Catégorie : Articles
2019 CCE Lifetime Achievement Award – Dean Balser, CCE
- Auteur de l'article Par Alison Dowler
- Date de l’article 2 avril, 2019
2019 CCE Award Lifetime Achievement Recipient:
Dean Balser, CCE
The CCE is pleased to announce the recipient of the Lifetime Achievement Award for 2019-- Dean Balser, CCE.
The CCE will proudly present this honour to Dean at the 9th annual CCE Awards, at the Delta Hotel in Toronto on May 30, 2019.
In 1988 Dean Balser, a longtime staff editor at CFTO-TV / Glen-Warren Productions in Toronto, left his full-time position to pursue a freelance career. At the time, Dean had a long-standing relationship with Grosso-Jacobson Entertainment in New York through their successful collaboration on the highly acclaimed series “Night Heat,” the first Canadian series to be broadcast on CBS.
Producer Sonny Grosso and Dean created a strong bond, with Grosso hiring Dean on many series and MOW’s in subsequent years, even bringing Dean to New York for one project, clearly showing the faith and trust he had in Dean. Dean’s work was noticed by U.S. producers -Grosso and others – at a time when few American shows would edit in Toronto. He was a ‘go-to’ editor for CBS, NBC and ABC as they shot pilots here and required a steady hand. He was fortunate to be an editor for CBS, NBC and ABC as they shot pilots here.
Dean became acclaimed not only for his editing work, but also for his role as a friend and mentor to many in the industry. His work has been varied and always of the highest quality, ranging from the cop shows with Sonny Grosso, to drama and science fiction. Dean has also cut musical variety and comedy as well as various forms of documentary, doc-series and factual productions, displaying one of the most versatile voices in editing in Canada. He was at the forefront of the evolution of editing from film to digital, working on the most advanced editing platforms of the day, including being an early user of Avid systems. Dean also served as 2nd Unit Director on various film and television projects.
BAFTA Nominations 2019
- Auteur de l'article Par Alison Dowler
- Date de l’article 29 mars, 2019
- Aucun commentaire sur BAFTA Nominations 2019
- Étiquettes awards, BAFT, BAFTA Nominations 2019, nominations
Canadian Screen Awards Winners 2019
- Auteur de l'article Par Alison Dowler
- Date de l’article 28 mars, 2019
- Aucun commentaire sur Canadian Screen Awards Winners 2019
Canadian Screen Awards Winners 2019
GALA NIGHTS 1 & 2 Winners
Congratulations to our CCE members who won a Canadian Screen Award last night.
Best Picture Editing: Documentary
Cathy Gulkin, CCE
You are Here
Best Picture Editing: Reality/Competition
Jonathan Dowler, Michael Tersigni, CCE, Gloria Tong, Owin Lambeck (Plus 2 other editors)
The Amazing Race Canada: Just a Beaver Hero
- Étiquettes Canadian Screen Awards, CCE, CCE Member, members, winner
Rosie Awards Nominations 2019
- Auteur de l'article Par Alison Dowler
- Date de l’article 22 mars, 2019
- Aucun commentaire sur Rosie Awards Nominations 2019
Rosie Awards 2019 - Nominations for CCE Members
Congratulations to our CCE members in Alberta who are nominated for Rosie Awards.
Sarah Taylor has 3 nominations, Brenda Terning has 2 nominations and Krystal Moss and Ken Filewych, CCE each have 1 nomination.
Good luck!
Sarah Taylor (plus 1 other editor)
Caution: May Contain Nuts – “Sexy Bigfoot Alien Chef’
Sarah Taylor
The Suburbanight
Ken Filewych, CCE
Heartland – “A Fine Balance”
Sarah Taylor
Fast Horse
Brenda Terning
Equus: Story of the Horse – “Origins”
Krystal Moss & Brenda Terning
Equus: Story of the Horse – “Chasing the Wind”
- Étiquettes Alberta, Canada, CCE, Oui, cutting, editing, Editor, members, nominations, Rosie Awards 2019
Winner of Best Editing Vancouver Short Film Festival 2019
- Auteur de l'article Par Alison Dowler
- Date de l’article 5 mars, 2019
- Aucun commentaire sur Winner of Best Editing Vancouver Short Film Festival 2019
Winner of Best Editing Vancouver Short Film Festival 2019
The CCE were a proud sponsor for the Vancouver Short Film Festival.
We had the honour of presenting the Best Editing Award. The winner of the Editing Award was Jason Karman of the film Lionhood.
Jason Karman is a Vancouver-based screenwriter and director whose 16 short films have screened internationally at festivals including the Melbourne Queer Film Festival, Whistler Film Festival, and Telefilm Canada’s Not Short on Talent at Clermont-Ferrand.
Graduating in 2003 with honours in Cinematography from Capilano College, Jason has worked in documentaries, dramas, thrillers and dance on screen.
