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Past Events

In Conversation with Michel Giroux and Denys Desjardins: I LOST MY MOM 

In Conversation with Michel Giroux and Denys Desjardins: I LOST MY MOM
June 15, 2023

This event took place on June 15, 2023

Presented in French / Atelier en français

Join us on June 15th for our Master Series in Montreal. Listen to editor Michel Giroux discuss with director Denys Desjardins their work on the film I LOST MY MOM.  There will be a screening of the film, followed by the Q&A.

In-person in Montréal at Cinema Public – 505 Rue Jean-Talon E, Montréal, QC H2R 1T6

The following bios are available only in the presenting language:

Michel Giroux HeadshotŒuvre dans le domaine de la vidéo et du multimédia depuis le début des années 80, il collabore à des bandes vidéos, installations, performances, trames visuelles pour multimédia, danse, musique contemporaine… avec Geneviève Cadieux, Nathalie Derome, Istvan Kantor, Michel Lemieux, Pauline Vaillancourt, Jean-Pierre Perrault… Parallèlement et, de plus en plus exclusivement, il se passionne pour le montage de documentaire. Il collabore, entre autres, avec Paule Baillargeon, Michka Saäl, Céline Baril. Luc Bourdon, Magnus Isacson, Martin Duckworth… incursion en fiction avec Robert Morin.

Toujours fasciné par le processus d’écriture-composition propre au montage ainsi que par la proximité, la profondeur de la rencontre qu’il provoque avec l’auteur et cette œuvre qui prend vie. Il considère et approche le cinéma, le multimédia comme des médiums sensoriels. Le désir de toucher en sculptant du temps, de la lumière, des sons, de la forme, du sens… Il y a encore beaucoup de plaisir à tout ça, on n’a pas tout vu et entendu.

Denys Desjardins HeadshotSELON LE DICTIONNAIRE DU CINÉMA QUÉBÉCOIS, DENYS DESJARDINS EST UN «CINÉASTE À L’ESPRIT CURIEUX ANIMÉ PAR UNE CINÉPHILIE DÉBORDANTE». DENYS DESJARDINS A ENSEIGNÉ LE CINÉMA ET LES COMMUNICATIONS PENDANT VINGT ANS.

PENDANT SES ÉTUDES EN CINÉMA, IL EXERCE LE MÉTIER DE PRÉPOSÉ ET DÉCOUVRE LE MONDE À TRAVERS LES YEUX DES MARGINAUX. ARTISTE ENGAGÉ, IL UTILISE TOUS LES MOYENS CRÉATIFS À SA DISPOSITION POUR CONFECTIONNER DES ŒUVRES ET DES EXPÉRIENCES SIGNIFIANTES QUI PARTICIPENT À L’ÉVOLUTION DE LA SOCIÉTÉ.

EN 1990, IL FONDE SA COMPAGNIE DE PRODUCTION LES FILMS DU CENTAURE.
DEPUIS, IL A RÉALISÉ ET PRODUIT UNE VINGTAINE DE FILMS ET PLUSIEURS SITES INTERNET, TANT DANS L’INDUSTRIE PRIVÉE QU’À L’OFFICE NATIONAL FILM DU CANADA. IL MILITE DEPUIS TRENTE ANS POUR DÉFENDRE LA CAUSE DES ARTISANS DU CINÉMA.

IL A SIÉGÉ SUR DIVERS CONSEILS D’ADMINISTRATION ET IL FIGURE NOTAMMENT PARMI LES MEMBRES FONDATEURS DE QUÉBEC CINÉMA. PRODUCTEUR ET CONCEPTEUR DU SITE CINÉMA DU QUÉBEC.COM, IL A FONDÉ ET DIRIGÉ LE DOCFEST DE L’ISLE-AUX-COUDRES, UN FESTIVAL DÉDIÉ AU CINÉMA DOCUMENTAIRE, AVANT DE SE CONSACRER À LA COALITION POUR LA SUITE DU DOC.

