Categories
Past Events

Editing Seduced: Inside the NXIVM Cult with Inbal B. Lessner, ACE and Gillian McCarthy

Editing Seduced: Inside the NXIVM Cult with Inbal B. Lessner, ACE and Gillian McCarthy
Jan 12, 2021

This event took place on January 12, 2021

Presented in English / Présenté en anglais

Seduced: Inside the NXIVM Cult chronicles the extraordinary and harrowing journey of India Oxenberg – the daughter of Hollywood actress Catherine Oxenberg and a descendant of European royalty – who was seduced into the modern-day sex-slave cult NXIVM. More than 17,000 people, including India, enrolled in NXIVM’s “Executive Success Programs,” a front for the cult and a hunting ground for its leader, master predator Keith Raniere. Women in DOS, a secret master-slave society within NXIVM, were sex-trafficked and branded with a cauterizing iron. Both about a mother trying to save her daughter and recovery from trauma, the series follows India’s seduction, indoctrination, enslavement, escape – and her role as “co-conspirator” in assisting the U.S. government with bringing down Raniere and his criminal enterprise. In addition to being a rigorous and unsparing examination of India’s abuse and her own culpability, it explores how India and a chorus of other women are still grappling to make sense of their experience. The series also showcases extensive insider footage and exposes the inner circle of enablers around Keith Raniere.

This series is about women by women. It had women in all key positions, and they took great care in creating an environment for the cult survivors who shared their stories, in which they felt supported before, during and after filming. We will discuss the ins and outs of shaping such a complex and sensitive story and the challenges that Inbal and Gillian came across in the edit suite.

Seduced: Inside the NXIVM Cult is available on Crave in Canada and on the Starz app almost anywhere else, a secure link will also be shared with people who RSVP! This talk will be moderated by Sarah Taylor.

Sarah Taylor is award-winning editor with over eighteen years of experience. She has a passion for storytelling and has cut a wide range of documentaries, corporate videos, television programs, and full length feature films. Her work has been seen in festivals around the world including Sundance. She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut.

Inbal B. Lessner, ACE, is an Emmy® and Eddie-nominated editor and producer. On her latest project, “SEDUCED: Inside the NXIVM Cult,”  which she co-created with her filmmaking partner, Director Cecilia Peck, she takes on the roles of Lead Editor, Writer and Executive Producer. This four-part documentary series, premiering on STARZ, follows one young woman’s perilous journey through the dark and criminal world of NXIVM, the notorious self-help-group-turned-sex-slave-cult. 

Inbal and Cecilia Peck’s last collaboration was the Emmy-nominated feature documentary Brave Miss World, which debuted on Netflix in 2014. It is the story of an Israeli beauty queen, who was raped seven weeks prior to her winning the Miss World pageant, and her crusade to reach out to fellow survivors while trying to keep her own rapist behind bars. 

In 2019, Inbal edited and co-produced “The Movies: The Golden Age,” executive produced by Tom Hanks, Gary Goetzman and Mark Herzog. This was the latest in her 4-year-long collaboration with the team that produced CNN’s Emmy-nominated “Decades” series. Inbal has edited seven episodes in the series and was nominated for an ACE Editing Award for “The Nineties: Can We All Get Along.”

Inbal’s editing credits include ReMastered: The Two Killings of Sam Cooke (Netflix Original, Dir. Kelly Duane), nominated for an Outstanding Documentary NAACP Image Award, and Autism: The Sequel, (HBO, Dir. Tricia Regan), a follow-up to the Emmy-winning Autism: The Musical (2007). She edited and co-produced the internationally acclaimed, award-winning, I Have Never Forgotten You, about Nazi hunter Simon Wiesenthal.  Inbal also directed the docudrama Night Bites and was second-unit producer on the HBO/ARTE documentary Watermarks.

Over the course of her career, Inbal has worked in the cutting rooms of directors such as Davis Guggenheim (Teach), R.J. Cutler (“American Candidate”), Kief Davidson and Daniel Junge (A Lego Brickumentary), Jeremy Simmons (“Transgeneration”), Tracy Droz Tragos (Be Good, Smile Pretty) as well as Natalie Portman’s feature directorial debut (A Tale of Love and Darkness). 

Inbal began making films when she was in high school and later produced training films for the Israeli Defense Forces.  At NYU, she was the recipient of the prestigious, merit-based, WTC Johnson Fellowship, awarded to one student filmmaker a year.  Since moving to Los Angeles, Inbal has edited hundreds of hours of non-scripted network and cable television shows. She was also a Visiting Professor at UNCSA Film School, and a mentor in the Karen Schmeer Diversity in the Edit Room Program.

Gillian McCarthy is an accomplished editor whose creative style combines compelling storytelling with a cinematic sensibility.  Her feature documentary credits include the Oscar nominated Operation Homecoming: Writing the Wartime Experience, Girl Rising, and Above and Beyond: 60 Years of NASA. Her television credits include work for ABC, PBS, Showtime, STARZ, Discovery and OWN.  She learned her craft working in the most precise form of visual storytelling, the television commercial, editing countless national campaigns in New York and Toronto.  A dual American and Canadian citizen, she lives in Los Angeles.

With thanks to our sponsors

About the Event

January 2021

5:00pm -7:00pm CT

Canada

Categories
Past Events

Fundamentals of Freelancing Event – March 7th

Fundamentals of Freelancing
2020 Course

Fundamentals of Freelancing Event Review

On Saturday March 7th, 2020 the CCE held the Fundamentals of Freelancing Event. The day started out with a presentation on taxes with Sunny Widerman. She delivered a well informed presentation and had the crowd engaged with her knowledge and humor (who knew taxes could be fun!) The second part of the event were Round Table discussions. Our guests got to participate in 5 different discussion topics. Again, our round table hosts were well informed, engaging and happy to answer all the questions (so much so, that it made it hard to get groups to move on to the next table as everyone were deep in conversation).

Thank you to our round table hosts: Ricado Acosta, CCE (Deals in Factual), Erin Deck, CCE (Navigating Genre), Michelle Szemberg (Work/Life Balance), Dev Singh (Career Strategy) and Sunny Widerman (Taxes).

We would also like to thank eOne for hosting our event.

About the Event

The Canadian Cinema Editors is proud to present EDITCON 2020, the third annual day-long conference on the art of picture editing, on Saturday February 1st, 2020 at the TIFF Bell Lightbox in Toronto. This year, we are very excited to welcome master editor Susan Shipton for an in-depth discussion of her work. The day will also feature panel discussions on editing comedy, theatrical films, and unscripted programming, with some of Canada’s top editors sharing a wealth of knowledge and experience. Admission will include a welcome breakfast, lunch, and a post-panel social and networking session, as well as raffles and giveaways from our sponsors. Earlybird tickets go on sale for CCE Members starting November 28, with general admission available for non-members and students on December 16.

