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Coffee With an Editor – Gareth C. Scales

Episode 003 - Gareth C. Scales

Pause-café entre monteurs.ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Born in the UK and raised in Vancouver, Gareth attended Emily Carr Institute of Art and Design and graduated in 1999 with a Major in Film and Video.

After relocating to Toronto to attend the Editor’s Lab at the Canadian Film Centre, he has since moved to London, England where he happily resides. Some of his work includes Douglas Coupland’s first feature film script, EVERYTHING’S GONE GREEN (TIFF ’06), Bruce McDonald’s THE TRACEY FRAGMENTS (Opening film, Panorama Program Berlin ’07), Coky Giedroyc’s HOW TO BUILD A GIRL (TIFF ’19) and the Dominic Cooke film THE COURIER (SUNDANCE ’20).

In television, he has edited dramas including Penny Dreadful, The Hollow Crown – War of the Roses, Peaky Blinders, Phillip K Dick’s Electric Dreams and BBC’s The Hour, for which he was nominated for a BAFTA.

Where to watch Gareth’s recent work (US & Canada):

How to Build a Girl” – iTunes

Les Courier” – Google Play

Gareth’s short film, First Cut

Crédits

Edited By

Jonathan Dowler

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Iris Award Winner 2020

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Pride Month 2020

Celebrating Pride Month 2020!

2020 Pride Month at the CCE Feature Image

Celebrate Pride month with the CCE!

The CCE acknowledges and celebrates the trans women of colour — Sylvia Rivera & Marsha P. Johnson — who began the Stonewall protests in New York City in 1969. Last year, we screened the short films “Happy Birthday Marsha”, and “Haus” at the CCE’s Pride Party.

This year, we will be celebrating with virtual events:

June 14th: L’Envers de l’écranCapernaum

June 21st: L’Envers de l’écran – Queering the Script

These events are free but donations in support of The 519 can be made when you sign up.

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Message Of Solidarity 2020

A Message of Solidarity 2020

What we’re doing:

We began our journey of self-education with Anti-Oppression training in 2019. This training is now a permanent part of the budget so future board members can continue this work and equity can be part of the fabric of our organization. The work does not end here. We will continue to listen and discuss, and find further ways we can help. This is a movement, not a moment. If you have thoughts on how the CCE can better support BIPOC creators, please contact us at: info@cceditors.ca.

Visit:

Donate:

Canada Nationwide Resources:

Resources by Region:

Film & Series Selections (streaming)

Education through Media:

Hair Love, Oscar Winning Short Film, available for free

CBC GEM: The Skin We’re In

Madiba Nancy’s Workshop

Netflix Documentaries:

The 13th

The Black Godfather

The death and life of Marsha P Johnson

LA 92

Let It Fall: Los Angeles 1982-1992

The Force

Strong Island Teach us all Time: The Kalief Browder Story

What Happened, Miss Simone?

The Central Park Five

The NFB

The NFB released a selection of films talking about the human rights, on discrimination, and on Black Lives Matter. 

Criterion:

On the Criterion Channel, they’’re highlighting films that focus on Black Lives, and have taken down the paywall, so you can watch them for free. 

Site internet

Pioneers of African Cinema

Cheryl Dunye

Features:

12 Years a slave

American Son

Malcom X

Moonlight

Mudbound

See you yesterday

Series:

When They See us

Dear White People

Explained: The Racial Wealth Gap

The Hate U Give

A francophone selection:

Briser Le Code

Afro-Prosperite

TV5 Unis Bois d’ebene

Cineplex:

Cineplex are releasing movies that are free to watch on their platform:

Selma

I’m not your negro

BLACKKKLANSMAN

The Hate U Give

Hidden Figures

If Beale Street Could Talk

are all available on many online platforms. 

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Coffee With an Editor – Carole Larsen

Episode 002 - Carole Larsen

Pause-café entre monteurs.ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Carole specializes in editing long form documentaries.

Recent projects include She Walks with Apes for CBC The Nature of Things, The Third Dive for CBC POV, Equator: A New World View for Discovery/Arte, and the factual series Coldwater Cowboys for Discovery.

She has a keen interest in natural history and has cut many films focusing on animals and the environment (Manufacturing the Wild, Meet the CoyWolf, Puffin Patrol, Carpe Diem, Raccoon Nation and others).