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About the Event

June 2023

5:30 EDT

Montréal

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Past Events

CCE Offline and Social Summer Event: Edmonton

CCE Offline and Social Summer Event: Edmonton
June 11, 2023

This event took place on June 11, 2023.

Join us on June 11th for an Offline/Summer Social in Edmonton. We will be celebrating the start of summer!


June 11th – 1:00PM MDT

9100 Walterdale Hill, Edmonton, AB T6E 2V3

Meet at the steps of Kinsmen Sports Centre

 

**Edmonton is hosting their Summer Social during this Offline walk. There will be a pitstop along the way and CCE members will receive their first drink free. Be sure to RSVP so your name is on the list! Non-members are welcome to attend.

About the Event

June 2023

1PM MDT

Edmonton

Categories
Past Events

Offline Events Across Canada

Offline Events Across Canada
June 2023

These events took place in June 2023.

Join us in June at locations all across Canada, as we take a break from our screens and get outside! We look forward to seeing you all in person! We also welcome our new Ukrainian members who joined recently and encourage them to attend and meet members from our CCE Community!

TORONTO

June 10th – 10.00am EDT

Brickworks: 550 Bayview Ave, Toronto, ON M4W 3X8

VANCOUVER

June 11th – 11:00am

Quarry Rock in Deep Cove. 

About the Event

June 2023

10am EDT

Canada

In Conversation with Michel Giroux and Denys Desjardins: I LOST MY MOM  

Presented in French

 

Join us on June 15th for our Master Series in Montreal. Listen to editor Michel Giroux discuss with director Denys Desjardins their work on the film I LOST MY MOM.  There will be a screening of the film, followed by the Q&A.

 

Free for CCE Members, $10 for Non Members.

 

Tickets for Non Members are $10 – To purchase tickets please visit: https://cinemapublic.ca/films/jai-place-ma-mere/

In-person in Montréal at Cinema Public – 505 Rue Jean-Talon E, Montréal, QC H2R 1T6

 

5:30PM EDT

 

Google Maps


The following bios are available only in the presenting language:

Michel Giroux HeadshotŒuvre dans le domaine de la vidéo et du multimédia depuis le début des années 80, il collabore à des bandes vidéos, installations, performances, trames visuelles pour multimédia, danse, musique contemporaine… avec Geneviève Cadieux, Nathalie Derome, Istvan Kantor, Michel Lemieux, Pauline Vaillancourt, Jean-Pierre Perrault… Parallèlement et, de plus en plus exclusivement, il se passionne pour le montage de documentaire. Il collabore, entre autres, avec Paule Baillargeon, Michka Saäl, Céline Baril. Luc Bourdon, Magnus Isacson, Martin Duckworth… incursion en fiction avec Robert Morin.

Toujours fasciné par le processus d’écriture-composition propre au montage ainsi que par la proximité, la profondeur de la rencontre qu’il provoque avec l’auteur et cette œuvre qui prend vie. Il considère et approche le cinéma, le multimédia comme des médiums sensoriels. Le désir de toucher en sculptant du temps, de la lumière, des sons, de la forme, du sens… Il y a encore beaucoup de plaisir à tout ça, on n’a pas tout vu et entendu.

Denys Desjardins HeadshotSELON LE DICTIONNAIRE DU CINÉMA QUÉBÉCOIS, DENYS DESJARDINS EST UN «CINÉASTE À L’ESPRIT CURIEUX ANIMÉ PAR UNE CINÉPHILIE DÉBORDANTE». DENYS DESJARDINS A ENSEIGNÉ LE CINÉMA ET LES COMMUNICATIONS PENDANT VINGT ANS.

