2024 Emmy Winner

Editing for a Multiple Camera Live Action Program
Lindsay Ragone (+ 3 editors) – All Round Champion
Ellery Vandooyeweert – THE DEATH OF JAMES
Greg Canning, Tom Masterman, Ryan Jobling & Leland Miller – CAMP
SNOOPY: EP. 12 – THE CHEWING GUM DILEMMA
Mary Dorich & John Logan – TOTAL DRAMA ISLAND REBOOT: EP. 213 – SOAR LOSERS
Tom Berger – OPEN SEASON, CALL OF NATURE: EP. 19A – WHAT A CHINOOK
Sponsored by: Annex Pro
Bec Cranswick, Sophia Loffreda, Rachel Guergis & Dean Hannas – SPIDEY AND HIS AMAZING FRIENDS: EP. 323 – TOO MANY ZOLAS/ELECTRO’S GLOW SHOW
Chris Holmes, Tanner Adams, Chris Avery & Sean Avery – OCTONAUTS- ABOVE & BEYOND: EP. 10 – ALPINE SWIFT
Marc Brenzil – ROSIE’S RULES: EP. 140 – ROSIE MAKES THE RULES/IGGY’S DINO CAKE
Paul Hunter, CCE & Katie Tomchishen – SUPERBUNS: EP. 134 – A STICKY SITUATION
Sponsored by: Canadian Cinema Editors
Anouk Deschênes – L’ARTIFICE
Carole Larsen, CCE & Swapna Mella, CCE – NO WAY TO DIE
Kara Blake – AM I THE SKINNIEST PERSON YOU’VE EVER SEEN?
Louis Moulin – CHIEN DE SANG
Sponsored by: DGC National
Brendan Mills – SWAN SONG
Hubert Hayaud – THE MAN I LEFT BEHIND
Marie-Pier Grignon – OKURIMONO
Mike Munn, CCE – ANY OTHER WAY- THE JACKIE SHANE STORY
Sponsored by: Rolling Pictures
Amélie Labrèche – BAIL BAIL
Ashley Gilmour – ON A SUNDAY AT ELEVEN
Maria Bykina – THORN (CÌ)
Myriam Magassouba – À TOI LES OREILLES
Sponsored by: City of Toronto
Andres Landau & Yong Eui Zong – THE KNOWING: EP. 102 – STEALING CHILDREN
Georgia Milroy & Alec MacNeill Richardson – IN COLD WATER, THE SHELTER BAY MYSTERY: EP. 101 – DOWN UNDER
Kailey Birk – HOW I GOT HERE: EP. 206 – VIETNAM: PEARLS OF THE DRAGON
Roderick Deogrades, CCE – WE’RE ALL GONNA DIE (EVEN JAY BARUCHEL): EP. 206 – THE END OF JAYS
Sponsored by: Canadian Cinema Editors
Ashley Brook, Kyle Cucco & David Schmidt – CANADIANA: EP. 310 – THE GRISLY HISTORY OF THE RIDEAU CANAL
Becky Swannick – EVERYBODY’S MEG – MEG WORKS OUT
Charles Boisseau – LA DERNIÈRE COMMUNION: EP. 102 – LA CONVERSION
Jean-Philippe Gagnon – COBAYE: EP. 303 – NICO PART À LA CHASSE À L’ORIGNAL
Sponsored by: Canadian Cinema Editors
Aaron Timizar, Sarah Landreville, Victor Dumouchel & Esteban Berger – ATM EST DE RETOUR (Cégep de Jonquière)
Adrienne Eagleson – A TICKET HOME (Sheridan College)
Aidan Vachon – COSMONAUT (Sheridan College)
Julie Bor & Gabrielle Côté – DES GENS VIVENT ICI (Université du Québec à Montréal)
Monark Arora – DOSA (Centennial College)
Sponsored by: Take 5 Productions
Charles Boisseau, Léonie Tremblay-Clavette, Alexandre Dionne & Philippe Beauchemin – LA SOIRÉE MAMMOUTH 2024
Fabiola Caraza – THE POPULARITY PAPERS: EP. 126 – THE WONDERFUL WIZARD OF MAPLEVIEW PART 2
Jane MacRae – GANGNAM PROJECT: EP. 101 – PILOT
Mike Reisacher – THE POPULARITY PAPERS: EP. 123 – NOTES ON A VANDAL
Sponsored by: DGC Ontario
Andrew Gurney & Michael Tersigni, CCE – THE AMAZING RACE CANADA: EP. 1005 – I SMELL LIKE A CARCASS
