{"id":18076,"date":"2021-09-07T04:30:00","date_gmt":"2021-09-07T08:30:00","guid":{"rendered":"https:\/\/cceditors.ca\/?p=18076"},"modified":"2021-10-03T20:04:22","modified_gmt":"2021-10-04T00:04:22","slug":"episode-052-interview-with-elisabet-ronaldsdottir","status":"publish","type":"post","link":"https:\/\/cceditors.ca\/fr\/2021\/09\/episode-052-interview-with-elisabet-ronaldsdottir\/","title":{"rendered":"Episode 052 &#8211; Interview with Elisabet Ronaldsd\u00f3ttir"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"18076\" class=\"elementor elementor-18076\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-13c7e136 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"13c7e136\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;shape_divider_bottom&quot;:&quot;opacity-tilt&quot;}\">\n\t\t\t\t\t<div class=\"elementor-shape elementor-shape-bottom\" aria-hidden=\"true\" data-negative=\"false\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 2600 131.1\" preserveAspectRatio=\"none\">\n\t<path class=\"elementor-shape-fill\" d=\"M0 0L2600 0 2600 69.1 0 0z\"\/>\n\t<path class=\"elementor-shape-fill\" style=\"opacity:0.5\" d=\"M0 0L2600 0 2600 69.1 0 69.1z\"\/>\n\t<path class=\"elementor-shape-fill\" style=\"opacity:0.25\" d=\"M2600 0L0 0 0 130.1 2600 69.1z\"\/>\n<\/svg>\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-976f325\" data-id=\"976f325\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-3fdf7ef3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3fdf7ef3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-36e46848\" data-id=\"36e46848\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-629a2aa3 elementor-widget elementor-widget-image\" data-id=\"629a2aa3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/03\/CCE_podcast_EP052_web.jpg\" class=\"elementor-animation-shrink attachment-large size-large wp-image-18075\" alt=\"The Editors Cut - Episode 0052 - Interview with Elisabet Ronaldsd\u00f3ttir\" srcset=\"https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/03\/CCE_podcast_EP052_web.jpg 800w, https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/03\/CCE_podcast_EP052_web-750x750.jpg 750w, https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/03\/CCE_podcast_EP052_web-150x150.jpg 150w, https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/03\/CCE_podcast_EP052_web-768x768.jpg 768w, https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/03\/CCE_podcast_EP052_web-300x300.jpg 300w, https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/03\/CCE_podcast_EP052_web-12x12.jpg 12w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-7b07e3b3\" data-id=\"7b07e3b3\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-46140d3 elementor-widget elementor-widget-heading\" data-id=\"46140d3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Episode 52: Interview with Elisabet Ronaldsd\u00f3ttir<br><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-38c37e09 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"38c37e09\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3f71f2c7\" data-id=\"3f71f2c7\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4d5a10f elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"4d5a10f\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-31ee605c elementor-widget elementor-widget-heading\" data-id=\"31ee605c\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">In this episode Sarah Taylor sits down with Elisabet Ronaldsd\u00f3ttir.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-55e48c55 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"55e48c55\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-779dc750\" data-id=\"779dc750\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-196b50d7 elementor-widget elementor-widget-image\" data-id=\"196b50d7\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;}\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"800\" height=\"637\" src=\"https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/09\/e5_webjpg.jpg\" class=\"elementor-animation-shrink attachment-large size-large wp-image-18080\" alt=\"\" srcset=\"https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/09\/e5_webjpg.jpg 800w, https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/09\/e5_webjpg-750x597.jpg 750w, https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/09\/e5_webjpg-768x612.jpg 768w, https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/09\/e5_webjpg-15x12.jpg 15w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-35e288a5\" data-id=\"35e288a5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3386dfac elementor-widget elementor-widget-text-editor\" data-id=\"3386dfac\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;}\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Elisabet has a killer film resume and has cut many much loved action films &#8211; Atomic Blond, John Wick and Deadpool 2 to name a few.<\/p><p>This month she has two new films coming out &#8211; Marvel&#8217;s latest SHANG-CHI AND THE LEGEND OF THE TEN RINGS and the Netflix film KATE. Elisabet shares her career journey and so much wisdom!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-1c5653f elementor-widget elementor-widget-video\" data-id=\"1c5653f\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=8YjFbMbfXaQ&quot;,&quot;loop&quot;:&quot;yes&quot;,&quot;show_image_overlay&quot;:&quot;yes&quot;,&quot;image_overlay&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;,&quot;size&quot;:&quot;&quot;},&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5fab255 elementor-widget elementor-widget-video\" data-id=\"5fab255\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;youtube_url&quot;:&quot;https:\\\/\\\/www.youtube.com\\\/watch?v=MysGjRS9jFU&quot;,&quot;loop&quot;:&quot;yes&quot;,&quot;show_image_overlay&quot;:&quot;yes&quot;,&quot;image_overlay&quot;:{&quot;url&quot;:&quot;&quot;,&quot;id&quot;:&quot;&quot;,&quot;size&quot;:&quot;&quot;},&quot;video_type&quot;:&quot;youtube&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<div class=\"elementor-video\"><\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-72fffa27 elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"72fffa27\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5eb1c7b5 elementor-widget elementor-widget-heading\" data-id=\"5eb1c7b5\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Listen Here<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-44473ab9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"44473ab9\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-inner-column elementor-element elementor-element-f7a40b0\" data-id=\"f7a40b0\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-dadd7af elementor-widget elementor-widget-html\" data-id=\"dadd7af\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<iframe style=\"border: none\" src=\"\/\/html5-player.libsyn.com\/embed\/episode\/id\/20374532\/height\/90\/theme\/custom\/thumbnail\/yes\/direction\/backward\/render-playlist\/no\/custom-color\/990000\/\" height=\"90\" width=\"100%\" scrolling=\"no\"  allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen><\/iframe>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-947ce6d elementor-widget elementor-widget-global elementor-global-2087 elementor-widget-html\" data-id=\"947ce6d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<script> \r\njQuery(document).ready(function($) { \r\nvar delay = 100; setTimeout(function() { \r\n$('.elementor-tab-title').removeClass('elementor-active');\r\n $('.elementor-tab-content').css('display', 'none'); }, delay); \r\n}); \r\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4d96ae5 elementor-widget elementor-widget-accordion\" data-id=\"4d96ae5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"accordion.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion\">\n\t\t\t\t\t\t\t<div class=\"elementor-accordion-item\">\n\t\t\t\t\t<div id=\"elementor-tab-title-8131\" class=\"elementor-tab-title\" data-tab=\"1\" role=\"button\" aria-controls=\"elementor-tab-content-8131\" aria-expanded=\"false\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon elementor-accordion-icon-left\" aria-hidden=\"true\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-closed\"><i class=\"fas fa-plus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t<span class=\"elementor-accordion-icon-opened\"><i class=\"fas fa-minus\"><\/i><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"elementor-accordion-title\" tabindex=\"0\">EPISODE 52 Transcript<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<div id=\"elementor-tab-content-8131\" class=\"elementor-tab-content elementor-clearfix\" data-tab=\"1\" role=\"region\" aria-labelledby=\"elementor-tab-title-8131\"><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I have women or people of color, for example, in the cast. I try to remember that I am not raised<\/p><p class=\"p1\">in a just society. So, I might have ideas that go against what these people are bringing to the<\/p><p class=\"p1\">table, and I have to be aware of it. I ask myself, again, &#8220;Should I cut that dialogue out? Why am I<\/p><p class=\"p1\">cutting it?&#8221; Just so I have a fighting chance to work against my possible prejudices.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Hello, and welcome to The Editor&#8217;s Cut. I&#8217;m your host, Sarah Taylor. We would like to point out<\/p><p class=\"p1\">that the lands on which we have created this podcast, and that many of you may be listening to<\/p><p class=\"p1\">us from, are part of ancestral territory. It is important for all of us to deeply acknowledge that we<\/p><p class=\"p1\">are on ancestral territory that has long served as a place where indigenous peoples have lived,<\/p><p class=\"p1\">met, and interacted. We honor, respect, and recognize these nations that have never<\/p><p class=\"p1\">relinquished their rights or sovereign authority over the lands and waters on which we stand<\/p><p class=\"p1\">today. We encourage you to reflect on the history of the land, the rich culture, the many<\/p><p class=\"p1\">contributions, and the concerns that impact indigenous individuals and communities. Land<\/p><p class=\"p1\">acknowledgements are the start to a deeper action.