PENDANT SES ÉTUDES EN CINÉMA, IL EXERCE LE MÉTIER DE PRÉPOSÉ ET DÉCOUVRE LE MONDE À TRAVERS LES YEUX DES MARGINAUX. ARTISTE ENGAGÉ, IL UTILISE TOUS LES MOYENS CRÉATIFS À SA DISPOSITION POUR CONFECTIONNER DES ŒUVRES ET DES EXPÉRIENCES SIGNIFIANTES QUI PARTICIPENT À L’ÉVOLUTION DE LA SOCIÉTÉ.

EN 1990, IL FONDE SA COMPAGNIE DE PRODUCTION LES FILMS DU CENTAURE.
DEPUIS, IL A RÉALISÉ ET PRODUIT UNE VINGTAINE DE FILMS ET PLUSIEURS SITES INTERNET, TANT DANS L’INDUSTRIE PRIVÉE QU’À L’OFFICE NATIONAL FILM DU CANADA. IL MILITE DEPUIS TRENTE ANS POUR DÉFENDRE LA CAUSE DES ARTISANS DU CINÉMA.

IL A SIÉGÉ SUR DIVERS CONSEILS D’ADMINISTRATION ET IL FIGURE NOTAMMENT PARMI LES MEMBRES FONDATEURS DE QUÉBEC CINÉMA. PRODUCTEUR ET CONCEPTEUR DU SITE CINÉMA DU QUÉBEC.COM, IL A FONDÉ ET DIRIGÉ LE DOCFEST DE L’ISLE-AUX-COUDRES, UN FESTIVAL DÉDIÉ AU CINÉMA DOCUMENTAIRE, AVANT DE SE CONSACRER À LA COALITION POUR LA SUITE DU DOC.

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In Conversation with Michel Giroux and Denys Desjardins: I LOST MY MOM  

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Articles

2023 Leo Award Nominees

2023 Leo Award Nominees

LEO Awards 2021

Congratulations to our CCE members who were nominated for a Leo Award!

Best Picture Editing, Motion Picture
  • Simone Smith, CCE – Float
Best Picture Editing, Television Movie
  • Allan Lee, CCE – Cruel Instruction
  • Gordon Remple, CCE – Monster High: The Movie
  • Saeed Vahidi – Rip In Time
Best Picture Editing, Short Drama
  • Kyle Sanborn – Cloud Striker
Best Picture Editing, Dramatic Series
  • Allan Lee, CCE (+ 1 editor) – Flowers in the Attic: The Origin – The Marriage
  • Christopher Smith – Warrior Nun – Jeremiah 29:13
Best Picture Editing, Feature Length
  • Greg Ng, CCE – The Grizzlie Truth
Best Picture Editing, Short Documentary
  • Alan Flett, CCE: The Teenager And The Lost Maya City
Best Picture Editing, Documentary Series
  • Graham Kew (+1 editor) – Women Who Rock – Defiance
Best Picture Editing, Information, Lifestyle or Reality Series
  • Tim Wanlin, CCE (+1 editor) – Deadman’s Curse – The Charnley Clues
Best Picture Editing, Youth or Children’s Program or Series
  • Meagan Oravec – Run Jump Play
Best Picture Editing, Music, Comedy or Variety Program or Series
  • Jon Anctil, CCE – Fakes – A Cup of Ambition
  • Lisa Binkley, CCE – Reginald The Vampire – Fools in Love
Categories
Past Events

CCE Health Talk –  Mental Health in the Edit Suite

CCE Health Talk – Mental Health in the Edit Suite
May 17 and June 7, 2023

This event took place on May 17 and June 7, 2023

Presented in English / Atelier en anglais

Join fellow editors and mental health advocate Malikkah Rollins from DocuMentality to explore issues that impact many editors but often go unspoken. In these two online sessions, we will discuss:

Wednesday May 17 – 7PM EDT

  • Results of qualitative research DocuMentality conducted with filmmakers around their mental health and well-being.
  • Secondary trauma that some editors experience (what it is and how to recognize)
  • Share how others may be addressing isolation in the editing profession

Wednesday June 7 – 7PM EDT

  • Sharing of ideas for how they can self and group advocate (for all sorts of issues like long work hours)
  • How to handle emotions facing co-workers of the overly stressful or critical type.

