{"id":42951,"date":"2025-10-17T09:00:00","date_gmt":"2025-10-17T13:00:00","guid":{"rendered":"https:\/\/cceditors.ca\/?page_id=42951"},"modified":"2026-03-23T15:53:21","modified_gmt":"2026-03-23T19:53:21","slug":"board","status":"publish","type":"page","link":"https:\/\/cceditors.ca\/fr\/who-we-are\/board\/","title":{"rendered":"Notre CA"},"content":{"rendered":"
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Notre CA<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tLesley Mackay Hunter, CCE - Pr\u00e9sidente<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Lesley Mackay Hunter, CCE, est une monteuse de cin\u00e9ma et de t\u00e9l\u00e9vision prim\u00e9e bas\u00e9e \u00e0 Toronto et qui n\u2019a pratiquement touch\u00e9 qu\u2019\u00e0 l\u2019animation \u2014 un domaine qu\u2019elle adore! Elle a eu la chance de travailler sur plusieurs succ\u00e8s internationaux tels que JOHNNY TEST, GARDERIE EXTR\u00caME, BLEU NEPTUNE, OP\u00c9RATION NOISETTES 2, ARCTIC DOGS : MISSION POLAIRE, PARTY DE SAUCISSE : NOURRITOPIE et NIMONA. Connue pour son sens du timing en com\u00e9die et en musique, elle est honor\u00e9e de voir le CCE faire confiance \u00e0 une monteuse qui travaille avec des grenouilles, des gloups et de la gomme balloune!<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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Stephen Philipson, CCE, ACE, est un monteur prim\u00e9 ayant travaill\u00e9 avec Ridley Scott sur RAISED BY WOLVES, avec Bryan Fuller sur HANNIBAL, et qui a aussi collabor\u00e9 \u00e0 des films ind\u00e9pendants reconnus comme CHASSE INFERNALE, nomm\u00e9 meilleur premier film canadien au TIFF, et GROWN UP MOVIE STAR, r\u00e9compens\u00e9 \u00e0 Sundance. Toujours pr\u00eat \u00e0 plonger dans l\u2019aventure, il s\u2019est d\u00e9j\u00e0 rendu au Sri Lanka pour monter une \u00e9pop\u00e9e romantique pleine d\u2019action portant sur la guerre civile sri lankaise (en tamoul et en cinghalais) pour un r\u00e9alisateur qui l\u2019avait contact\u00e9 par hasard sur internet. Stephen est heureux de retrouver le CA et de contribuer \u00e0 notre merveilleuse association.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGina Binetti - Events & Education Chair<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Gina Binetti is a Toronto based editor with over twenty years\u2019 experience, mostly working in documentaries and non-scripted television.\u00a0 Gina co-produced and edited the documentary SHATTERED DREAMS for Global which had a successful film festival run and received the NFB Kathleen Shannon Award.\u00a0 She also edited the Gemini nominated documentary EMBRACING DA KINK, which won the Golden Sheaf Award.\u00a0 For many years Gina taught young adults in underserved areas of Toronto to create short films with the Shoot With This Film Mentorship Program.\u00a0 Working across a variety of genres, from socially conscious documentaries to children\u2019s shows, she finds the narrative in a wide range of subjects.\u00a0 Programs Gina has edited have aired on CBC, PBS, Netflix, City TV, TVO, BBC, Discovery, Home and Food Networks, Love Nature and History. She has recently been enjoying cutting scripted films after many years of working in documentaries.\u00a0\u00a0<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tColin Waugh - Commandites<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Colin Waugh est un monteur, r\u00e9alisateur et producteur bas\u00e9 \u00e0 Edmonton, en Alberta. Il se concentre surtout sur le documentaire et les projets commerciaux et ses plus r\u00e9cents projets, CBC ON DESIGN et THE SECRET LONG TREE SOCIETY, sont disponibles sur CBC Gem. Colin donne aussi des cours de production vid\u00e9o \u00e0 l\u2019Universit\u00e9 MacEwan depuis 2016. Lorsqu\u2019il ne fait pas de films, on peut le voir dans les Rocheuses en train de p\u00eacher \u00e0 la mouche, de camper ou skier.