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Author: Alison Dowler

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Canadian Screen Awards Nominations 2019

2020 CSA Trophy Awards Feature Image

Canadian Screen Awards Nominees 2019

Canadian Screen Awards 2020

Congratulations to our CCE members who are nominated for a Canadian Screen Award.

Achievement in Editing

Simone Smith

Firecrackers

Richard Comeau, CCE

Stockholm

Graham Withers

Transformer

Dave Kazala, CCE

Dolphin Man

Duncan Christie

Mary Kills People: Fatal Flaw

D. Gillian Truster, CCE

Anne with an E: Protest Against Any Absolute Conclusion

Matthew Anas

Cardinal: Blackfly Season

Paul Winestock, CCE

Blood and Water: 201

Brenda Terning & Krystal Moss

Equus: Story of the Horse – Chasing the Wind

Cathy Gulkin, CCE

You are Here

Michael Tersigni, CCE, Jonathan Dowler, Gloria Tong, Owin Lambeck (Plus 2 other editors)

The Amazing Race Canada: Just a Beaver Hero

Jonathan Dowler, Baun Mah, Ryan Monteith, Mike Scott, Andrew Gurney, Seth Poulin, Michael Tersigni, CCE, Jordan Crute, Owin Lambeck (Plus 9 other editors)

Big Brother Canada: Finale

Michael Tersigni, CCE, Ryan Monteith, Mike Scott, Elianna Borsa

Top Chef Canada: Double Overtime

Jonathan Eagan

Workin’ Moms: 2005

Mike Fly (plus 3 other editors)

Baroness von Sketch Show: Is that you Karen?

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ACE Eddie Award Nominations 2019

Eddie Award Nominations 2019

ACE Eddie Award Nominations 2019

Eddie Award Trophy ACE

Congratulations to two of our CCE members who were nominated for an ACE Eddie Award.

Best Edited Limited Series or Motion Picture for Television

Justin Lachance and Véronique Barbe (plus 4 other editors)

Sharp Objects episode Milk

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Past Events

CCE Holiday Parties 2018

2018 CCE Holiday Parties
2018 Edmonton Holiday Party
2018 CCE Holiday Parties

2018 CCE Holiday Parties Across Canada:

This week the CCE held three Holiday Parties (unfortunately due to province wide power outages, we had to postpone our Halifax Event).

On Wednesday night Edmonton and Vancouver held their events. By all accounts everyone had a great time!

Last night Toronto held its Holiday Social and it was hosted by Eggplant Picture and Sound. Over 70 were in attendance.

Thank you to Eggplant for being wonderful hosts!

About the Event(s)

Toronto

Eggplant Picture and Sound has generously offered to host our Toronto Members Holiday Social. They will provide tasty snacks and a variety of beverages. As this is a sponsored event by Eggplant, it will be for members only.

….

Edmonton

This year, the CCE is joining forces with ESIO, APPA and FAVA to host a Holiday Party in Edmonton! From 4 – 5 pm – Simon Trafford from Social Lite will provide an interactive presentation on Guaranteeing the Successful Launch of Your Video Game or Film Production.

And from 5 – 8(ish) there will be networking, live entertainment and appetizers along with a cash bar.

50/50 draw in support of the Food Bank.

Vancouver

Edmonton

Toronto

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DGC Award Winners 2018

2020 DGC Awards Banner Feature Image

DGC Award Winners 2018

2020 DGC Awards Banner Feature Image

Congratulations to our CCE members who won a DGC Award over the weekend.

BEST PICTURE EDITING – DOCUMENTARY

Roderick Deogrades

Silas

BEST PICTURE EDITING – DOCUMENTARY

Silas

BEST PICTURE EDITING – TELEVISION SERIES

Christopher Donaldson, CCE

The Handmaid’s Tale, Episode 102, Birth Day

BEST PICTURE EDITING – TELEVISION SERIES

The Handmaid’s Tale, Episode 102, Birth Day

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Articles

2018 CCE Winner for LA EditFest Raffle – Richard Millen

2018 EditFest LA

2018 CCE Winner for LA Edit Fest Raffle - Richard Millen

2018 Editfest LA

My EditFest 2018 experience began with a message from a friend attending the 2018 Canadian Cinema Editors Awards. Unable to go this year, I had nonetheless bought a ticket for the annual raffle.