The following bio is only written in the presenting language.

Malikkah RollinMalikkah is a co-founder of  DocuMentality, an initiative designed to elevate the conversation around mental health in the global documentary industry. She is a trained psychotherapist which she served as for 10 years, specializing in supporting young adults experiencing mental health challenges. In her full-time life, she is the Director of Industry and Education at DOC NYC, the largest doc film festival in the United States. She’s been invited to speak or mentor with various film organizations such as TIFF, EFM, Documentary Campus, Sundance and Gotham Labs. She is a member of Brown Girl Doc Mafia, on the board of Women in Film and Video-DC and was an independent doc producer for 6 years. When she’s not busy watching films, Malikkah likes to plot her next international travel adventure.

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About the Event

May / June 2023

7pm EDT

Virtual

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The Editors Cut

Episode 078 – Everything Everywhere All at Once with Paul Rogers

The Editor's Cut - Episode 078: Everything Everywhere All at Once with Paul Rogers

Episode 078 - Everything Everywhere All at Once with Paul Rogers

In this episode Sarah Taylor sits down with Paul Rogers.

This episode is sponsored by DGC Alberta.

Paul Rogers - TEC 078
The Editor's Cut - Episode 078: Everything Everywhere All at Once with Paul Rogers

Paul Rogers began his professional career in 2007 editing documentary films for public television in Alabama, winning 4 Emmy Awards. He made the jump to Los Angeles in 2013 and kicked off a career in music videos with the DANIELS’ directed ‘Turn Down For What’ and further collaborated with DANIELS on the short films ‘Interesting Ball’ and ‘Boat Dad’ as well as one half of the duo, Daniel Scheinert, on the A24 feature film ‘The Death of Dick Long,’ which premiered at Sundance in 2018. He dipped back into documentaries in 2020 with ‘You Cannot Kill David Arquette,’ an official SXSW selection and winner of the Adobe Editing Award. His next film is Isaiah Saxon’s debut feature ‘The Legend of Ochi.’ Along with feature films, he has edited for the Eric Andre Show, Kendrick Lamar, Flying Lotus, Haim, and Thundercat among others. Paul has also collaborated extensively with director Kahlil Joseph on projects such as ‘Lemonade’ for Beyonce, ‘Process’ for Sampha, and Joseph’s most recent work ‘BLK NWS.’ Paul is a partner in the editorial company PARALLAX located in Los Angeles.

Sarah and Paul discuss his career journey and how he approached the editing behind Everything Everywhere All At Once.

The Editor's Cut - Episode 078: Everything Everywhere All at Once with Paul Rogers

Everything Everywhere All At Once Trailer:

 
 
This episode was generously sponsored by DGC Alberta
 

The short film that inspired Paul to go to LA!

Listen Here

Subscribe Wherever You Get Your Podcasts

What do you want to hear on The Editors Cut?

Please send along any topics you would like us to cover or editors you would love to hear from:

Credits

A special thanks goes to

Kim McTaggart, CCE

Alison Dowler

Catie Disabato

Hosted and Produced by

Sarah Taylor

Main Title Sound Design by

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixed and Mastered by

Tony Bao

Original Music by

Chad Blain

Sponsor Narration by

Paul Winestock

Sponsored by

DGC Alberta

Categories
The Editors Cut

Episode 077 – Assistant Editing with Bettina Zachariah Treviranus

The Editor's Cut: Episode 77: Assistant Editing with Bettina Zachariah Treviranus

Episode 77: Assistant Editing with Bettina Zachariah Treviranus

In this episode Sarah Taylor sits down with Bettina Zachariah Treviranus.