<\/p><p class=\"p1\">Before we get into today&#8217;s episode, the CCE is excited to be involved with the Calgary<\/p><p class=\"p1\">International Film Festival&#8217;s Industry Week, from Thursday September 23rd to Sunday<\/p><p class=\"p1\">September 26th. No matter where you are in your career, they are inviting those in the film, TV,<\/p><p class=\"p1\">and adjacent industries, to mix, mingle, celebrate, and learn. Industry Week will feature inspiring<\/p><p class=\"p1\">and engaging programming, tailor-made for industry professionals. Expand your knowledge, find<\/p><p class=\"p1\">your inspirational fuel, and grow your connections. Your seat is waiting at the Calgary<\/p><p class=\"p1\">International Film Festival&#8217;s first ever Industry Week. And, I&#8217;ll be there, moderating a panel with<\/p><p class=\"p1\">the editors from Ghostbusters: Afterlife. Join us on September 26th, online or in person. I hope<\/p><p class=\"p1\">to see you there.<\/p><p class=\"p1\">Today, I bring to you the lovely El\u00edsabet Ronaldsd\u00f3ttir. El\u00edsabet has a killer film r\u00e9sum\u00e9.<\/p><p class=\"p1\">She&#8217;s cut many much loved action films, Atomic Blonde, John Wick, and Deadpool 2, just to<\/p><p class=\"p1\">name a few. This month, she has two new films coming out, Marvel&#8217;s latest, Shang-Chi and the<\/p><p class=\"p1\">Legend of the Ten Rings, and the Netflix film, Kate. El\u00edsabet shares with us her journey and so<\/p><p class=\"p1\">much wisdom. I want to be like her when I grow up. Please enjoy El\u00edsabet.<\/p><p class=\"p1\">Speaker 3:<\/p><p class=\"p1\">And, action.<\/p><p class=\"p1\">Speaker 5:<\/p><p class=\"p1\">This is The Editor&#8217;s Cut.<\/p><p class=\"p1\">Speaker 4:<\/p><p class=\"p1\">A CCE podcast.<\/p><p class=\"p1\">Speaker 5:<\/p><p class=\"p1\">Exploring, exploring, exploring, the art&#8230;<\/p><p class=\"p1\">Speaker 4:<\/p><p class=\"p1\">Of picture editing.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Welcome, El\u00edsabet, to The Editor&#8217;s Cut, thank you so much for joining me today.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Thank you for having me, Sarah.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">My first question is, where are you from? And, what led you into the world of editing?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">It&#8217;s a long story. I&#8217;m born and raised in Iceland, in Reykjav\u00edk. I&#8217;ve always been fascinated my<\/p><p class=\"p1\">movies. When I was young, every week we would get to go to the movie house, because we<\/p><p class=\"p1\">would go with the newspapers. And, [inaudible 00:03:07], we would get a movie every week. I<\/p><p class=\"p1\">would go, and I was fascinated by this world. And, obviously never ever had an idea that I would<\/p><p class=\"p1\">become a part of it. But, I was fascinated by that world, and the movies, and that form of<\/p><p class=\"p1\">storytelling. And, when I&#8217;m, I think I&#8217;m 19 or 20, I decided to go to a film school. So, I went to<\/p><p class=\"p1\">London International Film School, in Soho, in London.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Nice.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">It was a lovely experience. But, you don&#8217;t learn how to make movies. You learn to use some<\/p><p class=\"p1\">equipment or get accustomed to some of the equipment. And, you get really good connections<\/p><p class=\"p1\">with people who have the same interest as you. And then, it&#8217;s a lifetime of practice and doing<\/p><p class=\"p1\">things over and over again. I&#8217;m still learning. I don&#8217;t think this is a form you can learn. I guess any<\/p><p class=\"p1\">art form, you can&#8217;t learn it, you just have to live it, and fail, and try again.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yes.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">So, that&#8217;s how I started films. But, in London Film School, I was set on becoming a<\/p><p class=\"p1\">cinematographer. That was my passion and fascination, and then, I learnt through the years, I<\/p><p class=\"p1\">learnt about editing and got more and more fascinated by editing. I also ended there because I<\/p><p class=\"p1\">was getting pregnant all the time, I have four children, and it looked just easier to control my<\/p><p class=\"p1\">time when I&#8217;m in the editing room. It&#8217;s difficult if you have 100 people on-set waiting for you and<\/p><p class=\"p1\">you have to manage children, it&#8217;s easier with the post.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">What was your first job in the industry? Was it in London, or was it in Iceland, where were you?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">My first job in the industry was in Iceland. I was hired to answer telephones in a production<\/p><p class=\"p1\">company that produced mainly interviews for TV and commercials. I think I stayed on the phone<\/p><p class=\"p1\">for like two days and then I just dived head-first into production. Mainly as a set decorator for<\/p><p class=\"p1\">the longest time, on commercials, and just assisting here and there. That&#8217;s how I started in this<\/p><p class=\"p1\">business.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">How did you make your move into editing? You had some babies and you thought, &#8220;I need to go<\/p><p class=\"p1\">into the edit room,&#8221; or did you do editing prior to that?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I got pregnant and no one knew. I think I was six or seven months pregnant, and I was working<\/p><p class=\"p1\">as a focus puller on a small Icelandic movie, and the DP realized suddenly I was pregnant and<\/p><p class=\"p1\">they got so scared. It had to do with insurance and all kinds of stuff. But, they didn&#8217;t want to<\/p><p class=\"p1\">throw me out, so they just invited me into the editing room. So, that&#8217;s how I started. I [inaudible<\/p><p class=\"p1\">00:06:27] realize I&#8217;m very privileged in that way, that I just walked into an editing job. I didn&#8217;t<\/p><p class=\"p1\">assist. I assisted myself, obviously, it&#8217;s small production in Iceland, so you kind of have to assist<\/p><p class=\"p1\">yourself. But, I was editing from day one that I stepped into an editing room. That is a privilege.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Totally.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I think it&#8217;s also just the time. Now, it&#8217;s probably more difficult because more people have learnt<\/p><p class=\"p1\">about the magic of editing and want to do it. So, it&#8217;s a more difficult task to get in there. But, I<\/p><p class=\"p1\">was there at the right time.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah, at the right time and then also in a smaller market. Because, even for me in Alberta, I&#8217;m<\/p><p class=\"p1\">based in Edmonton, and it&#8217;s a very small market, and so I do my assisting, I do my editing.<\/p><p class=\"p1\">Sometimes I get an assistant and then it feels wonderful, but then you learn so much and you<\/p><p class=\"p1\">get to do so many different genres, which I think is really fun too.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">So, you came from an Icelandic market, you started editing, I&#8217;m assuming you did lots of<\/p><p class=\"p1\">Icelandic films?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah, I did some. But, I moved to Denmark. I was going to Denmark to work on this movie for<\/p><p class=\"p1\">Nordisk Film, but my parents at that point lived in Sweden. So, I actually moved to Sweden and<\/p><p class=\"p1\">then I took a boat between Sweden and Denmark every day, because I needed my parents to<\/p><p class=\"p1\">help me with the kids and my siblings, who all lived in Sweden. So, I moved to Sweden and took<\/p><p class=\"p1\">the boat, and was working on Nordisk Film. I also did a year at a TV station in Denmark. That&#8217;s<\/p><p class=\"p1\">probably the best school I&#8217;ve been to, where you have to work really fast and get to the heart of<\/p><p class=\"p1\">the story in as a precise way as possible. I think that was very good training. I did a lot of Danish<\/p><p class=\"p1\">movies, and documentaries, and TV, and then I moved back home to Iceland and kept doing<\/p><p class=\"p1\">Icelandic movies.<\/p><p class=\"p1\">I did a movie called Reykjavik-Rotterdam, an Icelandic movie directed by \u00d3skar<\/p><p class=\"p1\">J\u00f3nasson, and it was remade in the State as Contraband.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Oh, yeah.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I was asked to edit Contraband as well.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Cool.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Baltasar Korm\u00e1kur directed that movie, and it was co-production between Working Title in<\/p><p class=\"p1\">London, in England, and Universal. It was a big step into the American market.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">No kidding.