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Coffee With an Editor – Chris Mutton

2020_EP06_Coffee with an Editor - Chris Mutton
Coffee With an Editor - Episode 006 - Chris Mutton

Episode 006 - Chris Mutton

Pause-café entre monteurs.ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Chris is a Toronto based editor with four recent world premieres at the Toronto International Film Festival (TIFF) and television series work for Hulu, History (US), Bravo, CBC, CTV, Slice and Ovation.

On the commercial side, Chris has edited flagship campaigns for Scotiabank, RBC and HSBC.

Chris’ television series work includes the Emmy nominated Hulu series HOLLY HOBBIE, the CTV comedy Stock and Awe, music documentary series ON THE RECORD and the CBC history series CANADA: THE STORY OF US. He edited digital series for CBC’s dramas X COMPANY, THE NEXT STEP et LOST AND FOUND STUDIOS. Recent feature film work includes HYSTERIA, EASY LAND, et LUBA. Chris is a full member of the DGC, an alumnus of the Canadian Film Centre editors’ lab and has served as vice president of the Canadian Cinema Editors.

Where to watch Chris’ recent work (US & Canada):

“Holly Hobbie” – Family Channel (Canada), Hulu (US)

“Easy Land” – Crave

Crédits

Edited By

Chrissy Papaioannou

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L'art du montage

Episode 003: Meeting with Arthur Tarnowski, ACE, hosted by Isabelle Malenfant, CCE

Épisode 003: L’art du Montage: Rencontre avec Arthur Tarnowski, ACE, animée par Isabelle Malenfant, CCE
Épisode 003: L’art du Montage: Rencontre avec Arthur Tarnowski, ACE, animée par Isabelle Malenfant, CCE

Épisode 3 : Rencontre avec Arthur Tarnowski, ACE, animée par Isabelle Malenfant, CCE

Épisode 003: L’art du Montage: Rencontre avec Arthur Tarnowski, ACE

This episode is Arthur Tarnowski’s Master Class. The discussion is focusing on his last project, the first ever Quebec Netflix production: Jusqu'au Déclin.

Cet événement a été généreusement commandité par Annex Pro/Avid.

Présenté en français.

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Arthur Tarnowski, ACE

Isabelle Malenfant, CCE

Julie Groleau, Couronne Nord

Sarah Taylor

Michel Arcand, CCE

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Mondératrice

Isabelle Malenfant, CCE

Animatrice du balado

Myriam Poirier

Montage

Pauline Decroix

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Jane Tattersall, adapté en version française par Pauline Decroix

Mixé et masterisé par

Tony Bao

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Pause-café entre monteurs-ses – Isabelle Malenfant, CCE et Myriam Poirier, CCE

2020_EP05_Pause-café entre monteurs-ses - Isabelle Malenfant, CCE et Myriam Poirier, CCE
Pause-café entre monteurs-ses - Episode 005 - Isabelle Malenfant, CCE et Myriam Poirier, CCE

Episode 005 - Isabelle Malenfant, CCE et Myriam Poirier, CCE

Pause-café entre monteurs-ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Isabelle Malenfant, CCE

Isabelle Malenfant, CCE, est une collaboratrice de longue date du réalisateur Francis Leclerc, avec qui elle a travaillé sur la série populaire “Les beaux malaises“; les séries dramatiques “Le phoenix”, “Marche à l’ombre”, “Mon meilleur ami” et “Les rescapés 2“. Le court métrage poétique “Trotteur”, sans oublier le long métrage “Pieds nus dans l’aube“, une adaptation du roman autobiographique du même nom de Félix Leclerc.

Au fil des ans, elle a également collaboré avec les réalisateurs Yves Simoneau (“Napoléon“), Mélanie Charbonneau (“Fabuleuses“), Louise Archambault (“Merci pour tout“), François Jaros (“En tout cas”), Benoît Philippon et Alexandre Heboyan (“Mune, le gardien de la lune“), Quentin Dupieux alias Mr. Oizo (“Steak“), Philippe Gagnon (“Dans une galaxie près de chez vous 2) et Olivier Asselin (“Un capitalisme sentimental”).