March 2020

8:30am - 11:00pm

134 Peter Street, Toronto

Categories
Articles

Winner for Best Editing at VSFF 2020 – Hayley Sawatzky

Winner for Best Editing at VSFF 2020 - Hayley Sawatzky

The Canadian Cinema Editors were proud sponsors of the Vancouver Short Film Festival and were honoured to present the Best Editing Award.

Hayley Sawatzky was the recipient of the award for her work on the short film Laura

Laura, a young half Indigenous woman undergoes a conversation with her lawyer Mr. Wilson to determine how to present her case before the court. Mr. Wilson attempts to keep the process positive, but his ignorance begins to make Laura question her identity and her place in society.

Congratulations Hayley for your win!

We are pleased to introduce you to Hayley below:

Q: How long have you been an editor?

Just under two years! 

Q: What genres have you worked on?

Mostly dramatic shorts, however, I’m very excited to be working on a few comedy projects this year!

Q: What has been an interesting/favourite project so far?

Laura” was a wonderful project to work on and I learned so much from the director Kaayla Whachell. It was daunting to work on such an important story but I am so proud of the final product.

That said, the most recent project I worked on was a Crazy8s film by Andy Alvarez called “Sol“, as anyone who has participated in a Crazy8s will tell you, it was defiantly an experience I’ll always remember. Working with Andy was so wonderful, she and Studio 104 did an incredible job prepping for all stages of production, I can’t wait for everyone to see it!

Q: What are you currently working on?

I am working on another project with Kaayla Whachell and two Telus Storyhive short series. I will also be a consulting editor on an animated short, I am very excited to explore animation!

Categories
Past Events

EditCon 2020

EditCon 2020

EditCon 2020 in Review

EditCon 2020 took place on Saturday February 1, 2020 at the TIFF Bell Lightbox in Toronto. A sold-out crowd of CCE members and friends were very excited to welcome master editor Susan Shipton for an in-depth discussion of her work. The day also featured panel discussions on editing comedy, theatrical films, and unscripted programming with some of Canada’s top editors sharing a wealth of knowledge and experience. 

One crisp December morning, I woke up to a constant pinging sound as my phone started going off. Bleary eyed, I check my notification screen – I had won the CCE raffle to go to EditCon!
Jon Anctil
EDITCON 2020 RAFFLE WINNER

MISSED SEEING IT LIVE? Check out the podcasts!

Panel #1: No Script? No Problem!

Hours and hours of footage, tight deadlines, and no script? No problem! Editors from hit shows including Big Brother, The Amazing Race, Yukon Gold, and In The Making share how they get to the finish line. Featuring clips from these and other top-rated and award-winning reality and factual programs, this discussion breaks down the process of cutting unscripted programming, both creatively and technically.

Jonathan Dowler has been in the industry since 2001, both in Australia and Canada. He has cut everything from documentaries, animation, sports news, but his extensive experience has been in cutting reality TV.  He has worked on many of the large format shows such as Big Brother, So You Think You Can Dance, Masterchef and The Amazing Race Canada.  He is a 12-time CSA and 15-time CCE nominated editor and has won five consecutive CSA’s and four CCE Awards.

Elianna Borsa graduated from Seneca College in 2014 and quickly rose to the top of her profession as an editor working on Canada’s top reality shows The Amazing Race CanadaTop Chef Canada, and Big Brother Canada. Elianna earned multiple Canadian Screen Award nominations and won a CCE Award for Best Editing in Reality/Competition/Lifestyle in 2019.

Born and raised in Vancouver, Jenypher has worked mainly in documentary and factual storytelling for the past 15 years. Recent series include The Nature of Things (CBC / Smithsonian), Wild Bear Rescue (Animal Planet / Discovery),Queen of the Oil Patch (Aboriginal Peoples Television Network), This is High School (CBC), EXPECTING! (UPtv), ER: Life & Death at VGH & PARAMEDICS: Life On The Line (The Knowledge Network), Yukon Gold (History), The Bachelor Canada (W Network), Ice Pilots (History) and Glutton for Punishment (The Food Network).

Baun Mah has worked as an editor and director on top-rated shows like Big Brother CanadaThe Amazing Race Canada, and Chopped Canada. He’s earned several CSA nominations for his editing and won one at the 2018 CCE Awards for Top Chef Canada. In the past year, Baun has also worked on several scripted shows such as the comedy Rogue Bridal and the Netflix horror series Slasher.

Ian Sit was born in Regina, Saskatchewan and grew up in Mississauga, Ontario. He is an editor working primarily in documentary film and television. He has been nominated for a Canadian Screen Award for his work on Where the Universe Sings and is the winner of the 2019 CCE Award for Best Editing in Docu-Series for his work on In The Making. Ian lives in Toronto and is a longtime passionate fan of the Raptors. 

Panel #2: This Year in Dramatic Film

There’s no formula to a festival hit, but the three editors behind the recent critically-lauded feature films Freaks, Mouthpiece, and Genesis share how they did it. This panel discussion focuses on their process, their career trajectories, and what lies ahead.

Raised on Star Trek: The Next Generation, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room as an editor. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, as well as the small screens of SRC, TVA, Télé-Québec and HBO.

Mathieu Bouchard-Malo is an editor of feature films and documentaries. He has worked on Philippe Lesage’s films: Genesis, The Demons, Maxime Giroux; The Great Darkened Days, Felix and Meira; Jean-François Caissy: First Stripes, Guidelines, Anne Émond; Nelly, Night #1; as well as Zayne Akyol’s film: Gulîstan Land of Roses. In 2019, he was a finalist at the Quebec Cinema Gala for the editing of Genesis and The Great Darkened Days.

Genese | rent on iTunes and Amazon

Lara Johnston is a Toronto-based editor. She has worked with such filmmakers as Patricia Rozema, Brian DePalma and Cary Fukunaga. She studied Cinema Studies at UofT and did an MFA in Documentary Media at Ryerson. She also teaches editing at Humber College. In 2019 she won the CCE and DGC award for best feature editing for her work on Rozema’s Mouthpiece.

Mouthpiece | rent on iTunes

From her humble beginnings working as an assistant, Sabrina’s first real kick at the can came in the form of a feature in 2011 called Sisters & Brothers. Upon completion, she stood up from her desk, declared herself an Editor at the top of her lungs, and never looked back. Since then, she’s dabbled in just about every genre, and cut every format. Recent credits include Disney’s Kim Possible, and a Sam Raimi Produced Quibi series 50 States of Fear.