Carole has edited award-winning documentary series (Spaceship Earth, The National Parks Project, Things That Move) and short films (Ghost Bike, Record, Sea in the Blood), music videos and narrative features.

Her work has been featured by broadcasters and film festivals across Canada and around the world.

Where to watch Carole’s recent work (US & Canada):

She Walks with Apes” – CBC Gem

The Messenger” – iTunes

Crédits

Edited By

Jonathan Dowler

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Canadian Screen Awards Winners 2020

Canadian Screen Awards 2020

Night #1

Last night was the first night (of four) for the Canadian Screen Awards. The announcements last night saw the winners for broadcast news, sports programming, and documentary and factual content streamed from the academy’s website and social media pages.

Meilleur montage, documentaire

Pauline Decroix

Engraved on a Nation: On the Line.

Night #2

Congratulations to last night’s CSA Winners! 

Best Picture Editing, Reality/Competition:

Lisa Barley, Mike Scott & Michael Tersigni, CCE (plus 2 other editors)

The Amazing Race Canada: Canada Get More Maps

Night #3

Congratulations to last night’s CSA Winners!

Meilleur montage, drame

Matthew Anas

Cardinal: Sam

Meilleure montage, humoristique

Mike Fly, Aren Hansen, Nick Wong (plus 2 other editors)

Baroness Von Sketch Show:Humanity is in an Awkward Stage

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Leo Nominations 2020

Leo Award Nominations 2020

Best Picture Editing: Motion Picture

Franco Pante (plus one other editor)

Daughter

Best Picture Editing: Television Movie

James Ilecic, CCE

The College Admissions Scandal

Lara Mazur, CCE

The Knight Before Christmas

Best Picture Editing: Short Drama

Cindy Auyeung

Sisters of Sorrow

Best Picture Editing: Documentary Series

Patrick Carroll

Mind Set Go: Kristen

Greg Ng

Punk: Episode One

Best Picture Editing: Dramatic Series

Jon Anctil

Van Helsing: Together Forever

Lara Mazur, CCE

Virgin River: Under Fire

Daria Ellerman, CCE

Virgin River: Carry On

Nicole Ratcliffe, CCE

You Me Her: Episode 510

Best Picture Editing: Information, Lifestyle or Reality Series

Megan Oravec & Brent J. Rubin

Worst To First: Lyndsay & John

Best Picture Editing: Youth or Children’s Program or Series

Daria Ellerman, CCE

Malibu Rescue: With a Little Kelp from My Friends

Full List Available Here

Best Picture Editing: Short Documentary Program

Elad Tzadok

Hayashi Studio

Sarah Hedar

Now Is The Time

Best picture Editing: Feature Length Documentary

Stephen Leck (plus 1 other editor) 

Eddy’s Kingdom

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Iris Award Nominees 2020

Iris Award Nominees 2020

Meilleur montage en film documentaire

Annie Jean, CCE

Ziva Postec: La monteuse derrière le film Shoah

Meilleur Montage

Myriam Poirier, CCE

14 jours 12 nuits

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Nominees for the 10th Annual CCE Awards

Nominees for the 10th Annual CCE Awards

This year will mark the 10th Anniversary of the awards and we aim for them to be bigger and better than ever! While the CCE Awards typically occur in May, due to recent global health concerns we have rescheduled the ceremony to Friday October 2, 2020. 

Congratulations to our nominees! We look forward to celebrating with you at the 10th Annual CCE Awards on October 2, 2020 at the Delta Hotel in Toronto. Tickets for the ceremony will be available in early fall.