Où voir le travail récent d’Isabelle Malenfant, CCE:

“Pieds nus dans l’aube” – iTunes – illico – tout.tv

“Fabuleuses” – iTunes – illico – Crave – Vimeo

“Merci pour tout” – iTunes – illico – YouTube – GooglePlay – SuperÉcran 1

Myriam Poirier, CCE

Myriam Poirier, CCE, cumule près de 35 ans d’expérience en montage. Après des débuts en tant que monteuse sonore, elle se consacre uniquement au montage autant en documentaire qu’en série télévisée et long-métrage de fiction. Parmi les oeuvres auxquelles elle a collaboré, on note entre autres les documentaires “Citizen Lambert : Jeanne d’Architecture” et les docu-séries “Marché Jean-Talon“, “École de danse” et “Manifestes en série“; les séries dramatiques “Belle Baie“, “Prozac”, “Mensonges“,” L’imposteur“, “Fugueuse” et “Unité 9“; les films “La chasse-galerie ” et “14 jours, 12 nuits”. Plusieurs de ces projets sont le fruit de son étroite collaboration avec le réalisateur Jean-Philippe Duval.

Elle a aussi mis son talent artistique à contribution auprès de Renée Blanchar, Teri Wehn-Damisch, Éric Tessier et Yan Lanouette-Turgeon.

Où voir le travail récent de Myriam Poirier, CCE:

“14 jours 12 nuits” – de retour en salle, au Québec, dès le 3 juillet – ou en location sur illico – YouTube – AppleTV+

“Unité 9” – tout.tv

Crédits

Monté par

Isabelle Malenfant, CCE

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Contenu vidéo

Coffee With an Editor – Lisa Binkley, CCE

2020_EP04_Coffee with an Editor - Lisa Binkley, CCE
Coffee With an Editor - Episode 004 - Lisa Blinkley, CCE

Episode 004 - Lisa Binkley, CCE

Pause-café entre monteurs.ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Lisa Binkley has edited various feature films, MOWs and television series which include “Travelers”, “The L Word”, “Zombies 2” and “Motive”.

She recently completed work on the Netflix series “Firefly Lane”, which stars Katherine Heigl and Sarah Chalke. Lisa has had the opportunity to work with such directors as Marleen Gorris (Academy Award Winner – “Antonia”), Moises Kaufman (“The Laramie Project”), Helen Shaver (“Vikings”), Lynne Stopkewich (“Kissed”), and Kimberly Peirce (“Boys Don’t Cry”).

Lisa is a full member of IATSE 891, ACFC West and the Academy of Television Arts & Sciences. In 2008 she was inducted as a full member into the Canadian Cinema Editors.

Where to watch Lisa’s recent work (US & Canada):

“Travelers” – Netflix

“The Courier” – Google Play

Crédits

Edited By

Chrissy Papaioannou

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L'art du montage

Épisode 002 : Assistant.e-monteur.euse, un métier à part entière. Rencontre avec Edith Bellehumeur

Edith Bellehumeur_Podcast
Edith Bellehumeur_Podcast

Épisode 2 : Assistant.e-monteur.euse, un métier à part entière. Rencontre avec Edith Bellehumeur

David Di Francesco, notre co-animateur du podcast, s’est entretenu avec Edith Bellehumeur, assistante-monteuse en cinéma et télévision. Edith nous parle de son cheminement professionnel, son travail à Montréal avec plusieurs monteurs réputés, sa vision du métier et sa transition vers le montage.

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Edith Bellehumeur

David DiFrancesco

Sarah Taylor

Isabelle Malenfant, CCE

Claudia Hébert

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Animé par

David Di Francesco

Monté par

David Di Francesco

Design sonore du générique d'ouverture

Jane Tattersall, adapté en version française par Pauline Decroix

Mixé et masterisé par

Tony Bao

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Bam Library

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Coffee With an Editor – Gareth C. Scales

2020_EP03_Coffee with an Editor - Gareth C. Scales
Coffee With an Editor - Episode 003 - Gareth C. Scales

Episode 003 - Gareth C. Scales

Pause-café entre monteurs.ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Born in the UK and raised in Vancouver, Gareth attended Emily Carr Institute of Art and Design and graduated in 1999 with a Major in Film and Video.

After relocating to Toronto to attend the Editor’s Lab at the Canadian Film Centre, he has since moved to London, England where he happily resides. Some of his work includes Douglas Coupland’s first feature film script, EVERYTHING’S GONE GREEN (TIFF ’06), Bruce McDonald’s THE TRACEY FRAGMENTS (Opening film, Panorama Program Berlin ’07), Coky Giedroyc’s HOW TO BUILD A GIRL (TIFF ’19) and the Dominic Cooke film THE COURIER (SUNDANCE ’20).

In television, he has edited dramas including Penny Dreadful, The Hollow Crown – War of the Roses, Peaky Blinders, Phillip K Dick’s Electric Dreams and BBC’s The Hour, for which he was nominated for a BAFTA.