Panel #3: Timing is (Almost) Everything

This panel explores the mechanics of making us laugh–how do you take what’s on the page and make it land? From sketch comedy to sitcoms, editors from Schitt’s Creek, Letterkenny, Baroness Von Sketch Show (and more) explore what makes cutting comedy unique and particularly challenging.

Elvira Kurt, comedy legend, gay icon and freakin’ national treasure, is a multiple award-winning, stand-up comic and Second City veteran whose credits as star, host, guest, writer, story editor and or talent director are simply far too many to mention. Except for these: The Debaters, Canada’s Drag Race, Baroness Von Sketch Show, The Great Canadian Baking Show, Master Chef Canada, Iron Chef Canada, YTV’s The Game, Four Weddings Canada, and, of course, Elvira’s unforgettable stint on CBC Radio’s hit show, ‘Q’. And, lol, ‘q’.

James Bredin has over 35 years’ editing experience. His work spans a variety of genres including comedy, drama, feature films, MOWs, documentary and unscripted. James has recently worked on Workin’ Moms, Cavendish, and the first three seasons of Schitt’s Creek, for which he won the CSA in 2016 and the CCE Award in 2015. Other career highlights include Little Mosque on the Prairie, Nero Wolfe, Total Recall 2070 and numerous MOWs and feature films, including Blood, A Wake, and the recent Netflix feature, He Never Died.

Originally from Newfoundland, Jonathan Eagan is a Toronto based editor whose credits include The Animal Project, Cast No Shadow, and We Were Wolves. In 2014 Cast No Shadow swept the awards at the Atlantic Film Festival before being honoured with four CSA nominations. His most recent feature film is a collaboration with co-editor Mike Reisacher on The Lockpicker, winner of the inaugural John Dunning Discovery Award for Best Micro-Budget Feature at the CSAs. In television, Jonathan’s credits include Workin’ Moms, Letterkenny, Carter and currently Ginny & Georgia for Netflix.

Marianna Khoury is an Antiguan film and television editor based in Toronto. She joined Baroness von Sketch Show in 2017, editing seasons three through five. More recently, she edited Tallboyz and Workin’ Moms. Marianna began editing on web series The Amazing Gayl Pile, Space Riders: Division Earth, Filth City and True Dating Stories. Her work in film includes She Stoops to Conquer, 7A, and When The Storm Fades. Marianna’s work has garnered two Canadian Screen Awards and a CCE nomination.

Panel #4: Master Class, Behind the Cut with Susan Shipton

Multi-award-winning editor Susan Shipton shares her vast knowledge and experience from a long career in film and network television. Susan has over 40 feature films to her credit. She has cut eight films with director Atom Egoyan (including Oscar-nominated The Sweet Hereafter), as well as many critically-acclaimed television series such as The Book of Negroes, and The Expanse.

Sarah Taylor is an award-winning editor with 18 years of experience in documentary and narrative films. She focuses her work on stories that have the power to change lives. Her recent credits include the short documentary FAST HORSE, that screened at over 15 festivals and won the short film special jury award for directing at Sundance Film Festival 2019, the sketch comedy series Caution: May Contain Nuts on APTN, and the lifestyle series Cow-boy Urbain on TV5 Unis. Her notable documentary credits include Dino Trails and Coastal Revival (Air Canada), The Harder I Fight II and Rare Mettle (TELUS Optik Local), The Match (bravoFACTUAL), Breaking Loneliness and Ms. Scientist, (CBC). Sarah is a Directors Guild of Canada (DGC) member, on the board of directors for the Canadian Cinema Editors (CCE) and is the host of the CCE podcast The Editor’s Cut.

A graduate of Queen’s University, Susan is best known for editing all of Atom Egoyan’s films from The Adjuster to Guest of Honour. Her credits also include the films Barney’s Version and Mr. Nobody, and TV shows Book of Negroes, Nurses, Burden of Truth, and The Expanse. She won DGC Awards for Being Julia and The Adjuster, and Genie Awards for Exotica, Possible Worlds, and Oscar-nominated film The Sweet Hereafter. She is currently cutting Ginny and Georgia for Netflix.

EditCon 2020 Sponsors

About EditCon

February 2020

8:30am - 11:00pm

350 King Street West, Toronto

Categories
Articles Past Events

The 9th Annual CCE Awards Nominees and Winners

9th Annual CCE Awards

The 9th Annual CCE Awards Gala In Review:

Congratulations to our winners for the 9th Annual CCE Awards. There were over 300 people in attendance (even with the Raptors playing right outside the venue)!

Canadian editors are world class! Thanks to everyone in this room, post-production is thriving in Canada.

Stephen Philipson, CCE + Jane MacRae

CCE PRESIDENT + VICE-PRESIDENT

Editor Stephen Philipson, CCE
Jane McRae Vice President of the CCE Board

A Selection of 2019 Awards Photos:

Watch the Live Broadcast Here:

Award Nominees & Winners

Tom Berger – Space Between Stars *WINNER*

Annellie Samuel – Magic School Bus, rides again: I Spy with my Animal Eyes

Hart Snider – Shop Class

Stephanie Duncan, Jason Cohen & Lee Maund – Hotel Transylvania: Fangceanera

Tom Berger – Paw Patrol: Mighty Pups

Greg Ng – Finding Big Country *WINNER*

Colin Waugh – Ha Ling Peak

Giorgio Saturnino & Louis Saturnino – CBC Olympic Journey : Virtue & Moir, Roxanne

James Blokland – Year of the Gun

Michèle Hozer, CCE – In Search of a Perfect World

Nick Hector, CCE – Sharkwater Extinction *WINNER*

Annie Jean – Ziva Postec, la monteuse derriere le film Shoah

Eugene Weis – Metamorphosis

Hart Snider & Maxine Shewan – Botero

Patrick Carroll – Letter From Masanjia

Thom Smalley – Likeness *WINNER*

Holly Pavlik – Camping Trip

Isabelle Malenfant, CCE – The Lure Of The Deep (Une jeune fille et la mer)

Rachel Guergis – Small Fish

Teresa Hannigan, CCE – I Beat Up My Rapist

Ian Sit – In the Making: Lido Pimienta *WINNER*

Cameron Nixdorf & Gordon Thorne, CCE – Vacations Of The Brave: Mandy & Joe

Clark Masters & David Mitchell – Mister Tachyon: Can Mother Nature Heal Us?