Beth Biederman – CANADA’S DRAG RACE: EP. 502 – GREETINGS QUEENLINGS
Kailey Birk – CANADA’S DRAG RACE CANADA VS THE WORLD: EP. 204 – READING BATTLES
Peter Topalovic – CANADA’S DRAG RACE: EP. 501 – GO OFF QUEEN
Sponsored by: Boris FX
Arthur Tarnowski, CCE, ACE – THE STICKY: EP. 106 – APEX
Baun Mah – RUN THE BURBS: EP. 312 – VAS DEPHRENS
Baun Mah – LATE BLOOMER: EP. 104 – THE TURBAN
Myriam Coulombe – LE RETOUR D’ANNA BRODEUR: EP. 104 – COCKTAILS MOLOTOV
Sponsored by: Vanguarde Artists Management
Francis Cana – BREAKING NEW GROUND: EP. 101 – PARLOR
Justin Ingraldi & Jeff Fowler – CELEBRITY IOU: EP. 807 – ZACH BRAFF SCRUBS IN FOR A SPECIAL OPERATION
Peter Hordylan – CELEBRITY IOU: EP. 706 – ROSARIO DAWSON
Tom N. – MADE FOR TV WITH BOMAN MARTINEZ-REID: EP. 101 – REALITY DATING
Sponsored by: Canadian Cinema Editors
Alvin Campana – ROMANCE WITH A TWIST
Gordon Rempel, CCE – GILDED NEWPORT MYSTERIES: MURDER AT THE BREAKERS
Jason Irvine – AURORA TEAGARDEN: A LESSON IN MURDER
Michael Doherty, CCE – WYNONNA EARP: VENGEANCE
Sponsored by: IATSE 891
David Di Francesco – SOCIÉTÉ DISTINCTE: EP. 101 – LA DISPARITION
Jorge Weisz, CCE – CROSS: EP. 103 – THE GOOD BOOK
Justin Lachance, CCE – IXE-13: EP. 8 – LE POINT DE RUPTURE
Lisa Grootenboer, CCE – CHUCKY: EP. 308 – FINAL DESTINATION
Nicholas Wong, CCE – SNOWPIERCER: EP. 402 – THE STING OF SURVIVAL
Sponsored by: Purple Dog Post
Arthur Tarnowski, CCE, ACE – SISTERS AND NEIGHBOURS (NOS BELLES SOEURS)
Cam McLauchlin, CCE & Blair McClendon – THE LAST SHOWGIRL
Carina Baccanale – MLLE BOTTINE
Sandy Pereira – YOUNG WERTHER
Sponsored by: Coma Edits
Alexander Desouza – DISCO’S REVENGE
Lester Lubuguin – DAVEY & JONESIE’S LOCKER
Mary Juric – 40 ACRES
Thomas Therrien – RUBBLE & CREW
Véronique Mélançon – GHOSTS
Sponsored by: Insight Productions
Jeff Warren, freelance film editor, worked in Canada for over 45 years. He freely moved between feature films, television drama and feature documentaries.
Over the years Jeff worked with many of Canada’s top directors including Norma Bailey (THE SHELDON KENNEDY STORY), John Candy (HOSTAGE FOR A DAY), John Fawcett (THE BRIDGE), Sturla Gunnarsson (SUCH A LONG JOURNEY), Colleen Murphy (DESIRE), Don McBrearty (THE INTERROGATION OF MICHAEL CROWE), Sudz Sutherland (HOME AGAIN), John Walker (A DRUMMER’S DREAM), Larry Weinstein (THE 13TH MAN), David Wellington (DEAD AVIATORS), Peter Wellington (JOE’S SO MEAN TO JOSEPHINE), Nettie Wild Blockade and Gary Yates (HIGH LIFE).
In addition to editing, Jeff mentored at The Canadian Film Centre, has given talks and workshops at York University, Toronto Metropolitan University (formally Ryerson) and Confederation College. He has won two Hot Docs Awards, three Gemini Awards, four Directors Guild Awards and a Genie Award, all for editing. He has been nominated many more times, including an Emmy nomination in the U.S.