“Hey. You won a trip to LA,” from Greg. “That’s crazy,” from me.

And so, it was on. The American Cinema Editors’ EditFest 2018 took place on Saturday August 25th in Burbank at the Main Theatre on the Walt Disney Studios campus. After flying into Los Angeles on Friday evening, I arrived at the event in time Saturday morning to catch the “warmup act,” a presentation from Blackmagic Design on the latest iteration of DaVinci Resolve.  I imagine most CCE members are familiar with the constantly evolving colour grading and (more recently) editing software. As much as I like a good tech presentation, I was eager for the panel discussions to get under way, featuring a cross section of editors from the film and television industries

Panel #1: Small Screen, Big Picture

The celebration of our craft that is EditFest was introduced by Stephen Rivkin, president of the American Cinema Editors. Some members will remember Stephen appearing at a CCE event in Toronto a few years back where he discussed his role as editor of Avatar.

Following his EditFest introduction, he handed the stage over to the first panel discussion Subtitled “Editors discuss their personal experiences and challenges in the cutting room,” “Small Screen, Big Picture” was moderated by Margot Nack a strategic business developer for Adobe Pro’s film & TV market in LA.

Editors from different genres, the panelists included Peter Beyt, ACE (multicam sitcom), Jacques Gravett, ACE (TV drama), Tim Porter (Game of Thrones) and Meaghan Wilbur (comedy specials). 

It must be noted that all the editors have worked in several genres during their careers and were talking about their recent areas of speciality.

As the discussion’s subtitle suggests, the talk was wide ranging and highlighted the differences and commonalities among the panelists’ daily editing work. Mostly free of controversy, I took note of the lighthearted back and forth about the degree of difficulty and challenge each editor felt was typical of their particular projects.

“You single-camera-scripted guys have it easy!”

The common theme being how each editor’s passion for their career and creative contributions overrides any of the day-to-day challenges that present themselves.

Panel #2: The Extended Cut

Based on description in the EditFest 2018 agenda, “The Extended Cut” was a session I was seriously looking forward to. In these days of increased focus on workplace mental and physical health, the “How to survive and thrive in editorial” subtitle was a topic tease that promised some enlightenment and perspective. The panel was made up of editors of diverse ages and backgrounds, but a generally common understanding of the environment needed to foster creative and effective editing.

Lillian Benson is a thirty veteran, who has edited across many genres and was the first African-American female member of ACE. In addition to currently editing the third season of Chicago Med, Lillian serves on the Board of Directors of ACE.

Zack Arnold, in addition to his numerous film and TV credits, founded and runs Optimize Yourself. Optimize Yourself comprises a number of resources designed to offer his fellow post production professionals a roadmap to improved mental and physical health. This effort grew out of Zack’s own struggles with job burnout and the resulting issues that arose.

Carol Littleton’s impressive 40-year career includes collaborations with directors Lawrence Kasdan, Jonathan Demme, Robert Benton among others. 

Her multiple award-winning career and distinguished service with the Editors Guild, ACE and AMPAS, provided her with an excellent vantage point to contribute to this discussion of the desire for the betterment of the working lives of editors.

Andrew Seklir rounded out the panel and brought direct attention to the recently published Best Practices Guide for Post-Production. This is a guidebook produced by the American Cinema Editors aimed at improving the working lives of its members. Andrew is a multi-award winning and nominated editor. He is also a producer and director. While the Best Practices guide seems on the surface to be a “pie in the sky” wish list, I think it’s value for me was simply a reminder of how far we have come as a profession, and more importantly how far we have to go to achieve the respect and consideration of our employers, when it comes to working conditions. Whether cutting corporate videos or big budget motion pictures, as editors we have more in common than we differ in our professional lives.

Andrew, the other panelists and moderator Matt Feury (Avid, Director of Product Marketing) all contributed to a lively and enlightening discussion. For me one of the more important messages to come from all participants was, don’t be afraid to walk away from a bad situation. Go with your gut and always make your health and well-being a priority in service of a long and creatively satisfying career.