Danny Palmer – Steel Town Down

Steve Taylor – Hip-Hop Evolution: The Southern Way

Ashley Brook, Kyle Cucco & Josef Beeby – Canadiana: The Love Triangle That Brought Down Quebec *WINNER*

Christine Armstrong – Kristal Clear 107: Only with Heart

Graham Withers – True North: Cordel 1 – Trust The Process

Lindsay Allikas – Rambling: Eileen Myles

Shelley Therrien – Ghost BFF

Courtney Goldman – Odd Squad: World Turned Odd *WINNER*

James Hebbard – The Big Fun Crafty Show: EP 101 – Robot

Lisa Robison, CCE – Zombies

Meagan Oravec – Scout and the Gumboot Kids: The Case of the Cracking Sky

Nicholas Wong – Holly Hobbie: EPS104 The Pickle Princess

Michael Tersigni, CCE, Mike Scott, Elianna Voskakis & Ryan Monteith – Top Chef Canada: Que Rico *WINNER*

Andrew Gurney, Al Manson, Jonathan Dowler, Clare Elson, Seth Poulin & Jordan Wood – Top Chef Canada: Finale Four Ways

Jonathan Dowler, Ryan Monteith, Owin Lambeck, Jordan Wood, Michael Tersigni, CCE & Craig Anderson – The Amazing Race: The Battle of the Two Courtney’s

Jorge Parra – Still Standing Season 4: Huntingdon

Mike Scott, Michael Tersigni, CCE, Elianna Voskakis & Ryan Monteith – Top Chef Canada: Wine of the Tiger

Dev Singh – Little Dog: Ep. 107 *WINNER*

John Nicholls – Little Dog: Ep 102

Kye Meechan – Dirk Gently’s Holistic Detective Agency: Two Broken Fingers

Matthieu Bouchard & Dominic Montplaisir – Leo: Episode 1

Matthieu Bouchard & Oliver Binette – Like-Moi: Ep 24

Lisa Grootenboer, CCE – Believe Me: The Abduction of Lisa McVey *WINNER*

Eric Goddard, CCE – The Truth About Christmas

Luis Lam – Deadly Deed: A Fixer Upper Mystery

James Patrick – Caught

Pia Di Ciaula, CCE – A Very English Scandal

Brendan Barnard – After Animals (Sheridan College)

Brittany Hockley – Proximity (Ryerson University)

Raj Jain – 14.02 (Centennial College)

Zachary Roth – Rosie (Sheridan College)

Zhenya Dolzikov – The North Woods (Ryerson University)

Pia Di Ciaula, CCE – The Crown: Episode Nine – Paterfamilias *WINNER*

D. Gillian Truster, CCE – Anne with an E: I Protest Against Any Absolute Conclusion

Justin Lachance, Véronique Barbe, Dominique Champagne, Maxime Lahaie, Émile Vallée, Jai M. Vee – Sharp Objects: Milk

Stephen Philipson, CCE – Anne with an E: Youth is the Season of Hope

Wendy Hallam Martin, CCE – The Handmaid’s Tale: Episode 201 June

Lara Johnston – Mouthpiece *WINNER*

Dev Singh – Ghostland

Greg Ng – At First Light

Sabrina Pitre – Freaks

Simone Smith – Firecrackers

9th Annual CCE Awards Gala

In 1988 Dean Balser, a longtime staff editor at CFTO-TV / Glen-Warren Productions in Toronto,  left his full time position to pursue a freelance career. At the time, Dean had a long-standing relationship with Grosso-Jacobson Entertainment in New York through their successful collaboration on the highly acclaimed series Night Heat, the first Canadian series to be broadcast on CBS. Producer Sonny Grosso and Dean created a strong bond, with Grosso hiring Dean on many series and MOW’s in subsequent years, even bringing Dean to New York for one project, clearly showing the faith and trust he had in Dean. Dean’s work was noticed by U.S. producers -Grosso and others – at a time when few American shows would edit in Toronto. He was a ‘go-to’ editor for CBS, NBC and ABC as they shot pilots here and required a steady hand. He was fortunate to be an editor for CBS, NBC and ABC as they shot pilots here.

Dean became acclaimed not only for his editing work, but also for his role as a friend and mentor to many in the industry. His work has been varied and always of the highest quality, ranging from the cop shows with Sonny Grosso, to drama and science fiction. Dean has also cut musical variety and comedy as well as various forms of documentary, doc-series and factual productions, displaying one of the most versatile voices in editing in Canada. He was at the forefront of the evolution of editing from film to digital, working on the most advanced editing platforms of the day, including being an early user of Avid systems.  Dean also served as 2nd Unit Director on various film and television projects.

The 9th Annual CCE Awards Event Gala

Over those years Doug has earned the respect and friendship of many in the editing department as well as producers.  His leadership has put him at the forefront of in-demand Post Supervisors and is a model by which all in editing strive to achieve.

Doug started working in television while still a high school student in the shipping department of VTR Productions in Toronto where he would spend lunch hours in the back of the studio watching Jim Henson and the muppets shooting Fraggle Rock. Doug received a Bachelor of Applied Arts from Ryerson University in Toronto, and then a Masters from Syracuse University in New York.

Doug’s first post supervising job was on the TV series My Secret Identity, followed by four years on the seminal CBC drama Street Legal.  After spending more time in TV, Doug transitioned to Post Supervising features; his first 2 movies were for HBO Pictures which lead to his first theatrically released movie: Darren Aronofsky’s Requiem for a Dream.  Over a dozen TV series and 28 Feature Films later he is still working as a Post Supervisor.

The list of editors Doug has worked with is long, but he would especially like to thank the editors who he worked with when he was first learning on the job.  Editors such as George Roulston, Ralph Brunjes, Susan Shipton, Ron Sanders, Don Cassidy and Dean Balser.  All of these editors shared their knowledge of the film business and the importance of editing to the film making process. 

Doug has recently taught post production seminars and participated on panels for Ryerson University, Humber College and Syracuse University.  A career highlight occurred last year when he attended the 90th Academy Awards with the team from Best Picture winner The Shape of Water.

Categories
Past Events

EditCon 2019

EditCon 2019

EditCon 2019 in Review

EditCon 2019 took place on Saturday February 2, 2019 at the TIFF Bell Lightbox in Toronto.

MISSED SEEING IT LIVE? Check out the podcasts!

Panel #1: Making a difference - Cutting content with an important social message

Unarmed Verses and Sgaaway K’uuna (Edge of the Knife) are films that have intertwined themes of social justice into compelling stories, bringing important social messages to the screen in their respective genres of narrative and documentary film. Meet the Editor / Director / Producer duos behind both of these films to discuss the process of collaboration, sensitivity approaching the subject matter, and what each role contributes to the crafting of a powerful narrative.