Where to watch Gareth’s recent work (US & Canada):

“How to Build a Girl” – iTunes

“Les Courier” – Google Play

Gareth’s short film, First Cut

Crédits

Edited By

Jonathan Dowler

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Coffee With an Editor – Carole Larsen

2020_EP02_Coffee with an Editor - Carole Larsen
Coffee With an Editor Episode 2 - Carole Larsen

Episode 002 - Carole Larsen

Pause-café entre monteurs.ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Carole specializes in editing long form documentaries.

Recent projects include She Walks with Apes for CBC The Nature of Things, The Third Dive for CBC POV, Equator: A New World View for Discovery/Arte, and the factual series Coldwater Cowboys for Discovery.

She has a keen interest in natural history and has cut many films focusing on animals and the environment (Manufacturing the Wild, Meet the CoyWolf, Puffin Patrol, Carpe Diem, Raccoon Nation and others).

Carole has edited award-winning documentary series (Spaceship Earth, The National Parks Project, Things That Move) and short films (Ghost Bike, Record, Sea in the Blood), music videos and narrative features.

Her work has been featured by broadcasters and film festivals across Canada and around the world.

Where to watch Carole’s recent work (US & Canada):

“She Walks with Apes” – CBC Gem

“The Messenger” – iTunes

Crédits

Edited By

Jonathan Dowler

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Coffee with an Editor – Paul Day

2020_EP01_Coffee With an Editor - Paul Day, CCE
Coffee With an Editor Episode 1 - Paul Day, CCE

Episode 001 - Paul Day, CCE

Pause-café entre monteurs.ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Paul Day, CCE graduated from film school in 1991 and started working on set in many areas, including art department, lighting and gripping.

Pursuing his passion for being an editor in 1994, he has worked on series produced for Netflix, AMC, MGM, Paramount, Showtime, and Disney, to name a few.

Credits include Spinning Out, V-Wars, Dark Matter, Into the Badlands, Hemlock Grove, Rookie Blue, Lost Girl, Dead Like Me, Odyssey 5, et The 4400.

Paul also directed episodes of Dark Matter and webisodes for Lost Girl.

One of the co-founders of the Canadian Cinema Editors, Paul continues to pursue expanding the industry profile of editors and elevating the importance of their craft.

Where to watch Paul’s recent work (US & Canada):

“Into The Badlands” – Netflix & Apple TV

“Dark Matter” – Netflix

“The Expanse” – Prime Video

Crédits

Edited By

Jonathan Dowler

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L'art du montage

Épisode 001 : Ziva Postec, la monteuse derrière le film Shoah

Ziva Postec
Ziva Postec

Épisode 1 : Ziva Postec, la monteuse derrière le film Shoah

Meeting with Annie Jean, CCE, and Catherine Hébert, hosted by Paul Ruban

Épisode 001: Ziva Postec, la monteuse derrière le film Shoah, Ziva Postec

Nous sommes heureux de vous présenter le premier épisode L’art du Montage.

Le 7 novembre 2019, le CCE a organisé une projection du film ZIVA POSTEC, LA MONTEUSE DERRIÈRE LE FILM SHOAH, at the Alliance Française of Toronto, with director Catherine Hébert, et de la monteuse Annie Jean, CCE. Cette soirée a été animée par Paul Ruban. Nous avons le plaisir de vous partager cette belle soirée de discussion autour de ce film.

 

 

 

Voir le film ici

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Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

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Un grand Merci à

Laetitia Delemarre, Mélissa Cuvilliez, Marin Stemmelen de L'Alliance Française de Toronto

Sarah Taylor

Annie Jean, CCE

Catherine Hébert

Paul Ruban

Clotilde Vatrinet et les Les Films du 3 Mars

Claire Pochon

Isabelle Malenfant, CCE

Claudia Hébert

Maud Le Chevallier, chez Bam Library

Modérateur

Paul Ruban

Animatrice du balado

Myriam Poirier

Montage

Pauline Decroix

Design sonore du générique d'ouverture

Jane Tattersall, adapté en version française par Pauline Decroix

Mixé et masterisé par

Tony Bao

Musique généreusement offerte par

Bam Library

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EditCon 2020

2020 EditCon Panelist 3 group
2020 EditCon - Panel #3
EditCon 2020

EditCon 2020 in Review

EditCon 2020 took place on Saturday February 1, 2020 at the TIFF Bell Lightbox in Toronto. A sold-out crowd of CCE members and friends were very excited to welcome master editor Susan Shipton for an in-depth discussion of her work. The day also featured panel discussions on editing comedy, theatrical films, and unscripted programming with some of Canada’s top editors sharing a wealth of knowledge and experience. 

