Être monteur·euse au Canada
2 novembre 2021

Cet événement a eu lieu le 2 novembre 2021

Presented in English / Conférence en anglais

Une conversation avec des monteur·euse·s de partout au Canada. Joignez-vous à nous le 2 novembre alors que nous allons inviter des monteur·euse·s de partout au pays pour discuter de leur travail et de comment il peut être différent (ou semblable) en fonction de leurs régions. Nos invité·e·s seront de tous les horizons, de tous les domaines et de tous les genres de l’univers du montage.

Parmi les invité·e·s, il y aura Roderick Deogrades, CCE (CHAPELWAITE), de l’Ontario, Annie Ilkow, CCE (GHOSTS), du Québec, Jeremy Harty, CCE (TRAILER PARK BOYS), de la Nouvelle-Écosse, Lisa Binkley, CCE (ZOMBIES 3), de la Colombie-Britannique et Sarah Taylor (THE LAST BARON), de l’Alberta.

Annie Ilkow is a Montreal-based editor whose recent work includes Ghosts (CBS, single-camera comedy), TRANSPLANT (2 seasons, for NBC/CTV), and BLOOD & TREASURE (2 seasons, CBS action-adventure). She also edited the critically-acclaimed drama 19-2, the seminal DURHAM COUNTY. A graduate of the film program at Concordia University, she earned her MFA in Cinema at the University of East Anglia, UK. 

Born in BC, Raised in NS, calls Halifax home since 1998. Met Mike Clattenburg and edited his low budget feature TRAILER PARK BOYS in 1999. Since then has been doing anything TRAILER PARK BOYS related. Started editing things with Cory Bowles whenever our schedules allowed. Married with three kids and owns and operates Digiboyz Inc. (Post Production) since 2001.

lisa binkleyAward winning film and television editor Lisa Binkley began her career in post-production after having studied theatre and film production at U.B.C. She graduated from the Media Resources Program at Capilano University. Since then she has worked on numerous feature films, MOWs and television series.

Her work was recognized when she received a Gemini Award (CSA) for her editing of the mini-series, HUMAN CARGO. This Canadian/South African co-production was directed by Brad Turner (HOMELAND & 24) and it received 17 Gemini Nominations and also won a Peabody Award.

Her work on MGM’s critically acclaimed science fiction series, THE OUTER LIMITS and Showtime’s, THE L WORD (Written and produced by by Ilene Chaiken) has given Lisa the opportunity to work with such directors as Marlee Gorris (Academy Award Winner – ANTONIA’S LINE), Moises Kaufman (THE LARAMIE PROJECT), Helen Shaver (VIKINGS), Lynne Stopkewich (KISSED), and Kimberley Peirce (BOYS DON’T CRY).

She is currently working on ZOMBIES 3 for Disney+, directed by Paul Hoen.

Lisa is a full member of IATSE 891, ACFC West and is a voting member of the Academy of Television Arts & Sciences.  In 2008, she was inducted as a full member into the Canadian Cinema Editors (CCE) honourary society.

Roderick is an award-winning Picture and Sound Editor who has worked in the film industry for over twenty years. His extensive knowledge of both sides of the post equation has proven invaluable. His experience in feature films, TV series, shorts and documentaries has established him as one of the industry’s most sought-after collaborators. On the picture side, he is known for his work on STILL MINE (2012), VICTORIA DAY (2009) and ONE WEEK (2008). For television, he has edited THE EXPANSE (Season 3 to 6), KILLJOYS (Season 4 & 5), and Chapelwaite (2021). He picture edited acclaimed documentaries such as 100 FILMS & A FUNERAL (2007), THE GHOSTS IN OUR MACHINE (2013), DAVID & ME (2014) and SILAS (2017). His sound editing work includes SPLICE (2009), PASSCHENDAELE (2008) and SILENT HILL (2006). He is currently picture editing the series BILLY THE KID.

Sarah Taylor is an award-winning editor with over eighteen years of experience. She has a passion for storytelling and has cut a wide range of documentaries, corporate videos, television programs, and full length feature films. Her work has been seen in festivals around the world including Sundance. She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor's Cut.

À propos de l'événement

November 2, 2021

en ligne


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