Emmy-nominated and Gemini-winning Michèle Hozer has been working as a filmmaker and editor in Canada since 1987. To date, she has worked on more than 50 documentaries. Her work has received accolades from the most prestigious film festivals in the world, including the Sundance Film Festival and the International Documentary Film Festival in Amsterdam. Shake Hands with The Devil: The Journey of Roméo Dallaire won both the 2007 Emmy for Best Documentary and the Audience Award at the 2005 Sundance Film Festival. Promise to the Dead picked up her first International Emmy nomination as an editor. But her directorial debut with Genius Within: The Inner Life of Glenn Gould won the coveted spot on the Academy Award short list as well as a Gemini for Best Biography. Since its premiere at TIFF in 2009, the feature length documentary has been seen by audiences in Britain, Australia, Japan, and across North America.

In 2012, The Director’s Guild of Canada (DGC) awarded The Allan King Award for Excellence in Documentary to Michèle and team for West Wind: The Vision of Tom Thomson. At the same time, she picked up both the Amsterdam International Documentary Film Festival Editing Award and top honours from her peers at Canadian Cinema Editors.

In 2015 Michèle completed her first solo feature length documentary in the combined roles of director, editor, and producer for Sugar Coated probing the role of sugar in a global healthcare epidemic. The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television. Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards. Sugar Coated presently playing available Netflix across North America. Michèle’ short documentary, The Barber of Augusta just recently won the Dodie Spittal Award at 2017 The Picture This Film Festival. She just completed SponsorLand, the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario.

With over 15 years experience, Argentina-native Andres Landau is an award-winning editor.  He was distinguished with the 2018 Canadian Cinema Editors Award for Best Editing in a Feature
Documentary for Unarmed Verses.  In 2011, he oversaw post-production for The National Parks Project, and edited Sirmilik the 2012 Genie Award winning short documentary by director Zacharias Kunuk. He edited Charles Officer’s feature documentary, Unarmed Verses produced by The National Film Board of Canada, Winner of the 2017 HotDocs Best Canadian Feature Documentary and 2018 TIFF Canada’s Top Ten Audience Award and The Stairs by Hugh Gibson, Winner of the 2016 Toronto Film Critics Association for Best Canadian Film.

Lea Marin is an award-winning Toronto-based producer with more than 18 years’ experience in the industry. A graduate of the Canadian Film Centre’s Producers’ Lab, Lea joined the National
Film Board of Canada as a producer in 2006.  Her most recent film credits include Charles Officer’s Unarmed Verses, which won the Best Canadian Feature Documentary Award at Hot Docs 2017. Other credits include Chelsea McMullan’s My Prairie Home, and Astra Taylor’s Examined Life.  Lea recently completed production on Taylor’s follow-up to Examined Life, the feature doc, What Is Democracy? which premiered at TIFF 2018, and is currently in production on Throat, a co-collaboration between filmmaker Chelsea McMullan and artist/activist Tanya Tagaq.

Sarah Hedar is a Vancouver-based editor who utilizes innate patience and her sense of humour to work effectively with the natural ebb and flow of the creative process. Her editing work on provocative and original films crosses genres and spans both documentary and narrative projects. Her recent editing includes the feature film Sgaawaay K’uuna: Edge of The Knife, the first Haida language feature that garnered acclaim at both TIFF and VIFF, and the short film Last Stand to Nowhere, an all female re-imagining of the classic Western story of the gunfight at the OK corral. Sarah’s love of visual storytelling is shown through her dedication to her craft and her commitment to on-going education as she pursues her MA in film, with a focus on writing and directing.

Helen Haig-Brown (Tsilhqot’in) is an award-winning director and a leading talent in experimental documentary. Her work is broad-ranging, from intimate autobiographies to forays into Science Fiction. Her short film ?E?anx (The Cave), an adaptation of a Tsilhqot’in story was named to Canada’s Top Ten Shorts by TIFF and was an Official Selection at Sundance Film Festival. My Legacy, her first feature documentary, focuses on the transformation and healing of intergenerational trauma to trust, worth, intimacy and love. Her work has aired on APTN, CBC, Knowledge, NITV (Australia) and has been showcased around the world at film festivals such as Berlinale, Rotterdam and Sundance.

Helen’s latest work, co-directing with Gwaii Edenshaw, Sgaawaay K’uuna: Edge of the Knife, is a feature film produced on Haida Gwaii, entirely in the Haida language. A joint production between the Council of the Haida Nation and Isuma’s Zacharius Kunuk, Sgaawaay K’uuna is the story of the Gaagiixid, the iconic Haida wild man. Helen is a graduate of Capilano’s Indigenous Independent Digital Film Program and lives between her traditional territory in British Columbia’s Cariboo Chilcotin and her partner’s traditional home of Haida Gwaii.

Panel #2: Frame by Frame - A primer on Animation editing

Learn from Canada’s leading animation editors about the critical role they play in crafting animated films.

How does the process differ from editing live action? At what point does the editor’s work start? What does the collaboration look like with team members and the director? These questions and more will be answered in this lively group discussion.

Paul Hunter (Nut Job, Spark) and Lesley Mackay Hunter (The Nut Job 2 – Nutty by Nature, Arctic Justice) shed light on their careers in animated film and television, and the unique role of the editor from storyboard to screen.

Chris Mutton brings over 15 years of film and television experience to the edit suite. His latest film, LUBA, won multiple awards at the Canadian Film Fest and earned him a CCE awards nomination.  Recently completed are three short films screening at this year’s Available Light Film Festival in Whitehorse.  He is currently editing Easy Land, the first feature of Serbian-Canadian director Sanja Zivkovic.  Chris has served as vice-president of the CCE and continues to stay involved as part of the Global Opportunities Committee.

For over 25 years, Paul has worked as an online, offline and supervising editor, cutting everything from animatics, 2D/3D animation, and stop-motion. Projects include Freaky StoriesAngela AnacondaFranny’s FeetIggy ArbuckleJohnny TestGlenn Martin DDS and Nature CatThe Nut Job was Paul’s first feature film. When given the chance to work on it, Paul thought that he would be nuts not to! Since then, Paul has also edited the feature animated films Spark and The Nut Job 2.

Lesley has worked almost exclusively in animation—a medium that she loves!  With an unconventional background in stage performance, music and sound, which she uses to enhance her storytelling techniques. A leica reel and offline editor of many hit shows including Johnny Test,  Busytown Mysteries, Justin Time and Total DramaRama. Known for her comedic and musical timing, Lesley has recently been working on feature animations The Nut Job 2 and soon-to-be-released Arctic Dogs.