With a career spanning over six decades, Yves Langlois was one of Canada’s most talented, prolific, and sought-after film and television editors. Born in Montreal in 1941, he began his artistic journey at the National Film Board (NFB) in the early 1960s and went on to edit over 125 films and television series.
A gifted artist and master storyteller, Langlois collaborated with some of the most renowned filmmakers from Canada and around the world, including Gilles Carle, Jean-Jacques Annaud , Claude Chabrol, Christian Duguay, Yves Simoneau and Philippe Borsos.
A mentor to many, Langlois remained a humble and discreet man but was always eager to share the remarkable stories from his editing experiences. His dedication to his craft never wavered, even after relocating to France. There, he continued editing with director Josée Dayan (FRED VARGAS, CAPITAINE MARLEAU) until his passing last October at the age of 84.
Langlois’s work earned him numerous accolades, including a Genie Award (QUEST FOR FIRE), a Gémeaux Award (HE SHOOTS, HE SCORES), a Gemini Award (MILLION DOLLAR BABIES), as well as several nominations. He helped shape the performances of some of cinema’s most legendary actors, including Marlon Brando, Sophia Loren, Tony Curtis, Isabelle Huppert, Jodie Foster, Ben Kingsley, Brian Cox and many others. At the 1997 Montreal premiere of The Assignment, one of his longtime collaborators, Donald Sutherland, who appeared in six films edited by Langlois, praised his immense talent, saying, “Yves, you make us all better.”
Gregor Hutchison was always passionate about film, along with science fiction, new technologies, and comics. While studying at the University of Western Ontario, he took film theory courses and became truly enamoured. He later enrolled at Toronto Metropolitan University (formally Ryerson), where he earned a second BA in Film Production.
He began his career in the editing department at Nelvana, and except for a few brief stints as a story editor, Gregor dedicated his entire, prolific career to post-production. His extensive resume includes work on nearly a hundred projects, ranging from animated and live-action films to TV shows and miniseries. Notable projects included RESIDENT EVIL, THE HATFIELDS AND MCCOYS, SILENT HILL, and THE NUT JOB. Gregor passed away while working on LOCKE & KEY, a project he was immensely proud of, along with much of his previous work.
He thrived in the collaborative nature of post-production, loving both the creative and technical aspects. Always keen to adopt new techniques and technologies, he fostered a passion for innovation. He formed many lifelong friendships with editors and post-production teams throughout his career. As a respected and influential post-production supervisor, Gregor’s impact on the industry will always be remembered.
Ticket Sales have now closed. Please email Alison (alison@cceditors.ca) if you would like to see if any tickets are available.
There are no tickets sold at the door, as all meals must be ordered in advance.
——
Cocktails begin at 6pm, dinner is served at 7:30pm.
——
CCE Members who are nominated – we have a SPECIAL price for you, please email Alison Dowler (alison@cceditors.ca) for details.
If you are not a member of the Canadian Cinema Editors, but would like to become a member (and buy a ticket at the member price or CCE Member nominated price), JOIN HERE.
Please note: Members can only buy member-priced ticket for themselves. Friends and family must be purchased as non-members.
Sponsors, please email Alison Dowler (alison@cceditors.ca) to obtain your tickets.
