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Canadian Cinema Editors and the Comité des treize launch The Editor’s Taskbook: Responsibilities and Best Practices

Canadian Cinema Editors and the Comité des treize launch The Editor’s Taskbook: Responsibilities and Best Practices

The Canadian Cinema Editors (CCE) and the Comité des treize are proud to announce the release of The Editor’s Taskbook: Responsibilities and Best Practices, a comprehensive guide designed to empower film and television editors, assistant editors, producers, and their teams. This groundbreaking document has been over four years in the making, and serves as both a reference and a tool for fostering collaborative, efficient, and creative editorial environments.

From pre-production to final delivery, The Editor’s Taskbook outlines every stage of the editing process in detail. It addresses critical topics such as staffing, contracts, workflows, and ergonomic best practices, ensuring that professionals across the industry can approach their projects with clarity, confidence, and creativity.

“We hope that this guide will help editors, assistant editors, producers, and their teams to create rich environments where creativity can flourish,” reads the Preamble. “It describes the key steps in the editorial team’s workflow, and can be used to determine the time needed for each stage in the editing process and identify the role of each team member. Use it. Adapt it. Share it.”

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A Collaborative Effort for a Changing Industry

The Taskbook represents a unique collaboration between several organizations dedicated to supporting editors. The Canadian Cinema Editors, a national association advocating for professional development and recognition of editors, partnered with Montreal-based Comité des treize, known for their focus on supporting francophone editors. Together, they have crafted a guide that addresses the nuances of editorial work in Canada’s diverse production landscape. Additional content was generously provided by Monteurs en mouvement, and some sections have been adapted from existing guidelines (the American Cinema Editors’ Best Practices Guide for Post Production, and the Best Practices For Post-Production Archives by the Visual Research Society of Canada). The Taskbook has been endorsed by the Directors’ Guild of Canada, IATSE 891 (BC), AQTIS 514 IATSE (Quebec), and TEMPO, the international film editors’ organization with over 9000 members.

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“This project is the result of extensive collaboration and consultation with editors across Canada,” said Lesley Mackay Hunter, President of CCE. “In addition to being a guidebook for editors, it is also an advocacy tool that helps educate producers on the crucial role editors and their assistants play in the filmmaking process.”

Editor Annie Jean of the Comité des treize added, “When we set about creating this guide, our motivation was quite simple: it was a desire to share, to ensure that all our colleagues could enjoy the best possible working conditions. By recognizing the complexity of our profession and the scope of our responsibilities, we wanted to provide everyone with the best possible arguments for negotiating their contracts, while respecting the integrity of our profession.”

Key Highlights of The Editor’s Taskbook

  • Getting Started: A thorough overview of foundational considerations, including guild membership, contract negotiations, and setting up an ideal workplace—whether on-site or remote.
  • Editorial Workflow: Detailed guidance for editors and assistant editors, covering preparation, assembly, cutting, and finishing. These sections emphasize teamwork and effective communication between roles.
  • Ergonomic Best Practices: Generously supplied by Montréal-based Monteurs en mouvement, a dedicated section on creating a healthy editing environment, featuring insights on workspace setup, equipment, and techniques to maintain physical well-being during long hours of work.
  • Management of Archival Material: In cooperation with the Quebec branch of the Visual Research Society of Canada, guidelines for archive handling, including research and tracking, for documentary and unscripted projects.

A Tool for the Industry’s Future

Designed as both a practical handbook and a resource for ongoing education, The Editor’s Taskbook offers invaluable tools to streamline workflows and help set realistic schedules. Its modular structure allows users to tailor the guide to suit the specific needs of their projects and teams.

“We envision this guide as a living document,” said the authoring committee. “As the industry evolves, so too can the Taskbook. We encourage editors and teams to adapt it to their unique circumstances and share their insights to keep our community strong.”

Availability

The Editor’s Taskbook: Responsibilities and Best Practices is available for download as of today on the website of the Canadian Cinema Editors.

About the Canadian Cinema Editors (CCE)
The Canadian Cinema Editors is a non-profit organization dedicated to promoting and celebrating the craft of editing in Canada. Through advocacy, mentorship, and events, the CCE supports a thriving community of editors and assistant editors.

About the Comité des treize
Based in Montreal, the Comité des treize is an organization of editors that works to champion the art and profession of editing within the francophone film and television industry. The group fosters collaboration and innovation among its members.