TEC 077: Bettina Zachariah Treviranus

Bettina is obsessed with and has a deep love of stories that began when she learned how to read. By trade, she’s a television editor and producer of such shows like Work In Progress, Dominion, and Grimm. By night, she’s a devoted daughter, wife, mother, and friend. Bettina believes that stories are what humanize us, teaches us, strengthens us, and connects us. She’s deeply honored to be here and share her experiences.

Sarah and Bettina discuss her career journey and how she landed her current position as assistant editor on Class of ’09.

Listen Here

The Editor’s Cut – Episode 030 – “What is Anti-Oppression? With Tenniel Brown”

Sarah Taylor [00:00:01]

Hello and welcome to The Editor’s Cut. I’m your host Sarah Taylor. At the CCE, we began our journey of self education with Anti-Oppression training in 2019. It was invaluable for us as it provided us with tools to assess how we as an organization could set a course of action to root our unconscious and systematic bias in our operations. This training is now a permanent part of our budget so future board members and volunteers can continue this work, and equity can be part of the fabric of our organization. We are offering a Lunch and Learn Introduction To Anti Oppressive Communication with Tenniel Brown on July 27. Today I’m lucky to be able to sit down with Tenniel Brown and discuss what Anti-Oppressive training is and what we can expect from this webinar. Tenniel Brown is a passionate anti-racist anti oppression and mental health speaker dedicated to improving the experiences of marginalized people in all institutional settings. She is the founder of the Centre For Anti-Oppressive Communication which specializes in providing anti oppressive, trauma-informed counseling, clinical supervision and organizational consulting, as well as customized workshops training and team retreats. I’m joined with Tenniel Brown, she is the founder of the Centre For Anti-Oppressive Communication based in Toronto. And we just want to have a little conversation about why anti oppression work is important in this and all days but specifically right now. So can you just tell us a little bit about your background and why you started the Center For Anti-Oppressive Communication.

Tenniel Brown [00:01:41]

My background is as a psychotherapist. So I spent I’ve spent many many years working with individuals and couples and families and groups helping them to access more of their well-being by addressing different mental health issues specifically trauma. One of the things that I specialize in addressing is racialized trauma. But also trauma that comes from folks that have experienced different types of oppression. And I think for most people that are called to this type of work it’s quite personal for me right. So often when you don’t see the work that you know needs to happen in the community taking place you create it. And so that was me. You know I think I saw that there was a need for organizations to have somebody come in and not just talk about diversity inclusion but talk about what happens when certain identities have power and that unbalance of power and how to actually address that in our communication. I knew that out in the community there were therapists and social workers that were wanting to do better work. You know work in the best practice way with clients that are black, racialized, queer, and trans, and had nowhere to go to get supervision and support. And finally I knew personally that there were so many folks that when they were ready to do therapy work they needed to see someone sitting across the office that looked like them or had a very similar lived experience and they just were not going to come unless that was the case. So all these things I knew was happening and nobody was doing it. And I said someone’s got to do something and that was me. I think what needs to come out of what’s happened in June is for folks to see black professionals and black community in in the in sort of like the the brilliance of what we do and it’s not uncommon that in many cases where we don’t see ourselves we create it. So yeah that was the spirit of and I think that when I started the organization I knew that it was important for there to be a place where folks from those different backgrounds could come and get that support and information. So it’s a real passion of mine. It is my baby and it’s so beautiful to see folks wanting this information during this time.

Sarah Taylor [00:04:01]

Yeah so important. Can you tell us what Anti-Oppression means and what someone can expect by taking an anti oppressive workshop?

Tenniel Brown [00:04:10]

Sure absolutely. So when you sort of break down the word anti oppression anti oppressive practice we take a look at that anti part and essentially that that just means opposition to oppression and then the practice part. So AOP… the practice part pertains to the context in which you are practicing opposition to oppression. So you can apply an anti oppressive lens to just about anything. And I’ve had the opportunity to work with organizations like Pride Toronto and work with your curators to apply an anti-oppressive lens to the way they do event organizing. I have applied an anti oppressive lens to the way I do therapy and clinical supervision with other therapists. You can apply an anti oppressive lens to teaching. You can apply it to student advising, you can apply it to just about anything. I’ve been working with fitness professionals looking at applying an anti oppressive lens to the way that they support folks that are on their fitness journey. So so it’s about looking at whatever practice whatever context you are working in and using that platform to be able to oppose oppression and all of its forms. So that’s essentially what it is.