Download ACE Best Practices Guide

Panel #3: Inside the Cutting Room with Bobbie O'Steen

After lunch, EditFest continued with “Inside The Cutting Room with Bobbie O’Steen.” Bobbie is an Emmy nominated editor, writer and film historian and lecturer. Her guest for the one-on-one conversation on stage was editor Tatiana Riegel.

Tatiana was recently nominated for a Best Editing Academy Award for the film I, Tonya. Their conversation covered Tatiana’s entry into the world of film editing through her extensive collaboration with director Craig Gillespie (Lars and the Real Girl and I, Tonya) and other notable producers and directors.

As a window into one editor’s creative process and relationships, the conversation was both illuminating and entertaining.

Panel #4: Lean Forward Moment

“The Lean Forward Moment” was the final panel discussion of EditFest and focused on the ACE Internship Program. The panel was moderated by Norman Hollyn, a long-time film, television and music editor. Norman is a Full Professor at USC’s School of Cinematic Arts. The panelists were all former ACE interns and working film and television editors. Not surprisingly, they all spoke in support of the intern program and gave personal anecdotes, as well as identifying the films that inspired them to pursue the careers they now enjoy.

The panel was comprised of Mark Hartzel (True Blood), Joi McMillon (Moonlight), Shoshanah Tanzer (The Catch) and Julia Wong (X-Men: The Last Stand). An interesting session that highlighted the way in which organizations like ACE and others can give back and inspire the next generation of editors.

To summarize, my EditFest 2018 experience was fantastic. Many thanks to the Canadian Cinema Editors for offering this prize through the awards night raffle. My good luck in the draw led to a wonderful chance to commune with an enthusiastic group of fellow editors. Special thanks to Alison Dowler of the CCE for getting my trip organized and booked.

Richard Millen

associate member of the Canadian Cinema Editors, Canada

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Thank You to Our 2018 Annual Awards Sponsors

2018 Annual Awards Event Sponsors

2018 Awards Event Sponsors - Thank You From All of Us at the CCE

2018 Annual Awards Event Sponsors

We would like to thank our sponsors for our 2018 awards. Without your support this event could not be possible.

Platinum Sponsors

Sims Logo Sponsor 2018 CCE Awards Event

Gold Sponsors

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Silver Sponsors

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Bronze Sponsors

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Past Events

The 8th Annual CCE Awards Nominees and Winners

2018 8th Annual CCE Awards Event Gala
The 8th Annual CCE Awards

Award Nominees & Winners

Paul Hunter & Lesley Mackay Hunter – The Nut Job 2 *WINNER*

Annellie Samuel – Magic School Bus, Rides Again: Space Mission Selfie

Dan Lee, Noah Yates & Doug Appeldoorn – Wishfart: We Can Eat Sand/We Are Cheetah Face

Pete Watson, CCE, Jon Hutton & Vish Hansa – Napkin Man: Go With The Flow

Stephanie Duncan, Jason Cohen & Lee Maund – Hotel Transylvania: Adventures in Vampiresitting

Thom Smalley – Prince’s Tale *WINNER*

Alan Flett – Inseparable: Ten Years Joined At The Head

Katie Chipperfield – NUUCA: Field of Vision

Luke Sargent – The Love Songs of Oedipus Rex

Tiffany Beaudin – On My Way Out: The Secret Life of Nani and Popi

Andres Landau – Unarmed Verses *WINNER*

Cathy Gulkin, CCE – In The Name of Your Daughter

Eamonn O’Connor – My Enemy, My Brother

Jean-Denis Rouette – Shut Up And Say Something

Hart Snider & J.R. Mackie – I Am Heath Ledger

Mike Banas, CCE – It’s Not What you Know *WINNER*

Alexander Farah & Paolo Kalalo – Cypher        

Holly Pavlik – The Ultimate Thief             

Lisa Jane Robison, CCE – The Black Ghiandola

Maureen Grant – L’Audition

Greg Ng – The Wrestlers: The Next Wave of Mexican Luchadores *WINNER*

Cathy Gulkin, CCE & Paul Winestock, CCE – We Are Canada: Ep5

James Yates – Arctic Secrets: Rhythm of the Bay

Rob Chandler – Mayday Season 17: Ep4 Explosive Proof

Steven Budd & Ben Kaplan – Tattoo Age: Ed Hardy

Lauren Brandon – The Next Step – The Off Season: Riley’s Dance *WINNER*

Ashley Brook, Josef Beeby & Kyle Cucco – Canadiana: The Bizarre History of O’Canada