For media inquiries, interviews, or further information, please contact:
Alison Dowler
CCE Operations Manager
alison@cceditors.ca

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The Canadian Cinema Editors presents its 8th annual conference EDITCON 2025

The Canadian Cinema Editors presents its 8th annual conference EDITCON 2025

The Canadian Cinema Editors (CCE) is pleased to present EDITCON 2025, the eighth annual conference on the art of picture editing, which will take place between February 7th to 9th, 2025.  The conference will host virtual events as well as in person events in Toronto, Montreal, Vancouver, Edmonton and Halifax.  We are also excited to have another EditCon exclusive podcast episode!  This will be a special release on January 1st and will be available to everyone!

Canada boasts a remarkable array of skills in post-production – whether it’s editors, colourists, sound designers or VFX artists, we are at the cutting edge of global cinema. Canadian post-production professionals are setting the standard for quality, creativity and innovation, and this year we are here to showcase just how impactful our contributions are across the globe.

Post-production is where stories are truly made, where raw footage transforms into breathtaking experiences. So buckle up buttercup, because EditCon 2025 celebrates some of the most talented voices in the industry (from Canada and abroad) and the incredible work they helped craft. With online and in person discussion panels on editing across genres and mediums, from action to documentary, animation to assisting. Get ready to network, learn, and be inspired as we explore the power of post-production.

In addition to fascinating panels and a podcast, there will be a series of virtual breakout rooms as well as some exciting programming for our in person events.  We will also have some amazing products to raffle off!

Confirmed speakers include:

  • Mary Blee – THE WILD ROBOT
  • Sara Bulloch – ABERDEEN
  • Blair Drover – PUSH
  • Xi Feng – UNIVERSAL LANGUAGE
  • Susan Fitzer – SPELLBOUND
  • Sarah Hedar – THE STAND 
  • Maurissa Horwitz – INSIDE OUT 2
  • Émilie Lemieux – THE DISHWASHER
  • Jeannick Martins-Desjardins – UNIVERSAL LANGUAGE
  • Nathalie Massaroni – ABERDEEN
  • Véronique Mélançon – GHOSTS
  • Will Mitchell – HOME SWEET ROME
  • Ajla Odobasic – MATT AND MARA           
  • Maria Psaila – MOONSHINE
  • Shane Reid – DEADPOOL & WOLVERINE
  • Tara Robinson – BEACON 23
  • Randy Trager – NIMONA
  • Eric Whipp – FURIOSA: A MAD MAX SAGA
  • Nicholas Wong, CCE – HALO
  • Dean Zimmerman, ACE – DEADPOOL & WOLVERINE

Tickets will be available starting December 16th, 2024.     

About the Canadian Cinema Editors (CCE)

The Canadian Cinema Editors (CCE) is a bilingual not-for-profit organization fuelled by the passion of its Canada-wide post-production membership. We are dedicated to meeting the needs of our growing member base through cultivating an environment of learning, community and inclusivity. Ultimately, we are here to showcase our world-class talents at the forefront of the Canadian Film Industry and internationally. Follow us on X (Twitter), Facebook, LinkedIn and Instagram. www.cceditors.ca 

Media contact:

Alison Dowler: Operations Manager

Canadian Cinema Editors – alison@cceditors.ca

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2024 CCE Award Nominees

2024 CCE Award Nominees

The Canadian Cinema Editors is thrilled to announce the nominees for the 2024 CCE Awards. Join us on Friday, June 14th, 2024 for an evening celebrating excellence in editing at the Delta Hotel in Toronto with our host Elvira Kurt.

Ticket sales will open this Friday! Congratulations to all our nominees!

Best Editing in an Animated Pre-School Series
Sponsored by: Canadian Cinema Editors

Gavin Ebedes & Ryan Mohammed – RUBBLE & CREW: Ep 120 – THE CREW & CHASE ARE ON THE CASE
Paul Hunter, CCE & Katie Tomchishen – NATURE CAT: Ep 508 – A LITTLE KELP FROM MY FRIENDS & MISSION TO MARS
Paul Hunter, CCE, Katie Tomchishen & Jason Pichonsky – SUPERBUNS: Ep 116 – C’MON CATERPILLAR
Rachel Guergis, Bec Cranswick, Sophia Loffreda & Dean Hannas – SPIDEY AND HIS AMAZING FRIENDS: Ep 224 – STOLEN WEB-QUARTERS/SPIDEYS IN SPACE!