Panel #3: This Year in Dramatic Film

There’s no formula to a festival hit, but these three editors, each with a recent feature film on the circuit, shed light on their respective experiences. This panel discussion focuses on their careers in indie film, their process in editing these films, getting a festival run, and what lies ahead.

Award winning editor Lisa Grootenboer is an industry staple with two plus decades of experience.  She is best known for her work on The Tudors, The Borgias, Mary Kills People and ANNE with an E, as well as for her live music cutting with Joe Bonamassa and Iron Maiden Logging in at 260 hours of cut screen time, her passion is clearly seen in her work. Since 1995, Lisa has been nominated for 18 film awards and has brought home eight, including four DGC Awards, three CCE’s and a Gemini.

Isabelle Malenfant began her career as an assistant editor learning alongside Emmy Award winning director Yves Simoneau, on his films Napoléon, Free Money, and Nuremberg.  As long-time editor for critically-acclaimed director Francis Leclerc, she worked on the popular sitcom Les beaux malaises, the dramatic series Marche à l’ombre, and Mon meilleur ami and the poetic short Trotteur, amongst others. Their latest collaboration, the feature film Pieds nus dans l’aube, is an adaptation of Félix Leclerc’s autobiographical novel of the same name. Over the years, she has also collaborated with directors François Jaros, Philippe Gagnon, Quentin Dupieux (a.k.a. Mr Oizo), Olivier Asselin and Mélanie Charbonneau. Originally from Quebec, she has worked on both French and English productions including television series, films and commercials.  

With a background in theatre, Malenfant is an editor with a passion for bringing out an actor’s talents and crafting their best performance. She has a particular affinity for telling dramatic stories, but an interest in seeking projects that challenge her to learn new techniques has expanded her editing credits to include comedies (Steak, Dans Une Galaxie Près de Chez Vous 2), VFX projects (Marie-Antoinette, Assassin’s Creed), animation (Mune, the guardian of the moon) and dance film (Amelia from Edouard Lock’s Lalala Human Steps).

Isabelle Malenfant has been nominated for five Gémeaux Awards including Marche à l’ombre 2 (2017), Les beaux malaises (2014-2015), Mon meilleur ami (2013), and  Les Rescapés (2012). She was nominated for a Jutra Award in 2009 for Un capitalisme sentimental and won best editing at the Savannah Film Festival in 2012 with Trotteur.

She won this years’ CCE awards for Best Editing in Feature Film Pieds nus dans l’aube.

Michelle Szemberg is a Toronto born award winning film editor. After graduating from the film program at York University, Michelle worked for many years as an assistant editor. This allowed her to be mentored and to collaborate with some of the leading forces in Canadian cinema. Michelle’s selected credits include the independent feature films Moon Point (Dir. Sean Cisterna), Don’t Get Killed in Alaska (Dir. Bill Taylor), No Stranger Than Love (Dir. Nicholas Wernham), Natasha (Dir. David Bezmozgis) and the Serendipity Point Films produced feature Below Her Mouth, directed by April Mullen, which premiered at TIFF in 2016. In addition to her work in film, Michelle edited two seasons of the Netflix/Rogers TV series Between, created by Michael McGowan. Her latest titles include the Cuban/Canadian film, Un Traductor, directed by Rodrigo and Sebastian Barriuso, which premiered in competition at the 2018 Sundance Film Festival and the upcoming Netflix/CBC series Northern Rescue.

Christine Armstrong is an editor who has worked on a variety of short films, tv series, commercials and feature films in the US and Canada. She is an alumni of Cineplex Entertainment Film Program Editor’s Lab at the Canadian Film Centre. 

Armstrong’s recent work includes THE NEW ROMANTIC starring Jessica Barden (The Lobster) , and Camilla Mendes which received special Jury award at SXSW festival, THE DROP IN & MARINER (CANADA TOP TEN), comedy series Kristal Clear (Amazon PRIME) and MARY GOES ROUND (TIFF 2017, Santa Barbara Film Festival) which she received a best editing in feature nomination.

Armstrong’s upcoming work includes AMERICAN REJECT starring Annaleigh Ashford (Masters of Sex) and Keala Settle (The Greatest Showman) and her directorial debut on comedy series CLAMBAKE.  

Panel #4: Behind the Cut with Ron Sanders, CCE

In this masterclass, award-winning editor Ron Sanders shares insight from his career, notably his longtime collaboration with celebrated director David Cronenberg on 19 films, for which he won four Genie Awards for Excellence in Film Editing (Dead Ringers, Crash, eXistenZ, Eastern Promises)  and three Best Editor Awards from the Directors Guild of Canada (A History of Violence, Eastern Promises, A Dangerous Method).

Writer-Director Jim Allodi is a graduate of the NYU film program, and the CFC Director’s Lab. He wrote and directed the acclaimed feature The Uncles (Odeon Films), named one of Canada’s Top Ten by the Cinemateque Ontario. His award winning shorts have played in numerous international festivals.

His directing work for television includes the pilot for The Republic of Doyle (CBC), Call Me Fitz (HBO Canada), Regenesis (TMN), and he has won a Gemini award and nominations for both drama and comedy (Naked Josh, Showcase), and a DGC Award for Best Miniseries/TV Movie (The Best Laid Plans, CBC.)

Having worked as an editor and photographer, Jim turned to acting in his 20’s as a means of furthering his development as a director, and has since accumulated a long list of film and television credits and appeared on stage in Canada, the U.K., and the U.S.

Ron has worked with directors including, Robert Longo, Daniel Petrie Jr., Sturla Gunnarson, Norman Jewison, and Henry Sellick. He collaborated with David Cronenberg on 19 films winning Genie Awards for Dead Ringers (1989), Crash (1996), eXistenZ (2000) and Eastern Promises (2007) and DGC Awards for A History of Violence (2006), Eastern Promises (2008) and A Dangerous Method (2012). He was nominated for an American Cinema Editors Award for his work on Coraline (2010).

EditCon 2019 Sponsors

About EditCon

February 2019

8:30am - 11:00pm

350 King Street West, Toronto

Categories
Past Events

EditCon 2018

EditCon 2018

EditCon 2018 in Review

The first annual EditCon took place on Saturday February 10th, 2018 at the TIFF Bell Lightbox in Toronto.  The event was sold out to 150 guests and included 4 informative, lively and open discussion panels. 

Some of our sponsors donated some great prizes.  Our prizes totalled over $6000.  Some prizes included a Hard Drive, Copies of Art of the Cut (Steve Hullfish the author was even in attendance to sign the copies!), a copy of Avid Media Composer and subscriptions to various Boris FX programs. 

MISSED SEEING IT LIVE? Check out the podcasts!