Lisa Barley – Backstage: Studio Pass – Montreal

Simone Smith – That’s My DJ: The Finale

Thom Smalley – Played: Ep06 Level Up

Al Manson, Jonathan Dowler, Andrew Gurney, Baun Mah, Mike Scott, Kyle Martin & Seth Poulin – Top Chef Canada: All Stars (Ep5059 Lock It Up! It’s the Finale!) *WINNER*

Allan Hughes, Miles Davren & Jared Bryer – Masterchef Canada (Ep408 – Auberge Anniversary)

Cynthia Flengeris, Michael Tersigni, Kyle Martin & Jonathan Dowler – Top Chef Canada: All Stars (Ep5050 All-Stars Assemble)

Michael Tersigni, Jonathan Dowler, Kyle Martin & Cynthia Flengeris – Top Chef Canada: All Stars (p5056 Ice Cream, You Scream, All Aboard!)

Michael Tersigni, Jonathan Dowler, Wesley Finucan, Cynthia Flengeris, David Yenovkian & Clare Elson – The Amazing Race Canada (Ep501 Who Wants To Be The Python?)

Daniel Benoit – Animal (Centennial College)

Daniel Shpuntov & Alex Xiao – Tempest (Ryerson University)

Ellora Dela Fuente – Perception (Sheridan College)

Emily Stranges & Brett Sherman – An Art Ting (Ryerson University)

Joanna Su – Fermata (Humber School of Media Studies & Information Technologies)

Trevor Ambrose, CCE – Schitt’s Creek: Singles Week *WINNER*

Aren Hansen – Kim’s Convenience: Ep210 Janet’s Boyfriend

Ehren Davis & Dean Soltys – Mr.D: Ep 711 Insiders Look

Gordon Rempel, CCE – Mech-X4 (Vs the Dark Night)

Robert de Lint – Kim’s Convenience: Ep213 A Handy Graduation

Lisa Grootenboer, CCE – Mary Kills People: The Means *WINNER*

Daniel Sadler – Cardinal: Blackfly Season – Red

Duncan Christie – Mary Kills People: Fatal Flaw

Matthew Anas – Cardinal: Blackfly Season – Toof

Ron Wisman SR, CCE – Flint

Wendy Hallam Martin, CCE – The Handmaid’s Tale: Late *WINNER*

Aaron Marshall – Vikings: Moments of Vision Ep510

Christopher Donaldson, CCE – The Handmaid’s Tale: Birth Day

D. Gillian Truster, CCE – Anne: Remorse is the Poison of Life Ep106

Jay Prychidny, CCE – Orphan Black: To Right the Wrongs of Many

Isabelle Malenfant, CCE – Pieds nus dans l’aube *WINNER*

Chris Mutton & Erin Gulas – Luba

Duff Smith – Sweet Virginia

Jane MacRae & Kye Meechan – 22 Chaser

Michael Pierro – Room For Rent

The 8th Annual CCE Awards GalaStarting his career in 1970, master documentary editor Steve Weslak, CCE, remembers that working in the tiny film community of the era felt more like being in a garage rock band, rather than the mature industry that we have today. Almost five decades later he is still a vital part of the documentary scene, editing feature docs for HBO, BBC, PBS, NFB and all the major Canadian broadcasters. His editing assignments on international co-productions have taken him around the world, from Sydney, Australia to London, England. Along the way he’s been privileged to work with many outstanding directors such as Ric Bienstock, Alex Gibney, Larry Weinstein and Barbara Willis Sweete.