Best Editing in Animation
Sponsored by: Annex Pro

Greg Canning, Max Szentveri, Nicholas Shepard, Ryan Jobling & Leland Miller – THE SNOOPY SHOW: CHARLIE BROWN HITS A HOME RUN
Orion McCaw, Margaret Reid, Rob Smith, Matthew Innanen & Maddison Varas – SONIC PRIME: Ep 201 – AVOID THE VOID
Orion McCaw, Rob Smith & Matthew Innanen – STRAWBERRY SHORTCAKE’S PERFECT HOLIDAY
Ryan L. Smith – LAKE ERIE
Yvann Thibaudeau, CCE – MIRACULOUS LADYBUG

Best Editing in Documentary Feature
Sponsored by: Purple Dog Post Production Services

Annie Leclair – GREYLAND
Eugene Weis – REVIVAL69: THE CONCERT THAT ROCKED THE WORLD
Greg Ng, CCE & Katie Chipperfield – I’M JUST HERE FOR THE RIOT
Ricardo Acosta, CCE & Mike Magidson – CHILDRENS OF LAS BRISAS
Xi Feng & Maxime Faure – CAITI BLUES

Best Editing in Documentary Short Form
Sponsored by: City of Toronto

Colin Waugh – ARTHUR ERICKSON’S DYDE HOUSE
Duncan Buchanan – THE LONG ROAD HOME
Jane MacRae – LOUD AND HERE
Kyle Gregory Sanderson – NINE EASY DANCES
Marie-Pier Dupuis – APRÈS-COUPS

Best Editing in Docu-series / Docu-drama / Factual
Sponsored by: Rolling Pictures

Andres Landau – THE NATURE OF THINGS: Ep 6210 – WAR FOR THE WOODS
Eamonn O’Connor, CCE – BLACK LIFE: UNTOLD STORIES: Ep 102 – REVOLUTION REMIX
Hart Snider – GRIZZLY REWILD: Ep 6208
Steven Budd – DARK SIDE OF COMEDY: Ep 201 – ROBIN WILLIAMS
Swapna Mella, CCE – STUFF THE BRITISH STOLE: Ep 101 – THE JEWEL OF DENIAL

Best Editing in a Live Action Family Series or MOW
Sponsored by: IATSE 891

Courtney Goldman & Nathan Martinak – JANE: Ep 101 – URSUS MARITIMUS
Fabiola Caraza – THE POPULARITY PAPERS: Ep 108 – GHOST MORTEM
Gordon Rempel, CCE – MONSTER HIGH 2
Thomas Lieu – THE HARDY BOYS: Ep 302 – A VANISHING ACT
Vesna Svilanovic, CCE – RUBY AND THE WELL: Ep 302 – I WISH I COULD STOP THIS MONSTER

Best Editing in Feature Film
Sponsored by: Coma Edits

Jorge Weisz, CCE – SWEETLAND
Justin Oakey – THE KING TIDE
Marie-Pier Dupuis, Dominique Fortin & Maxim Rheault – SOLO
Orlee Buium – NORTH OF NORMAL
Yvann Thibaudeau CCE – DIS MOI POURQUOI CES CHOSES SONT SI BELLES

Best Editing in MOW / Mini-Series
Sponsored by: DGC National

Christopher Donaldson, CCE – FELLOW TRAVELERS: Ep101 – YOU’RE WONDERFUL
Louis-Philippe Rathé – DÉSOBÉIR – LE CHOIX DE CHANTALE DAIGLE: Ep 106 – LA SEULE PERSONNE À POUVOIR CHOISIR, C’EST MOI
Maxime Lahaie – LITTLE BIRD: Ep 104 – BURNING DOWN THE HOUSE
Myriam Coulombe – DÉSOBÉIR – LE CHOIX DE CHANTALE DAIGLE: Ep 104 TU SAIS BEN QUE ÇA SERA JAMAIS FINI
Myriam Coulombe – MÉGANTIC: Ep 104 BRYAN

Best Editing in Lifestyle / Competition / Reality
Sponsored by: RTR Media

Guillaume Marin – DRAGS, REINES DE LA POP
Jeff Perry, Ryan Monteith, Curtis Rogers & Keisha Rose – BEST IN MINIATURE: Ep 208 – THE FINALE
Jonathan Dowler, CCE – CANADA’S DRAG RACE: Ep 405 – SNATCH GAME
Lindsay Ragone – CANADA’S DRAG RACE: Ep 407 – FROM DRAGS TO RICHES: THE RUSICAL
Samantha Shields – HOME TOWN: Ep 703 – NEW-STALGIC RESTORATION