Panel #1: Documentary Confidential

Narrative, character & emotion –  how do we as storytellers bring these elements to an audience in a compelling and dramatic way? In documentary filmmaking, there are the added challenges of ethics, honesty, and “truth,” in however we are able to define them for ourselves. Editors in doc have such a deep involvement in shaping the films that they can become credited co-directors or co-writers. Join us as our panel (Mike Munn CCE, Michèle Hozer CCE & Nick Hector CCE) explores the profound level of authorship editors can have in crafting a documentary.

Jay Prychidny, CCE is an award-winning picture editor and producer who has worked across a variety of scripted and factual programs. Most recently, his scripted projects have included Orphan Black (BBC America), Killjoys (SyFy) and Into the Badlands (AMC). On the factual side, he has worked on documentary series such as The Week the Women Went (CBC), Rodeo: Life on the Circuit (History) and SexTV (CTV) as well as the reality programs Canada’s Next Top Model (CTV), Top Chef Canada (Food Network) and The Amazing Race Canada (CTV).

Nick Hector is a DGC, CCE, HotDocs and multi-Gemini Award winning film editor, story editor and consultant. He’s cut more than two-dozen feature and one hundred TV documentaries for filmmakers across the globe. Perhaps Nick’s best known work stems from his long creative relationships with legendary Canadian filmmakers Allan King, Yvan Patry, and Sturla Gunnarsson. With 2 films on Criterion, 3 Top Ten Canadian films, 5 films at MoMA, 10 at TIFF, and 15 at HotDocs, the first 30 years have been a lot of fun.

Mike began his career with the Toronto New Wave, editing features for Bruce McDonald (Roadkill), Srinivas Krishna (Masala and Lulu) and Peter Mettler (Tectonic Plates; Picture of Light)

He went on to cut numerous features for Canadian and international directors, including John Greyson (Law of Enclosures),  Richard Kwietniowski (Owning Mahowny),  Daniel MacIvor (Past Perfect; Wilby Wonderful), Nisha Ganatra (Cake), and Bruce McCulloch (Comeback Season).  As well, Mike has edited several award-winning documentaries, including Stories We Tell, for director Sarah Polley.  His many television credits include Shaftesbury’s The Shields Stories and Sienna Film’s mini-series Diamonds, nominated for 9 Gemini awards.

Mike’s work has been recognized formally through award nominations as well as being highlighted in film reviews from around the world. Films he has edited have played at Cannes, Berlin, Venice and Sundance, among other festivals, with 11 features accepted at TIFF. Sarah Polley’s Stories We Tell was shortlisted for the documentary Oscar as well as being voted in a TIFF poll as one of the 10 best Canadian films of all time.

With two films on the Oscar shortlist, Emmy-nominated and Gemini-winning Michèle Hozer has been working as a filmmaker and editor in Canada since 1987. To date, she has worked on more than 50 documentaries. Her work has received accolades from the most prestigious film festivals in the world, including the Sundance Film Festival and the International Documentary Film Festival in Amsterdam. Shake Hands with The Devil: The Journey of Roméo Dallaire won both the 2007 Emmy for Best Documentary and the Audience Award at the 2005 Sundance Film Festival. Promise to the Dead picked up her first International Emmy nomination as an editor. But her directorial debut with Genius Within: The Inner Life of Glenn Gould won the coveted spot on the Academy Award short list as well as a Gemini for Best Biography. Since its premiere at TIFF in 2009, the feature length documentary has been seen by audiences in Britain, Australia, Japan, and across North America.

In 2012, The Director’s Guild of Canada (DGC) awarded The Allan King Award for Excellence in Documentary to Michèle and team for West Wind: The Vision of Tom Thomson. At the same time, she picked up both the Amsterdam International Documentary Film Festival Editing Award and top honours from her peers at Canadian Cinema Editors.

In 2015 Michèle completed her first solo feature length documentary in the combined roles of director, editor, and producer for Sugar Coated probing the role of sugar in a global healthcare epidemic. The film, in association with TVO and ZDF/ARTE, had its world premiere at Hot Docs International Film Festival and has been playing worldwide at international film festivals and on television. Sugar Coated was honoured with The Donald Brittain Award for Best Social and Political Documentary at The 2016 Canadian Screen Awards. Sugar Coated presently playing available Netflix across North America. Michèle’ short documentary, The Barber of Augusta film just recently won the Dodie Spittal Award at 2017 The Picture This Film Festival. She just completed SponsorLand the feature length doc for TV Ontario on a Syrian refugee family with 11 children resettling in the tiny town of Picton Ontario.

Panel #2: TV Editing in the Golden Age

What is it like to collaborate with television’s finest creators? How does Jean- Marc Vallée work with his editors, having been one himself? What’s it like to cut the performance of a National Treasure?  How does it feel to share your Emmy onstage with Margaret Atwood? 

The panel will examine the editor’s contribution in creating original, provocative and beautifully made television.

Award winning editor, Teresa has been editing TV drama for more than 20 years. Recently, she worked on the multiple CSA nominated series Cardinal, which garnered her the DGC award for best editing- she’s also nominated for a CSA.  Bellevue, starring Anna Paquin, is screening on WGN America at the moment another series that Teresa edited and got to co-produce. Prior work includes award nominated series; 19-2, Bomb Girls, Camelot and the influential Durham County. Teresa is very excited to be part of the industry at a time when the boundaries of TV storytelling are being pushed like never before- it truly is the Golden Age.

Roslyn’s television projects can be seen on NETFLIX, HBO Canada, ABC, Syfy, Lifetime, Global and the CBC. Her feature film work has been screened at TIFF, Berlinale, and Hot Docs. She has earned CCE and DGC Nominations for her editing in the categories of documentary, TV Movie and Mini-Series. 

Roslyn’s passion for editing began in Montreal, where she studied Film and Screenwriting at McGill University. She spent 3 years as the resident editor at the Banff Centre for the Arts and is a graduate of the The Canadian Film Centre. 

Roslyn’s recent drama series include Haven, Hemlock Grove, Ten Days in the Valley, and Mary Kills People.

Over the past decade, Véronique has edited a wide range of projects including short films, music videos, documentaries, advertising, and TV series.  Most recently she contributed to HBO’s Big Little Lies, and is currently working on Jean-Marc Vallée’s next HBO series Sharp Objects.

Raised on Star Trek, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, and most recently on HBO with the Emmy winning mini-series Big Little Lies

Multiple award winning editor Wendy Hallam Martin is presently working on the Emmy and Golden Globe winning series The Handmaids Tale where she has received an ACE nomination for the pilot entitled “Offred”. Her prior work includes the upcoming cable series for MGM entitled Condor starring Max Irons, William Hurt and Mira Sorvino. Other work includes Showtime’s, The Tudors, Borgias and Queer as Folk, History’s Camelot and Vikings and hit Canadian dramas like Saving Hope, Rookie Blue and Dark Matter to name a few. Wendy resides in Toronto, Canada with her husband and two kids.

