room, he champions the creative community, previously serving as Executive Director of the Crazy8s Film Society. He currently co-hosts the CCE’s monthly networking meet-up, The Animation Café.
Matthew Hannam is a film and television editor from Winnipeg, Canada. He attended the Canadian Film Centre in Toronto where his career started. He now lives and works in LA.
Nathalie Massaroni is a Winnipeg-based editor and post production supervisor of more than 400 hours of television. She has edited features and series including WINTERTIDE, ALTER BOYS, and ABERDEEN (which premiered at TIFF 2024). Nathalie has also edited other short form award-winning series and films such as TAILOR MADE, D DOT H, CLEM, and I HURT MYSELF. She was recently part of the Canadian Academy’s Women in Post Program and is on the board for the CCE as the Regional Chair for Western Canada. If she’s not working on a computer, you can find Nathalie at the dance studio or sipping coffee with a cat on her lap.
Brett began his career in Toronto as a PA—mainly carrying things—before discovering the far more comfortable world of film editing. He worked his way up during the early days of non-linear systems in the ’90s and was editing a dramatic series by 26. Brett has cut both series and features, film and digital. Eventually, his experience in the editing suite opened the door to directing, a Director’s residency at the CFC. He has since directed a variety of series and feature projects, contributing to well-known series like FLASHPOINT and ORPHAN BLACK as both Director and Editor. A few years back, Brett relocated from Toronto to Nova Scotia, as he continues to develop original ideas while enjoying a new chapter in a quieter setting. He continues to carry things… just closer to the ocean.
Wes Paster is an editor that resides in Wolfville, Nova Scotia. Six years ago he moved there with his family from Los Angeles thinking he could survive off of remote work. That’s worked out pretty well. He usually cuts reality shows. Emmy-Nominated four times for EXTREME MAKEOVER: HOME EDITION, he has worked on many reality shows from THE BACHELOR to SALVAGE KINGS.
Krystal Moss is an award-winning film & television editor known for her exceptional creativity, collaboration, and problem-solving skills. Her editing work spans television series, short films, and feature documentaries in both English and French. Most recently, Krystal edited the 3x Rosie Award-winning short doc, SEND & RECEIVE, which premiered at CIFF 2025. Other recent credits include THE NATURE OF THINGS 101 on CBC, MOON NOONK EDOUARD for the NFB, and an episode of HORSE WARRIORS S2 on APTN. When she is not in the edit suite, Krystal is in the classroom – sharing her screen industry experience and enthusiasm with NAIT’s Narrative Cinema Students.
I am a First Nations woman of Anishinaabe and German-Canadian descent, and a member of Roseau River Anishinabe First Nation in Manitoba. Influential themes in my work have included Indigenous arts, knowledge, storytelling, and justice. There is a synergy in all these themes that I am passionate about, they are reviving, reclaiming, and renewing. I currently produce at BearPaw Media and Education and as an independent filmmaker. As a producer, director and editor with over a decade of experience, I have worked on broadcast media series, non-profit causes and short artistic projects. No More Kîyâm and (Re)claiming Indian Status, that I produced and directed, won Best Educational Production at the Alberta Film and Television Awards in 2023 and 2021 respectively.
Myriam Magassouba is a film editor who works with documentaries and fiction alike. The films she has edited have been featured and won prizes at numerous Canadian and international film festivals, including Sundance, Locarno, SXSW, TIFF, and Visions du Réel. Her work has also earned nominations for the Canadian Screen Awards, the Prix Iris, and the CCE Awards, winning the latter. In 2025, she was responsible for editing five feature films: FOLICHONNERIES (FOLLIES), J’AI PERDU DE VUE LE PAYSAGE (I LOST SIGHT OF THE LANDSCAPE), AILLEURS LA NUIT (ELSEWHERE AT NIGHT), CHRONIQUES D’UNE VILLE (CHRONICLE OF A CITY), and LA MÉCANIQUE DES FRONTIÈRES (THE MECHANICS OF BORDERS).

Matthieu has always loved cinema; it inspired him to leave behind his science studies to pursue his passion for storytelling. After attempts at becoming a musician and a writer, he found his calling in editing, relishing the way it allows him to play with time, music, and emotion. Over his 20-year career, he has poured his heart into his career, which has allowed him to work with some of Québec’s top humorists (LIKE-MOI!, LÉO, INSPIREZ-EXPIREZ, BYE BYE 2025) and learn more about himself. In 2025, he co-edited his first two feature-length films: LES FURIES (THE FURIES) and DEUX FEMMES EN OR (TWO WOMEN), the latter of which won a Special Jury Award at Sundance.
A graduate in film studies from the Université du Québec à Montréal, Marie-Pier is best known for her work as a film editor (SOLO, AFTERWARDS). In the summer of 2022, she directed her first short film, L’ÉTÉ DES CHALEURS (produced by Nemesis Films), which went on to tour festivals worldwide, including a stop at the prestigious Telluride Film Festival. She loves poutine, reheated microwave coffee, and Garou.
Lindsay Harpham is a Vancouver-based Kinesiologist, contemporary artist, educator, and choreographer whose work bridges professional dance and high-performance sport. Originally from Saskatchewan, she has performed internationally with companies such as Red Sky Performance, Larchaud Dance Project, ACE Dance Theatre, and Gadfly. She co-founded wherewe collective, offering training programs including the summer intensive where we CONNECT. Alongside her creative work, Lindsay trains athletes through Ignite Performance and supports dancers and rehabilitation programs at Performance Clinic, blending refined movement awareness with athletic performance demands. She also delivers seminars for art companies and coaches, focusing on movement literacy, injury prevention, and sustainable training practices.
Leah is the Program Manager at The AFC. In 2008, she joined The AFC as the coordinator of the Emergency Financial Aid program. Since moving to Program Manager in 2016, she has overseen the expansion of The AFC’s programming and implemented urgent responses to large-scale emergencies such as COVID-19. Leah has a BA in linguistics and cultural studies from McGill and has previously worked as a musician and singer/songwriter. She is partial to horror movies.
Erin Deck, CCE is an award-winning Film and Television editor with over 20 years of experience in the industry. With a career that spans Toronto, Los Angeles, and Mexico City, Erin has worked on a diverse range of projects, bringing her expertise to some of the most successful shows in television. Beginning her career as an assistant editor, Erin gained invaluable experience working alongside top-tier editors, giving her a deep understanding of both the technical and creative aspects of today’s digital landscape. Throughout her career, Erin has tackled the creative challenge of editing a wide range of TV shows and Feature length film such as MOTORHEADS, GINNY & GEORGIA, BEACON 23, ALTER CARBON, SNOWPIERCER, INTO THE BADLANDS and LETTERKENNY, showcasing her versatility and ability to help craft compelling narratives. Erin is dedicated to creating a calm, collaborative, and fun environment for directors, showrunners, and producers. Her enthusiasm for storytelling is matched by her commitment to ensuring every project reaches its full potential.