Best Editing in a Short Film
Sponsored by: Meridian Artists

Amélie Labrèche – CHAT MORT
Anna Catley -THRIVING: A DISSOCIATED REVERIE
Christopher Malanchen – BORDERS
Graham Fortin – DEFINING HUMAN
Myriam Magassouba – FAIRE UN ENFANT

Best Editing in TV Comedy
Sponsored by: Vanguarde Management Artists

Charles Boisseau & David Bourbonnais – CLUB SOLY: Ep 301 – ART CONTEMPORAIN, CHAR ÉLECTRIQUE ET PUBS DE CHIPS
Drew MacLeod – LETTERKENNY: Ep 1206 – OVER AND OUT
Drew MacLeod – SHORESY: Ep 206 – ACCOUNTABILITY
Justin Li – LUCKY HANK: Ep 105 – THE CLOCK
Maureen Grant, CCE – SORT OF: Ep 306 – SORT OF HOSPITAL AGAI

Best Editing in TV Drama
Sponsored by: Take 5 Productions

David Di Francesco – VIRAGE: DOUBLE FAUTE: Ep 102 – PRÊT À TOUT
Jonathan Eagan – THE CHANGELING: Ep 107 – STORMY WEATHER
Geoff Ashenhurst, CCE & Hye Mee Na – THE CHANGELING: Ep 101 – FIRST COMES LOVE
Greg Ng, CCE, Roderick Deogrades, CCE & Maxime Lahaie – BONES OF CROWS: THE SERIES: Ep 102 – TO BE SEPERATED
Lisa Robison, CCE – FIREFLY LANE: Ep 213 – CAN’T FIGHT THAT FEELING

Best Editing in Web Series / Digital Content
Sponsored by: Canadian Cinema Editors

Ben Allan – LESS THAN KOSHER: Ep 101 – THE SYNAGOGUE VIV HASN’T BEEN TO IN 15 YEARS
David Valiquette – VIVRE AVEC LA POLLUTION DE LA FONDERIE HORNE
Jake Lee – STREAMS FLOW FROM A RIVER: Ep 4 – BENNY AND THE JETS
Jean-Philippe Gagnon – NICO SE PRIVE DE SOMMEIL PENDANT 7 NUITS
Milena Salazar – GOVERNOR GENERAL’S AWARDS IN VISUAL AND MEDIA ARTS: PORTRAIT OF SHANNON WALSH

Lifetime Achievement Award: Mary Stephen, CCE & Gordon McClellan, CCE
Sponsored by: Canadian Cinema Editors

Career Achievement Award: Don Thompson
Sponsored by: Canadian Cinema Editors

Student Award of Merit
Sponsored by: Insight Productions
Announcing in early May

Assistant Editor Recognition Award
Sponsored by: Matrx
Announcing in early May

Cocktail Hour
Sponsored by: DGC Ontario

With Thanks To Our Sponsors

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The Canadian Cinema Editors announces the recipients of the 2024 Lifetime Achievement Award and Career Achievement Award 

Lifetime Achievement and Career Achievement Award - 2024 Press Release

Toronto, April 8th, 2024 – The Canadian Cinema Editors (CCE) is pleased to announce that Mary Stephen, CCE and Gordon McClellan, CCE are the recipients of the 2024 Lifetime Achievement Award. Don Thompson is the recipient for the Career Achievement Award. The CCE will present these awards at the 14th Annual CCE Awards on June 14th, 2024 at the Delta Hotel in Toronto.

Our full list of CCE Award nominees will be announced on April 15! Please visit our website for more information.

Lifetime Achievement Award

Mary Stephen, CCE

Mary Stephen, CCE

Born in Hong Kong, Mary’s family immigrated to Montreal in the 1970s where she graduated from Concordia University. Mary has been living in Paris since the 1980s but navigates between her home in France and work commitments in Canada, Asia, Australia and Africa.

Mary was French New Wave master Eric Rohmer’s chief editor for more than 30 years, starting as assistant to his then-chief-editor Cécile Décugis. When Cécile retired, Mary edited Rohmer’s WINTER’S TALE up to his last feature THE ROMANCE OF ASTREA AND CELADON, and many shorts in-between, collaborating occasionally on the films’ music.