<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tGraham Fortin - Colombie-Britannique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Graham Fortin est un monteur originaire de Vancouver. Il adore travailler dans le noir et entour\u00e9 de ses proches collaborateur\u00b7ices. Il se souvient \u00e9tonnamment bien des dates de sortie de films et autres faits cocasses relatifs au cin\u00e9ma. Il a r\u00e9cemment travaill\u00e9 sur LE SINGE, LONGLEGS, le documentaire ARI\u2019S THEME ainsi que sur les films THE EDGE OF SLEEP et L\u2019\u00c9LUE.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAlejandro Tello - L\u2019Ontario<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Alejandro Tello est un monteur de cin\u00e9ma et d\u2019animation qui travaille dans l\u2019industrie depuis plus de sept ans. Il a \u00e9t\u00e9 impliqu\u00e9 dans diff\u00e9rents projets allant de s\u00e9ries d\u2019animation pour enfants comme CLIFFORD LE GROS CHIEN ROUGE \u00e0 des courts m\u00e9trages documentaires comme KAR (r\u00e9cipiendaire du prix Air Canada du meilleur court m\u00e9trage en 2019), puis agissant aussi comme assistant sur des \u00e9missions de fiction comme la s\u00e9rie pour jeunes adultes BEYOND BLACK BEAUTY. Ces derni\u00e8res ann\u00e9es, Alejandro a jou\u00e9 un r\u00f4le actif dans le comit\u00e9 de l\u2019EditCon pour c\u00e9l\u00e9brer les monteur\u00b7euses canadien\u00b7nes.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tWes Paster - Canada atlantique<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Wes Paster est un monteur qui habite \u00e0 Wolfville, en Nouvelle-\u00c9cosse. Il a quitt\u00e9 Los Angeles avec sa famille il y a six ans, pensant qu\u2019il pourrait survivre en travaillant \u00e0 distance. Ce qui a plut\u00f4t bien fonctionn\u00e9. Il monte le plus souvent des \u00e9missions de t\u00e9l\u00e9r\u00e9alit\u00e9. Il a re\u00e7u quatre nominations aux prix Emmy pour LES ANGES DE LA R\u00c9NOVATION et il a travaill\u00e9 sur de nombreuses autres \u00e9missions de t\u00e9l\u00e9r\u00e9alit\u00e9, allant de THE BACHELOR \u00e0 LES ROIS DE LA R\u00c9CUP.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tCraig Macintosh - Vice-Pr\u00e9sident<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Bas\u00e9 \u00e0 Toronto, Craig Macintosh est un monteur de cin\u00e9ma et t\u00e9l\u00e9vision qui cumule plus de 12 ans d\u2019exp\u00e9rience \u00e0 travailler en Nouvelle-Z\u00e9lande, en Angleterre et au Canada. Il a collabor\u00e9 \u00e0 des documentaires comme THE BEATLES : MADE ON MERSEYSIDE, SPEED IS MY NEED et THE TREASURE, de m\u00eame qu\u2019\u00e0 des s\u00e9ries documentaires et de t\u00e9l\u00e9r\u00e9alit\u00e9, incluant des projet pour Paramount Plus, BBC Four, ITV, Comedy Central et History Channel. Ayant touch\u00e9 \u00e0 l\u2019\u00e9criture, au mixage sonore et aux effets sp\u00e9ciaux, Craig a un large \u00e9ventail de comp\u00e9tences qui lui permettent de contribuer de fa\u00e7on cr\u00e9ative et holistique \u00e0 la mise en r\u00e9cit d\u2019histoires fabuleuses.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tVanessa Seecharran - Secr\u00e9taire<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Vanessa Seecharran est une monteuse de cin\u00e9ma et de t\u00e9l\u00e9vision cumulant plus de 15 ans d\u2019exp\u00e9rience \u00e0 travailler sur des s\u00e9ries d\u2019animation et des longs m\u00e9trages. Avec sa ma\u00eetrise du flux de travail en animation et du tempo narratif, Vanessa met son expertise et son flair cr\u00e9atif au service de projets d\u2019animation destin\u00e9s aux publics de tous \u00e2ges.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAnnie Leclair - Bilinguisme<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Monteuse et cin\u00e9aste qu\u00e9b\u00e9coise salu\u00e9e, Annie Leclair connait un remarquable succ\u00e8s \u00e0 l\u2019international avec son premier court documentaire ENRACIN\u00c9E. Nourrie par ses 18 ans d\u2019exp\u00e9rience comme monteuse pour la t\u00e9l\u00e9vision et le cin\u00e9ma, Annie est reconnue pour son sens du storytelling sensible et sa musicalit\u00e9. En 2024, Annie est finaliste au gala du CCE pour le documentaire GREYLAND et compl\u00e8te son 2e film documentaire LES EAUX CALMES.