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Tag: EditCon 2018

The Editors Cut

Episode 001: Documentary Confidential

Post author By Alison Dowler
Post date September 18, 2020
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Episode 001: Documentary Confidential

This episode is part one of a four-part series covering EditCon and features multi award winning documentary editors Mike Munn, CCE, Michéle Hozer, CCE and Nick Hector, CCE as they discuss their work with moderator Jay Prychidny, CCE.

This episode features award winning drama editors Daria Ellerman, CCE, Lara Mazur, CCE and Nicole Ratcliffe, CCE as they discuss with moderator Karen Lam some of the impactful projects, they have worked on in their editing careers.

Mike Munn, CCE

Mike shares his experiences working with Sarah Polley on Stories We Tell, which investigates her family secrets.

Michéle Hozer, CCE

Michéle talks about the challenges of being both the director and editor of Sponsorland, her film about Syrian refugees in Canada.

Nick Hector, CCE

Nick explains how he honoured the vision of Sharkwater Extinction, after the tragic death of director Rob Stewart.

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Credits

A special thanks goes to

Bryan Atkinson

the EditCon panelists

EditCon Series Produced by

Roslyn Kalloo

Hosted by

Sarah Taylor

Main Title Sound Design by

Jane Tattersall

Sound Recording by

Craig Scorgie

ADR Recording by

Andrea Rusch

Mixed by

James Bastable

Featuring Music by

Yung Koolade, Album House and Madrid

Sponsor Narration by

Paul Winestock

Photos by

Dino Harambasic

Sponsored by

the DGC

The Editors Cut

Episode 002: TV Editing in the Golden Age

Post author By Alison Dowler
Post date September 18, 2020
No Comments on Episode 002: TV Editing in the Golden Age

Episode 002: TV Editing in the Golden Age

This episode is part two of a four-part series covering EditCon and features editors from the hugely successful TV dramas The Handsmaid's Tale, Big Little Lies and Anne and is moderated by editors Roslyn Kalloo, CCE and Teresa De Luca, CCE.

This episode features award winning drama editors Daria Ellerman, CCE, Lara Mazur, CCE and Nicole Ratcliffe, CCE as they discuss with moderator Karen Lam some of the impactful projects, they have worked on in their editing careers.

Wendy Hallam Martin, CCE

Wendy Hallam Martin, CCE, talks about how she approached the riveting scenes of The Handmaid’s Tale.

Justin Lachance and Véronique Barbe

Justin Lachance and Véronique Barbe will reveal the unconventional process used in the cutting of Big Little Lies.

D. Gillian Truster, CCE

D. Gillian Truster, CCE, shares her insights on the evolving editing techniques that inspired her work on the updated version of Anne.

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What do you want to hear on The Editors Cut?

Please send along any topics you would like us to cover or editors you would love to hear from:

Credits

A special thanks goes to

Bryan Atkinson

the EditCon panelists

EditCon Series Produced by

Roslyn Kalloo

Hosted by

Sarah Taylor

Main Title Sound Design by

Jane Tattersall

Sound Recording by

Craig Scorgie

ADR Recording by

Andrea Rusch

Mixed by

James Bastable

Featuring Music by

Yung Koolade, Album House and Madrid

Sponsor Narration by

Paul Winestock

Photos by

Dino Harambasic

Sponsored by

the DGC

The Editors Cut

Episode 003: Behind the cut with Richard Comeau, CCE

Post author By Alison Dowler
Post date September 18, 2020
No Comments on Episode 003: Behind the cut with Richard Comeau, CCE

Episode 003: Behind the cut with Richard Comeau, CCE

This is episode three of a four-part series covering EditCon and spotlights Richard Comeau, CCE, the multiple award-winning editor of Maelstrom, Polytechnique, Rebelle, 2 Lovers and a Bear and Eye on Juliet.

Richard will talk to director Jim Allodi about the importance of the editor’s input at script stage and about the strategies he uses when he realizes there is a better way to tell the story.

Listen Here

Subscribe Wherever You Get Your Podcasts

What do you want to hear on The Editors Cut?

Please send along any topics you would like us to cover or editors you would love to hear from:

Credits

A special thanks goes to

Bryan Atkinson

the EditCon panelists

EditCon Series Produced by

Roslyn Kalloo

Hosted by

Sarah Taylor

Sound Design by

Jane Tattersall

Sound Recording by

Craig Scorgie

ADR Recording by

Andrea Rusch

Mixed by

Tony Bao

Featuring Music by

Yung Koolade, Album House and Madrid

Sponsor Narration by

Paul Winestock

Photos by

Dino Harambasic

Sponsored by

the DGC

Tags anglais, balado, CCE, dennis villeneuve, EditCon 2018, editing, Editor, english, montage, monteurs, monteuses, podcast, Podcast Interview, polytechnique, Richard Comeau, Sarah Taylor, The Editors Cut, Toronto

The Editors Cut

Episode 004: Crossing the 49th

Post author By Alison Dowler
Post date September 18, 2020
No Comments on Episode 004: Crossing the 49th

Episode 004: Crossing the 49th

This is the final episode of the EditCon series, and it covers the ups and downs of working in LA.

Matt Hannam, CCE, Stephen Philipson, CCE and Andrew Coutts, CCE share their experiences with Chris Mutton about cutting shows like Star Trek: Discovery, American Gods and The OA as well as indie feature films in the United States.

Andrew Coutts, CCE

Andrew Coutts tells us about some of the differences he found working on the LA based series Star Trek: Discovery.

Matt Hannam, CCE

Matt Hannam talks about the difficulties of getting into the American unions and his work on Swiss Army Man.

Stephen Philipson, CCE

Stephen Philipson explains why he chose to make the big move to a highly competitive environment.

Listen Here

Subscribe Wherever You Get Your Podcasts

What do you want to hear on The Editors Cut?

Please send along any topics you would like us to cover or editors you would love to hear from:

Credits

A special thanks goes to

Bryan Atkinson

the EditCon panelists

EditCon Series Produced by

Roslyn Kalloo

Hosted by

Sarah Taylor

Main Title Sound Design by

Jane Tattersall

Sound Recording by

Craig Scorgie

ADR Recording by

Andrea Rusch

Mixed by

James Bastable

Featuring Music by

Yung Koolade, Album House and Madrid

Original Music by

Chad Blain

Sponsor Narration by

Paul Winestock

Photos by

Dino Harambasic and Victoria McGlynn

Sponsored by

the DGC

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