In the last 2 decades, Mary has also been editing, associate-producing and consulting with fiction and documentary filmmakers all over the world. Some of the directors she worked with include Tiffany Hsiung, Michka Säal and Lixin Fan in Canada, Seren Yüce and Hüseyin Karabey in Turkey, Nicole Shafer in South Africa, Du Haibin, Lina Yang in mainland China, and Adam Wong, Jessie Tsang, Amos Wong and Ann Hui in Hong Kong. Mary’s own directorial works include VISION FROM THE EDGE : BREYTEN BREYTENBACK PAINTING THE LINES and THE MEMORY OF WATER. She is currently at work on her new film PALIMPSEST : TRACES OF A NAME, a co-production between 4 countries.

Mary is very active in mentoring and nurturing young filmmakers in many labs and forums. She serves on film festival juries often and has been nominated for numerous editing awards. She is a member of the Academy of Motion Picture Arts and Sciences and was named Chevalier in the Order of Letters and Arts by the French cultural minister in 2018. Last year, Mary was the 2nd recipient of the Fire Horse Award of the Reel Asian Film Festival in 2023.

Lifetime Achievement Award

Gordon Mcclellan, cce

Gordon McClellan, CCE

Gord McClellan, CCE has been a Picture Editor in Drama and Documentary for over 50 years. Films he has edited have won an Oscar, an Emmy, a Cable ACE (the Cable TV award was later merged with the Emmys), a Gemini and other awards. His work has been seen on ABC, A&E, BBC, CBC, CBS, CTV, Discovery, Disney, Disney XD, Global, Great American Family, Hallmark, HBO, Netflix, NBC, Nickelodeon, Paramount, Showcase, Showtime, Sony, Superchannel, TVO, W and Warner Brother.

Gord edited film and video for two decades, very patiently filing frames of trimmed shots and dealing with multiple degrading generations of video edits. He gratefully leapt at the opportunity to work in non-linear when Lightworks and AVID arrived on the scene.

Highlights of his career include the first five seasons of THE FIFTH ESTATE, several docs with filmmaker John Zaritsky, notably the Oscar-winning, JUST ANOTHER MISSING KID and music documentary TEARS ARE NOT ENOUGH, featuring producer David Foster, Neil Young, Joni Mitchell, Brian Adams, Geddy Lee and Gordon Lightfoot among many others. TV Series include six seasons of ROAD TO AVONLEA, five Features, two Mini-Series and 31 TV Movies. His focus for the last few years has been Romantic Comedies, a genre he thoroughly enjoys.

Career Achievement Award

Don Thompson

Don Thompson is an experienced leader within the Media & Entertainment industry, known for utilizing his creative and technical skills in problem solving, talent development and networking and collaboration to accelerate growth.

With an entrepreneurial influence, he has helped found or inspire growth and change across a broad range of companies in Vancouver, Toronto and LA including Finale Post (now Picture Shop Vancouver), The Foundation Post (LA), Image Engine VFX (Vancouver), The Eyes Productions and Shooters Production Services (Vancouver & TO). His production experience includes work as an Editor, Post Supervisor, Producer/Director, and Videographer. Don’s creative credits include a wide range of feature, television, commercial, live sports and music, and cutting-edge documentary productions. 

He is actively involved in the production community in Vancouver as Chair of the Vancouver Post Alliance (VPA) and board member of both the Motion Picture Production Industry Association of BC (MPPIA) and the Leo Awards, and frequently travels to LA for industry relations and marketing and sales initiatives with the major studios, networks and production companies. Don is passionate about seeing Canada’s production and post production community reach its full potential, and looks forward to continuing to contribute to the success of its talent, crews, production companies and facilities in the years ahead.

About the Lifetime Achievement Award
This recognition is presented to an editor who has elevated the craft of picture editing, has contributed to the editing community and demonstrated a passion for editing.

About the Career Achievement Award
This recognition is presented to a member of the broader film community who has shown great support for Canadian editors and the editorial profession over the course of their career.

