National Indigenous History Month 2020

We also reflect on the enduring legacy of colonization and oppression that continues to affect indigenous communities across Canada and the world today. The CCE has partnered with Indspire, a charity in support of Indigenous Youth. Donate to Indspire today. The link to donate is a permanent part of the CCE home page.
Recent projects include She Walks with Apes for CBC The Nature of Things, The Third Dive for CBC POV, Equator: A New World View for Discovery/Arte, and the factual series Coldwater Cowboys for Discovery.
She has a keen interest in natural history and has cut many films focusing on animals and the environment (Manufacturing the Wild, Meet the CoyWolf, Puffin Patrol, Carpe Diem, Raccoon Nation and others).
Carole has edited award-winning documentary series (Spaceship Earth, The National Parks Project, Things That Move) and short films (Ghost Bike, Record, Sea in the Blood), music videos and narrative features.
Her work has been featured by broadcasters and film festivals across Canada and around the world.
Where to watch Carole’s recent work (US & Canada):
“She Walks with Apes” – CBC Gem
“The Messenger” – iTunes
Pursuing his passion for being an editor in 1994, he has worked on series produced for Netflix, AMC, MGM, Paramount, Showtime, and Disney, to name a few.
Credits include Spinning Out, V-Wars, Dark Matter, Into the Badlands, Hemlock Grove, Rookie Blue, Lost Girl, Dead Like Me, Odyssey 5, and The 4400.
Paul also directed episodes of Dark Matter and webisodes for Lost Girl.
One of the co-founders of the Canadian Cinema Editors, Paul continues to pursue expanding the industry profile of editors and elevating the importance of their craft.
Where to watch Paul’s recent work (US & Canada):
“Into The Badlands” – Netflix & Apple TV
“Dark Matter” – Netflix
EditCon 2020 took place on Saturday February 1, 2020 at the TIFF Bell Lightbox in Toronto. A sold-out crowd of CCE members and friends were very excited to welcome master editor Susan Shipton for an in-depth discussion of her work. The day also featured panel discussions on editing comedy, theatrical films, and unscripted programming with some of Canada’s top editors sharing a wealth of knowledge and experience.
Hours and hours of footage, tight deadlines, and no script? No problem! Editors from hit shows including Big Brother, The Amazing Race, Yukon Gold, and In The Making share how they get to the finish line. Featuring clips from these and other top-rated and award-winning reality and factual programs, this discussion breaks down the process of cutting unscripted programming, both creatively and technically.
Jonathan Dowler has been in the industry since 2001, both in Australia and Canada. He has cut everything from documentaries, animation, sports news, but his extensive experience has been in cutting reality TV. He has worked on many of the large format shows such as Big Brother, So You Think You Can Dance, Masterchef and The Amazing Race Canada. He is a 12-time CSA and 15-time CCE nominated editor and has won five consecutive CSA’s and four CCE Awards.
Elianna Borsa graduated from Seneca College in 2014 and quickly rose to the top of her profession as an editor working on Canada’s top reality shows The Amazing Race Canada, Top Chef Canada, and Big Brother Canada. Elianna earned multiple Canadian Screen Award nominations and won a CCE Award for Best Editing in Reality/Competition/Lifestyle in 2019.
Born and raised in Vancouver, Jenypher has worked mainly in documentary and factual storytelling for the past 15 years. Recent series include The Nature of Things (CBC / Smithsonian), Wild Bear Rescue (Animal Planet / Discovery),Queen of the Oil Patch (Aboriginal Peoples Television Network), This is High School (CBC), EXPECTING! (UPtv), ER: Life & Death at VGH & PARAMEDICS: Life On The Line (The Knowledge Network), Yukon Gold (History), The Bachelor Canada (W Network), Ice Pilots (History) and Glutton for Punishment (The Food Network).
Baun Mah has worked as an editor and director on top-rated shows like Big Brother Canada, The Amazing Race Canada, and Chopped Canada. He’s earned several CSA nominations for his editing and won one at the 2018 CCE Awards for Top Chef Canada. In the past year, Baun has also worked on several scripted shows such as the comedy Rogue Bridal and the Netflix horror series Slasher.
Ian Sit was born in Regina, Saskatchewan and grew up in Mississauga, Ontario. He is an editor working primarily in documentary film and television. He has been nominated for a Canadian Screen Award for his work on Where the Universe Sings and is the winner of the 2019 CCE Award for Best Editing in Docu-Series for his work on In The Making. Ian lives in Toronto and is a longtime passionate fan of the Raptors.
There’s no formula to a festival hit, but the three editors behind the recent critically-lauded feature films Freaks, Mouthpiece, and Genesis share how they did it. This panel discussion focuses on their process, their career trajectories, and what lies ahead.
Raised on Star Trek: The Next Generation, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room as an editor. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, as well as the small screens of SRC, TVA, Télé-Québec and HBO.
Mathieu Bouchard-Malo is an editor of feature films and documentaries. He has worked on Philippe Lesage’s films: Genesis, The Demons, Maxime Giroux; The Great Darkened Days, Felix and Meira; Jean-François Caissy: First Stripes, Guidelines, Anne Émond; Nelly, Night #1; as well as Zayne Akyol’s film: Gulîstan Land of Roses. In 2019, he was a finalist at the Quebec Cinema Gala for the editing of Genesis and The Great Darkened Days.
Lara Johnston is a Toronto-based editor. She has worked with such filmmakers as Patricia Rozema, Brian DePalma and Cary Fukunaga. She studied Cinema Studies at UofT and did an MFA in Documentary Media at Ryerson. She also teaches editing at Humber College. In 2019 she won the CCE and DGC award for best feature editing for her work on Rozema’s Mouthpiece.
Mouthpiece | rent on iTunes
From her humble beginnings working as an assistant, Sabrina’s first real kick at the can came in the form of a feature in 2011 called Sisters & Brothers. Upon completion, she stood up from her desk, declared herself an Editor at the top of her lungs, and never looked back. Since then, she’s dabbled in just about every genre, and cut every format. Recent credits include Disney’s Kim Possible, and a Sam Raimi Produced Quibi series 50 States of Fear.
This panel explores the mechanics of making us laugh–how do you take what’s on the page and make it land? From sketch comedy to sitcoms, editors from Schitt’s Creek, Letterkenny, Baroness Von Sketch Show (and more) explore what makes cutting comedy unique and particularly challenging.
Elvira Kurt, comedy legend, gay icon and freakin’ national treasure, is a multiple award-winning, stand-up comic and Second City veteran whose credits as star, host, guest, writer, story editor and or talent director are simply far too many to mention. Except for these: The Debaters, Canada’s Drag Race, Baroness Von Sketch Show, The Great Canadian Baking Show, Master Chef Canada, Iron Chef Canada, YTV’s The Game, Four Weddings Canada, and, of course, Elvira’s unforgettable stint on CBC Radio’s hit show, ‘Q’. And, lol, ‘q’.