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">There was no [inaudible 00:09:04]. It was straight into a big production with Universal and<\/p><p class=\"p1\">Working Title. That was such an amazing experience. It was actually through Contraband that I<\/p><p class=\"p1\">met an Editor, Dody Dorn, who is an American editor. Amazing editor. She just did the recut of<\/p><p class=\"p1\">The Snyder Cut for [inaudible 00:09:33], and she had done Memento. She&#8217;s a big editing star. I<\/p><p class=\"p1\">met her in LA when I was doing Contraband, we had dinner together. We are very good friends<\/p><p class=\"p1\">today. We just hit it. And, she contacted her agent and asked them to talk to me and sign me on.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Wow.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">And it happened, they signed me on.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">That&#8217;s amazing. So then, from that going forward you were now up for doing American films?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">That&#8217;s amazing. You are in the world of action films now. Your latest movie that&#8217;s coming out<\/p><p class=\"p1\">soon is the new Marvel movie, which I was very excited to find out that you&#8217;re cutting it,<\/p><p class=\"p1\">Shang-Chi and the Legend of the Ten Rings. You did John Wick, Atomic Blonde, Deadpool 2.<\/p><p class=\"p1\">High action, high Hollywood films. Was this a genre that you were always interested in? Tell me<\/p><p class=\"p1\">about this action film journey.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I think it&#8217;s just interesting and fascinating how life guides you to a certain place. There are two<\/p><p class=\"p1\">things. One is, I did a lot of dance movies in Iceland with an artist Helena Jonsdottir, who works<\/p><p class=\"p1\">very much in Europe with dance movies. So, I was extremely accustom to editing choreography.<\/p><p class=\"p1\">Action is choregraphy. It is a dance. No one gets hurt. It doesn&#8217;t look bloody and disgusting until<\/p><p class=\"p1\">they put all the visual effects on it. It&#8217;s a dance. So, I had this massive dance choreography<\/p><p class=\"p1\">editing training from doing small indie art dance films with my friend Helena. Another thing, I<\/p><p class=\"p1\">worked on this TV show for a year, called LazyTown, but I learnt so much about working with<\/p><p class=\"p1\">blue screen and imagining how things are happening in the background, and just the workflow<\/p><p class=\"p1\">of it. So, I had a massive training from there through this children&#8217;s show.<\/p><p class=\"p1\">So, when I did my first big action, which was John Wick, I had all those elements already.<\/p><p class=\"p1\">I wasn&#8217;t learning anything&#8230; Of course, I learnt a lot doing that movie, but I had the basis coming<\/p><p class=\"p1\">in. And then, you do get pigeonholed, people decide that. But, it&#8217;s not only that you get<\/p><p class=\"p1\">pigeonholed, but also I now have a great experience working with big budget movies. The<\/p><p class=\"p1\">workflow of them is a bit different and it&#8217;s sometimes extremely hectic. It&#8217;s difficult with visual<\/p><p class=\"p1\">effects&#8230; Not difficult, but it&#8217;s just different. Especially with really heavy visual effects movies,<\/p><p class=\"p1\">you have to work so tightly with visual effects and make all the dates. It&#8217;s a lot of work.<\/p><p class=\"p1\">Especially in Deadpool, where we had animated characters, and again in Shang-Chi. It takes a lot<\/p><p class=\"p1\">of time to do this stuff.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">What do you feel you bring that&#8217;s unique to these films?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I always try to bring a big heart. I think it&#8217;s a part of my job to be extremely critical of some stuff.<\/p><p class=\"p1\">With action movies, are not just for 17 year old boys, and even if they were, there is no need to<\/p><p class=\"p1\">degrade women in any way. So, I terrorized my directors talking about the male gaze [inaudible<\/p><p class=\"p1\">00:13:23].<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">I love it.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">By pushing it through, trying to make a change that way. But, every movie I work on, I look at my<\/p><p class=\"p1\">work&#8230; I am kind of interpreting the work of so many people. If you imagine that you have a<\/p><p class=\"p1\">script, it might be based on a book, so the script is an interpretation of a book that&#8217;s written, or<\/p><p class=\"p1\">it&#8217;s an original script. But then, the whole crew, it&#8217;s the director, it&#8217;s the actors, the set designer,<\/p><p class=\"p1\">everyone interprets that story into their art. For me, I gather all of it and then I try to interpret the<\/p><p class=\"p1\">best version of the movie from what I have. I have such a respect for what everyone else brings<\/p><p class=\"p1\">to the table. But, we also live in a world that&#8217;s extremely unjust, and racist, and misogynist, etc.<\/p><p class=\"p1\">So, I try to remind myself of it every time I start working on a movie. I just go through the whole<\/p><p class=\"p1\">cast, I go through the whole crew, the key positions in the crew, and I just think about that.<\/p><p class=\"p1\">Especially if I have women or people of color, for example, in the cast. I try to remember<\/p><p class=\"p1\">that I am not raised in a just society. So, I might have ideas that go against what these people<\/p><p class=\"p1\">are bringing to the table, and I have to be aware of it. I ask my self, again, &#8220;Should I cut that<\/p><p class=\"p1\">dialogue out? Why am I cutting it out?&#8221; Just so I have a fighting chance to work against my<\/p><p class=\"p1\">possible prejudices.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">It&#8217;s such an important thing to hear, as an editor, and I think it&#8217;s an important thing for everybody<\/p><p class=\"p1\">to hear, as filmmakers. That, those little things, we have control to help shape and hopefully<\/p><p class=\"p1\">change our world. Hearing you be like, &#8220;I am going to be conscious and think,&#8221;&#8230;<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Sometimes it might be better for the movie and for them that I cut this dialogue. I just need to<\/p><p class=\"p1\">be aware, &#8220;Why am I cutting it? Am I cutting it because it&#8217;s best for the movie? Or, am I cutting it<\/p><p class=\"p1\">because I have some hidden prejudices about, &#8216;A woman would never say it like that&#8217;?&#8221; Then, I<\/p><p class=\"p1\">have to question myself again, now I have to take a step back, &#8220;Why would I cut if it works for<\/p><p class=\"p1\">the movie?&#8221; I&#8217;m a big believer in cutting dialogue left and right, I&#8217;m like, &#8220;[inaudible 00:16:09].&#8221; A<\/p><p class=\"p1\">dialogue massacre. But, that&#8217;s because a dialogue in a script can be beautiful and it works<\/p><p class=\"p1\">perfectly, but then you have the actors interpret that dialogue, and sometimes a whole speech<\/p><p class=\"p1\">just comes with one look, and that speech becomes redundant. You don&#8217;t need it anymore<\/p><p class=\"p1\">because the actor brought that look.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah, for sure.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I&#8217;m a big believer in cutting dialogue. I want to be aware why I&#8217;m doing it.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">What brought you to think like that?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I think that&#8217;s just how I&#8217;ve lived all my life, actually. I grew up through the feminist movement, I<\/p><p class=\"p1\">was a very active young woman in the feminist second wave in Iceland. I just learnt a lot about<\/p><p class=\"p1\">this stuff going through that. Just turning up in meetings, listening to talks. So, I think it came<\/p><p class=\"p1\">early, this being aware that you are not living in a perfect society. It is a racist, misogynist<\/p><p class=\"p1\">community we live in. Not the people, necessarily, it&#8217;s just we have built this society through<\/p><p class=\"p1\">such a long time and it&#8217;s difficult to get rid of all the bad ideas we might have as a society. I&#8217;m<\/p><p class=\"p1\">not talking about the individuals within it, they come in all sizes and shapes. You might grow up<\/p><p class=\"p1\">just knowing that women&#8217;s voices are more annoying because they&#8217;re higher. As an editor, I have<\/p><p class=\"p1\">to be aware that I might have that prejudice when I&#8217;m listening to dialogue, trying to deem which<\/p><p class=\"p1\">take is best. You have to be aware that you might be&#8230; But, at the same time, you have to be<\/p><p class=\"p1\">aware that the whole audience has the same prejudices. You just have to find the balance and<\/p><p class=\"p1\">try not to&#8230;<\/p><p class=\"p1\">What I absolutely do not want to do is step on women&#8217;s and minorities&#8217; glory. I don&#8217;t want<\/p><p class=\"p1\">to be the person that&#8217;s done that. I want people to flourish. Not that that&#8217;s in my power, I&#8217;m just<\/p><p class=\"p1\">saying in my small bubble I try to do what I can.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Every small step is a good thing. You talked about how you like to cut dialogue, I liked the line, &#8220;A<\/p><p class=\"p1\">dialogue massacre,&#8221; that&#8217;s great. Tell us more about your process. How do you start a film,<\/p><p class=\"p1\">what&#8217;s your process of watching the dailies, when do you start cutting scenes? Just do a little<\/p><p class=\"p1\">rundown of what you&#8217;re editing process is.