About the Canadian Cinema Editors (CCE)
The Canadian Cinema Editors (CCE) is a bilingual not-for-profit organization fuelled by the passion of its Canada-wide post-production membership. We are dedicated to meeting the needs of our growing member base through cultivating an environment of learning, community and inclusivity. Ultimately, we are here to showcase our world-class talents at the forefront of the Canadian Film Industry and internationally. Follow us on X (Twitter), Facebook, LinkedIn and Instagram. www.cceditors.ca

Media contact:
Alison Dowler: Operations Manager
Canadian Cinema Editors – info@cceditors.ca

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The Canadian Cinema Editors presents its 7th annual conference EDITCON 2024

The Canadian Cinema Editors presents its 7th annual conference EDITCON 2024

Toronto, December 15, 2023 – The Canadian Cinema Editors (CCE) is pleased to present EDITCON 2024, the seventh annual conference on the art of picture editing, and will take place between February 9th to 11th, 2024.  The conference will host virtual events as well as in person events in Toronto, Montreal, Vancouver and Edmonton.  We are also excited to have our first EditCon exclusive podcast episode!  This will be a special release on January 1st and will be available to everyone!

A wave of new innovation is around the corner, and big questions around the industry landscape are emerging. But technology is nothing without the storytellers behind it. As the industry changes, Editors find themselves at an intersection of technological change. How can we navigate this new and exciting future? What are the ways Editors are adjusting to ensure they are telling the best stories possible? EditCon 2024 will give the floor to some of the most talented voices in the profession, as they address some of the challenges that they face.

The weekend will feature panel discussions on editing comedy, theatrical films, and unscripted programming, with some of Canada’s top editors sharing a wealth of knowledge and experience.  There will also be a presentation about Artificial Intelligence (presented in English and French)

In addition to fascinating panels and a podcast, there will be a series of virtual breakout rooms as well as some exciting programming for our in person events.  We will also have some amazing products to raffle off!

Confirmed speakers include:

  • Beth Biederman – CANADA’S DRAG RACE
  • Dean Davis – CANADA’S DRAG RACE
  • Jonathan Dowler, CCE – CANADA’S DRAG RACE
  • Valentine Goddard – ART X AI: THE STORIES OF TOMORROW
  • Maureen Grant, CCE – FITTING IN
  • Nick Houy, ACE – BARBIE
  • Drew MacLeod – SHORESY
  • Isabelle Malenfant, CCE – THE DISHWASHER
  • Kimberlee McTaggart, CCE – MOONSHINE
  • Justin Oakey – THE KING TIDE
  • Sabrina Pitre, CCE – FAKES
  • Jay Prychidny, CCE – WEDNESDAY
  • Lindsay Ragone – CANADA’S DRAG RACE
  • Sarah Taylor, CCE – HEY, VIKTOR!

Tickets will be available starting December 18th, 2023. 

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CCE issues solidarity statement with the WGA and SAG-AFTRA

CCE issues solidarity statement with the WGA and SAG-AFTRA

The CCE would like to express their support of WGA and SAG-AFTRA as they strike in pursuit of fair contracts from the Alliance of Motion Picture and Television Producers.

Writers and performers deserve to share in the success of the work they do for major Hollywood studios and billion dollar streaming corporations. They should not fear that through AI, their work will be repurposed in the future without consent or proper compensation.

In line with our mission to represent and meet the needs of our post-production community, the CCE supports efforts of all film and television workers to lead successful careers through fair engagement. The entire business model has been changed by streaming, internet distribution, AI, and so must the compensation to those who are the core of our screen-based stories.

We stand in solidarity with WGA and SAG-AFTRA members.

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The Canadian Cinema Editors announces the recipient of the 2023 Lifetime Achievement Award 

Lifetime Achievement Award - 2023 Press Release

The Canadian Cinema Editors (CCE) is pleased to announce that David B. Thompson, CCE (1949-2023) is the recipient of the 2023 Lifetime Achievement Award. The CCE will present this award at the 13th Annual CCE Awards on May 25th, 2023 at the Delta Hotel in Toronto.

Our full list of CCE Award nominees will be announced on April 17! Please visit our website for more information.

About the Lifetime Achievement Award

This recognition is presented to an editor who has elevated the craft of picture editing, has contributed to the editing community and demonstrated a passion for editing. 

Lifetime Achievement Award

David B. Thompson, CCE

Lifetime Award 2023 - David B Thompson

David B Thompson, CCE began his career in the 1980s as an editor on classic Canadian programming such as THE LITTLEST HOBO and NIGHT HEAT. Over the years, his work spanned all genres, from action/comedy (DUE SOUTH) to science fiction (LEXX, DARK MATTER), and period dramas (THE KENNEDYS). A stalwart presence in the industry for over 50 years, David left a body of work that is almost as big as his heart.