James Bredin has over 35 years’ editing experience. His work spans a variety of genres including comedy, drama, feature films, MOWs, documentary and unscripted. James has recently worked on Workin’ Moms, Cavendish, and the first three seasons of Schitt’s Creek, for which he won the CSA in 2016 and the CCE Award in 2015. Other career highlights include Little Mosque on the Prairie, Nero Wolfe, Total Recall 2070 and numerous MOWs and feature films, including Blood, A Wake, and the recent Netflix feature, He Never Died.
Originally from Newfoundland, Jonathan Eagan is a Toronto based editor whose credits include The Animal Project, Cast No Shadow, and We Were Wolves. In 2014 Cast No Shadow swept the awards at the Atlantic Film Festival before being honoured with four CSA nominations. His most recent feature film is a collaboration with co-editor Mike Reisacher on The Lockpicker, winner of the inaugural John Dunning Discovery Award for Best Micro-Budget Feature at the CSAs. In television, Jonathan’s credits include Workin’ Moms, Letterkenny, Carter and currently Ginny & Georgia for Netflix.
Marianna Khoury is an Antiguan film and television editor based in Toronto. She joined Baroness von Sketch Show in 2017, editing seasons three through five. More recently, she edited Tallboyz and Workin’ Moms. Marianna began editing on web series The Amazing Gayl Pile, Space Riders: Division Earth, Filth City and True Dating Stories. Her work in film includes She Stoops to Conquer, 7A, and When The Storm Fades. Marianna’s work has garnered two Canadian Screen Awards and a CCE nomination.
Multi-award-winning editor Susan Shipton shares her vast knowledge and experience from a long career in film and network television. Susan has over 40 feature films to her credit. She has cut eight films with director Atom Egoyan (including Oscar-nominated The Sweet Hereafter), as well as many critically-acclaimed television series such as The Book of Negroes, and The Expanse.
Sarah Taylor is an award-winning editor with 18 years of experience in documentary and narrative films. She focuses her work on stories that have the power to change lives. Her recent credits include the short documentary FAST HORSE, that screened at over 15 festivals and won the short film special jury award for directing at Sundance Film Festival 2019, the sketch comedy series Caution: May Contain Nuts on APTN, and the lifestyle series Cow-boy Urbain on TV5 Unis. Her notable documentary credits include Dino Trails and Coastal Revival (Air Canada), The Harder I Fight II and Rare Mettle (TELUS Optik Local), The Match (bravoFACTUAL), Breaking Loneliness and Ms. Scientist, (CBC). Sarah is a Directors Guild of Canada (DGC) member, on the board of directors for the Canadian Cinema Editors (CCE) and is the host of the CCE podcast The Editor’s Cut.
A graduate of Queen’s University, Susan is best known for editing all of Atom Egoyan’s films from The Adjuster to Guest of Honour. Her credits also include the films Barney’s Version and Mr. Nobody, and TV shows Book of Negroes, Nurses, Burden of Truth, and The Expanse. She won DGC Awards for Being Julia and The Adjuster, and Genie Awards for Exotica, Possible Worlds, and Oscar-nominated film The Sweet Hereafter. She is currently cutting Ginny and Georgia for Netflix.
Simone Smith
Firecrackers
Richard Comeau, CCE
Stockholm
Graham Withers
Transformer
Dave Kazala, CCE
Dolphin Man
Duncan Christie
Mary Kills People: Fatal Flaw
D. Gillian Truster, CCE
Anne with an E: Protest Against Any Absolute Conclusion
Matthew Anas
Cardinal: Blackfly Season
Paul Winestock, CCE
Blood and Water: 201
Brenda Terning & Krystal Moss
Equus: Story of the Horse – Chasing the Wind
Cathy Gulkin, CCE
You are Here
Michael Tersigni, CCE, Jonathan Dowler, Gloria Tong, Owin Lambeck (Plus 2 other editors)
The Amazing Race Canada: Just a Beaver Hero
Jonathan Dowler, Baun Mah, Ryan Monteith, Mike Scott, Andrew Gurney, Seth Poulin, Michael Tersigni, CCE, Jordan Crute, Owin Lambeck (Plus 9 other editors)
Big Brother Canada: Finale
Michael Tersigni, CCE, Ryan Monteith, Mike Scott, Elianna Borsa
Top Chef Canada: Double Overtime
Jonathan Eagan
Workin’ Moms: 2005
Mike Fly (plus 3 other editors)
Baroness von Sketch Show: Is that you Karen?
EditCon 2019 took place on Saturday February 2, 2019 at the TIFF Bell Lightbox in Toronto.
Unarmed Verses and Sgaaway K’uuna (Edge of the Knife) are films that have intertwined themes of social justice into compelling stories, bringing important social messages to the screen in their respective genres of narrative and documentary film. Meet the Editor / Director / Producer duos behind both of these films to discuss the process of collaboration, sensitivity approaching the subject matter, and what each role contributes to the crafting of a powerful narrative.
Emmy-nominated and Gemini-winning Michèle Hozer has been working as a filmmaker and editor in Canada since 1987. To date, she has worked on more than 50 documentaries. Her work has received accolades from the most prestigious film festivals in the world, including the Sundance Film Festival and the International Documentary Film Festival in Amsterdam. Shake Hands with The Devil: The Journey of Roméo Dallaire won both the 2007 Emmy for Best Documentary and the Audience Award at the 2005 Sundance Film Festival. Promise to the Dead picked up her first International Emmy nomination as an editor. But her directorial debut with Genius Within: The Inner Life of Glenn Gould won the coveted spot on the Academy Award short list as well as a Gemini for Best Biography. Since its premiere at TIFF in 2009, the feature length documentary has been seen by audiences in Britain, Australia, Japan, and across North America.
In 2012, The Director’s Guild of Canada (DGC) awarded The Allan King Award for Excellence in Documentary to Michèle and team for West Wind: The Vision of Tom Thomson. At the same time, she picked up both the Amsterdam International Documentary Film Festival Editing Award and top honours from her peers at Canadian Cinema Editors.
In 2015 Michèle completed her first solo feature length documentary in the combined roles of director, editor, and producer for Sugar Coated probing the role of sugar in a global healthcare epidemic. The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television. Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards. Sugar Coated presently playing available Netflix across North America. Michèle’ short documentary, The Barber of Augusta just recently won the Dodie Spittal Award at 2017 The Picture This Film Festival. She just completed SponsorLand, the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario.