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Usually, you turn up the day or the day before they start shooting, but you&#8217;ve read the script. I&#8217;ve<\/p><p class=\"p1\">usually read it several times. Then, the shooting starts and you just get dailies every single day,<\/p><p class=\"p1\">and you go through them. I watch them and try to remember what affected me watching it first<\/p><p class=\"p1\">time, and I make some notes, then I start throwing the scene together. I do it very roughly. I don&#8217;t<\/p><p class=\"p1\">necessarily do it with selects, I just throw the scene together like, &#8220;I want to be here, I want to go<\/p><p class=\"p1\">there.&#8221; And then, I go through all the takes and see, &#8220;Do I have what it takes to fit into this form<\/p><p class=\"p1\">that I&#8217;ve made?&#8221; Sometimes, it has to change a bit because of performances and how shots<\/p><p class=\"p1\">were done [inaudible 00:19:55]. That&#8217;s how you eat this elephant, it&#8217;s one bite at a time. You<\/p><p class=\"p1\">almost have a scene a day. And then, it strings up to a movie. That&#8217;s when it gets difficult for me<\/p><p class=\"p1\">to hold back.<\/p><p class=\"p1\">You have to edit this new scene that was shot today but, &#8220;Ooh, I want to dive into this.&#8221;<\/p><p class=\"p1\">But, I try to stay focused and do my scenes every single day. Also, if anything is missing you can<\/p><p class=\"p1\">notify the producers and the director. You might feel something&#8217;s missing or not covered well<\/p><p class=\"p1\">enough. Even if you notify them, it doesn&#8217;t mean it&#8217;s shot, but at least you&#8217;ve notified them. And<\/p><p class=\"p1\">then, at some point, you&#8217;ve got all the scenes and everything&#8217;s there, and then you just start.<\/p><p class=\"p1\">Sometimes I work in sections. Sometimes, in the beginning especially, it&#8217;s good to work<\/p><p class=\"p1\">in sections, get this section right, get that section right. I have a tendency, I just have to watch<\/p><p class=\"p1\">the film again, and again, and again. I find it so important that what&#8217;s happening in scene 10 is<\/p><p class=\"p1\">extremely important for what&#8217;s happening in 112, and you have to keep those connections going<\/p><p class=\"p1\">the whole time. It&#8217;s one movie, it&#8217;s not 130 scenes, it&#8217;s one movie. That&#8217;s what you&#8217;re working<\/p><p class=\"p1\">with.<\/p><p class=\"p1\">Which, brings me also to why I dislike working with multiple editors. That has nothing to<\/p><p class=\"p1\">do with most of the beautiful people I work with, but I do dislike the lack of understanding for<\/p><p class=\"p1\">the art of editing, that it&#8217;s a singular vision. When you suddenly have three visions, or four<\/p><p class=\"p1\">visions, it gets really difficult, for me. Also, because I&#8217;m a control freak.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">How has it worked for you, because you&#8217;ve worked on a few films where you&#8217;ve been in a team?<\/p><p class=\"p1\">What do you get and how does it work?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">It hasn&#8217;t worked like that on the movies I&#8217;ve worked with, it floats around, goes back and forth.<\/p><p class=\"p1\">For me, it&#8217;s not about editing a scene, it&#8217;s about editing a movie. It&#8217;s very difficult for me to step<\/p><p class=\"p1\">out of that mode and just start thinking, &#8220;This is my scene, this is my part.&#8221; But, it&#8217;s not like that,<\/p><p class=\"p1\">because then we talk about stuff, and we sit down, and we watch the movie, and we talk. But, I<\/p><p class=\"p1\">wish they would fix schedules and allow the art of editing to flourish as a singular vision. Always<\/p><p class=\"p1\">based on the director&#8217;s vision, it&#8217;s not [inaudible 00:22:49], it&#8217;s a singular vision in connection<\/p><p class=\"p1\">with the director&#8217;s vision. I think the art of it and the flow of it, I just feel it all has to come<\/p><p class=\"p1\">together.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">The films where you&#8217;ve had to work with a team, is it because of schedules, that the film needs<\/p><p class=\"p1\">to get done so quickly that you need more hands-on-deck?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Some studios demand it, mainly because of schedule. It&#8217;s a lot of material for a very short time.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Mm-hmm (affirmative).<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">But on Deadpool, for example, I just got sick. I ended up in the hospital.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Oh no.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I think I&#8217;m a method editor, because I got in such good forms when I was doing Atomic Blonde, I<\/p><p class=\"p1\">was in the gym every day. That was really good. But then, I did Deadpool 2 and ended up with<\/p><p class=\"p1\">stage 4 cancer, [inaudible 00:23:48].<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Oh no.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">But, I got cured. All is good.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Good, but whoa.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I had the best doctors, I was so lucky. Now, I&#8217;m working on a movie that has to do with faith and<\/p><p class=\"p1\">luck, and I just lost my wallet yesterday and I&#8217;m thinking, &#8220;There&#8217;s something there,&#8221; maybe I&#8217;m a<\/p><p class=\"p1\">method editor.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Other than the cancer thing, which I&#8217;m very sorry that happened, but&#8230; I find, because I do a lot of<\/p><p class=\"p1\">documentary stuff, I will definitely get into&#8230; I did one about a boxer and then I was like, &#8220;I want<\/p><p class=\"p1\">to take boxing.&#8221; And then, I did one for the tap dancing and I&#8217;m like, &#8220;I&#8217;m going to take tap<\/p><p class=\"p1\">dancing.&#8221;<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Exactly. [inaudible 00:24:23].<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah, you just get into it. It&#8217;s their passion and you feel the passion.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">When I did John Wick, I got suited up.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Oh yeah?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">That&#8217;s amazing.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I had to have a good suit, that&#8217;s really, really helpful.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Do you still have that suit and do you still wear it?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Oh yeah, I do.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">I love it. I want to see the suit. That&#8217;s so fun. You said that you like to cut the film, but of the film,<\/p><p class=\"p1\">what are your favorite types of scenes to edit?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I&#8217;m so fascinated by every single scene I have to tackle. Every scene brings you different<\/p><p class=\"p1\">challenges and I&#8217;m just fascinated by all of them. I think they&#8217;re all just as fun. I think the easiest<\/p><p class=\"p1\">scenes I edit are action scenes, actually. [inaudible 00:25:16] first, because I&#8217;ve been blessed<\/p><p class=\"p1\">with amazing choreographers. Because, I don&#8217;t choreograph those fight scenes, someone else<\/p><p class=\"p1\">does. I&#8217;ve just been lucky working with the best, both producers and directors that know action,<\/p><p class=\"p1\">know what it takes to make action, and the choreographers and stunt people that know what<\/p><p class=\"p1\">they&#8217;re doing. The best of the best. So, for me, editing action is just pure fun.<\/p><p class=\"p1\">Dialogue is always more difficult because most people, I know there are exceptions, but<\/p><p class=\"p1\">most people do not know how it is to end up in a shootout. Never been in a shootout. So, you<\/p><p class=\"p1\">can kind of do whatever you like because who&#8217;s going to care? Who&#8217;s going to stand up and say,<\/p><p class=\"p1\">&#8220;No, that&#8217;s wrong.&#8221; But, with dialogue, every single audience has had dialogue with someone, has<\/p><p class=\"p1\">had discussions or arguments. Those are the trickiest scenes. I can spend hours because I<\/p><p class=\"p1\">really want it to ring true, but it doesn&#8217;t take you out of the film, that this was a really [inaudible<\/p><p class=\"p1\">00:26:25] dialogue scene. So, those are the trickiest scenes, but I do have fun doing all of them.<\/p><p class=\"p1\">All of it is fun.<\/p><p class=\"p1\">My favorite thing, is just watching it again, and again, and again. Both because you get<\/p><p class=\"p1\">such a good understanding, I think I get a good understanding of the pace of it. But also, there<\/p><p class=\"p1\">are just connections that you start understanding better, and then you can tighten it and make it<\/p><p class=\"p1\">work so other people will notice them without watching something 400 times.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah. When you&#8217;re going through and you&#8217;re watching it again, and again, and again, are you<\/p><p class=\"p1\">stepping back from the edit suite, watching it on a screen, just watching it? Or, are you still<\/p><p class=\"p1\">sitting at your suite, making those adjustments as you go?