A fantastic editor, mentor, storyteller, jokester, and a great friend to so many, David was part of the first group of inductees to receive the CCE initials in 2008. He won an award at the inaugural CCE Awards in 2011, and over the course of his career garnered 5 Gemini nominations, two 2 DGC and CCE Award nominations, as well as an Emmy nomination for the pilot episode of “24”.

David always said “Cut with your gut, use your feelings to tell the story.”

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The Canadian Cinema Editors presents its 6th annual conference EDITCON 2023

The Canadian Cinema Editors presents its 6th annual conference EDITCON 2023

Toronto, December 16, 2022The Canadian Cinema Editors (CCE) is pleased to present EDITCON 2023, the sixth annual conference on the art of picture editing, and will take place between February 24th to 26th, 2023. The conference will host virtual events as well as in person events in Toronto, Montreal and Vancouver.

EDITCON 2023 is presented under the theme of Finding Meaning.

In uncertain times, we look to storytelling to find meaning in the madness. It’s no surprise then that the past few years have seen an explosion of film and television content. With all the differing voices and opinions competing for our attention, it can be challenging to sift through all the content out there and find something that is meaningful to you.

For EditCon 2023, we will speak with some of the most in-demand editors about work that has been meaningful to them. Whether it’s exploring memory by reconstructing a true story, delving into the themes that matter most to Canadians, or crafting thrilling sequences on the most-watched shows of 2022, this year’s guests have lent their talents to help tell the stories we find the most meaningful.

In addition to fascinating panels featuring both Canadian and International guests, there will be a series of virtual breakout rooms as well as some exciting programming for our in person events. We will also have some amazing products to raffle off!

Confirmed speakers include:

  • Christopher Donaldson, CCE, ACE – CRIMES OF THE FUTURE
  • Paula Fairfield – HOUSE OF THE DRAGON
  • Siân Fever – HOUSE OF THE DRAGON
  • Katie Halliday – STRANGER THINGS
  • Craig Henighan – STRANGER THINGS
  • Sophie Leblond – VIKING
  • Pablo Álvarez Mesa – GEOGRAPHIES OF SOLITUDE
  • Jacquelyn Mills – GEOGRAPHIES OF SOLITUDE
  • Eamon O’Connor – BLACK ICE
  • Jay Prychidny, CCE – SCREAM 6
  • Milena Salazar – BACK HOME
  • Anthony Shim – RICEBOY SLEEPS
  • Simone Smith, CCE – I LIKE MOVIES
  • Jenn Stromm – BACK HOME

Tickets will be available starting January 9th, 2023.

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The Canadian Cinema Editors announces the recipients of the Lifetime Achievement Award and Career Achievement Award

Lifetime Achievement and Career Achievement Award - 2022 Press Release

The Canadian Cinema Editors (CCE) is pleased to announce that Ron Sanders, CCE, ACE and Jean-Marc Vallée (1963-2021) are recipients of the 2022 Lifetime Achievement Award and Career Achievement Award (respectively). The CCE will present these awards at the 12th Annual CCE Awards on May 26th, 2022 at the Delta Hotel in Toronto, our first in-person event since 2019.

Lifetime Achievement Award

Ron Sanders, CCE, ACE

Ron Sanders, CCE, ACE began his career as a feature film editor in Toronto in the mid-1970s. Since then he has worked with directors including Rex Bromfield, Mark Lester, Yves Simoneau, Robert Longo, Daniel Petrie Jr., Sturla Gunnarson, Norman Jewison, Stephen Silver, Henry Sellick, Nathan Morlando, Miranda de Pencier and Viggo Mortensen.

He collaborated with director David Cronenberg on a total of nineteen films, for which he received nine nominations for Genie Awards for Excellence in Film Editing and four awards for DEAD RINGERS (1989), CRASH (1996), EXISTENZ (2000) and EASTERN PROMISES (2007).

Ron also received seven Best Editor nominations from the Directors Guild of Canada and received five awards for A HISTORY OF VIOLENCE (2006), EASTERN PROMISES (2008), A DANGEROUS METHOD (2012), MEAN DREAMS (2016) and FALLING (2020), In 2010 he was nominated for an American Cinema Editors Award for his work on CORALINE.

Throughout his career Ron has actively supported emerging talent in the editing room and welcomed students and others interested in learning more about this aspect of the business.