Sarah Taylor [00:05:29]

And so when someone takes courses like anti oppressive communication course or participates in your courses what can they expect to be talking about or learning?

Tenniel Brown [00:05:37]

Absolutely so I think one of the most important things is to sort of pull back a little bit of you know the cover on this because I think anti oppressive language is its own language. It’s like Spanish. And you see so many people getting themselves into some rather serious trouble these days because they actually don’t know the language they don’t understand… in some ways the harm of some of the things that they’re doing and saying the deep harm of that. You get a lot of people who don’t really know how to talk about these issues. And so you go into a shame spiral and you just don’t talk. You just get very quiet and I always argue that you know the silence piece is a part of how we got ourselves into this trouble as a human society in the first place. So what I offer is something for everybody. I think over the years what folks have said to me is is even somebody who’s maybe got a social work background and knows about anti oppressive practice when they come to one of my trainings they find that they are moved further along in their application of that perspective around “OK, well what does this mean when I’m interacting with somebody right here in a one on one context.” Other people that are completely brand new have never had the chance to learn any of this language or understand any of these concepts have said over the years that they felt like they left with a really good sense of what this topic is. But not just that practical skills. I’m all about practical skills. I want to offer things that folks can use tomorrow today and the next day and my mission is also for folks to leave his training and talk about it. Tell a friend, tell a colleague, tell a family member, and feel equipped to be able to engage in these conversations. So when someone is saying or doing something problematic, you have this confidence in the skills to be able to interpret what’s going on there and to be able to talk to them and to be able to address it. The other thing that I do is I couch everything that I do in my trainings in a self care and team care perspective. And I think this is very important. We have to look after our emotions. We have to look after ourselves and we have to look after each other. I always say you could be as anti oppressive as you want but if you haven’t had any lunch… if you haven’t eaten anything… you’re not good.

Sarah Taylor [00:07:57]

You’ve got the hangries!

Tenniel Brown [00:07:59]

Trust me, Anti-Oppressive work requires patience. It requires empathy. It requires compassion and self compassion. You will fall down a lot and I find you know and I talk a lot about cancel culture and don’t get me wrong really that could be its own podcast.

Sarah Taylor [00:08:19]

Totally. Especially in this industry.

Tenniel Brown [00:08:22]

Look we need to talk about this and I get why certain people are being canceled for sure. And yet as someone who does this work I recognize that I’m so thankful I wasn’t canceled because over the years I’ve done and said things before I knew before I took a course like this before I had an opportunity to learn what was problematic about my lens. I’m so thankful that I was able to make those mistakes in a safe environment and actually benefit from that and grow. So people get a safe environment to learn language and understand what is going on, what is oppression, if oppression is so bad why don’t we just stop this. Well I unpack that for folks. Why is this so complicated and why doesn’t this just stop. And then I provide practical skills for folks to be able to apply this to their lives and their communication. I think the other thing that I think folks get is not just sort of a general whatever, you’ll find that I’m really interested in applying it to film editors and what it is that you do on a regular basis and looking at how you can use your platform to be able to actually oppose oppression.