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Both. I think it&#8217;s very healthy to do&#8230; My father is a painter, and when I was young and he was<\/p><p class=\"p1\">painting, and sometimes he would take a mirror and look at his painting through the mirror. I<\/p><p class=\"p1\">think this is what happens when you take your movie and you watch it in different settings. If it&#8217;s<\/p><p class=\"p1\">in a screening room, or take it home, watch it on your computer. Which, is probably the way most<\/p><p class=\"p1\">people are going to see it in the end anyway. Because, it gives you a different perspective.<\/p><p class=\"p1\">Because, the painter uses the mirror to get a different perspective of the work he&#8217;s doing, and I<\/p><p class=\"p1\">think for me, as an editor, getting a different perspective is&#8230; Changing scenario, changing the<\/p><p class=\"p1\">format I&#8217;m looking at it.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">What do you do when you find that there is a challenging scene, as in you&#8217;re stumped, or it&#8217;s just<\/p><p class=\"p1\">not flowing right, or the dialogue isn&#8217;t going right, is there anything that you do to make it<\/p><p class=\"p1\">happen?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah, I just go away. I just go have dinner with friends. Go watch a movie, go see art somewhere,<\/p><p class=\"p1\">just do everything else. Because, that problem is still going to be there when you get back, but<\/p><p class=\"p1\">you&#8217;re going to have more energy. You know how it is, sometimes just doing the dishes will give<\/p><p class=\"p1\">you the best ideas. You just have to disconnect from the problem. It&#8217;s not going to go away. It&#8217;s<\/p><p class=\"p1\">still in the back of your mind. And suddenly, you might get a solution.<\/p><p class=\"p1\">I dream my movies. I dream edits, sometimes something cooler than I can actually do<\/p><p class=\"p1\">myself, but I still have dreams about my projects. Actually, solutions have come when I&#8217;m<\/p><p class=\"p1\">sleeping and I wake up and I have to write it down straight away because I realize, &#8220;Yes, that&#8217;s<\/p><p class=\"p1\">how we&#8217;re going to do it.&#8221;<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah. I find, for myself, it&#8217;s in the shower or if I go for a run or something. Like, &#8220;I got to get back<\/p><p class=\"p1\">to the edit suite, I found the thing.&#8221;<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Exactly.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">That&#8217;s awesome.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">And, I think it&#8217;s very important because, for me, editing&#8230; I can imagine writers being a bit in the<\/p><p class=\"p1\">same position, because we&#8217;re a bit alone, but we have to take care of ourselves. Because, the<\/p><p class=\"p1\">problem is, I could sit 20 hours without standing up. I&#8217;m just completely engulfed in what I&#8217;m<\/p><p class=\"p1\">doing, and that&#8217;s not okay. I learnt it the hard way. It&#8217;s not okay. You have to set time for yourself.<\/p><p class=\"p1\">Take lunch, take dinner, take a break. It&#8217;s very important because when you edit a movie, for me I<\/p><p class=\"p1\">believe&#8230; I&#8217;m sure this is not true, because I have heard of a lot of blockbusters that were very<\/p><p class=\"p1\">successful where people didn&#8217;t have much fun, but I do believe if you have fun&#8230; I think it&#8217;s<\/p><p class=\"p1\">important. If you don&#8217;t have fun working on this movie, how do you expect the audience to have<\/p><p class=\"p1\">fun? I think it&#8217;s so important because I think it shows. I think it shows on the film how people felt,<\/p><p class=\"p1\">and you want people to enjoy what they&#8217;re watching. You don&#8217;t want them to feel like, &#8220;Oh, that<\/p><p class=\"p1\">was weird.&#8221; You just want to ooze some heart into that movie. Enjoy. I think it&#8217;s important.<\/p><p class=\"p1\">That&#8217;s why I think everyone in the production is just as important. Someone just bringing<\/p><p class=\"p1\">coffee to set can bring such joy to the people working there that they actually really affect the<\/p><p class=\"p1\">production, and [inaudible 00:31:06]. So, I think it&#8217;s extremely important to have a good crew and<\/p><p class=\"p1\">a closely-knitted crew.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Do you have directors that you&#8217;ve with multiple times? That director-editor relationship I feel like<\/p><p class=\"p1\">is really important. And, what you&#8217;re just mentioning now, having a connection with a director<\/p><p class=\"p1\">and working on it as a team, that brings a heart to a film, if you have that good connection, that<\/p><p class=\"p1\">good relationship.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah, it does. I think it&#8217;s important. I&#8217;ve done so many movies with David Leitch, and I&#8217;m working<\/p><p class=\"p1\">with him now on a new movie. I love getting to know new people, but yes, working with<\/p><p class=\"p1\">someone, we know each other&#8217;s language, we know what we&#8217;re thinking. Of course it&#8217;s<\/p><p class=\"p1\">important. It saves a lot of work and heartache. He knows I&#8217;m not going to go and piss off and<\/p><p class=\"p1\">do something horrible. He can trust that I&#8217;m going to put the work in. We have kind of a<\/p><p class=\"p1\">shorthand in dialogue as well. And, I really enjoy working with him as a director. He&#8217;s so open to<\/p><p class=\"p1\">suggestions, even though he has a very clear vision of what he wants. He has the confidence to<\/p><p class=\"p1\">be open to other ideas, even though he has a very strong vision of what he wants.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">I think that&#8217;s interesting to say that, because I feel like when somebody&#8217;s really, really rigid,<\/p><p class=\"p1\">maybe it is this lack of confidence, or they&#8217;re not sure, or, &#8220;Maybe it won&#8217;t work, I don&#8217;t know.&#8221;<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">That&#8217;s how I feel about it.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">For yourself, throughout the years, you&#8217;ve been doing this for a while, have you found that you<\/p><p class=\"p1\">have your own internal confidence now? When you were younger, getting feedback from<\/p><p class=\"p1\">directors or producers, was it harder? How did you handle that and how do you handle it now?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I don&#8217;t think it was harder getting feedback from others, in connection with the movie. But, in the<\/p><p class=\"p1\">old days, I could not screen anything I did, I was in the bathroom throwing up. Physically<\/p><p class=\"p1\">throwing up because I was so stressed. That has gone.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Oh good.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I don&#8217;t feel that stressed anymore. I think that&#8217;s just you do it so many times you stop throwing<\/p><p class=\"p1\">up at some point, thankfully. I think it&#8217;s extremely important to get notes. I don&#8217;t think anything<\/p><p class=\"p1\">that has to do with the film can be ego filled in any way. You have to just try to take in the notes<\/p><p class=\"p1\">and realize&#8230; But, you are the professional, so when you get notes from screenings and stuff,<\/p><p class=\"p1\">you have to take a step back and look at them. You&#8217;re trying to figure out what people&#8217;s<\/p><p class=\"p1\">problems are with the movie. You are the professional. They might not know, they might say, &#8220;We<\/p><p class=\"p1\">hated the middle,&#8221; but the problem is actually in the beginning. You know what I mean?<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah, totally.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Because, if the beginning is too long, you&#8217;re going to be too tired in the middle. But, the audience<\/p><p class=\"p1\">might say, &#8220;There&#8217;s a problem with the middle,&#8221; so you have to learn to take the notes and use<\/p><p class=\"p1\">your own professionalism and experience to realize where is the problem. It takes a community<\/p><p class=\"p1\">to make a film. I think that&#8217;s the biggest joy for me, is just the journey with that village to make<\/p><p class=\"p1\">this movie, and that is the most inspiring thing about movie making, for me.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah. Being the editor, you&#8217;re often not with the crew, do you get to get to know the crew? Is that<\/p><p class=\"p1\">something that you try to make an effort doing?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Sometimes, and sometimes not. It depends on so many things, like COVID. Usually you would be<\/p><p class=\"p1\">in connection with the crew on set and visit regularly and stuff, but that changed this year.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">How has it been for you during COVID? Were you working on Shang-Chi during COVID?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah, we were stuck in Australia, we were there for a year.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">What? Tell us.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I never knew I would live in Australia, but we ended up being there a year because of COVID.<\/p><p class=\"p1\">Because, we had to stall production. We still kept working in post, and when we finished it had<\/p><p class=\"p1\">been a year.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Wow. Originally, before COVID, you planned to go to Australia to cut the film while they were<\/p><p class=\"p1\">shooting and then come back to Iceland?