Mark Allison
Dante Antognetti
Frédéric Bernard
Alex Balchi
Kirk Best
Myriam Boileau
Roxanne Bonneterre
Patrick Borgers
Simon Box
Todd Buttenham
Louis Casado
Alex Corej
Elliott Coulture
Andreanne Cousineau
Cassidy Croft
Amy Davis
James Davis
Philippine DeSars
Jeannick Desjardins
Joanne Drouin Laplante
Ivan Dubarev
Damien Eagle Bear
Darren Fabrequettes
Dilan Farrell
Luis Figueroa-Ducharme
Angela Fong
William Gagnon
Chad Glastonbury
Philippe Goulet
Raphael Grandmont
Megan Halligan
Howard Hamilton
Hongku Han
Steven Hayes
Bahar Hessabi
Michael Heuston
Chengzhi Jin
Rehan Khokhar
Jennifer Kidson
Paul Kwan
Lisa Kwon
Cindy Langelier
Brittany Lewis
Rashayn Levy
Sean Mark Lamb Lewis
Cody Mcdonald
Lana McLean
Aiden McMahon
Véronique Mélançon
Gloria Mercer
Anna Miltenburg
Dylan Murray
Rebekah Nearing
Petros Neguse
Pranay Nichani
Marie Noel Arseneau
Jacob Nosan
Harrison Perez
Kyle Pike
Saul Pincus
Valérie Précourt
Julie Prolux
Maxin Rheault
Akeylah Rivero
Nadin Rizk
Geneviéve Roberge
Jordan Scriver
Daniel Shulkin
Joshua Solmon
Jasmine Stafford
Maja Suchowuerski
Javier Sinisterra
Kynan Tait
David Tarnawsky
Kallen Treadwell
Vincent Tremblay
Kelvin Tseng
Courtney Wong
Isabelle Wong
Lois Yap
Adoniyas Yegezu
James Young
Richard Crouse is the regular film critic for the 24 hour news sources CTV’s News Channel and CP24 and is a frequent guest on many national Canadian radio and television shows. His nationally syndicated Saturday afternoon radio show, THE RICHARD CROUSE SHOW, originates on News Talk 1010 in Toronto. He is also the author of ten books on pop culture history including Who Wrote the Book of Love, the best-selling “The 100 Best Movies You’ve Never Seen”, its sequel “The Son of the 100 Best Movies You’ve Never Seen”, the best selling “Raising Hell: Ken Russell and the Unmasking of The Devils” and “Elvis is King: Costello’s My Aim is True”. He also writes about pop culture and cars for The Toronto Star.
Our annual raffle features the fabulous prizes listed below.
The draw will take place during the Awards ceremony.
Awards Committee:
CCE Operations Manager:
CCE Communications Coordinator:
The Canadian Cinema Editors (CCE) and the Comité des treize are proud to announce the release of The Editor’s Taskbook: Responsibilities and Best Practices, a comprehensive guide designed to empower film and television editors, assistant editors, producers, and their teams. This groundbreaking document has been over four years in the making, and serves as both a reference and a tool for fostering collaborative, efficient, and creative editorial environments.
From pre-production to final delivery, The Editor’s Taskbook outlines every stage of the editing process in detail. It addresses critical topics such as staffing, contracts, workflows, and ergonomic best practices, ensuring that professionals across the industry can approach their projects with clarity, confidence, and creativity.
“We hope that this guide will help editors, assistant editors, producers, and their teams to create rich environments where creativity can flourish,” reads the Preamble. “It describes the key steps in the editorial team’s workflow, and can be used to determine the time needed for each stage in the editing process and identify the role of each team member. Use it. Adapt it. Share it.”
The Taskbook represents a unique collaboration between several organizations dedicated to supporting editors. The Canadian Cinema Editors, a national association advocating for professional development and recognition of editors, partnered with Montreal-based Comité des treize, known for their focus on supporting francophone editors. Together, they have crafted a guide that addresses the nuances of editorial work in Canada’s diverse production landscape. Additional content was generously provided by Monteurs en mouvement, and some sections have been adapted from existing guidelines (the American Cinema Editors’ Best Practices Guide for Post Production, and the Best Practices For Post-Production Archives by the Visual Research Society of Canada). The Taskbook has been endorsed by the Directors’ Guild of Canada, IATSE 891 (BC), AQTIS 514 IATSE (Quebec), and TEMPO, the international film editors’ organization with over 9000 members.
“This project is the result of extensive collaboration and consultation with editors across Canada,” said Lesley Mackay Hunter, President of CCE. “In addition to being a guidebook for editors, it is also an advocacy tool that helps educate producers on the crucial role editors and their assistants play in the filmmaking process.”
Editor Annie Jean of the Comité des treize added, “When we set about creating this guide, our motivation was quite simple: it was a desire to share, to ensure that all our colleagues could enjoy the best possible working conditions. By recognizing the complexity of our profession and the scope of our responsibilities, we wanted to provide everyone with the best possible arguments for negotiating their contracts, while respecting the integrity of our profession.”
Designed as both a practical handbook and a resource for ongoing education, The Editor’s Taskbook offers invaluable tools to streamline workflows and help set realistic schedules. Its modular structure allows users to tailor the guide to suit the specific needs of their projects and teams.