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tAndrew Cromey - Communications<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Andrew Cromey est un monteur bas\u00e9 \u00e0 Toronto sp\u00e9cialis\u00e9 en documentaire, mais qui a commenc\u00e9 \u00e0 travailler en fiction. Ses plus r\u00e9cents projets incluent INFILTRATE, MAKING MANSON, GOLD BARS: WHO THE F**K IS UNCLE LUDWIG, MR.DRESSUP: THE MAGIC OF MAKE BELIEVE, TAKE MY HAND TO HEAVEN et SHOOK. Andrew est membre du CCE depuis 5 ans et il est heureux \u00e0 l\u2019id\u00e9e de poursuivre son travail avec l\u2019incroyable \u00e9quipe \u00e0 la t\u00eate de l\u2019association.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tNathalie Massaroni - L\u2019Ouest canadien<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Nathalie Massaroni est une monteuse et une superviseure de postproduction bas\u00e9e \u00e0 Winnipeg ayant travaill\u00e9 \u00e0 plus de 400 heures de t\u00e9l\u00e9vision. Depuis qu\u2019elle a termin\u00e9 le programme de cin\u00e9ma \u00e0 l\u2019universit\u00e9 de Winnipeg, elle a mont\u00e9 des longs m\u00e9trages et des s\u00e9ries comme WINTERTIDE, ALTER BOYS, SEEKING FIRE et ABERDEEN (pr\u00e9sent\u00e9 au TIFF en 2024). Nathalie a aussi mont\u00e9 d\u2019autres films et s\u00e9ries en format court comme D DOT H, TAILOR MADE et I HURT MYSELF. Quand elle ne travaille pas devant un ordinateur, on peut trouver Nathalie dans un studio de danse ou en train de siroter un caf\u00e9, un chat sur les genoux.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t<\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\tXi Feng - Qu\u00e9bec<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t

Xi Feng est une monteuse de cin\u00e9ma bas\u00e9e \u00e0 Montr\u00e9al. Ayant v\u00e9cu en Chine, au Canada et en France, elle cultive un m\u00e9lange unique de sensibilit\u00e9 culturelle et artistique. Feng a travaill\u00e9 comme monteuse sur des films prim\u00e9s comme CETTE MAISON, CAITI BLUES et, plus r\u00e9cemment, UNE LANGUE UNIVERSELLE, qui a remport\u00e9 le tout premier prix \u00ab\u2009Choix du Public\u2009\u00bb de la Quinzaine des Cin\u00e9astes de Cannes et qui repr\u00e9sente le Canada aux Oscars de 2025. Dans sa filmographie, on retrouve des titres qui ont \u00e9t\u00e9 pr\u00e9sent\u00e9s dans les grands festivals comme la Berlinale, Cannes, Sundance, le TIFF, Vision du r\u00e9el, HotDocs, etc.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Our Board Lesley Mackay Hunter, CCE – President Lesley Mackay Hunter, CCE is a Toronto based, award winning feature film and television editor who has worked almost exclusively in animation \u2014 a medium that she loves! She has been fortunate enough to work on many international hit shows including JOHNNY TEST, TOTAL DRAMARAMA, BIG BLUE, […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":29,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"pmpro_default_level":"","footnotes":""},"class_list":["post-42951","page","type-page","status-publish","hentry","pmpro-has-access"],"yoast_head":"\nOur Board » Canadian Cinema Editors \/ Les Monteurs et Monteuses de cin\u00e9ma canadien<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cceditors.ca\/fr\/who-we-are\/board\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Our Board » Canadian Cinema Editors \/ Les Monteurs et Monteuses de cin\u00e9ma canadien\" \/>\n<meta property=\"og:description\" content=\"Our Board Lesley Mackay Hunter, CCE – President Lesley Mackay Hunter, CCE is a Toronto based, award winning feature film and television editor who has worked almost exclusively in animation \u2014 a medium that she loves! 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