Isabelle Malenfant, CCE

The Procession

Joycelyn Poon & Brian Karn

The Most Magnificent Thing

Kevin Pavlovic, David Ian Salter, Ellery VanDooyeweert & Emma DuPell

The Addams Family

Lesley Mackay Hunter

Arctic Dogs

Orion McCaw, Gina Pacheco & Michael Hillmer

Carmen Sandiego: The Daisho Caper

Carole Larsen

She Walks With Apes

Cathy Gulkin, CCE & Kathryn Lyons

Margaret Atwood: A Word after a Word after a Word is Power

Danny Palmer

Rat Park

Eamonn O’Connor & Daniel Roher

Once Were Brothers: Robbie Robertson and The Band

Nick Hector, CCE

Prey

Clark Masters & Chelsea Bennett

White Space

Kyle Sanderson

Pugly

Rachel Guergis

This Ink Runs Deep

Robert Swartz, CCE

The Impossible Swim

Sonia Godding Togobo

Mr. Jane and Finch

Cameron Nixdorf

Vacations of the Brave: Tamika &Cleve

Dave McMahon

Hip Hop Evolution: Pass the Mic

Peter Denes

Children of the Snow: The Darkest Winter

Ben Kaplan & Clark Masters

Dark Side of the Ring: The Last of the Von Erichs

Steve Taylor

Hip Hop Evolution: The Dirty South

Daniel Sadler

Northern Rescue: Making Lemonade

Lauren Brandon

Holly Hobbie: A Whole New Holly

Lee-ann Cass

Christmas Chalet

Michelle Szemberg

 Northern Rescue: Qué Sera

Sabrina Pitre

Kim Possible

Myriam Verreault & Sophie Leblond

Kuessipan

Carina Baccanale & Cedric Coussy

Jouliks Isabelle

Malenfant, CCE

Fabuleuses

Véronique Barbe, CCE & Aisling Chin-Yee

The Rest of Us

Yvann Thibaudeau

Target Number One

Andrew Gurney

Blown Away: Dual Intent

Andrew Gurney, Mike Scott & Michael Tersigni, CCE

The Brigade: Race to the Hudson, All or Nothing

Jonathan Dowler, David Yenovkian, Lisa Barley, Olivia Shin & Michael Tersigni, CCE

The Amazing Race Canada: Clamageddon Continues

Michael Tersigni, CCE & Andrew Gurney

The Brigade: Race to the Hudon, Against the Current

Mike Scott

Blown Away: Body Parts

Aren Hansen

Kims Convenience: Cutie Pie

Christopher Minns

Cavendish: House of Wax

John Nicholls, CCE

Little Dog: Round Eight

Jonathan Eagan

Workin’ Moms: Birth Daze

Matthieu Bouchard & Olivier Binette

Like-Moi: Episode 35

Ana Yavari

The Handmaid’s Tale: Witness

Carina Baccanale

Les Pays d’en haut: #37

Christopher Donaldson, CCE

The Handmaid’s Tale: Night

D. Gillian Truster, CCE

Anne with an E: A Strong Effort of the Spirit of Good

Wendy Hallam Martin, CCE

The Handmaid’s Tale: Mayday

James Ilecic, CCE

The College Admissions Scandal

Lara Mazur, CCE

The Knight Before Christmas

Matthew Anas

Cardinal: By The Time You Read This: Sam

Richard Rotter

Damaged

Stephen Roque

Mary Kills People: Wolf, Meet Henhouse

Amélie Labrèche

Jaeborn by Numbers

Mahi Rahgozar

Wiisgaapte (Bitter Smoke)

Maureen Grant

It’s Nothing

Pauline Decroix

Ma Dame au Camélia

Yvann Thibaudeau

Delphine

Ben Lawrence

Tokens: Episode 3

Colin Waugh

Renewable: Youth for Climate

Micah Rix-Hayes

The Ninth: The Balk

Sam Thomson & Thom Smalley

Save Me Season 2: Birdie’s End

Thom Smalley & Sam Thomson

Save Me Season 2: Animal

The CCE is pleased to announce the recipient of the:

Lara Mazur, CCE

The CCE will proudly present this honour to Lara at the 10th annual CCE Awards, at the Delta Hotel in Toronto on October 2nd, 2020. Lara Mazur is an award-winning Canadian film and television editor. Lara approaches the craft of editing as a collaborative effort, weaving artistry and performance into the fabric of the story. She began her career as an apprentice editor with the National Film Board of Canada in Winnipeg, and, for over three decades, has moved seamlessly between documentary and scripted stories. 