“We envision this guide as a living document,” said the authoring committee. “As the industry evolves, so too can the Taskbook. We encourage editors and teams to adapt it to their unique circumstances and share their insights to keep our community strong.”
The Editor’s Taskbook: Responsibilities and Best Practices is available for download as of today on the website of the Canadian Cinema Editors.
About the Canadian Cinema Editors (CCE)
The Canadian Cinema Editors is a non-profit organization dedicated to promoting and celebrating the craft of editing in Canada. Through advocacy, mentorship, and events, the CCE supports a thriving community of editors and assistant editors.
About the Comité des treize
Based in Montreal, the Comité des treize is an organization of editors that works to champion the art and profession of editing within the francophone film and television industry. The group fosters collaboration and innovation among its members.
For media inquiries, interviews, or further information, please contact:
Alison Dowler
CCE Operations Manager
alison@cceditors.ca
Editing for a Multiple Camera Live Action Program
Lindsay Ragone (+ 3 editors) – All Round Champion
Duncan Christie, CCE (+2 editors) – Fraggle Rock: Back to the Rock
The Canadian Cinema Editors (CCE) is pleased to present EDITCON 2025, the eighth annual conference on the art of picture editing, which will take place between February 7th to 9th, 2025. The conference will host virtual events as well as in person events in Toronto, Montreal, Vancouver, Edmonton and Halifax. We are also excited to have another EditCon exclusive podcast episode! This will be a special release on January 1st and will be available to everyone!
Canada boasts a remarkable array of skills in post-production – whether it’s editors, colourists, sound designers or VFX artists, we are at the cutting edge of global cinema. Canadian post-production professionals are setting the standard for quality, creativity and innovation, and this year we are here to showcase just how impactful our contributions are across the globe.
Post-production is where stories are truly made, where raw footage transforms into breathtaking experiences. So buckle up buttercup, because EditCon 2025 celebrates some of the most talented voices in the industry (from Canada and abroad) and the incredible work they helped craft. With online and in person discussion panels on editing across genres and mediums, from action to documentary, animation to assisting. Get ready to network, learn, and be inspired as we explore the power of post-production.
In addition to fascinating panels and a podcast, there will be a series of virtual breakout rooms as well as some exciting programming for our in person events. We will also have some amazing products to raffle off!
Confirmed speakers include:
Tickets will be available starting December 16th, 2024.
About the Canadian Cinema Editors (CCE)
The Canadian Cinema Editors (CCE) is a bilingual not-for-profit organization fuelled by the passion of its Canada-wide post-production membership. We are dedicated to meeting the needs of our growing member base through cultivating an environment of learning, community and inclusivity. Ultimately, we are here to showcase our world-class talents at the forefront of the Canadian Film Industry and internationally. Follow us on X (Twitter), Facebook, LinkedIn and Instagram. www.cceditors.ca
Media contact:
Alison Dowler: Operations Manager
Canadian Cinema Editors – alison@cceditors.ca
BEST EDITING
Arielle Skolnik – HOW TO STAY AWAKE
BEST EDITING
Arielle Skolnik – HOW TO STAY AWAKE
BEST PICTURE EDITING – DRAMATIC SERIES
Nicholas Wong, CCE – Halo, Halo
BEST PICTURE EDITING – MOVIES FOR TELEVISION AND MINI-SERIES
Lara Johnston – Fellow Travelers, Your Nuts Roasting on an Open Fire
BEST PICTURE EDITING – COMEDY OR FAMILY SERIES
Gloria Tong – Bria Mack Gets a Life, Bria Mack Gets a Job
BEST PICTURE EDITING – FEATURE FILM
Matt Lyon – Code 8 Part II
BEST PICTURE EDITING – DOCUMENTARY
Peter Denes & Steve Taylor, CCE – The Tragically Hip: No Dress Rehearsal
The Canadian Academy unveiled their fourth cohort today. Read more here.
MEILLEUR MONTAGE – BEST EDITING
Amélie Labrèche: Richelieu
Marie-Pier Dupuis, Dominique Fortin,CCE (+1 monteur) : Solo
Yvann Thibaudeau, CCE: 1995
MEILLEUR MONTAGE en FILM DOCUMENTAIRE – BEST EDITING IN FEATURE DOCUMENTARY
Annie Jean, CCE: The day after the Odyssey