Allan Cordero & Mike Goodings – HERO ELEMENTARY – EP. 1116A: BUGGING OUT
Dan Lee, Stephanie Duncan, CCE, Jason Cohen & Doug Appeldoorn – OLLIE’S PACK
Orion McCaw – CARMEN SANDIEGO SEASON 3: THE LUCHADORA TANGO CAPER
Paul Hunter & Merissa Tse – NATURE CAT: TALLY HO, A VOLCANO!/NO REST FOR THE SQUEAKY
Sponsored by/Commandité par: Annex Pro/AVID
Dan Hawkes – FEAR OF DANCING
Eugene Weis – HOWIE MANDEL, BUT ENOUGH ABOUT ME
Kyle Gregory Sanderson – RUNNING WILD: THE CATS OF CORNWALL
Michael Brockington, Caroline Christie, CCE & Astrid Schau-Larsen – FIRST WE EAT
Sponsored by/Commandité par: REDLAB
Andrea Beça – SOLIDARITY FILM CAMP
Hart Snider & Jason Schneider – MARTHA
Kyle Gregory Sanderson – PASS THE SALT
Rachel Guergis – THE PILGRIMAGE
Sponsored by/Commandité par: Boris FX
Carole Larsen – REBELLION
Ian Daly, Thomas Lieu, Steven Budd & Christina To – WHILE THE REST OF US DIE: COLLAPSE
Rob Chandler, BFE – BANGED UP ABROAD: POP STAR SMUGGLER
Robert Kew – STILL STANDING: RANKIN INLET, NUNAVUT
Sponsored by/Commandité par: IATSE local 891
Amélie Labrèche – NADIA, BUTTERFLY
Andres Landau – AKILLA’S ESCAPE
Matthew Hannam, CCE – THE NEST
Matthew Hannam, CCE – POSSESSOR
Sponsored by/Commandité par: Blackmagic Design
Andrew Gurney – ALL-ROUND CHAMPION: EP. 206 – SNOWBOARDING
Lindsay Ragone – ALL-ROUND CHAMPION: EP. 107 – BMX RACING
Michael Tersigni, CCE – HOME TOWN: FROM LOS ANGELES TO LAUREL
Wesley Finucan, Baun Mah & Peter Topalovic – GREAT CHOCOLATE SHOWDOWN: EP. 101 – THE WORLD NEEDS S’MORE PEOPLE LIKE YOU
Sponsored by/Commandité par: Bell Media
Courtney Goldman – GHOSTWRITER: CASE OF THE MISSING GHOST – PART 2
Courtney Goldman & Nathan Martinak – ENDLINGS: THE END IS THE BEGINNING – PART 2
Gordon Rempel, CCE – UPSIDE-DOWN MAGIC
Justin Li – THE ASTRONAUTS
Sponsored by/Commandité par: MELS
Diane Brunjes – THE CLARK SISTERS: FIRST LADIES OF GOSPEL
James Patrick – CHRIS WATTS: CONFESSIONS OF A KILLER
Lisa Binkley, CCE – ZOMBIES 2
Sandy Pereira – CARDINAL: SCOTT
Sponsored by/Commandité par: APM Music
Ben Lee Allan – TIGRESS
Lucius Dechausay – A REVOLUTION OF LOVE
Rick Bartram – LOLA’S WAKE
Yvann Thibaudeau – OUROBOROS
Sponsored by/Commandité par: Vanguarde Artists
Caroline Christie, CCE – JANN: EP. 202
Isabelle Malenfant, CCE – EN TOUT CAS: EP. 27
Kyle Martin, CCE – LETTERKENNY
Trevor Ambrose, CCE – SCHITT’S CREEK: EP. 614 HAPPY ENDING
Sponsored by/Commandité par: SIM
Aaron Marshall, CCE – VIKINGS: EP. 610
David B. Thompson, CCE – FORTUNATE SON: EP. 108
Eric Genois – FAITS DIVERS: EP. 32
Jay Prychidny, CCE – SNOWPIERCER: EP. 101: FIRST, THE WEATHER CHANGED
Jay Prychidny, CCE & Liyana Mansor – THE ALIENIST: EP. 204: ANGEL OF DARKNESS: GILDED CAGE
Sponsored by/Commandité par: Company 3
Alvin Campana – FOR THE RECORD: THE BROKEN HEARTS TOUR
Jon Anctil – 50 STATES OF FRIGHT: RED RUM (COLORADO) – PART 1
Justin Li – 50 STATES OF FRIGHT: ALMOST THERE (IOWA) – PART 3
Sabrina Pitre – 50 STATES OF FRIGHT: STEPS TO HELL (WASHINGTON) – PART 2
Sponsored by/Commandité par: Take 5 Productions
Calum Hotchkiss – CONTINUUM (University of Windsor)
Josh Wood – DOWN DELORO RIVER (Sheridan College)
Lexy Troth – ANAMNESIS (Sheridan College)
Nicolas Orska – MARIONETTES (Emily Carr University)
Sponsored by/Commandité par: Insight Productions
Michel Arcand’s career as an editor has spanned more than 40 years, earning him a unique place in the Canadian cinema community amongst the artists and professionals whose careers he has watched emerge and mature.
He has even guided—and continues to guide—some of our greatest filmmakers: Léa Pool, Jean-Claude Lauzon, Pierre Falardeau, Robert Ménard, Charles Binamé, Chloé Robichaud, and Sébastien Pilote, to name but a few.
Michel Arcand is part of that elite group of artisans and creators whose reputation transcends borders. His work, too, is internationally recognized, with movies like TOMORROW NEVER DIES: JAMES BOND #18, SUNSHINE and THE SIXTH DAY being enjoyed by hundreds of thousands around the world.