In 2011, Jason received the Gerry Brunet Memorial Award at Vancouver Queer Film Festival for I’M IN THE MOOD FOR LOVE, and in 2015 was recipient of the Jury Choice Award at Reel Pride Winnipeg for KIMCHI FRIED DUMPLINGS.
He is the 2016 recipient of the James Lee Foundation Scholarship and the 2018 Normand Bouchard Memorial Bursary.
Canadian Screen Awards Nominations 2019
- Auteur de l'article Par Alison Dowler
- Date de l’article 7 février, 2019
- Aucun commentaire sur Canadian Screen Awards Nominations 2019
Canadian Screen Awards Nominees 2019
Congratulations to our CCE members who are nominated for a Canadian Screen Award.
Meilleur montage
Simone Smith
Firecrackers
Richard Comeau, CCE
Stockholm
Graham Withers
Transformer
Dave Kazala, CCE
Dolphin Man
Duncan Christie
Mary Kills People: Fatal Flaw
D. Gillian Truster, CCE
Anne with an E: Protest Against Any Absolute Conclusion
Matthew Anas
Cardinal: Blackfly Season
Paul Winestock, CCE
Blood and Water: 201
Brenda Terning & Krystal Moss
Equus: Story of the Horse – Chasing the Wind
Cathy Gulkin, CCE
You are Here
Michael Tersigni, CCE, Jonathan Dowler, Gloria Tong, Owin Lambeck (Plus 2 other editors)
The Amazing Race Canada: Just a Beaver Hero
Jonathan Dowler, Baun Mah, Ryan Monteith, Mike Scott, Andrew Gurney, Seth Poulin, Michael Tersigni, CCE, Jordan Crute, Owin Lambeck (Plus 9 other editors)
Big Brother Canada: Finale
Michael Tersigni, CCE, Ryan Monteith, Mike Scott, Elianna Borsa
Top Chef Canada: Double Overtime
Jonathan Eagan
Workin’ Moms: 2005
Mike Fly (plus 3 other editors)
Baroness von Sketch Show: Is that you Karen?
- Étiquettes 2019, Canadian Screen Awards, CCE, CCE Member, Editors, members, nominations
ACE Eddie Award Nominations 2019
- Auteur de l'article Par Alison Dowler
- Date de l’article 8 janvier, 2019
- Aucun commentaire sur ACE Eddie Award Nominations 2019
ACE Eddie Award Nominations 2019
- Étiquettes ACE, ACE Members, awards, Canada, CCE, Eddie Award Nominations 2019, members, nominations, États-Unis
DGC Award Winners 2018
- Auteur de l'article Par Alison Dowler
- Date de l’article 22 octobre, 2018
- Aucun commentaire sur DGC Award Winners 2018
DGC Award Winners 2018
Congratulations to our CCE members who won a DGC Award over the weekend.
BEST PICTURE EDITING – DOCUMENTARY
Roderick Deogrades
Silas
BEST PICTURE EDITING – DOCUMENTARY
Silas
BEST PICTURE EDITING – TELEVISION SERIES
Christopher Donaldson, CCE
The Handmaid’s Tale, Episode 102, Birth Day
BEST PICTURE EDITING – TELEVISION SERIES
The Handmaid’s Tale, Episode 102, Birth Day
- Étiquettes Canada, CCE, DGC, DGC Award Winners 2018, nominations
2018 CCE Winner for LA EditFest Raffle – Richard Millen
- Auteur de l'article Par Alison Dowler
- Date de l’article 13 septembre, 2018
- Aucun commentaire sur 2018 CCE Winner for LA EditFest Raffle – Richard Millen
2018 CCE Winner for LA Edit Fest Raffle - Richard Millen
My EditFest 2018 experience began with a message from a friend attending the 2018 Canadian Cinema Editors Awards. Unable to go this year, I had nonetheless bought a ticket for the annual raffle.
“Hey. You won a trip to LA,” from Greg. “That’s crazy,” from me.
And so, it was on. The American Cinema Editors’ EditFest 2018 took place on Saturday August 25th in Burbank at the Main Theatre on the Walt Disney Studios campus. After flying into Los Angeles on Friday evening, I arrived at the event in time Saturday morning to catch the “warmup act,” a presentation from Blackmagic Design on the latest iteration of DaVinci Resolve. I imagine most CCE members are familiar with the constantly evolving colour grading and (more recently) editing software. As much as I like a good tech presentation, I was eager for the panel discussions to get under way, featuring a cross section of editors from the film and television industries
Panel #1: Small Screen, Big Picture
The celebration of our craft that is EditFest was introduced by Stephen Rivkin, president of the American Cinema Editors. Some members will remember Stephen appearing at a CCE event in Toronto a few years back where he discussed his role as editor of Avatar.