With over 15 years experience, Argentina-native Andres Landau is an award-winning editor. He was distinguished with the 2018 Canadian Cinema Editors Award for Best Editing in a Feature
Documentary for Unarmed Verses. In 2011, he oversaw post-production for The National Parks Project, and edited Sirmilik the 2012 Genie Award winning short documentary by director Zacharias Kunuk. He edited Charles Officer’s feature documentary, Unarmed Verses produced by The National Film Board of Canada, Winner of the 2017 HotDocs Best Canadian Feature Documentary and 2018 TIFF Canada’s Top Ten Audience Award and The Stairs by Hugh Gibson, Winner of the 2016 Toronto Film Critics Association for Best Canadian Film.
Lea Marin is an award-winning Toronto-based producer with more than 18 years’ experience in the industry. A graduate of the Canadian Film Centre’s Producers’ Lab, Lea joined the National
Film Board of Canada as a producer in 2006. Her most recent film credits include Charles Officer’s Unarmed Verses, which won the Best Canadian Feature Documentary Award at Hot Docs 2017. Other credits include Chelsea McMullan’s My Prairie Home, and Astra Taylor’s Examined Life. Lea recently completed production on Taylor’s follow-up to Examined Life, the feature doc, What Is Democracy? which premiered at TIFF 2018, and is currently in production on Throat, a co-collaboration between filmmaker Chelsea McMullan and artist/activist Tanya Tagaq.
Sarah Hedar is a Vancouver-based editor who utilizes innate patience and her sense of humour to work effectively with the natural ebb and flow of the creative process. Her editing work on provocative and original films crosses genres and spans both documentary and narrative projects. Her recent editing includes the feature film Sgaawaay K’uuna: Edge of The Knife, the first Haida language feature that garnered acclaim at both TIFF and VIFF, and the short film Last Stand to Nowhere, an all female re-imagining of the classic Western story of the gunfight at the OK corral. Sarah’s love of visual storytelling is shown through her dedication to her craft and her commitment to on-going education as she pursues her MA in film, with a focus on writing and directing.
Helen Haig-Brown (Tsilhqot’in) is an award-winning director and a leading talent in experimental documentary. Her work is broad-ranging, from intimate autobiographies to forays into Science Fiction. Her short film ?E?anx (The Cave), an adaptation of a Tsilhqot’in story was named to Canada’s Top Ten Shorts by TIFF and was an Official Selection at Sundance Film Festival. My Legacy, her first feature documentary, focuses on the transformation and healing of intergenerational trauma to trust, worth, intimacy and love. Her work has aired on APTN, CBC, Knowledge, NITV (Australia) and has been showcased around the world at film festivals such as Berlinale, Rotterdam and Sundance.
Helen’s latest work, co-directing with Gwaii Edenshaw, Sgaawaay K’uuna: Edge of the Knife, is a feature film produced on Haida Gwaii, entirely in the Haida language. A joint production between the Council of the Haida Nation and Isuma’s Zacharius Kunuk, Sgaawaay K’uuna is the story of the Gaagiixid, the iconic Haida wild man. Helen is a graduate of Capilano’s Indigenous Independent Digital Film Program and lives between her traditional territory in British Columbia’s Cariboo Chilcotin and her partner’s traditional home of Haida Gwaii.
Learn from Canada’s leading animation editors about the critical role they play in crafting animated films.
How does the process differ from editing live action? At what point does the editor’s work start? What does the collaboration look like with team members and the director? These questions and more will be answered in this lively group discussion.
Paul Hunter (Nut Job, Spark) and Lesley Mackay Hunter (The Nut Job 2 – Nutty by Nature, Arctic Justice) shed light on their careers in animated film and television, and the unique role of the editor from storyboard to screen.
Chris Mutton brings over 15 years of film and television experience to the edit suite. His latest film, LUBA, won multiple awards at the Canadian Film Fest and earned him a CCE awards nomination. Recently completed are three short films screening at this year’s Available Light Film Festival in Whitehorse. He is currently editing Easy Land, the first feature of Serbian-Canadian director Sanja Zivkovic. Chris has served as vice-president of the CCE and continues to stay involved as part of the Global Opportunities Committee.
For over 25 years, Paul has worked as an online, offline and supervising editor, cutting everything from animatics, 2D/3D animation, and stop-motion. Projects include Freaky Stories, Angela Anaconda, Franny’s Feet, Iggy Arbuckle, Johnny Test, Glenn Martin DDS and Nature Cat. The Nut Job was Paul’s first feature film. When given the chance to work on it, Paul thought that he would be nuts not to! Since then, Paul has also edited the feature animated films Spark and The Nut Job 2.
Lesley has worked almost exclusively in animation—a medium that she loves! With an unconventional background in stage performance, music and sound, which she uses to enhance her storytelling techniques. A leica reel and offline editor of many hit shows including Johnny Test, Busytown Mysteries, Justin Time and Total DramaRama. Known for her comedic and musical timing, Lesley has recently been working on feature animations The Nut Job 2 and soon-to-be-released Arctic Dogs.
There’s no formula to a festival hit, but these three editors, each with a recent feature film on the circuit, shed light on their respective experiences. This panel discussion focuses on their careers in indie film, their process in editing these films, getting a festival run, and what lies ahead.
Award winning editor Lisa Grootenboer is an industry staple with two plus decades of experience. She is best known for her work on The Tudors, The Borgias, Mary Kills People and ANNE with an E, as well as for her live music cutting with Joe Bonamassa and Iron Maiden Logging in at 260 hours of cut screen time, her passion is clearly seen in her work. Since 1995, Lisa has been nominated for 18 film awards and has brought home eight, including four DGC Awards, three CCE’s and a Gemini.
Isabelle Malenfant began her career as an assistant editor learning alongside Emmy Award winning director Yves Simoneau, on his films Napoléon, Free Money, and Nuremberg. As long-time editor for critically-acclaimed director Francis Leclerc, she worked on the popular sitcom Les beaux malaises, the dramatic series Marche à l’ombre, and Mon meilleur ami and the poetic short Trotteur, amongst others. Their latest collaboration, the feature film Pieds nus dans l’aube, is an adaptation of Félix Leclerc’s autobiographical novel of the same name. Over the years, she has also collaborated with directors François Jaros, Philippe Gagnon, Quentin Dupieux (a.k.a. Mr Oizo), Olivier Asselin and Mélanie Charbonneau. Originally from Quebec, she has worked on both French and English productions including television series, films and commercials.
With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance. She has a particular affinity for telling dramatic stories, but an interest in seeking projects that challenge her to learn new techniques has expanded her editing credits to include comedies (Steak, Dans Une Galaxie Près de Chez Vous 2), VFX projects (Marie-Antoinette, Assassin’s Creed), animation (Mune, the guardian of the moon) and dance film (Amelia from Edouard Lock’s Lalala Human Steps).
Isabelle Malenfant has been nominated for five Gémeaux Awards including Marche à l’ombre 2 (2017), Les beaux malaises (2014-2015), Mon meilleur ami (2013), and Les Rescapés (2012). She was nominated for a Jutra Award in 2009 for Un capitalisme sentimental and won best editing at the Savannah Film Festival in 2012 with Trotteur.