Gillian has had a diverse career editing feature films, MOWs, drama series, and documentaries, in a variety of genres. She has worked with many prominent and celebrated producers and directors in the Film and TV industry including Moira Walley-Beckett, David Shore, Naren Shankar, Mark Fergus, Vincenzo Natali, and Helen Shaver.

Gillian’s editing credits include the highly acclaimed CBC/Netflix series Anne, and Orphan Black, for which she received two CSA Awards. She is the first Picture Editor to have won that award for two consecutive years for the same series. Her work on Orphan Black has also garnered her a DGC Award and two CCE Awards nominations. She has also earned a DGC nomination for Degrassi: The Next Generation, and a Gemini nomination for the series Todd & the Book of Pure Evil.

Some of her other credits include the series The Expanse, Houdini & Doyle, The L.A. Complex, and the feature films Seven in Heaven, for Blumhouse Productions, A Christmas Horror Story, for Copperheart Entertainment, and Compulsion, for Dimension Films.

Panel #3: Behind the Cut with Richard Comeau, CCE

Based in Montréal, Richard has been editing since the early nineties. He won the Genie Award for Best Editing two years in a row, for The Necessities of Life in 2008 and Polytechnique in 2009. He also won the Jutra Award for Gabrielle (2013) and was nominated for My Internship in Canada (2016), and won a CSA for Two Lovers and a Bear (2017). 

As part of this masterclass, Richard discusses his work on Polytechnique, War Witch, and Eye on Juliet (which recently won the Best Film at the Venice Film Festival’s Giornate degli Autori section)

Writer-Director Jim Allodi is a graduate of the NYU film program, and the CFC Director’s Lab. He wrote and directed the acclaimed feature The Uncles (Odeon Films), named one of Canada’s Top Ten by the Cinemateque Ontario. His award winning shorts have played in numerous international festivals.

His directing work for television includes the pilot for The Republic of Doyle (CBC), Call Me Fitz (HBO Canada), (Regenesis, TMN), and he has won a Gemini award and nominations for both drama and comedy (Naked Josh, Showcase), and a DGC Award for Best Miniseries/TV Movie (The Best Laid Plans, CBC.)

Having worked as an editor and photographer, Jim turned to acting in his 20’s as a means of furthering his development as a director, and has since accumulated a long list of film and television credits and appeared on stage in Canada, the U.K., and the U.S.

Richard Comeau has been editing feature films for over twenty five years. Projects like War Witch, Maelstrom or The Pillars of the Earth have garnered awards and nominations at the Oscars, the Golden Globes, and throughout the world in major film festivals like TIFF, Cannes, or Berlin. Richard himself has won numerous awards for best achievement in editing. He’s worked with some of the finest filmmakers in Quebec, like Denis Villeneuve, Philippe Falardeau, Kim Nguyen, and Louise Archambault.

Panel #4: Crossing the 49th

Join panelists Matthew Hannam, Stephen Philipson, and Andrew Coutts  as they discuss the ups and downs of working in the US. As the Canadian and American film industries become more intertwined, what challenges and opportunities arise for Canadian editors wishing to work south of the border? How does the work differ? How is it the same? For those who wish to remain in the land of Mounties and free medicare, what can we learn from our American editor friends? This panel will examine the creative and practical concerns of working down there versus working up here.

Chris Mutton brings over 12 years of film and television experience to the table. He is a 2015 Canadian Film Centre alumni and since then has been cutting music videos, commercials and the highly anticipated PORCUPINE LAKE, which premiered this year at TIFF. 

Also premiering at TIFF was the feature documentary SILAS, executive produced by Leonardo DiCaprio’s Appian Way productions, which Chris came on board to complete.  The documentary POPCORN AND MAPLE SYRUP that Chris co-edited for the CBC, won the Special Jury Award at Worldfest.

Chris’ short films have screened throughout the world, including CLEO (TIFF, Cinema City), GOLDEN BOYS (HollyShorts, Inside Out, MiFO) and THE SISTERS TOLCHINSKI (Rhode Island International Film Festival).  Chris recently completed a series of projects for TIFF as supervising picture editor.

Andrew has enjoyed a career working with studios such as Fox, CBS, ABC, Marvel, and Netflix, including popular shows such as Sleepy Hollow and Bull.  His work on the pilot episode of APB with Director Len Wiseman secured a first season pick up order from Fox Television.  

He edited Sequence, which won numerous awards globally, including “Best of the Fest” at LA Shorts Fest and the Canal+ Award at the renowned Clermont Ferrand International Short Film Festival—as well as earning him a CCE nomination for Best Editing in a Short Film. 

Andrew has sliced through numerous feature films including comedy/horror Bloodsucking Bastards, post-apocalyptic thriller The Day, which premiered as part of TIFF’s popular Midnight Madness program, and the hugely successful Saw VI and Saw 3D.

Currently, Andrew is living long and prospering, editing the recent chronicle from the celebrated Star Trek franchise, Star Trek: Discovery for CBS All Access and Netflix.

Matthew Hannam is a film editor from Winnipeg. He began his career as an assistant editor for Guy Maddin. Since then he has been lucky to work on such diverse projects as The Daniels’ SWISS ARMY MAN, Denis Villeneuve’s ENEMY and Sundance hit JAMES WHITE.  Most recently he edited Paul Dano’s directorial debut WILDLIFE

Stephen Philipson CCE is an award-winning editor and proud member of the CCE since the very start. His credits include high profile TV series such as American Gods, Hannibal, and Orphan Black. He also cut Canadian film favourites such as The Wild Hunt, voted Best Canadian First Feature and one of Canada’s Top Ten by the Toronto International Film Festival, and Grown Up Movie Star, a prize-winner at Sundance.

Never one to turn down an adventure, he once traveled to Sri Lanka to edit an epic Action/Romance about the Sri Lankan civil war (in Tamil and Singhalese) for a director who contacted him randomly over the internet. A graduate of the Canadian Film Centre and Emily Carr University of Art and Design, Stephen’s break came on the 2009 documentary Prom Night in Mississippi (starring Academy Award winner Morgan Freeman), which premiered at Sundance, broadcast on HBO, and screened at The White House. 

EditCon 2018 Sponsors

About EditCon

February 2018

8:30am - 11:00pm

350 King Street West, Toronto

en_CAEN

stay connected

Subscribe to our mailing list to
receive updates, news and offers

Skip to content