Lara has collaborated with some of Canada’s top directors and producers, bringing stories with universal themes to audiences around the world on shows such as: Chris Haddock’s “DaVinci’s Inquest” and “Intelligence”; “Strange Empire” and “Arctic Air”; Norma Bailey’s “Daughters of the Country”, “Bordertown Café” and “The Pastor’s Wife”; “No One Would Tell” and “Van Helsing” – all receiving award nominations for editing. On the television series “Flashpoint, Lara received a DGC Award and a Gemini nomination. On Anne Wheeler’s feature film “Suddenly Naked”, she received a Genie award, and three nominations for editing on Rachel Talaley’s television movie “On the Farm.” 

In recognition of her body of work, Lara received an award from Women in Film and Television. Lara continues to mentor many emerging filmmakers and give valued advice to many seasoned storytellers. 

Currently, Lara is editing a movie for Netflix.

Fred Brennan

The CCE is pleased to announce the recipient of the Career Achievement Award for 2020 — Fred Brennan. This award is presented to a non-editor who has shown great support for Canadian editors and the editorial profession over the course of their career. 

The CCE will proudly present this honour to Fred at the 10th annual CCE Awards, at the Delta Hotel in Toronto on October 2nd, 2020. In a career that has spanned over forty years, Fred Brennan has become one of Canada’s preeminent dialogue and supervising sound editors. He has worked on many Canadian feature films, major international co-productions and hundreds of hours television. His many awards include Genies and Geminis, recognition by The Director’s Guild of Canada and the Motion Picture Sound Editor’s Guild in Los Angeles. 

Some of Freds credits include Littlest Hobo, American Psycho, Call Me Fitz, Barney’s Version et Pompéi.

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EditCon Raffle Winner 2020 – Jon Anctil

EditCon Raffle Winner 2020 - Jon Anctil

EdiCon 2020

One crisp December morning, I woke up to a constant pinging sound as my phone started going off. Bleary eyed, I check my notification screen – I had won the CCE raffle to go to EditCon! This came as a surprise, as I haven’t even won a scratch-and-win in about fifteen years. But hey – free trip to Toronto? Meet other edit-cave dwellers and talk shop all weekend? Sounds good to me!

So I packed my bag, kissed my wife goodbye, and left chilly Vancouver to arrive in… warmer Toronto.

EditCon 2020 logo

I was expecting The Center of The Universe to be a city of snow drifts, parkas, and traffic chaos. Instead it was pleasantly mild, everyone wore toques, and you have Uber here! Sweet mercy.

TIFF Bell Lightbox Sign Toronto

Uber is a revelation to me, having come from the land where ride sharing had been verboten until about a month ago.

Anyways, I digress.

I landed, got settled at the hotel, and found a few old friends and met some new ones at the Out of Towners gathering Friday night. After some jibber jabber, a few beers and a pit stop at a shawarma place for a wrap the size of a trashcan Mac, it was time for bed. Big day tomorrow!

I slept in. Well, not for too long, but enough to have to miss breakfast at the hotel. Fortunately, I was right next door to the TIFF Bell Lightbox theatre (dare I say, The Center of the Center of the Universe?) so I scurried over and had time for some coffee and snacks and met up with some of the other Vancouver crew that had come all this way. Van City represent!

Fueled up on caffeine and pastries, it was time for some educama—edimicat—some learning. The first panel, expertly moderated by Jonathan Dowler, focused on reality and factual editing and featured four editors – Elianna Borsa, Jenypher Fisher, Baun Mah, and Ian Sit – who are all much braver than I.

Why do I say that?

Well, if I wound up with 1600 hours of dailies across a whole season as Jenypher does on her series Jade Fever, I would run for the hills. These four shared great stories about working on fast-paced and exciting reality and factual productions, trying to balance incredibly tight deadlines (like delivering with a few hours to air kind of tight) with pulling the best stories out of so much footage.

There was a common theme from all the editors that you need to get very creative with your footage to tell the true stories of what’s happening. Jenypher showed a scene from Jade Fever and described it as, and I’m paraphrasing a bit but it’s true, something like 90% true and 80% fake.

The story was correct – a buyer visited the work site and bought a chunk of Jade – but the shots needed to tell that story were pulled from many different sequences across two shooting days.

Or, in a similar vein, Elianna Borsa and Baun Mah described taking sequences from The Amazing Race Canada where an event happened over some 45 minutes and condensing that to 45 seconds on-screen without losing clarity of story.