She won this years’ CCE awards for Best Editing in Feature Film Pieds nus dans l’aube.
Michelle Szemberg is a Toronto born award winning film editor. After graduating from the film program at York University, Michelle worked for many years as an assistant editor. This allowed her to be mentored and to collaborate with some of the leading forces in Canadian cinema. Michelle’s selected credits include the independent feature films Moon Point (Dir. Sean Cisterna), Don’t Get Killed in Alaska (Dir. Bill Taylor), No Stranger Than Love (Dir. Nicholas Wernham), Natasha (Dir. David Bezmozgis) and the Serendipity Point Films produced feature Below Her Mouth, directed by April Mullen, which premiered at TIFF in 2016. In addition to her work in film, Michelle edited two seasons of the Netflix/Rogers TV series Between, created by Michael McGowan. Her latest titles include the Cuban/Canadian film, Un Traductor, directed by Rodrigo and Sebastian Barriuso, which premiered in competition at the 2018 Sundance Film Festival and the upcoming Netflix/CBC series Northern Rescue.
Christine Armstrong is an editor who has worked on a variety of short films, tv series, commercials and feature films in the US and Canada. She is an alumni of Cineplex Entertainment Film Program Editor’s Lab at the Canadian Film Centre.
Armstrong’s recent work includes THE NEW ROMANTIC starring Jessica Barden (The Lobster) , and Camilla Mendes which received special Jury award at SXSW festival, THE DROP IN & MARINER (CANADA TOP TEN), comedy series Kristal Clear (Amazon PRIME) and MARY GOES ROUND (TIFF 2017, Santa Barbara Film Festival) which she received a best editing in feature nomination.
Armstrong’s upcoming work includes AMERICAN REJECT starring Annaleigh Ashford (Masters of Sex) and Keala Settle (The Greatest Showman) and her directorial debut on comedy series CLAMBAKE.
In this masterclass, award-winning editor Ron Sanders shares insight from his career, notably his longtime collaboration with celebrated director David Cronenberg on 19 films, for which he won four Genie Awards for Excellence in Film Editing (Dead Ringers, Crash, eXistenZ, Eastern Promises) and three Best Editor Awards from the Directors Guild of Canada (A History of Violence, Eastern Promises, A Dangerous Method).
Writer-Director Jim Allodi is a graduate of the NYU film program, and the CFC Director’s Lab. He wrote and directed the acclaimed feature The Uncles (Odeon Films), named one of Canada’s Top Ten by the Cinemateque Ontario. His award winning shorts have played in numerous international festivals.
His directing work for television includes the pilot for The Republic of Doyle (CBC), Call Me Fitz (HBO Canada), Regenesis (TMN), and he has won a Gemini award and nominations for both drama and comedy (Naked Josh, Showcase), and a DGC Award for Best Miniseries/TV Movie (The Best Laid Plans, CBC.)
Having worked as an editor and photographer, Jim turned to acting in his 20’s as a means of furthering his development as a director, and has since accumulated a long list of film and television credits and appeared on stage in Canada, the U.K., and the U.S.
Ron has worked with directors including, Robert Longo, Daniel Petrie Jr., Sturla Gunnarson, Norman Jewison, and Henry Sellick. He collaborated with David Cronenberg on 19 films winning Genie Awards for Dead Ringers (1989), Crash (1996), eXistenZ (2000) and Eastern Promises (2007) and DGC Awards for A History of Violence (2006), Eastern Promises (2008) and A Dangerous Method (2012). He was nominated for an American Cinema Editors Award for his work on Coraline (2010).
Paul Hunter & Lesley Mackay Hunter – The Nut Job 2 *WINNER*
Annellie Samuel – Magic School Bus, Rides Again: Space Mission Selfie
Dan Lee, Noah Yates & Doug Appeldoorn – Wishfart: We Can Eat Sand/We Are Cheetah Face
Pete Watson, CCE, Jon Hutton & Vish Hansa – Napkin Man: Go With The Flow
Stephanie Duncan, Jason Cohen & Lee Maund – Hotel Transylvania: Adventures in Vampiresitting
Thom Smalley – Prince’s Tale *WINNER*
Alan Flett – Inseparable: Ten Years Joined At The Head
Katie Chipperfield – NUUCA: Field of Vision
Luke Sargent – The Love Songs of Oedipus Rex
Tiffany Beaudin – On My Way Out: The Secret Life of Nani and Popi
Andres Landau – Unarmed Verses *WINNER*
Cathy Gulkin, CCE – In The Name of Your Daughter
Eamonn O’Connor – My Enemy, My Brother
Jean-Denis Rouette – Shut Up And Say Something
Hart Snider & J.R. Mackie – I Am Heath Ledger
Mike Banas, CCE – It’s Not What you Know *WINNER*
Alexander Farah & Paolo Kalalo – Cypher
Holly Pavlik – The Ultimate Thief
Lisa Jane Robison, CCE – The Black Ghiandola
Maureen Grant – L’Audition
Greg Ng – The Wrestlers: The Next Wave of Mexican Luchadores *WINNER*
Cathy Gulkin, CCE & Paul Winestock, CCE – We Are Canada: Ep5
James Yates – Arctic Secrets: Rhythm of the Bay
Rob Chandler – Mayday Season 17: Ep4 Explosive Proof
Steven Budd & Ben Kaplan – Tattoo Age: Ed Hardy
Lauren Brandon – The Next Step – The Off Season: Riley’s Dance *WINNER*
Ashley Brook, Josef Beeby & Kyle Cucco – Canadiana: The Bizarre History of O’Canada
Lisa Barley – Backstage: Studio Pass – Montreal
Simone Smith – That’s My DJ: The Finale
Thom Smalley – Played: Ep06 Level Up
Al Manson, Jonathan Dowler, Andrew Gurney, Baun Mah, Mike Scott, Kyle Martin & Seth Poulin – Top Chef Canada: All Stars (Ep5059 Lock It Up! It’s the Finale!) *WINNER*
Allan Hughes, Miles Davren & Jared Bryer – Masterchef Canada (Ep408 – Auberge Anniversary)
Cynthia Flengeris, Michael Tersigni, Kyle Martin & Jonathan Dowler – Top Chef Canada: All Stars (Ep5050 All-Stars Assemble)
Michael Tersigni, Jonathan Dowler, Kyle Martin & Cynthia Flengeris – Top Chef Canada: All Stars (p5056 Ice Cream, You Scream, All Aboard!)
Michael Tersigni, Jonathan Dowler, Wesley Finucan, Cynthia Flengeris, David Yenovkian & Clare Elson – The Amazing Race Canada (Ep501 Who Wants To Be The Python?)