Sarah Taylor [00:09:31]

Yeah well it’s like it’s huge I know for myself we did anti oppression workshop as a board for the CCE. I’m in an interracial marriage and so I thought “Oh I know a lot.” Like I’ve been unpacking this stuff for a while and understanding in my own way. But also like kind of like how do I say it to my white uncle who is racist like how do I approach that. And by taking that one course, like you said I got so much more understanding of where people might come from and the language and I could approach it not by just being angry because anytime I’d hear anything I was like “You’re talking about my husband, you’re talking about my child! This is not OK!” And so it made a huge impact on me and I felt like I kind of knew some stuff but I realized that there was so much more to learn. And I think I’m still learning and it’s opened up even conversations I’ve had with my husband and my in-laws… and so I think people who are in my situation are like “no I’m cool I got I’m married to so-and-so or I have my best friend or whatever.” You grew up in your lens and there’s way more to learn and unpack.

Tenniel Brown [00:10:41]

Absolutely. Absolutely it’s so true. And I always say that absolutely positively nobody gets a pass on this.

Sarah Taylor [00:10:48]

100 percent.

Tenniel Brown [00:10:49]

At all. You know myself as someone who identifies as a black fem queer woman, you know folks would be like well you know you of course you couldn’t oppress. And it’s like yes we are all susceptible to experiencing oppression and we are all oppressors. So I have aspects of my identity that allow me to have privilege. And the thing about this is that if you’re not aware of those things that’s how you harm people that’s how you engage in micro aggressions. You know what I mean? That’s how you you know get striking up a conversation with someone about your latest renovation in your house when this person is still renting and doesn’t even have access. These are the types of things that you’re never protected from. Right. Like you’re not protected from that in a certain way. So it’s really important to remember that.

Sarah Taylor [00:11:40]

Where should someone start if they’re like feeling overwhelmed they’re like wow I know that I need to make this change. I’ve seen all this information now on social media and I’m saying all the wrong things and like you said I’m just going to be quiet which is not the right thing to do. So where do they go and what should they focus on first to just like get into this mindset of making these changes?

Tenniel Brown [00:12:02]

That’s a great question. And what I would say is education. Not a coincidence right? So of course you know joining with you know your organization to offer this to the community because I think that’s step number one. I think we do need to have good information about… you need to educate yourself. I would say that it’s a really important first step to really listen, and I find even when you have more information and you have more training it even improves the way that you can listen because what you find is when you don’t have that knowledge there’s certain things that are sort of prevent you from even being open. So I find the training and the skills and the confidence that you get from doing the course like this allows you to even listen deeper right and understand more and I think that that’s step number one. I think that once… but don’t stay there! Because I think a lot of people oh I’m listening but really it’s just their guilt and shame. So yeah they’re still not doing anything but once you’ve had the chance to listen you now can start thinking more about your platform and I think that’s one of the most important thing for your listeners to know that if it’s like well I’m not a social worker I’m not a therapist what’s this got to do with me it’s like it has everything to do with you. You have a platform as a film editor and it’s important for you to acknowledge that there are big ways and small ways that you can make a difference. And we all have a responsibility. What’s happened in this world since COVID what’s happened in this world since June is we can no longer close our eyes to this. We have to look at this and all the years that we have stayed silent on this has been what’s caused the problem. So the reality is is that we all are called to use our platform to be able to address this to look around the room and be like who isn’t here? To look around your history of the films that you and different projects you’ve been involved in and being like how many of these people, how many of these stories featured stories that were outside of what we usually see? Right. And looking at the ways that you can use your platform and your influence to be able to make a change, so we’re all called to do that I don’t care if you’re a child care worker or a housekeeper do some working at a gas station, it literally doesn’t matter we’re all a part of this human society. We all have some sort of platform and so we all have a responsibility to do something. You know Sarah one of my favorite slogans that’s come out of the protest is “Silence is Violence.” I love that one because I know what happens when people don’t have education and knowledge. They go into a shame cycle they go into a guilt cycle and they go into fear and you know what happens there? Shh. And you know what, that doesn’t help anybody at all. So I recognize that these are difficult things for us to unpack but we all have a responsibility to use whatever platform we have to make a difference. So starting by educating yourself, listening a lot, and then that’s going to help you to be more open to what you can do. And then looking at your platform whether that be personal or professional to make a change.