It was incredible stuff. To be honest, reality/factual is not a genre I am keen to work in that much, but this turned out to be my favourite panel of the day.

2020 EditCon Panelist 1 group
2020 EditCon Panelists #1
2020 EditCon Panel 2 no script no problem on stage at TIFF
2020 EditCon Panelists #2

The next panel was This Year in Dramatic Film, featuring three editors with recent critically acclaimed feature films: Mathieu Bouchard-Malo, Lara Johnston, and Sabrina Pitre. They all shared anecdotes about their career paths that had led them to feature work, and some of the challenges and successes working on their latest films. One interesting tidbit they all discussed was the use of test screenings. Freaks which Sabrina edited had 14 test screenings between Canada and LA!

The directors didn’t always take the screening notes as gospel, but they were great opportunities to help find the flow and tone of the stories that resonated with the viewers. Lara screened her film Mouthpiece with editor friends for many of the same reasons. All the editors agreed that it was an occasionally painful but always important part of the process.

Also, as a random aside, Mathieu spoke en français (moderator Justin Lachance translated) and my high-school French teacher would be pleased to know that even though I haven’t opened my Bescherelle since 2003, I could still mostly understand him.

After a lunch break and more coffee we dove right into the third panel, Timing is (Almost) Everything. Canadian comedy treasure Elvira Kurt moderated and spoke with James Bredin (Schitt’s Creek), Jonathan Eagan (Workin’ Moms) and Marianna Khoury (Baroness von Sketch Show). These three editors all have worked on a wide variety of comedies, but the goal is always the same: make it funny.

I found the discussions around workflow on sketch-coms like Baroness very interesting. The editors don’t work on specific episodes but instead would grab a sketch they wanted to do. Later, once the sketches were cut together, only then would the producers/CBC decide which sketches would go into which episodes. Cool!

2020 EditCon Panelist 3 group
2020 EditCon Panelists #3

I’ve heard it said that talking about comedy isn’t funny, so it’s a good thing Elvira Kurt kept cracking wise across the panel and kept the discussion fast and flowing. She also inadvertently nailed a great point: she would ask questions around the challenge of making something funny, or finding the comedy in a certain moment, and all three panelists kind of had the same answer: you just sorta do.

Jon Anctil

Associate member of the Canadian Cinema Editors

Comedy is subjective, personal, and tricky, and it really boils down to experimenting with different scenes in different ways and getting feedback from lots of different people to really pull the best laugh out of a bit. As an example of challenging comedy, Marianna showed a sketch from Baroness von Sketch Show called Unfounded. The sketch is hilarious but also revolves around police processing of sexual assault cases – not exactly a laugh-a-minute topic. She went into detail about how they addressed such an intense and important topic and used humour to shine a light on a real problem.

It was immensely fascinating.
2020 EditCon Panel 4 no script no problem on stage at TIFF
2020 EditCon Master Series

The last panel was a one-on-one conversation between moderator Sarah Taylor and Susan Shipton. Susan has cut eight films with Atom Egoyan, has recently worked in television on Burden of Truth et The Expanse, and now working the Netflix series Ginny and Georgia. It was a fun, casual conversation about Susan’s career up to this point and her experience working across a variety of different projects.

I’d love to go into more detail, but my notes for this panel have been lost in the shuffle of moving apartments and my memory is just fuzzy enough that I’d probably start making things up.

Things wrapped up with some draw prizes, then we stretched our legs and found some bevvies in the lounge and discussed all the gems we had heard today.

It was a long day, but I found myself walking out of the Lightbox invigorated and excited about what we do for a living. It was great to hear stories across all different genres and formats and reminded me that there is so much more to learn still. But reassuringly, my main takeaway was that no matter the subject, genre, schedule, or format, we’re all still trying to tell the best stories we can.

As a Vancouver resident, time and money to travel east to Toronto are not always easy to arrange, so I’d like to thank the CCE for their generous gift of bringing me to EditCon this year.

I am very grateful for the opportunity and I hope that the CCE continues to hold fantastic events (and raffles!) like EditCon to bring editors from all over Canada together.
Jon Anctil EditCon Raffle Winner 2020
Jon Anctil in the middle with CCE Board

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