Daniel Benoit – Animal (Centennial College)
Daniel Shpuntov & Alex Xiao – Tempest (Ryerson University)
Ellora Dela Fuente – Perception (Sheridan College)
Emily Stranges & Brett Sherman – An Art Ting (Ryerson University)
Joanna Su – Fermata (Humber School of Media Studies & Information Technologies)
Trevor Ambrose, CCE – Schitt’s Creek: Singles Week *WINNER*
Aren Hansen – Kim’s Convenience: Ep210 Janet’s Boyfriend
Ehren Davis & Dean Soltys – Mr.D: Ep 711 Insiders Look
Gordon Rempel, CCE – Mech-X4 (Vs the Dark Night)
Robert de Lint – Kim’s Convenience: Ep213 A Handy Graduation
Lisa Grootenboer, CCE – Mary Kills People: The Means *WINNER*
Daniel Sadler – Cardinal: Blackfly Season – Red
Duncan Christie – Mary Kills People: Fatal Flaw
Matthew Anas – Cardinal: Blackfly Season – Toof
Ron Wisman SR, CCE – Flint
Wendy Hallam Martin, CCE – The Handmaid’s Tale: Late *WINNER*
Aaron Marshall – Vikings: Moments of Vision Ep510
Christopher Donaldson, CCE – The Handmaid’s Tale: Birth Day
D. Gillian Truster, CCE – Anne: Remorse is the Poison of Life Ep106
Jay Prychidny, CCE – Orphan Black: To Right the Wrongs of Many
Isabelle Malenfant, CCE – Pieds nus dans l’aube *WINNER*
Chris Mutton & Erin Gulas – Luba
Duff Smith – Sweet Virginia
Jane MacRae & Kye Meechan – 22 Chaser
Michael Pierro – Room For Rent
Starting his career in 1970, master documentary editor Steve Weslak, CCE, remembers that working in the tiny film community of the era felt more like being in a garage rock band, rather than the mature industry that we have today. Almost five decades later he is still a vital part of the documentary scene, editing feature docs for HBO, BBC, PBS, NFB and all the major Canadian broadcasters. His editing assignments on international co-productions have taken him around the world, from Sydney, Australia to London, England. Along the way he’s been privileged to work with many outstanding directors such as Ric Bienstock, Alex Gibney, Larry Weinstein and Barbara Willis Sweete.
Steve’s 2015 year saw him win both a Canadian Screen Award for “Best Picture Editing in a Documentary” for Our Man in Tehran as well as the Black Dolphin award in Cannes for editing the HBO feature Tales From the Organ Trade—the only editing prize awarded from the 725 entrants at the Dolphin Film Festival. He’s been a six-time Gemini award nominee and a number of the films he’s edited, such as The Planets, Empire of the Word, and Deadly Currents, have won awards at home and internationally, including an International Emmy for Concerto. Perhaps the most important and enduring impact that he’s had on Canada’s industry is through his mentorship. Steve loves to work with first-time filmmakers, sharing what he has learned over the decades. Throughout the years he has also helped many of his editing assistants graduate into fulltime professional editors.
The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto. The event was sold out to 150 guests and included 4 informative, lively and open discussion panels.
Some of our sponsors donated some great prizes. Our prizes totalled over $6000. Some prizes included a Hard Drive, Copies of Art of the Cut (Steve Hullfish the author was even in attendance to sign the copies!), a copy of Avid Media Composer and subscriptions to various Boris FX programs.
Narrative, character & emotion – how do we as storytellers bring these elements to an audience in a compelling and dramatic way? In documentary filmmaking, there are the added challenges of ethics, honesty, and “truth,” in however we are able to define them for ourselves. Editors in doc have such a deep involvement in shaping the films that they can become credited co-directors or co-writers. Join us as our panel (Mike Munn CCE, Michèle Hozer CCE & Nick Hector CCE) explores the profound level of authorship editors can have in crafting a documentary.
Jay Prychidny, CCE is an award-winning picture editor and producer who has worked across a variety of scripted and factual programs. Most recently, his scripted projects have included Orphan Black (BBC America), Killjoys (SyFy) and Into the Badlands (AMC). On the factual side, he has worked on documentary series such as The Week the Women Went (CBC), Rodeo: Life on the Circuit (History) and SexTV (CTV) as well as the reality programs Canada’s Next Top Model (CTV), Top Chef Canada (Food Network) and The Amazing Race Canada (CTV).
Nick Hector is a DGC, CCE, HotDocs and multi-Gemini Award winning film editor, story editor and consultant. He’s cut more than two-dozen feature and one hundred TV documentaries for filmmakers across the globe. Perhaps Nick’s best known work stems from his long creative relationships with legendary Canadian filmmakers Allan King, Yvan Patry, and Sturla Gunnarsson. With 2 films on Criterion, 3 Top Ten Canadian films, 5 films at MoMA, 10 at TIFF, and 15 at HotDocs, the first 30 years have been a lot of fun.
Mike began his career with the Toronto New Wave, editing features for Bruce McDonald (Roadkill), Srinivas Krishna (Masala and Lulu) and Peter Mettler (Tectonic Plates; Picture of Light).
He went on to cut numerous features for Canadian and international directors, including John Greyson (Law of Enclosures), Richard Kwietniowski (Owning Mahowny), Daniel MacIvor (Past Perfect; Wilby Wonderful), Nisha Ganatra (Cake), and Bruce McCulloch (Comeback Season). As well, Mike has edited several award-winning documentaries, including Stories We Tell, for director Sarah Polley. His many television credits include Shaftesbury’s The Shields Stories and Sienna Film’s mini-series Diamonds, nominated for 9 Gemini awards.
Mike’s work has been recognized formally through award nominations as well as being highlighted in film reviews from around the world. Films he has edited have played at Cannes, Berlin, Venice and Sundance, among other festivals, with 11 features accepted at TIFF. Sarah Polley’s Stories We Tell was shortlisted for the documentary Oscar as well as being voted in a TIFF poll as one of the 10 best Canadian films of all time.
With two films on the Oscar shortlist, Emmy-nominated and Gemini-winning Michèle Hozer has been working as a filmmaker and editor in Canada since 1987. To date, she has worked on more than 50 documentaries. Her work has received accolades from the most prestigious film festivals in the world, including the Sundance Film Festival and the International Documentary Film Festival in Amsterdam. Shake Hands with The Devil: The Journey of Roméo Dallaire won both the 2007 Emmy for Best Documentary and the Audience Award at the 2005 Sundance Film Festival. Promise to the Dead picked up her first International Emmy nomination as an editor. But her directorial debut with Genius Within: The Inner Life of Glenn Gould won the coveted spot on the Academy Award short list as well as a Gemini for Best Biography. Since its premiere at TIFF in 2009, the feature length documentary has been seen by audiences in Britain, Australia, Japan, and across North America.
