Cet événement a eu lieu le 5 juin 2021
Presented in English / Conférence en anglais
Joignez-vous à nous le 5 juin pour une conversation intime entre la monteuse chevronnée Sophie Farkas Bolla (BEANS, LES ROUTES EN FÉVRIER) et la modératrice Jessie Anthony (scénariste et réalisatrice de BROTHER, I CRY) qui aborderont sous tous ses angles le montage du film à succès BEANS.
La biographie suivante est uniquement rédigée dans la langue de présentation.
Writer/Director/Producer Jessie Anthony is a proud Haudenosaunee woman from the Onondaga Nation, Beaver clan, born and raised on the Six Nations of the Grand River Territory in Ontario Canada. Jessie is a graduate of the Indigenous Independent Filmmaking Program and Bachelor of Motion Picture Arts Degree from Capilano University. Jessie is a Telefilm Talent to Watch winner for her first feature film titled ?Brother, I Cry? which won the 2020 BC Emerging Filmmakers Award at the Vancouver International Film Festival and picked up the Audience Choice Award in the 2020 imagiNative Film Festival. She is currently in post-production with the series QUERENCIA which won the imagineNATIVE Pitch Competition, gaining a broadcast deal with APTN/The Bell Fund.
Jessie has produced shorts funded by Telus Optik and BravoFact as well as many music videos. She was the first Assistant Director on The Edge of the Knife, co-directed by Helen Haig-Brown and Haida Artist, Gwaai Edenshaw. Jessie was a finalist at the MPPIA short film award competition, where she received an honourable mention. She directed the documentary Through My Needle, which follows a Mohawk designer and her family; exploring culture and clan through the beading and design of indigenous regalia. Jessie worked on the Girlfriends’ Guide to Divorce (NBC Universal), River of Silence (Telefilm), Going For Broke (Telus/Red Castle Films), Man in the High Castle (Amazon) and La Quinceanera (Lucha Gore -Time Warner) and many more. When Jessie isn?t working within film you can find her on her Facebook live feeds helping indigenous communities with healing and spiritual guidance.
Née à Montréal en 1983, Sophie Farkas Bolla s’intéresse très jeune au monde des arts visuels. Elle obtient un diplôme à l’université Concordia en Film Production en 2006, où elle réalise quatre courts métrages dont les primés VISAGEÔSCOPE (2005) et ONCE UPON A TIME, I CAN’T REMEMBER (2006). En 2009, elle réalise le court métrage LES CHRONIQUES DE L’AUTRE, primé meilleur court métrage au Big Water Film Festival, aux USA. En 2012, Sophie réalise son deuxième court métrage de fiction, ISTVAN ET LA TRUITE À FOURRURE, un conte cinématographique sur le passage de l’enfance à l’âge adulte. Son dernier court métrage, AU TEMPS DES MONTRES (2015) explore la peur de grandir toujours sous la forme du conte et a été présenté dans une quinzaine de festivals. Sophie termine l’écriture de ses deux premiers longs métrages de fiction, NAGYPAPA, une saga familiale à l’humour libre et disjoncté et JULES AU PAYS D’ASHA un conte pour enfants pris entre la réalité et l’imaginaire. Le tournage de se dernier est prévu à l’été 2021.
Lorsque Sophie ne travaille pas sur ses propres projets, elle est aussi monteuse et en 2018 elle a été nominée aux prix Iris pour meilleur montage documentaire pour P.S. Jérusalem de Danae Elon (sélection officielle TIFF et Berlin). Parmi les nombreux films de fiction et documentaire que Sophie a montés, il y a les primés ANTOINE (2009) de Laura Bari (nomination Iris), ANGRY INUK (2016) de Alethea Arnaquq-Baril (Prix du public à HotDocs) et MA FILLE N’EST PAS À VENDRE (2017) d’Anaïs Barbeau-Lavalette, LES ROUTES EN FÉVRIER (2018) de Katherine Jerkovic (Prix du meilleur premier film, TIFF 2018) et tout récemment BEANS (2021) de Tracey Deer (TIFF, Berlinale) et THE GIG IS UP! (2021) de Shannon Walsh. Enfin, Sophie a aussi été formatrice pour le Wapikoni Mobile et a accompagné de nombreux jeunes de Tobique dans leur cheminement créatif, dont Oqim Nicholas avec son film AMONG THE FOREST (2018) (Prix meilleur film étudiant pancanadien au FNC).
Merci à nos commanditaires
A passion for factual story-telling and exploration has led me to some of the most remote and intriguing places on earth. I care about getting it right, thrive in challenging environments, and have successfully filmed in traditionally difficult to access communities. As a showrunner, producer, director and writer, I’ve created thousands of hours of factual television for Canadian, US and international markets, and am frequently consulted to help develop, shape and pitch TV projects. An extensive background in journalism has equipped me to apply my skills across multiple genres. As VP Production for Canadian factual producer Great Pacific Media from 2014-2019, I was involved in all aspects of pre-production, production and post, including hands-on story crafting, content oversight and development.
Through hard work and determination, Editor Jenypher Fisher has developed a unique style, rivalled only by her keen sense of story and humour. Born and raised in Vancouver, British Columbia, for the past 20 years Jenypher has been responsible for crafting a wide and varied array of Canada’s unscripted series. Projects include RUST VALLEY RESTORERS, WILD BEAR RESCUE, ICE PILOTS, THE BACHELOR CANADA, JADE FEVER, YUKON GOLD, THIS IS HIGH SCHOOL, QUEEN OF THE OIL PATCH, THE NATURE OF THINGS, ER: LIFE & DEATH AT VGH, PARAMEDICS: LIFE ON THE LINE & EXPECTING!
Kelly Morris CCE, is a Vancouver Based film and television editor and former president of the Canadian Cinema Editors, best known for his body of work in documentary and as senior editor for factual series. He has a passion for feature length film, investigative journalism and gritty reality. Series of note that he has worked on include Discovery Channel’s HIGHWAY THRU HELL, JADE FEVER and JETSTREAM, CBC’s HIGH ARCTIC HAULERS and investigative journalism series THE FIFTH ESTATE, natural history series BBC NATURAL WORLDLAND NAT GEO WILD, in addition to a wide breadth of documentary films, the most recent being Citizen Bio for Showtime. Shows he has worked on have received accolades including winner of the duPont-Columbia University Award for Broadcast Journalism (NUCLEAR JIHAD), a Sundance Grand Jury Prize Nomination (SEX: THE ANNABEL CHONG STORY), Gemini (THE FIFTH ESTATE) and CCE (A WOLD CALLED STORM) award nominations for Best Picture Editing.
Tim Wanlin is based in Vancouver where he has been editing for the last thirty years. During that time his focus has been to seek out projects that allow him to draw out the strongest story, both visually and narratively. He has amassed over seventy documentary credits. Highlights include CTV’s Gemini Award winning, PEACE WARRIOR, WHEN THE DEVIL KNOCKS, which premiered in the 2010 Vancouver Film Festival and CBC’s Canadian Screen Award winning, WILD CANADIAN YEAR. More recently, while continuing to follow his passion for documentaries, Tim is busy with unscripted series work including BORDER SECURITY, JADE FEVER and his current project, HEAVY RESCUE: 401.
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