Career Achievement Award

Jean-Marc Vallée

Jean-Marc Vallée (1963-2021) was a Canadian filmmaker, film editor, and screenwriter. After studying film at the Université de Montréal, Vallée went on to make a number of critically acclaimed short films, including STÉRÉOTYPES, LES FLEURS MAGIQUES, and LES MOTS MAGIQUES.

His debut feature, BLACK LIST, was nominated for nine Genie Awards, including nods for Vallée’s direction and editing. His fourth feature film, C.R.A.Z.Y., received further critical acclaim. Vallée’s follow-up, THE YOUNG VICTORIA, garnered strong reviews and received three Academy Award nominations.

His sixth film, CAFÉ DE FLORE, was the most nominated film at the 32nd Genie Awards. Vallée’s next films, the American dramas DALLAS BUYERS CLUB and WILD continued this acclaim and the former earned him a nomination for the Academy Award for Best Film Editing and Best Picture.

Vallée ventured into television by executive producing and directing two projects BIG LITTLE LIES and SHARP OBJECTS. For the former, he won an Emmy for Outstanding Directing for a Limited Series, Movie, or Dramatic Special.

Vallée was a keen collaborator in the edit suite, with editing credits on many of his own projects, often under pseudonyms that played on his initials.

He fought for two main things on his projects. Firstly, he stipulated that he did not wish to work before 9am or after 6pm. Secondly, he always wanted a good music budget, as he believed that music was at the centre of good storytelling.

Our full list of CCE Award nominees will be announced on April 18! 

About the Lifetime Achievement Award
This recognition is presented to an editor who has elevated the craft of picture editing, has contributed to the editing community and demonstrated a passion for editing. 

About the Career Achievement Award
This recognition is presented to a member of the broader film community who has shown great support for Canadian editors and the editorial profession over the course of their career.

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Articles Members Press Release

The Canadian Cinema Editors presents its 5th annual conference EditCon 2022

The Canadian Cinema Editors presents its 5th annual conference EDITCON 2022

The Canadian Cinema Editors (CCE) is pleased to present EDITCON 2022, the fifth annual conference on the art of picture editing, as a two-day online event on Saturday March 5th and Sunday March 6th, 2022

EDITCON 2022 is presented under the theme of Brave New World.

As the pandemic wanes we face an uncertain future. With an unprecedented amount of content being produced for a new array of platforms, storytelling is quickly evolving to suit a changing society’s needs. EditCon 2022 will create a unique space for Canadian and international editors to discuss the challenges they face as new cultural conversations emerge, and how new tools and workflows help us meet this unprecedented demand for stories.  

The event will feature a distinctive and interactive conference experience online. In addition to fascinating panels featuring both Canadian and international guests, there will be a series of breakout rooms, which are limited-capacity panels where a smaller audience allows for more intimate conversation and questions. Moving beyond zooms, we’re leveraging new technologies to create unique social networking experiences. We’ll have games, raffles, and more to make this event more than just another webinar. 

Confirmed speakers include:

  • Ricardo Acosta, CCE, BETRAYAL
  • Orlee Buium, ALL MY PUNY SORROWS
  • Jim Flynn, ACE, BRIDGERTON
  • Michèle Hozer, CCE, A CURE FOR A COMMON CLASSROOM
  • Jordan Kawai, BETRAYAL
  • Omar Majeed, SORT OF
  • Melissa McCoy, ACE, TED LASSO
  • Nathan Orloff, GHOSTBUSTERS: AFTERLIFE
  • Brina Romanek, A CURE FOR A COMMON CLASSROOM
  • Elísabet Ronaldsdóttir, ACE, SHANG-CHI AND THE LEGEND OF THE TEN RINGS
  • Nat Sanders, ACE, SHANG-CHI AND THE LEGEND OF THE TEN RINGS
  • Michelle Szemberg, CCE, ALL MY PUNY SORROWS
  • Arthur Tarnowski, ACE, DRUNKEN BIRDS
  • Sam Thomson, SORT OF
  • Dylan Tichenor, ACE, ETERNALS
  • Harry Yoon, ACE, SHANG-CHI AND THE LEGEND OF THE TEN RINGS
  • Jorge Weisz, CCE, NIGHT RAIDERS
  • Rich Williamson, SCARBOROUGH

Tickets will be available starting January 4th, 2022. 

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