Following his EditFest introduction, he handed the stage over to the first panel discussion Subtitled “Editors discuss their personal experiences and challenges in the cutting room,” “Small Screen, Big Picture” was moderated by Margot Nack a strategic business developer for Adobe Pro’s film & TV market in LA.
Editors from different genres, the panelists included Peter Beyt, ACE (multicam sitcom), Jacques Gravett, ACE (TV drama), Tim Porter (Game of Thrones) et Meaghan Wilbur (comedy specials).
It must be noted that all the editors have worked in several genres during their careers and were talking about their recent areas of speciality.
As the discussion’s subtitle suggests, the talk was wide ranging and highlighted the differences and commonalities among the panelists’ daily editing work. Mostly free of controversy, I took note of the lighthearted back and forth about the degree of difficulty and challenge each editor felt was typical of their particular projects.
“You single-camera-scripted guys have it easy!”
The common theme being how each editor’s passion for their career and creative contributions overrides any of the day-to-day challenges that present themselves.
Panel #2: The Extended Cut
Based on description in the EditFest 2018 agenda, “The Extended Cut” was a session I was seriously looking forward to. In these days of increased focus on workplace mental and physical health, the “How to survive and thrive in editorial” subtitle was a topic tease that promised some enlightenment and perspective. The panel was made up of editors of diverse ages and backgrounds, but a generally common understanding of the environment needed to foster creative and effective editing.
Lillian Benson is a thirty veteran, who has edited across many genres and was the first African-American female member of ACE. In addition to currently editing the third season of Chicago Med, Lillian serves on the Board of Directors of ACE.
Zack Arnold, in addition to his numerous film and TV credits, founded and runs Optimize Yourself. Optimize Yourself comprises a number of resources designed to offer his fellow post production professionals a roadmap to improved mental and physical health. This effort grew out of Zack’s own struggles with job burnout and the resulting issues that arose.
Carol Littleton’s impressive 40-year career includes collaborations with directors Lawrence Kasdan, Jonathan Demme, Robert Benton among others.
Her multiple award-winning career and distinguished service with the Editors Guild, ACE and AMPAS, provided her with an excellent vantage point to contribute to this discussion of the desire for the betterment of the working lives of editors.
Andrew Seklir rounded out the panel and brought direct attention to the recently published Best Practices Guide for Post-Production. This is a guidebook produced by the American Cinema Editors aimed at improving the working lives of its members. Andrew is a multi-award winning and nominated editor. He is also a producer and director. While the Best Practices guide seems on the surface to be a “pie in the sky” wish list, I think it’s value for me was simply a reminder of how far we have come as a profession, and more importantly how far we have to go to achieve the respect and consideration of our employers, when it comes to working conditions. Whether cutting corporate videos or big budget motion pictures, as editors we have more in common than we differ in our professional lives.
Andrew, the other panelists and moderator Matt Feury (Avid, Director of Product Marketing) all contributed to a lively and enlightening discussion. For me one of the more important messages to come from all participants was, don’t be afraid to walk away from a bad situation. Go with your gut and always make your health and well-being a priority in service of a long and creatively satisfying career.
Panel #3: Inside the Cutting Room with Bobbie O'Steen
After lunch, EditFest continued with “Inside The Cutting Room with Bobbie O’Steen.” Bobbie is an Emmy nominated editor, writer and film historian and lecturer. Her guest for the one-on-one conversation on stage was editor Tatiana Riegel.
Tatiana was recently nominated for a Best Editing Academy Award for the film I, Tonya. Their conversation covered Tatiana’s entry into the world of film editing through her extensive collaboration with director Craig Gillespie (Lars and the Real Girl et I, Tonya) and other notable producers and directors.
As a window into one editor’s creative process and relationships, the conversation was both illuminating and entertaining.
Panel #4: Lean Forward Moment
“The Lean Forward Moment” was the final panel discussion of EditFest and focused on the ACE Internship Program. The panel was moderated by Norman Hollyn, a long-time film, television and music editor. Norman is a Full Professor at USC’s School of Cinematic Arts. The panelists were all former ACE interns and working film and television editors. Not surprisingly, they all spoke in support of the intern program and gave personal anecdotes, as well as identifying the films that inspired them to pursue the careers they now enjoy.
The panel was comprised of Mark Hartzel (True Blood), Joi McMillon (Moonlight), Shoshanah Tanzer (The Catch) et Julia Wong (X-Men: The Last Stand). An interesting session that highlighted the way in which organizations like ACE and others can give back and inspire the next generation of editors.
To summarize, my EditFest 2018 experience was fantastic. Many thanks to the Canadian Cinema Editors for offering this prize through the awards night raffle. My good luck in the draw led to a wonderful chance to commune with an enthusiastic group of fellow editors. Special thanks to Alison Dowler of the CCE for getting my trip organized and booked.
Richard Millen
associate member of the Canadian Cinema Editors, Canada
- Étiquettes 2019, Canada, CCE Member, LA EditFest, raffle winner, États-Unis