In 2012, The Director’s Guild of Canada (DGC) awarded The Allan King Award for Excellence in Documentary to Michèle and team for West Wind: The Vision of Tom Thomson. At the same time, she picked up both the Amsterdam International Documentary Film Festival Editing Award and top honours from her peers at Canadian Cinema Editors.
In 2015 Michèle completed her first solo feature length documentary in the combined roles of director, editor, and producer for Sugar Coated probing the role of sugar in a global healthcare epidemic. The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television. Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards. Sugar Coated presently playing available Netflix across North America. Michèle’ short documentary, The Barber of Augusta film just recently won the Dodie Spittal Award at 2017 The Picture This Film Festival. She just completed SponsorLand the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario.
What is it like to collaborate with television’s finest creators? How does Jean- Marc Vallée work with his editors, having been one himself? What’s it like to cut the performance of a National Treasure? How does it feel to share your Emmy onstage with Margaret Atwood?
The panel will examine the editor’s contribution in creating original, provocative and beautifully made television.
Award winning editor, Teresa has been editing TV drama for more than 20 years. Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA. Bellevue, starring Anna Paquin, is screening on WGN America at the moment another series that Teresa edited and got to co-produce. Prior work includes award nominated series; 19-2, Bomb Girls, Camelot and the influential Durham County. Teresa is very excited to be part of the industry at a time when the boundaries of TV storytelling are being pushed like never before- it truly is the Golden Age.
Roslyn’s television projects can be seen on NETFLIX, HBO Canada, ABC, Syfy, Lifetime, Global and the CBC. Her feature film work has been screened at TIFF, Berlinale, and Hot Docs. She has earned CCE and DGC Nominations for her editing in the categories of documentary, TV Movie and Mini-Series.
Roslyn’s passion for editing began in Montreal, where she studied Film and Screenwriting at McGill University. She spent 3 years as the resident editor at the Banff Centre for the Arts and is a graduate of the The Canadian Film Centre.
Roslyn’s recent drama series include Haven, Hemlock Grove, Ten Days in the Valley, and Mary Kills People.
Over the past decade, Véronique has edited a wide range of projects including short films, music videos, documentaries, advertising, and TV series. Most recently she contributed to HBO’s Big Little Lies, and is currently working on Jean-Marc Vallée’s next HBO series Sharp Objects.
Raised on Star Trek, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, and most recently on HBO with the Emmy winning mini-series Big Little Lies.
Multiple award winning editor Wendy Hallam Martin is presently working on the Emmy and Golden Globe winning series The Handmaids Tale where she has received an ACE nomination for the pilot entitled “Offred”. Her prior work includes the upcoming cable series for MGM entitled Condor starring Max Irons, William Hurt and Mira Sorvino. Other work includes Showtime’s, The Tudors, Borgias and Queer as Folk, History’s Camelot and Vikings and hit Canadian dramas like Saving Hope, Rookie Blue and Dark Matter to name a few. Wendy resides in Toronto, Canada with her husband and two kids.
Gillian has had a diverse career editing feature films, MOWs, drama series, and documentaries, in a variety of genres. She has worked with many prominent and celebrated producers and directors in the Film and TV industry including Moira Walley-Beckett, David Shore, Naren Shankar, Mark Fergus, Vincenzo Natali, and Helen Shaver.
Gillian’s editing credits include the highly acclaimed CBC/Netflix series Anne, and Orphan Black, for which she received two CSA Awards. She is the first Picture Editor to have won that award for two consecutive years for the same series. Her work on Orphan Black has also garnered her a DGC Award and two CCE Awards nominations. She has also earned a DGC nomination for Degrassi: The Next Generation, and a Gemini nomination for the series Todd & the Book of Pure Evil.
Some of her other credits include the series The Expanse, Houdini & Doyle, The L.A. Complex, and the feature films Seven in Heaven, for Blumhouse Productions, A Christmas Horror Story, for Copperheart Entertainment, and Compulsion, for Dimension Films.
Based in Montréal, Richard has been editing since the early nineties. He won the Genie Award for Best Editing two years in a row, for The Necessities of Life in 2008 and Polytechnique in 2009. He also won the Jutra Award for Gabrielle (2013) and was nominated for My Internship in Canada (2016), and won a CSA for Two Lovers and a Bear (2017).
As part of this masterclass, Richard discusses his work on Polytechnique, War Witch, and Eye on Juliet (which recently won the Best Film at the Venice Film Festival’s Giornate degli Autori section)
Writer-Director Jim Allodi is a graduate of the NYU film program, and the CFC Director’s Lab. He wrote and directed the acclaimed feature The Uncles (Odeon Films), named one of Canada’s Top Ten by the Cinemateque Ontario. His award winning shorts have played in numerous international festivals.
His directing work for television includes the pilot for The Republic of Doyle (CBC), Call Me Fitz (HBO Canada), (Regenesis, TMN), and he has won a Gemini award and nominations for both drama and comedy (Naked Josh, Showcase), and a DGC Award for Best Miniseries/TV Movie (The Best Laid Plans, CBC.)
Having worked as an editor and photographer, Jim turned to acting in his 20’s as a means of furthering his development as a director, and has since accumulated a long list of film and television credits and appeared on stage in Canada, the U.K., and the U.S.
Richard Comeau has been editing feature films for over twenty five years. Projects like War Witch, Maelstrom or The Pillars of the Earth have garnered awards and nominations at the Oscars, the Golden Globes, and throughout the world in major film festivals like TIFF, Cannes, or Berlin. Richard himself has won numerous awards for best achievement in editing. He’s worked with some of the finest filmmakers in Quebec, like Denis Villeneuve, Philippe Falardeau, Kim Nguyen, and Louise Archambault.
Join panelists Matthew Hannam, Stephen Philipson, and Andrew Coutts as they discuss the ups and downs of working in the US. As the Canadian and American film industries become more intertwined, what challenges and opportunities arise for Canadian editors wishing to work south of the border? How does the work differ? How is it the same? For those who wish to remain in the land of Mounties and free medicare, what can we learn from our American editor friends? This panel will examine the creative and practical concerns of working down there versus working up here.
Chris Mutton brings over 12 years of film and television experience to the table. He is a 2015 Canadian Film Centre alumni and since then has been cutting music videos, commercials and the highly anticipated PORCUPINE LAKE, which premiered this year at TIFF.
Also premiering at TIFF was the feature documentary SILAS, executive produced by Leonardo DiCaprio’s Appian Way productions, which Chris came on board to complete. The documentary POPCORN AND MAPLE SYRUP that Chris co-edited for the CBC, won the Special Jury Award at Worldfest.
Chris’ short films have screened throughout the world, including CLEO (TIFF, Cinema City), GOLDEN BOYS (HollyShorts, Inside Out, MiFO) and THE SISTERS TOLCHINSKI (Rhode Island International Film Festival). Chris recently completed a series of projects for TIFF as supervising picture editor.
