1.0Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadienhttps://cceditors.ca/fr/Alison Dowlerhttps://cceditors.ca/fr/author/admincceop/Coffee with an Editor - Paul Day » Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadienrich600338<blockquote class="wp-embedded-content" data-secret="GgprCL3pjl"><a href="https://cceditors.ca/fr/2020/05/coffee-with-an-editor-paul-day/">Coffee with an Editor – Paul Day</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://cceditors.ca/fr/2020/05/coffee-with-an-editor-paul-day/embed/#?secret=GgprCL3pjl" width="600" height="338" title="« Coffee with an Editor – Paul Day » — Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien" data-secret="GgprCL3pjl" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script>
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</script>https://cceditors.ca/wp-content/uploads/2020/05/2020_EP01_PAUL_DAY-2-WEB.jpg19201080Paul Day, CCE graduated from film school in 1991 and started working on set in many areas, including art department, lighting and gripping. Pursuing his passion for being an editor in 1994, he has worked on series produced for Netflix, AMC, MGM, Paramount, Showtime, and Disney, to name a few. Credits include Spinning Out, V-Wars, Dark Matter, Into the Badlands, Hemlock Grove, Rookie Blue, Lost Girl, Dead Like Me, Odyssey 5, and The 4400...