Catégories
The Editors Cut

Episode 014: Films Making a Difference Cutting Content with an Important Social Message

Episode 014: Films Making a Difference Cutting Content with an Important Social Message

Episode 014: Films Making a Difference - Cutting Content with an Important Social Message

This is part one of our four-part series covering EditCon 2019.

The EditCon 2019 series was generously sponsored by Deluxe

Episode 014: Films Making a Difference Cutting Content with an Important Social Message

Unarmed Verses et Sgaawaay K’uuna (Edge of the Knife) are films that have intertwined themes of social justice into compelling stories, bringing important social messages to the screen in their respective genres of narrative and documentary film.

Meet editor Andres Landau and producer Lea Marin of Unarmed Verses and editor Sarah Hedar and director Helen Haig-Brown of Sgaawaay K’uuna (Edge of the Knife). The duos behind both of these films discuss the process of collaboration, sensitivity approaching the subject matter, and what each role contributes to the crafting of a powerful narrative. This panel was moderated by Michèle Hozer, CCE. Unarmed Verses (Trailer) from NFB/marketing on Vimeo.

Unarmed Verses

Sgaawaay K'uuna (Edge of the Knife)

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Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Maureen Grant

the EditCon Committee

Alison Dowler

Jane MacRea

Boris FX

Hosted and Produced by

Sarah Taylor

EditCon 2019 Panels Recorded by

Jason Kanoza

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Deluxe

Catégories
The Editors Cut

Episode 015: Frame by Frame A Primer on Animation Editing

Episode 015: Frame by Frame A Primer on Animation Editingson


Episode 015: Frame by Frame A Primer on Animation Editing

This is part two of our four-part series covering EditCon 2019.

The EditCon 2019 series was generously sponsored by Deluxe.

Learn from Canada?s leading animation editors about the critical role they play in crafting animated films.

How does the process differ from editing live action?

At what point does the editor?s work start?

What does the collaboration look like with team members and the director?

These questions and more will be answered in this lively group discussion with Paul Hunter and Lesley Mackay Hunter.

This panel was moderated by Chris Mutton.

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Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Maureen Grant

the EditCon Committee

Alison Dowler

Jane MacRae

Annex Pro & Avid

Animé, produit et monté par

Sarah Taylor

EditCon 2019 Panels Recorded by

Jason Kanoza

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Deluxe

Catégories
The Editors Cut

Episode 016: Behind the Cut

Episode 016: Behind the Cut


Episode 016: Behind the Cut

This is part three of our four part series covering EditCon 2019.

The EditCon 2019 series was generously sponsored by Deluxe

In this masterclass, award-winning editor Ron Sanders, CCE will be sharing insight from his career, notably his work with celebrated director David Cronenberg. Their collaboration spans 19 films, for which he won four Genie Awards for Excellence in Film Editing and three Best Editor Awards from the Directors Guild of Canada. Ron discusses scenes from Eastern Promises, A History of Violence, A Dangerous Method et Maps to the Stars. This panel was moderated by Jim Allodi.

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Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Maureen Grant

the EditCon Committee

Alison Dowler

Jane MacRae

Annex Pro & Avid

Hosted and Produced by

Sarah Taylor

Monté par

Chris Coulter

Recorded by

Jason Kanoza

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Deluxe

Catégories
The Editors Cut

Episode 017: This Year In Dramatic Film

Episode 017: This Year In Dramatic Film

Episode 017: This Year In Dramatic Film

This is part four of our four-part series covering EditCon 2019.

In this episode we will hear from indie feature editors Michelle Szemberg of Un Traductor, Christine Armstrong of The New Romantic and Isabelle Malenfant, CCE of Pieds nus dans l’aube. There?s no formula to a festival hit, but these three editors, each with a recent feature film on the circuit, shed light on their respective experiences.

This panel discussion, moderated by Lisa Grootenboer, CCE, focuses on their careers in indie film, their process in editing these films, getting a festival run, and what lies ahead.

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Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Jane MacRae

Cathy Gulkin

Hosted and Produced by

Sarah Taylor

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Vancouver Short Film Festival

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