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">[inaudible 00:36:06] and finish. We were supposed to premier it February 3rd, was the first<\/p><p class=\"p1\">premiere day on it.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Of 2021?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">2021, yeah. Last February.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Wow. At least Australia wasn&#8217;t as bad as America.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">No, that was not bad. It was just a surprise to be so far from your loved ones&#8230;<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">No kidding.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">&#8230; And your routines.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah, especially during a pandemic.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Australians are very pleasant people. We were in Sydney the whole time, and just some precious<\/p><p class=\"p1\">people I met there.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">And, you were working with a team of editors for that film as well?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">So, were you all staying together and you&#8217;re able to really work on the process of stuff actually<\/p><p class=\"p1\">together?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">[inaudible 00:36:54], we [inaudible 00:36:57] in and did some great work in Australia.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">I look forward to seeing that one. Now, you&#8217;re working on another film, are you working at it from<\/p><p class=\"p1\">home, in Iceland?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I am working from home. We were supposed to be working in Vancouver, and COVID, so in the<\/p><p class=\"p1\">end they said, &#8220;We&#8217;ll be working from home in LA.&#8221; But, I pointed out, &#8220;Home for me is Iceland,&#8221;<\/p><p class=\"p1\">but they accepted and said, &#8220;Okay, take it.&#8221;<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Amazing.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">So, I&#8217;ve been working from home since February.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Typically, non-COVID days, would you just be going back from Iceland to LA or wherever the film<\/p><p class=\"p1\">might be shooting, and you&#8217;re just always on the go?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">That must have been an adjustment.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I&#8217;m getting old, I&#8217;m getting tired by it. But also, I got the taste of it now, just to be home and work<\/p><p class=\"p1\">from home. I like the idea. We&#8217;ll see what the future brings.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah. In the meantime, working from home, how has that been going for you, working remotely?<\/p><p class=\"p1\">Has it been an easy transition?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">It&#8217;s been going really well. The biggest surprise, when COVID hit, is that all those pipelines to<\/p><p class=\"p1\">work from home were already in place. They&#8217;re all in place. You just have to plug in and press<\/p><p class=\"p1\">play. It was all there. So, that was probably the biggest surprise. Maybe independent movies<\/p><p class=\"p1\">used it more, but the studios are very protective of their material, so usually everything is locked<\/p><p class=\"p1\">inside the studios, so it was a bit of a surprise. But, a good surprise. It&#8217;s been easy, I like it.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">What are some things that you need to have in your edit suite that help you do your best work?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I love to make it a bit cozy. I need to have the photos of my babies, or my children. I plaster my<\/p><p class=\"p1\">wall with them, just so I can have a conversation sometimes with them. For me, it&#8217;s extremely<\/p><p class=\"p1\">important that the editing is a sacred land. You cannot fight. If producers and directors want to<\/p><p class=\"p1\">fight about something, let&#8217;s step outside, because it&#8217;s not a fight zone. This is a creative zone<\/p><p class=\"p1\">where we talk about ideas. We can argue about ideas, but there is no fighting. That has to<\/p><p class=\"p1\">happen outside the editing room. I just find it very important. It&#8217;s like the [inaudible 00:39:35] and<\/p><p class=\"p1\">it has to be peaceful. I like to bring in some smells and candles and stuff.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Do you have a certain routine every day, that you get up in the morning, and you get to work at a<\/p><p class=\"p1\">certain time, and you have coffee, anything like that that keeps your day going?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah, always coffee and sit down. But again, it&#8217;s so different because of COVID, everything has<\/p><p class=\"p1\">been different, we&#8217;re in different places, different timezones. It&#8217;s not the same. But, I do like<\/p><p class=\"p1\">having our morning meetings, sit down and talk over what happened, what do we need to do. I<\/p><p class=\"p1\">miss that. I miss my film community. But, I still keep the coffee routine going strong.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">It&#8217;s very important.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Very important.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Do you find that there&#8217;s a certain part of the day that you do certain activities or certain tasks at<\/p><p class=\"p1\">certain times of day? Or, you just go with whatever the edit tells you to do?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Whatever the edit tell me to do. For me, I wouldn&#8217;t be able to be that organized. I just follow. But,<\/p><p class=\"p1\">I do love early mornings, because usually that&#8217;s the most quiet time. So, I like that. I like early<\/p><p class=\"p1\">mornings, with my coffee, few people around, if any, and just me time. I like that.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Mm-hmm (affirmative).<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">But, it tends to be very long days anyway.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah, for sure. How does it feel when you&#8217;ve finished a film? It&#8217;s locked, what are your feelings<\/p><p class=\"p1\">and your thoughts when that happens?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I don&#8217;t think anyone that I&#8217;ve worked with would send anything out if we weren&#8217;t proud of the<\/p><p class=\"p1\">product. It can be different genres and different movies, but this is the best version we could<\/p><p class=\"p1\">come up with, and we are proud of the work we put in it, we can put it out. So, it feels good, but<\/p><p class=\"p1\">you&#8217;re also nervous because you never know how anything is going to be received. Even though<\/p><p class=\"p1\">you think, &#8220;This is going to be big,&#8221; and then it doesn&#8217;t become&#8230; You never know.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Yeah.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">So, you&#8217;re kind of sending it out without knowing what&#8217;s going to happen to it. But, it always feels<\/p><p class=\"p1\">good because it&#8217;s work well done. Everyone has put their best foot down. Again, it&#8217;s a group<\/p><p class=\"p1\">effort, and you&#8217;re just there with a group of people that have been spending so much time on it,<\/p><p class=\"p1\">and sending it off, and then it&#8217;s gone. But, that&#8217;s not how it is for the director and some of the<\/p><p class=\"p1\">actors, because then they follow it to the film festivals, to whatever. But, we have to say<\/p><p class=\"p1\">goodbye.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Do you have one film that you&#8217;re most proud of? Can you pick one?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I&#8217;m so proud of so many movies. I am obsessive as well. Very obsessive. I do have an obsessive<\/p><p class=\"p1\">character. The film I&#8217;m working on now, it has all my energy. It&#8217;s the only thing I can think about.<\/p><p class=\"p1\">Favorite movie would always be the movie I&#8217;m working on.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">That&#8217;s great. Do you have any tips for young editors or editors that are trying to make a career<\/p><p class=\"p1\">transition into doing film? Scripted, as opposed to documentary? Anything like that.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">First thing, I think it&#8217;s important that there shouldn&#8217;t be a hierarchy here. Especially when it<\/p><p class=\"p1\">comes to documentary, it&#8217;s such an amazing art form for me, I do love it. I&#8217;ve done some<\/p><p class=\"p1\">documentaries. I wish I could do more. I think the most important thing is to always put all your<\/p><p class=\"p1\">best out there, whatever you&#8217;re doing. The size of the budget doesn&#8217;t matter. You have to do your<\/p><p class=\"p1\">best. I think if you always put your best foot down&#8230; Don&#8217;t write something off as bullshit,<\/p><p class=\"p1\">because some things can just flourish and become something that comes back to you in the<\/p><p class=\"p1\">form of a job opportunity, or something else. So, always put your best foot forward.