Andrew has enjoyed a career working with studios such as Fox, CBS, ABC, Marvel, and Netflix, including popular shows such as Sleepy Hollow and Bull. His work on the pilot episode of APB with Director Len Wiseman secured a first season pick up order from Fox Television.
He edited Sequence, which won numerous awards globally, including “Best of the Fest” at LA Shorts Fest and the Canal+ Award at the renowned Clermont Ferrand International Short Film Festival—as well as earning him a CCE nomination for Best Editing in a Short Film.
Andrew has sliced through numerous feature films including comedy/horror Bloodsucking Bastards, post-apocalyptic thriller The Day, which premiered as part of TIFF’s popular Midnight Madness program, and the hugely successful Saw VI and Saw 3D.
Currently, Andrew is living long and prospering, editing the recent chronicle from the celebrated Star Trek franchise, Star Trek: Discovery for CBS All Access and Netflix.
Matthew Hannam is a film editor from Winnipeg. He began his career as an assistant editor for Guy Maddin. Since then he has been lucky to work on such diverse projects as The Daniels’ SWISS ARMY MAN, Denis Villeneuve’s ENEMY and Sundance hit JAMES WHITE. Most recently he edited Paul Dano’s directorial debut WILDLIFE.
Stephen Philipson CCE is an award-winning editor and proud member of the CCE since the very start. His credits include high profile TV series such as American Gods, Hannibal, and Orphan Black. He also cut Canadian film favourites such as The Wild Hunt, voted Best Canadian First Feature and one of Canada’s Top Ten by the Toronto International Film Festival, and Grown Up Movie Star, a prize-winner at Sundance.
Never one to turn down an adventure, he once traveled to Sri Lanka to edit an epic Action/Romance about the Sri Lankan civil war (in Tamil and Singhalese) for a director who contacted him randomly over the internet. A graduate of the Canadian Film Centre and Emily Carr University of Art and Design, Stephen’s break came on the 2009 documentary Prom Night in Mississippi (starring Academy Award winner Morgan Freeman), which premiered at Sundance, broadcast on HBO, and screened at The White House.
Stephanie Duncan, Joycelyn Poon & Lee Maund – Trucktown: Trucktown Run *WINNER*
Tom Berger – Paw Patrol: Pups Save A Big Bone
Robert Ciasnocha & Simon Box – Fresh Beat Band of Spies: Singing Pirate
Sam Thomson – The Curse of Clara: A Holiday Tale
Pete Watson & Jon Hutton – Napkin Man: New Shoes
Tiffany Beaudin – Claude Lanzmann: Spectres of the Shoah *WINNER*
Kathryn Dickson – The Woman Who Joined The Taliban
Mark Holtze – American Lawmen: Melvin Purvis, The Gangbuster
Jason Schneider – Keeping Canada Alive: Ep 1
Sarah Taylor – The Harder I Fight II
Cathy Gulkin, CCE – Guantanamo’s Child *WINNER*
Michèle Hozer, CCE – Sugar Coated
Nick Taylor – Al Purdy was Here
Eamonn O’Connor, Carole Larsen & Sally Blake – The Messenger
Robert Swartz – Hurt
Stéphane Lafleur – O Negative *WINNER*
Jamie Alain, CCE – The Adept
Courtney Goldman – My Viola
Ben Lawrence – I Remember Laura
Michelle Szemberg – Mr Bernstein
Nicolas Wong – We Are Disorderly: Our New Friend *WINNER*
Bryan Atkinson – Riftworld Chronicles: Ep3
Neil Sitka, Joel Shecter, Vitold Vidic & Ian Morehead – How Hard Can It Be
Elad Tzadok – The Drive: Ep 4
Elad Tzadok – The Drive: Ep 7
Neil Sitka & Miles Davren – Vegas Rat Rods: Ep 201 *WINNER*
Jonathan Dowler, James Hebbard & Craig Anderson – Hockey Wives: Ep 106
Duff Smith – Reelside: Ep 103
Kristi Macaulay – Income Property: Ep 9146
Alison Taylor – Open House Overhaul: Ep 1011
Steve Taylor, Michael Tersigni, Anna Bigos & James Osso – The Amazing Race Canada: I Said Straight, You Gorilla *WINNER*
Jonathan Dowler, Ryan Montieth, Baun Mah & Al Manson – Big Brother Canada: Finale
Jorge Parra, Robert Kennedy, Robert Kew & Jeremy Lalonde – Buy It, Fix It, Sell It: Pull the Rug
Brent J. Rubin – Game of Homes: Master Bedroom
Eric Bos – Leader (Sheridan College)
Eric Bos – Lockwood (Sheridan College)
Kevin Horan – Voskhod (Vancouver Film School)
Andriy Koval – As I Like Her (Centennial College)
Chi-Hsin Lui – Reflect (Vancouver Film School)
Harrison Perez – Evan (Humber College)
Rene Seijas Zamboni & Miguel Quintero – Reconnection (Vancouver Film School)
Jorge Parra – Still Standing-Eganville *WINNER*
Jonathan Eagan – What Would Sal Do – Loaves and Fishes
Paul Hart & Paul Hessell – High Valley Home Movie
Jay Prychidny – Lost and Found
Paul Winestock, CCE – Blood Water: Ep 101
Don Cassidy, CCE – Texas Rising *WINNER*
Lara Mazur, CCE – On the Farm
Dona Noga, CCE – Hello It’s Me
Ron Wisman, CCE & Ron Wisman Jr. – Secret Life of Marilyn Monroe
Ron Wisman, CCE – Anne of Green Gables
Michael Doherty, CCE – Hannibal: Antipasto *WINNER*
Matthew Anas – Orphan Black: Ep 304
Teresa Hannigan, CCE – Saving Hope: All the Pretty Horses
Thomas Joerin, CCE – Remedy II: Day One
Stephen Philipson, CCE – Hannibal: Ep 306
Duff Smith – River *WINNER*
Bryan Atkinson – Closet Monster
Mike Banas, CCE – The Legend of Barney Thompson
Maureen Grant – He Hated Pigeons
Jorge Weisz – The Steps
Roushell Goldstein was born and raised in Ottawa, Canada, received her BA from Carleton University, and immediately left Ottawa on her “Grand Tour” of Europe. In 1968, she ended her tour in Israel where she settled in the city of Jerusalem with an offer to work at the newly established Israeli Television Network. For the next five years, she worked in the editing department on news, sports, current affairs and the odd documentary (where budgets allowed). Roushell learned to edit with glue and hot-splices, then Steenbecks arrived from Germany, and she progressed to splicing tape and the splicer. That, of course, lasted for a few decades until the big transition to digital in the early 1990s.
Her first job back in Canada in 1973, was with Hobel-Leiterman Productions cranking out weekly documentaries for two series: Here Comes the 70’s and Target the Impossible. Many young and talented people got their start there as directors and editors, guided by the visionary television producer Douglas Leiterman and his wife, Beryl Fox.