Generous with his time and wealth of experience, he is a founding member of the Comité des Treize, an independent group whose mission is to unite editors of all stripes to promote the field and restore its prestige.
Arcand has long been a freelancer, which likely fuels his drive to ensure better working conditions not just for himself, but also for his fellow editors. His mission to support his community led him to sit on the Board of Directors of the Academy of Canadian Cinema. He has been on the Board of Directors of the Alliance of Image and Sound Technicians (AQTIS Local Section 514 IATSE) since 2006.
A man of principle, he cares deeply about collective values and ensuring equity for all roles in production. To that end, he is an advocate of a strong, unified organization to represent those roles and ensure that investments are made in professional development and training the next generation of creators.
Jane Tattersall’s career in sound began during a rainstorm. A graduate of Queens University (philosophy), her first job in film was as a researcher/writer on a BBC/TVO documentary series. When the picture editor added the rumble of thunder to an otherwise merely beautiful landscape scene, it was love at first sound.
Ask Jane about her success over 30 years and she attributes it to her luck of being mentored by some of the best sound editors and mixers in the business. Great filmmakers such as Jaco van Dormael, Bill Forsyth, Deepa Mehta, David Cronenberg, and Istvan Szabo contributed to her education.
Jane built relationships with Canadian filmmakers like Clement Virgo, Sarah Polley, Richie Mehta, and Mike McGowan. Jane’s passion for sound excellence and hard work helped this next generation of filmmakers take the stage at the Oscars, at Cannes, in Toronto and at film festivals around the world.
Jane’s work has taken her to studios beyond Canada, including stints in Berlin, Brussels, Budapest, London, LA, Skywalker, and New York. Numerous credits, nominations and awards followed and today Jane counts over 170 credits (film and television), and over 100 nominations and awards. Jane’s recent sound supervising includes THE HANDMAID’S TALE, THE NORTH WATER and 13 MINUTES.
Michel Arcand’s career as an editor has spanned more than 40 years, earning him a unique place in the Canadian cinema community amongst the artists and professionals whose careers he has watched emerge and mature.
He has even guided—and continues to guide—some of our greatest filmmakers: Léa Pool, Jean-Claude Lauzon, Pierre Falardeau, Robert Ménard, Charles Binamé, Chloé Robichaud, and Sébastien Pilote, to name but a few.
Michel Arcand is part of that elite group of artisans and creators whose reputation transcends borders. His work, too, is internationally recognized, with movies like TOMORROW NEVER DIES: JAMES BOND #18, SUNSHINE and THE SIXTH DAY being enjoyed by hundreds of thousands around the world.
Generous with his time and wealth of experience, he is a founding member of the Comité des Treize, an independent group whose mission is to unite editors of all stripes to promote the field and restore its prestige.
Arcand has long been a freelancer, which likely fuels his drive to ensure better working conditions not just for himself, but also for his fellow editors. His mission to support his community led him to sit on the Board of Directors of the Academy of Canadian Cinema. He has been on the Board of Directors of the Alliance of Image and Sound Technicians (AQTIS Local Section 514 IATSE) since 2006.
A man of principle, he cares deeply about collective values and ensuring equity for all roles in production. To that end, he is an advocate of a strong, unified organization to represent those roles and ensure that investments are made in professional development and training the next generation of creators.
Jane Tattersall’s career in sound began during a rainstorm. A graduate of Queens University (philosophy), her first job in film was as a researcher/writer on a BBC/TVO documentary series. When the picture editor added the rumble of thunder to an otherwise merely beautiful landscape scene, it was love at first sound.
Ask Jane about her success over 30 years and she attributes it to her luck of being mentored by some of the best sound editors and mixers in the business. Great filmmakers such as Jaco van Dormael, Bill Forsyth, Deepa Mehta, David Cronenberg, and Istvan Szabo contributed to her education.
Jane built relationships with Canadian filmmakers like Clement Virgo, Sarah Polley, Richie Mehta, and Mike McGowan. Jane’s passion for sound excellence and hard work helped this next generation of filmmakers take the stage at the Oscars, at Cannes, in Toronto and at film festivals around the world.
Jane’s work has taken her to studios beyond Canada, including stints in Berlin, Brussels, Budapest, London, LA, Skywalker, and New York. Numerous credits, nominations and awards followed and today Jane counts over 170 credits (film and television), and over 100 nominations and awards. Jane’s recent sound supervising includes THE HANDMAID’S TALE, THE NORTH WATER and 13 MINUTES.
Richard Crouse is the regular film critic for the 24 hour news sources CTV’s News Channel and CP24 and is a frequent guest on many national Canadian radio and television shows. His nationally syndicated Saturday afternoon radio show, THE RICHARD CROUSE SHOW, originates on News Talk 1010 in Toronto. He is also the author of ten books on pop culture history including Who Wrote the Book of Love, the best-selling “The 100 Best Movies You’ve Never Seen”, its sequel “The Son of the 100 Best Movies You’ve Never Seen”, the best selling “Raising Hell: Ken Russell and the Unmasking of The Devils” and “Elvis is King: Costello’s My Aim is True”. He also writes about pop culture and cars for The Toronto Star.
2 x 1 YEAR ADOBE CREATIVE CLOUD SUBSCRIPTION
1 BLACKMAGIC DESIGN EDITOR KEYBOARD
Kyle Gregory Sanderson
1 COPY OF DAVINCI RESOLVE STUDIO
Rick Bartram
3 x 1 YEAR SUBSCRIPTION TO BORIS FX SUITE
Gordon Rempel,CCE | Sabrina Pitre | Chen Sing Yap
2 x 1 YEAR CCE MEMBERSHIP
Denise Lee | Joan Hutton
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