<\/p><p class=\"p1\">But again, I just find it so important that all of us understand this is work. It might be<\/p><p class=\"p1\">ideal work, amazing work, so much fun work, but it&#8217;s work. We have to remember to take care of<\/p><p class=\"p1\">ourselves. If we don&#8217;t take care of ourselves we won&#8217;t be able to make those movies. So, just<\/p><p class=\"p1\">take care of yourself, be brave, and always, always, always take the dialogue. I think it&#8217;s<\/p><p class=\"p1\">extremely important to be brave. I know it&#8217;s so hard right now, because there are so many people<\/p><p class=\"p1\">and few opportunities. I&#8217;m sure so many people are getting, &#8220;No,&#8221; that shouldn&#8217;t be getting noes.<\/p><p class=\"p1\">But, you have to remember that this is what you&#8217;re fighting against, so few opportunities. So, just<\/p><p class=\"p1\">don&#8217;t give up. Or, give up. But, if you decide to not to give up, don&#8217;t give up. Just keep going with<\/p><p class=\"p1\">that smile. But, it&#8217;s also okay to give up and to go to something else. That&#8217;s the beauty of life. It<\/p><p class=\"p1\">just leads you to something else. Just don&#8217;t ever, ever, ever give up. Change direction if you feel<\/p><p class=\"p1\">you need to, but just don&#8217;t give up.<\/p><p class=\"p1\">And, I think it&#8217;s important to remember that there are so many editors out there, and<\/p><p class=\"p1\">probably most of them better than I am. I&#8217;m also blessed with opportunities, but that&#8217;s one part<\/p><p class=\"p1\">of being anything. You have to be able to grab the opportunity when they present themselves.<\/p><p class=\"p1\">So, be open to opportunities. And again, that can be in a very small budget short film<\/p><p class=\"p1\">somewhere, so do not cut corners because it&#8217;s a low budget short film. Give it all, because that<\/p><p class=\"p1\">might come back to you as an opportunity. It&#8217;s tough out there, I know.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">That&#8217;s good advice. Do you have any films coming up? We&#8217;ve talked about the Shang-Chi and the<\/p><p class=\"p1\">Legend of the Ten Rings, but anything else coming up that you want to tell us about?<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Yeah, I&#8217;m very proud of Kate, who&#8217;s going to be in September as well on Netflix. It&#8217;s a small<\/p><p class=\"p1\">movie, but I had so much fun working it. And then, I&#8217;m working on Bullet Train. That&#8217;s probably<\/p><p class=\"p1\">not going to come out until Christmas. Maybe it&#8217;s going to be a Christmas movie.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Awesome. Thank you so much for taking the time to chat with me. You had such great insight<\/p><p class=\"p1\">and lots of good one-liners that I&#8217;m going to try to take and put them in my pocket. Eating the<\/p><p class=\"p1\">elephant one scene at a time, I love it.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I didn&#8217;t know this, but maybe I&#8217;m the queen of one-liners.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">I think so.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">I&#8217;m happy you enjoyed it. I enjoyed it.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Thank you so much. Take care, bye.<\/p><p class=\"p1\">El\u00edsabet Ronaldsd\u00f3ttir (Guest):<\/p><p class=\"p1\">Take care, bye.<\/p><p class=\"p1\">Sarah Taylor (Host):<\/p><p class=\"p1\">Thank you so much for joining us today, and a big thank you goes out to Jane MacRae. The<\/p><p class=\"p1\">main title sound design was created by Jane Tattersall, additional ADR recording by Andrea<\/p><p class=\"p1\">Rusch. Original music provided by Chad Blain. This episode was mixed and mastered by Tony<\/p><p class=\"p1\">Bao.<\/p><p class=\"p1\">The CCE has been supporting Indspire, an organization that provides funding and<\/p><p class=\"p1\">scholarships for indigenous post-secondary students. We have a permanent portal on our<\/p><p class=\"p1\">website at cceditors.ca, or you can donate directly to indspire.ca. I-N-D-S-P-I-R-E.ca. The CCE is<\/p><p class=\"p1\">taking steps to build a more equitable ecosystem within our industry, and we encourage our<\/p><p class=\"p1\">members to participate in any way they can. If you&#8217;ve enjoyed this podcast, please rate and<\/p><p class=\"p1\">review us on Apple Podcasts and tell your friends to tune in. Till next time, I&#8217;m your host, Sarah<\/p><p class=\"p1\">Taylor.<\/p><p class=\"p1\">Speaker 4:<\/p><p class=\"p1\">The CCE is a non-profit organization, with the goal of bettering the art and science of picture<\/p><p class=\"p1\">editing. If you wish to become a CCE member, please visit our website www.cceditors.ca. Join<\/p><p class=\"p1\">our great community of Canadian editors for more related info.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7f306fe1 elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"7f306fe1\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-61a8562a elementor-widget elementor-widget-heading\" data-id=\"61a8562a\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Subscribe Wherever You Get Your Podcasts<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-452fad59 elementor-shape-circle elementor-grid-0 e-grid-align-center elementor-widget elementor-widget-social-icons\" data-id=\"452fad59\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"social-icons.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-social-icons-wrapper elementor-grid\" role=\"list\">\n\t\t\t\t\t\t\t<span class=\"elementor-grid-item\" role=\"listitem\">\n\t\t\t\t\t<a class=\"elementor-icon elementor-social-icon elementor-social-icon-spotify elementor-animation-shrink elementor-repeater-item-b1cc138\" href=\"https:\/\/open.spotify.com\/show\/4fHP62tT10oYg3VmSU06PM\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">Spotify<\/span>\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fab fa-spotify\"><\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<span class=\"elementor-grid-item\" role=\"listitem\">\n\t\t\t\t\t<a class=\"elementor-icon elementor-social-icon elementor-social-icon-podcast elementor-animation-shrink elementor-repeater-item-208b780\" href=\"https:\/\/podcasts.apple.com\/ca\/podcast\/the-editors-cut\/id1412277324\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">Podcast<\/span>\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-podcast\"><\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<span class=\"elementor-grid-item\" role=\"listitem\">\n\t\t\t\t\t<a class=\"elementor-icon elementor-social-icon elementor-social-icon-google-plus-g elementor-animation-shrink elementor-repeater-item-6d7245f\" href=\"https:\/\/podcasts.google.com\/feed\/aHR0cHM6Ly90aGVlZGl0b3JzY3V0LmxpYnN5bi5jb20vcnNz\" target=\"_blank\">\n\t\t\t\t\t\t<span class=\"elementor-screen-only\">Google-plus-g<\/span>\n\t\t\t\t\t\t<i aria-hidden=\"true\" class=\"fab fa-google-plus-g\"><\/i>\t\t\t\t\t<\/a>\n\t\t\t\t<\/span>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1ec873c5 elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"1ec873c5\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1e21d375 elementor-widget elementor-widget-heading\" data-id=\"1e21d375\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;none&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">What do you want to hear on The Editors Cut?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1400cc47 elementor-widget elementor-widget-text-editor\" data-id=\"1400cc47\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Please send along any topics you would like us to cover or editors you would love to hear from:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-45d74912 elementor-align-center elementor-widget elementor-widget-button\" data-id=\"45d74912\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm elementor-animation-shrink\" href=\"mailto:podcast@cceditors.ca?subject=To%20the%20team%20behind%20the%20Editors%20Cut&#038;body=I%20am%20reaching%20out%20to%20you%20today%20to...\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">podcast@cceditors.ca<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1f2a5d45 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"1f2a5d45\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;shape_divider_top&quot;:&quot;opacity-tilt&quot;}\">\n\t\t\t\t\t<div class=\"elementor-shape elementor-shape-top\" aria-hidden=\"true\" data-negative=\"false\">\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 2600 131.1\" preserveAspectRatio=\"none\">\n\t<path class=\"elementor-shape-fill\" d=\"M0 0L2600 0 2600 69.1 0 0z\"\/>\n\t<path class=\"elementor-shape-fill\" style=\"opacity:0.5\" d=\"M0 0L2600 0 2600 69.1 0 69.1z\"\/>\n\t<path class=\"elementor-shape-fill\" style=\"opacity:0.25\" d=\"M2600 0L0 0 0 130.1 2600 69.1z\"\/>\n<\/svg>\t\t<\/div>\n\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-57168c41\" data-id=\"57168c41\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-589b6aaa elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"589b6aaa\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">Credits<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-4e844af3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4e844af3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-57dd5515\" data-id=\"57dd5515\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-296c3666 elementor-widget elementor-widget-text-editor\" data-id=\"296c3666\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>A special thanks goes to<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-1c36263\" data-id=\"1c36263\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-232785c elementor-widget elementor-widget-heading\" data-id=\"232785c\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Jane MacRae<br><br>\n<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-144b2950 