Sarah Taylor [00:15:20]

That was perfect. Yeah. That’s huge. And even since I took my training and even just since I’ve done my own inner work I noticed like I wouldn’t pick certain shots anymore or there’ll be things in my edit where I’m like “that’s a stereotype” or “No that’s not going to work. We can’t do that we can’t have that.” And so I think if everybody’s doing that then what we’re seeing on screen can start changing.

Tenniel Brown [00:15:45]

Absolutely. Absolutely and there’s these you know there’s there’s big ways and then there’s little ways like you describe. So it’s it is about really curating your lens, right and making sure that you’re seeing more and I think training like this just helps you to really open up your lens. So you’re not just seeing directly what’s in front of you work to the side of you but it’s more of like a panoramic view which you folks really need in the work that you do.

Sarah Taylor [00:16:09]

100 percent. Yeah. Well I hope that our membership joins us. I know we’ve already been getting people RSVPing which is very exciting. On July 27 2020 to learn and to unpack and to take part and just hopefully we can continue to do stuff with you and just keep educating and making the changes we can make.

Tenniel Brown [00:16:28]

Yeah. Join us. Join us. Don’t hesitate folks. Be a part of this. I’m really looking forward to working with everybody. And you know what we’re gonna have fun. I know these topics are really heavy but we’re gonna have some fun and we’re really going to connect with each other as a community so I look forward to meeting everybody at this training.

Sarah Taylor [00:16:46]

Thank you so much for taking the time to chat with me today and I look forward to seeing you on the 27th and continuing my journey. So thank you for doing this for us and thank you for sharing your knowledge and your experience with the world. So thank you so much.

Tenniel Brown [00:16:59]

You’re so welcome. Thanks for having me.

Sarah Taylor [00:17:03]

Thank you so much for joining us today. And a big thank you goes to Tenniel Brown and a special thanks to Maureen Grant and Jane MacRae. If you’d like to connect with Tenniel, you can find her on Instagram @TennielBrown. If you’d like to bring Tenniel into your organization to learn more about anti oppressive work, you can check out her website at brownconsulting.com. I look forward to learning more from Tenniel on July 27 2020 at the CCE Lunch and Learn I hope to see you there. The CCE has been supporting BIPOC TV and FILM. BIPOC TV and FILM is a grassroots organization and collective of black, indigenous, and people of colour in Canada’s TV and film industry. From writers, directors, producers, and actors, to editors, crew members, and executives. Their members are a mix of emerging, mid-level, and established industry professionals. BIPOC TV and FILM is dedicated to increasing the representation of BIPOC both in front and behind the camera. If you would like to donate to BIPOC TV and FILM please head to their website at bipoctvandfilm.com. The CCE is taking steps to build a more equitable ecosystem within our industry and we encourage our members to participate in any way they can. 

The main title sound design was created by Jane Tattersall. Additional ADR recording by Andrea Rusch. Original music provided by Chad Blain. This episode was mixed and mastered by Tony Bao. If you’ve enjoyed this podcast, please rate and review us on Apple Podcasts and tell your friends to tune in. Til next time I’m your host Sarah Taylor.

Outtro

The CCE is a non-profit organization with the goal of bettering the art and science of picture editing. If you wish to become a CCE member please visit our website www.cceditors.ca. Join our great community of Canadian editors for more related info.

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Credits

A special thanks goes to

Kim McTaggart, CCE

Alison Dowler

Hosted and Produced by

Sarah Taylor

Main Title Sound Design by

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixed and Mastered by

Tony Bao

Original Music by

Chad Blain

Sponsor Narration by

Paul Winestock

Categories
Past Events

Offline Events Across Canada: Winnipeg

Offline Events Across Canada: Winnipeg
April 29, 2023

This event took place on April 29, 2023.

Join us in Winnipeg on April 29th for our Offline Activity. We will be Axe Throwing!

About the Event

April 2023

6pm CDT

Winnipeg

en_CAEN

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