Victory Social Club in partnership with Canadian Cinema Editors
March 13th, 2025
This event took place on March 13, 2025
Join us on Thursday March 13th for a casual mixer and an opportunity to connect with Toronto’s local community of editors. Share stories, challenges, work and get inspired. We invite you to share your work at the event, by submitting a short clip of your work (under 5 min) to be projected at the event. To do so, please email alison@cceditors.ca
Please note that due to demand it is possible that not all clips will be screened at this event. If we are unable to screen your clip we will be in touch about showing it at future events.
Light refreshments and drinks will be provided, please BYOB.
Victory Social: 1166a Dundas Street W
With nearly 30 years of experience, Gemini award-winning editor Dean Evans has credits in feature films, television and documentary. In 1997 Dean was first nominated for a Gemini for editing the national CBC series Utopia Café and winning in 1998 for the documentary Dad. Evans has also had success as a director with credits including the Gemini-nominated Prank Patrol, a top rated children’s series for YTV. Dean is a member of Directors Guild of Canada (DGC) and Alberta Post Production Association (APPA). Dean currently works as a senior picture editor for Dept.9 Studios, a company focused on scripted feature and television production.
A multi-award-winning editor with over twenty years of experience, Sarah has helped shape countless narratives that have been seen around the world. She has cut a wide range of documentaries, television programs, shorts, and feature films which have been screened at festivals including Tribeca, TIFF, and Sundance, and broadcast on networks like CBC, BBC, PBS, APTN, and AMI. Sarah’s most recent work includes the feature length documentary The Lebanese Burger Mafia which premiered at HOT DOCS in 2023 and the feature film Hey Viktor! which premiered at Tribeca in 2023. Sarah has seamlessly transitioned into the world of podcasting and also hosts and edits interview-based shows such as BRAAAINS and THE EDITOR’S CUT, adding another dimension to her multifaceted storytelling expertise.