One crisp December morning, I woke up to a constant pinging sound as my phone started going off. Bleary eyed, I check my notification screen – I had won the CCE raffle to go to EditCon!
Jon Anctil
EDITCON 2020 RAFFLE WINNER
Read Jon's Blog Post

MISSED SEEING IT LIVE? Check out the podcasts!

Panel #1: No Script? No Problem!

Hours and hours of footage, tight deadlines, and no script? No problem! Editors from hit shows including Big Brother, The Amazing Race, Yukon Gold, et In The Making share how they get to the finish line. Featuring clips from these and other top-rated and award-winning reality and factual programs, this discussion breaks down the process of cutting unscripted programming, both creatively and technically.

Jonathan Dowler has been in the industry since 2001, both in Australia and Canada. He has cut everything from documentaries, animation, sports news, but his extensive experience has been in cutting reality TV.  He has worked on many of the large format shows such as Big Brother, So You Think You Can Dance, Masterchef et The Amazing Race Canada.  He is a 12-time CSA and 15-time CCE nominated editor and has won five consecutive CSA’s and four CCE Awards.

Elianna Borsa graduated from Seneca College in 2014 and quickly rose to the top of her profession as an editor working on Canada’s top reality shows The Amazing Race Canada, Top Chef Canada, et Big Brother Canada. Elianna earned multiple Canadian Screen Award nominations and won a CCE Award for Best Editing in Reality/Competition/Lifestyle in 2019.

Born and raised in Vancouver, Jenypher has worked mainly in documentary and factual storytelling for the past 15 years. Recent series include The Nature of Things (CBC / Smithsonian), Wild Bear Rescue (Animal Planet / Discovery),Queen of the Oil Patch (Aboriginal Peoples Television Network), This is High School (CBC), EXPECTING! (UPtv), ER: Life & Death at VGH & PARAMEDICS: Life On The Line (The Knowledge Network), Yukon Gold (History), The Bachelor Canada (W Network), Ice Pilots (History) and Glutton for Punishment (The Food Network).

Baun Mah has worked as an editor and director on top-rated shows like Big Brother Canada, The Amazing Race Canada, et Chopped Canada. He’s earned several CSA nominations for his editing and won one at the 2018 CCE Awards for Top Chef Canada. In the past year, Baun has also worked on several scripted shows such as the comedy Rogue Bridal and the Netflix horror series Slasher.

Ian Sit was born in Regina, Saskatchewan and grew up in Mississauga, Ontario. He is an editor working primarily in documentary film and television. He has been nominated for a Canadian Screen Award for his work on Where the Universe Sings and is the winner of the 2019 CCE Award for Best Editing in Docu-Series for his work on In The Making. Ian lives in Toronto and is a longtime passionate fan of the Raptors. 

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Panel #2: This Year in Dramatic Film

There’s no formula to a festival hit, but the three editors behind the recent critically-lauded feature films Freaks, Mouthpiece, et Genesis share how they did it. This panel discussion focuses on their process, their career trajectories, and what lies ahead.

Raised on Star Trek: The Next Generation, Justin’s original plan was to push flashy buttons on a starship as an actor. Fortunately, he found his calling pushing colourful keyboard buttons in a dark room as an editor. His work has been seen ‘round the world in festivals such as Sundance, Berlinale, SXSW, TIFF, as well as the small screens of SRC, TVA, Télé-Québec and HBO.

Mathieu Bouchard-Malo is an editor of feature films and documentaries. He has worked on Philippe Lesage’s films: Genesis, The Demons, Maxime Giroux; The Great Darkened Days, Felix and Meira; Jean-François Caissy: First Stripes, Guidelines, Anne Émond; Nelly, Night #1; as well as Zayne Akyol’s film: Gulîstan Land of Roses. In 2019, he was a finalist at the Quebec Cinema Gala for the editing of Genesis et The Great Darkened Days.

Genese | rent on iTunes et Amazon

Lara Johnston is a Toronto-based editor. She has worked with such filmmakers as Patricia Rozema, Brian DePalma and Cary Fukunaga. She studied Cinema Studies at UofT and did an MFA in Documentary Media at Ryerson. She also teaches editing at Humber College. In 2019 she won the CCE and DGC award for best feature editing for her work on Rozema’s Mouthpiece.