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"144b2950\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-7d0c5da9\" data-id=\"7d0c5da9\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-47d23a29 elementor-widget elementor-widget-text-editor\" data-id=\"47d23a29\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Hosted and Produced by<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-7f4b1ee\" data-id=\"7f4b1ee\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-12b293b4 elementor-widget elementor-widget-heading\" data-id=\"12b293b4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Sarah Taylor<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-ba46498 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"ba46498\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-1f64df00\" data-id=\"1f64df00\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-66b959a7 elementor-widget elementor-widget-text-editor\" data-id=\"66b959a7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Main Title Sound Design by<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-5e265d5\" data-id=\"5e265d5\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-147c7eeb elementor-widget elementor-widget-heading\" data-id=\"147c7eeb\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Jane Tattersall<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-15c65314 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"15c65314\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-3fa1d14c\" data-id=\"3fa1d14c\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-43591b1b elementor-widget elementor-widget-text-editor\" data-id=\"43591b1b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>ADR Recording by<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-7c6af124\" data-id=\"7c6af124\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4fdbac09 elementor-widget elementor-widget-heading\" data-id=\"4fdbac09\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Andrea Rusch<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-7a59652f elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7a59652f\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-6c307417\" data-id=\"6c307417\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-720e1a09 elementor-widget elementor-widget-text-editor\" data-id=\"720e1a09\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Mixed and Mastered by<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-f2854c7\" data-id=\"f2854c7\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-171ed3d4 elementor-widget elementor-widget-heading\" data-id=\"171ed3d4\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Tony Bao<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-3c466a3 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3c466a3\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-1ab63bb4\" data-id=\"1ab63bb4\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-73f60f5d elementor-widget elementor-widget-text-editor\" data-id=\"73f60f5d\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Original Music by<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-22a3f0e\" data-id=\"22a3f0e\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-551a81a0 elementor-widget elementor-widget-heading\" data-id=\"551a81a0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Chad Blain<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-46204ab4 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"46204ab4\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-46c7c815\" data-id=\"46c7c815\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-63a02fca elementor-widget elementor-widget-text-editor\" data-id=\"63a02fca\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p>Sponsor Narration by<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-5b744b18\" data-id=\"5b744b18\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4c0484a elementor-widget elementor-widget-heading\" data-id=\"4c0484a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h3 class=\"elementor-heading-title elementor-size-default\">Paul Winestock<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-2bd6e33e elementor-widget-divider--view-line elementor-invisible elementor-widget elementor-widget-divider\" data-id=\"2bd6e33e\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<section class=\"elementor-section elementor-inner-section elementor-element elementor-element-4c0f738b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4c0f738b\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-73314bec\" data-id=\"73314bec\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7148d38b elementor-mobile-align-center elementor-tablet-align-center elementor-invisible elementor-widget elementor-widget-button\" data-id=\"7148d38b\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm elementor-animation-shrink\" href=\"https:\/\/cceditors.ca\/fr\/2021\/06\/episode-051-interview-with-kim-french\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-headphones-alt\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Previous<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-319d9b8f\" data-id=\"319d9b8f\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3a9290cc elementor-align-center elementor-invisible elementor-widget elementor-widget-button\" data-id=\"3a9290cc\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm elementor-animation-shrink\" href=\"https:\/\/cceditors.ca\/fr\/what-we-do\/podcasts\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Main Podcast Page<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-66625f77\" data-id=\"66625f77\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-0ec83ef elementor-mobile-align-center elementor-tablet-align-center elementor-align-right elementor-invisible elementor-widget elementor-widget-button\" data-id=\"0ec83ef\" data-element_type=\"widget\" data-e-type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeIn&quot;}\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm elementor-animation-shrink\" href=\"https:\/\/cceditors.ca\/fr\/2021\/10\/episode-0053-in-conversation-with-terilyn-shropshire-ace\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<i aria-hidden=\"true\" class=\"fas fa-headphones-alt\"><\/i>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Next<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Episode 52: Interview with Elisabet Ronaldsd\u00f3ttir In this episode Sarah Taylor sits down with Elisabet Ronaldsd\u00f3ttir. Elisabet has a killer film resume and has cut many much loved action films &#8211; Atomic Blond, John Wick and Deadpool 2 to name a few. This month she has two new films coming out &#8211; Marvel&#8217;s latest SHANG-CHI [&hellip;]<\/p>\n","protected":false},"author":856,"featured_media":18075,"comment_status":"open","ping_status":"open","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[9],"tags":[458,28,44,939,911,937,876,938,306,307,35,936,779,912],"class_list":["post-18076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-editors-cut","tag-balado","tag-cce","tag-editor","tag-elisabetronaldsdttir","tag-femaleeditors","tag-johnwick","tag-lartdumontage","tag-marvel","tag-monteurs","tag-monteuses","tag-podcast","tag-shangchi","tag-theeditorscut","tag-womeninpost","pmpro-has-access"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Episode 052 - Interview with Elisabet Ronaldsd\u00f3ttir &#187; Canadian Cinema Editors \/ Les Monteurs et Monteuses de cin\u00e9ma canadien<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cceditors.ca\/fr\/2021\/09\/episode-052-interview-with-elisabet-ronaldsdottir\/\" \/>\n<meta property=\"og:locale\" content=\"fr_CA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Episode 052 - Interview with Elisabet Ronaldsd\u00f3ttir &#187; Canadian Cinema Editors \/ Les Monteurs et Monteuses de cin\u00e9ma canadien\" \/>\n<meta property=\"og:description\" content=\"Episode 52: Interview with Elisabet Ronaldsd\u00f3ttir In this episode Sarah Taylor sits down with Elisabet Ronaldsd\u00f3ttir. Elisabet has a killer film resume and has cut many much loved action films &#8211; Atomic Blond, John Wick and Deadpool 2 to name a few. This month she has two new films coming out &#8211; Marvel&#8217;s latest SHANG-CHI [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cceditors.ca\/fr\/2021\/09\/episode-052-interview-with-elisabet-ronaldsdottir\/\" \/>\n<meta property=\"og:site_name\" content=\"Canadian Cinema Editors \/ Les Monteurs et Monteuses de cin\u00e9ma canadien\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/CCEditors\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-07T08:30:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-10-04T00:04:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/cceditors.ca\/wp-content\/uploads\/2021\/03\/CCE_podcast_EP052_web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Sarah Taylor\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@CCE_editors\" \/>\n<meta name=\"twitter:site\" content=\"@CCE_editors\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Sarah Taylor\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimation du temps de lecture\" \/>\n\t<meta name=\"twitter:data2\" content=\"35 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/cceditors.ca\\\/2021\\\/09\\\/episode-052-interview-with-elisabet-ronaldsdottir\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/cceditors.ca\\\/2021\\\/09\\\/episode-052-interview-with-elisabet-ronaldsdottir\\\/\"},\"author\":{\"name\":\"Sarah Taylor\",\"@id\":\"https:\\\/\\\/cceditors.ca\\\/fr\\\/#\\\/schema\\\/person\\\/bfe8de58ca46fe9194e9f267e0eb7b5c\"},\"headline\":\"Episode 052 &#8211; 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