After a year there she continued to work off and on as a freelancer for CTV, CBC, the National Film Board and many, many privately-funded productions, creating documentaries, TV one-offs and series, both documentary and drama, and feature films until retirement.
Highlights of Roushell’s vast CV include: Raoul Wallenberg: Buried Alive, which won the Genie for best documentary feature, and was short-listed for the Oscars; Live it Up, which won festival awards in New York and Toronto; kickstarting the Degrassi Junior High series; Half the Kingdom, which Roushell co-directed in addition to edited; Playing for Keeps, which won honours around the world; she also edited seminal dramas such as Hurt Penguins, Liberty Street, Joe’s So Mean to Josephine, The Fishing Trip, Passengers, and Drop the Beat.
Jamie Ebata & Dan Lee – The Day My Butt Went Psycho: Episode 23 *WINNER*
Robert Ciasnocha, Brian Berger & John Logan – Mike The Knight: Episode H051
Stephanie Duncan & Marc Brenzil – Trucktown: Episode 10
Luke Sargent – Indigo
Kurt Skyers & Jason Cohen – Little Charmers: Episode 10
Ricardo Acosta, CCE – Marmato *WINNER*
Ricardo Acosta, CCE – 15 to Life: Kenneth’s Story
Manfred Becker, CCE – Before the Last Curtain Falls
Nick Hector, CCE – Monsoon
Haya Waseem – Stay Aubrey!
Adam Locke-Norton – Entangled *WINNER*
Matthew Anas – Iris
Diane Brunjes – Happy 1 Year
Maureen Grant – Still
John Nicholls – The Last Halloween
Jonathan Dowler, Al Manson, Kyle Martin, Ben O’Neil & Steve Taylor – The Amazing Race Canada: Episode 205 *WINNER*
Rob Chandler – Surviving Evil: Episode 211
Simon Marcroft – Income Property: Episode 119
Ian McBain – 16×9: Season 7, Episode 2
Mark Westberg – Income Property: Episode 128
James Bredin, CCE – Schitt’s Creek: Don’t Worry It’s His Sister *WINNER*
Matthew Hannam, CCE – Sensitive Skin: Episode 106 *WINNER*
Trevor Ambrose – Schitt’s Creek: The Cabin
Tony Kent – Sports on Fire: Terrolympics
Nicholas Wong – Degrassi: Finally Part 2
Geoff Ashenhurst – Whatever, Linda- No Boys Allowed *WINNER*
Graham Chisholm & Stephen Roque – Whatever, Linda: Oh Henry
Paul Skinner – Whatever, Linda: Tis’ but a Scratch
Jeremy Schaulin-Rioux – SOS: Episode 4
Thom Smalley, Anthony Baird, & Lawrence Jackman – Guidestones: Sunflower Noir, Episode 1
Christopher Donaldson, CCE – Penny Dreadful: Episode105, Closer Than Sisters *WINNER*
Lisa Binkley, CCE – Motive: Episode 206, Bad Blonde
Lisa Grootenboer, CCE – X Company: Episode 101, Pilot
Mike Lee, CCE – Remedy: Episode 201, Our Friend, Chaos
Gillian Truster, CCE – Orphan Black: Governed As It Were By Chance
Matthew Hannam, CCE – James White *WINNER*
Adam Locke-Norton – Mountain Men
Aaron Marshall – The Calling
Dev Singh – Backcountry
Jorge Weisz – Wet Bum
Ashlee Bishop – Cosmo (Sheridan College)
Brad Wickman – Passion of the Poster (Humber College)
Emerson Chan – Hang Up (Sheridan College)
Glenn McGarry – Anemone (Sheridan College)
Yasmeen Tayara – The Repeal (Humber College)
Wendy Hallam Martin, CCE – The Handmaid’s Tale: Mayday
Ana Yavari – The Handmaid’s Tale: Witness
Carina Baccanale – Les Pays d’en haut: #37
Christopher Donaldson, CCE – The Handmaid’s Tale: Night
D. Gillian Truster, CCE – Anne with an E: A Strong Effort of the Spirit of Good
Amélie Labrèche, Myriam Verreault & Sophie Leblond – Kuessipan *WINNER*
Carina Baccanale & Cedric Coussy – Jouliks
Isabelle Malenfant, CCE – Fabuleuses
Véronique Barbe, CCE & Aisling Chin-Yee – The Rest of Us
Yvann Thibaudeau – Target Number One
Jacob DoForno – Happy Endings (Humber College)
Dylan Lattimer – Fragility (University of Toronto)
Margaret MacDougall – Her Shadow (Sheridan College)
Neena Malebennur from – In Focus (Humber College)
Mitch Theriault – Battles and Brotherhood (Sheridan College)
Alan Collins was born in India and grew up in the UK where he studied Drama and Film at Bristol University. He was inspired to become a film editor after viewing Battleship Potemkin by Sergei Eisenstein and reading the bible of the edit room, The Technique of Film Editing (K. Reisz, G. Lambert) in 1967.
He became a fan of Roger Corman’s movies, particularly The Pit and the Pendulum and The Wild Angels and sent the director reviews he had written of these movies in the university newspaper while a film student. He was later hired by Corman as an Assistant Editor on the World War 1 feature Von Richthofen and Brown filmed at Ardmore Studios near Dublin, Ireland in 1973.
Corman invited him to Hollywood, where he was promoted to co-editor of Von Richthofen and Brown and edited 3 more features for New World Pictures. While in Los Angeles he edited I Escaped from Devil’s Island starring Jim Brown.
Alan moved to Toronto in 1975 where he edited The Clown Murders, starring John Candy, and Love at First Sight, starring Dan Aykroyd, which received a Best Editing Award from the newly formed Canadian Film Editors guild in 1977. Collins then edited David Cronenberg’s The Brood, which later became a cult classic.
In 1987 Alan was series editor on the original Degrassi High series directed by Kit Hood. After editing 13 features and numerous documentaries he began teaching Film Editing at Ryerson University in Toronto from 1994 to 2006, just as the industry was shifting from flatbed editing to digital editing.
Alan firmly believes that editing is a tradition handed down from one generation to the next; his main influences being David Lean, Thelma Schumacher (Goodfellas) and Walter Murch (The Conversation).
In 2006 he moved to Halifax and began working as a producer. In 2007 he was invited by Focal Press to write the Foreword for the second edition of The Technique of Film Editing, the book that had played such a central role in his life as an editor. He describes this as one of the proudest moments in his life along with receiving a Lifetime Achievement Award from the CCE.
In 2015 Collins produced his first feature, Relative Happiness, based on the best-selling novel by Nova Scotia author Lesley Crewe. He has also directed and edited two documentaries, Drowning in Colour: The Art of Wayne Boucher (2013) and Terminal: A day in the life of the Dartmouth Bridge Terminal (2014).