Mouthpiece | rent on iTunes

From her humble beginnings working as an assistant, Sabrina’s first real kick at the can came in the form of a feature in 2011 called Sisters & Brothers. Upon completion, she stood up from her desk, declared herself an Editor at the top of her lungs, and never looked back. Since then, she’s dabbled in just about every genre, and cut every format. Recent credits include Disney’s Kim Possible, and a Sam Raimi Produced Quibi series 50 States of Fear.

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Panel #3: Timing is (Almost) Everything

This panel explores the mechanics of making us laugh–how do you take what’s on the page and make it land? From sketch comedy to sitcoms, editors from Schitt’s Creek, Letterkenny, Baroness Von Sketch Show (and more) explore what makes cutting comedy unique and particularly challenging.

Elvira Kurt, comedy legend, gay icon and freakin’ national treasure, is a multiple award-winning, stand-up comic and Second City veteran whose credits as star, host, guest, writer, story editor and or talent director are simply far too many to mention. Except for these: The Debaters, Canada’s Drag Race, Baroness Von Sketch Show, The Great Canadian Baking Show, Master Chef Canada, Iron Chef Canada, YTV’s The Game, Four Weddings Canada, and, of course, Elvira’s unforgettable stint on CBC Radio’s hit show, ‘Q’. And, lol, ‘q’.

James Bredin has over 35 years’ editing experience. His work spans a variety of genres including comedy, drama, feature films, MOWs, documentary and unscripted. James has recently worked on Workin’ Moms, Cavendish, and the first three seasons of Schitt’s Creek, for which he won the CSA in 2016 and the CCE Award in 2015. Other career highlights include Little Mosque on the Prairie, Nero Wolfe, Total Recall 2070 and numerous MOWs and feature films, including Blood, A Wake, and the recent Netflix feature, He Never Died.

Originally from Newfoundland, Jonathan Eagan is a Toronto based editor whose credits include The Animal Project, Cast No Shadow, et We Were Wolves. In 2014 Cast No Shadow swept the awards at the Atlantic Film Festival before being honoured with four CSA nominations. His most recent feature film is a collaboration with co-editor Mike Reisacher on The Lockpicker, winner of the inaugural John Dunning Discovery Award for Best Micro-Budget Feature at the CSAs. In television, Jonathan’s credits include Workin’ Moms, Letterkenny, Carter and currently Ginny & Georgia for Netflix.

Marianna Khoury is an Antiguan film and television editor based in Toronto. She joined Baroness von Sketch Show in 2017, editing seasons three through five. More recently, she edited Tallboyz et Workin’ Moms. Marianna began editing on web series The Amazing Gayl Pile, Space Riders: Division Earth, Filth City et True Dating Stories. Her work in film includes She Stoops to Conquer, 7A, et When The Storm Fades. Marianna’s work has garnered two Canadian Screen Awards and a CCE nomination.

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Panel #4: Master Class, Behind the Cut with Susan Shipton

Multi-award-winning editor Susan Shipton shares her vast knowledge and experience from a long career in film and network television. Susan has over 40 feature films to her credit. She has cut eight films with director Atom Egoyan (including Oscar-nominated The Sweet Hereafter), as well as many critically-acclaimed television series such as The Book of Negroes, et The Expanse.

Sarah Taylor is an award-winning editor with 18 years of experience in documentary and narrative films. She focuses her work on stories that have the power to change lives. Her recent credits include the short documentary FAST HORSE, that screened at over 15 festivals and won the short film special jury award for directing at Sundance Film Festival 2019, the sketch comedy series Caution: May Contain Nuts on APTN, and the lifestyle series Cow-boy Urbain on TV5 Unis. Her notable documentary credits include Dino Trails et Coastal Revival (Air Canada), The Harder I Fight II et Rare Mettle (TELUS Optik Local), The Match (bravoFACTUAL), Breaking Loneliness and Ms. Scientist, (CBC). Sarah is a Directors Guild of Canada (DGC) member, on the board of directors for the Canadian Cinema Editors (CCE) and is the host of the CCE podcast The Editor’s Cut.

A graduate of Queen’s University, Susan is best known for editing all of Atom Egoyan’s films from The Adjuster à Guest of Honour. Her credits also include the films Barney’s Version et Mr. Nobody, and TV shows Book of Negroes, Nurses, Burden of Truth, et The Expanse. She won DGC Awards for Being Julia et The Adjuster, and Genie Awards for Exotica, Possible Worlds, and Oscar-nominated film The Sweet Hereafter. She is currently cutting Ginny and Georgia for Netflix.

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À propos de l’EditCon

February 2020

8:30am - 11:00pm

350 King Street West, Toronto

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