Steve’s 2015 year saw him win both a Canadian Screen Award for “Best Picture Editing in a Documentary” for Our Man in Tehran as well as the Black Dolphin award in Cannes for editing the HBO feature Tales From the Organ Trade—the only editing prize awarded from the 725 entrants at the Dolphin Film Festival. He’s been a six-time Gemini award nominee and a number of the films he’s edited, such as The Planets, Empire of the Word, and Deadly Currents, have won awards at home and internationally, including an International Emmy for Concerto. Perhaps the most important and enduring impact that he’s had on Canada’s industry is through his mentorship. Steve loves to work with first-time filmmakers, sharing what he has learned over the decades. Throughout the years he has also helped many of his editing assistants graduate into fulltime professional editors.

Download the Event Program
7th Annual CCE Awards
CCE Awards Archive
9th Annual CCE Awards
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Global Opportunity Report 2018

2017 CCE Awards Gala

Global Report 2018: Seeking the Advancement for Canadian Editors

Global Report Editing in Canada

We are fortunate in Canada to have a consistently growing film and television industry.

Our creative artists have developed their skills on both domestically and internationally funded films and television series. When productions choose to travel to Canada to shoot, they do so as result of attractive tax incentives as well as the knowledge that Canadian crews are both talented and experienced. 

We consistently celebrate how many foreign productions film in Canada, yet it is rarely mentioned that a significant percentage of those productions are not edited by Canadians.

Currently, it is unreasonably difficult for Canadian editors to be recognized by foreign producers and directors as candidates that merit serious consideration.

We aim to generate discussion around barriers to employment and encourage change in the policies that have kept Canadian editors from being considered by prominent foreign production companies.

This report is intended as a constructive tool to address these serious issues facing Canadian editors, and we hope it encourages further discussion on the matter.

MISSION

STATEMENT

The Global Opportunities Committee seeks fair access to opportunities for Canadian picture editors in Canada and the world. With the recommendations contained within this document, we aspire to create an environment that will allow Canadian editors to flourish.

REPORT

OVERVIEW

The Canadian Cinema Editors (C.C.E.), an organization of post-production professionals dedicated to promoting Canadian editors, recently commissioned a survey to determine:

whether its membership would like to encourage government agencies and unions that represent editors (the DGC in Ontario, Alberta, Saskatchewan, Manitoba, and Atlantic Canada, IATSE in B.C. and Quebec, ACFC in BC, and AQTIS in Quebec) to take a more active role in promoting Canadian editors to foreign producers, directors, and showrunners who film here

whether its membership was interested in pursuing opportunities in foreign markets such as the U.S.

The answer to both questions was an overwhelming yes. While Canada has enjoyed a production boom in major centres, this boom has not extended to Canada’s picture editors. Many of the foreign shows that shoot in Canada choose to edit in Los Angeles or abroad, resulting in lost opportunities for Canadian editors. The survey reflects a strong desire amongst Canadian editors to access those lost opportunities and overcome the many barriers to working on foreign productions.

It’s weird that productions from the U.S. will shoot in Toronto, go back to LA or NY for picture editing but then come back to Toronto for post sound. We need to find a way to keep them in the city for the full post-production package.
Respondent #67 Editor
Female, 25 – 34, 10 – 15 years in industry
I feel there is a bias against Canadian Editors. We need to be promoted. There is a lot of wasted talent!
Respondent #43 Editor
Female, 35 – 44, 10 – 15 years in industry

CURRENT

STATE OF

POST-PRODUCTION

IN CANADA

Canadians edited such critically-acclaimed series as The Handmaid’s Tale, American Gods, Hannibal, Orphan Black, Anne with an E, The Expanse, and Vikings.

In 2018, Canadian editors Wendy Hallam Martin and Julian Clarke won ACE’s (American Cinema Editors) Eddie award for their stellar work on The Handmaid’s Tale. Clarke was nominated for both an Academy Award and a BAFTA for District 9 in 2009.

Quebec editors Maxime Lahaie-Denis, Sylvain Lebel, Véronique Barbe, and Justin Lachance were nominated for an Emmy and an Eddie for their work on Big Little Lies.

In 2012, Toronto editor Don Cassidy won an Emmy for his work on the miniseries Hatfields & McCoys. Ron Sanders has been celebrated for his work on such films as A History of Violence and Eastern Promises; Richard Comeau for such films as the Oscar-nominated War Witch; and Mike Munn for the internationally-praised Stories We Tell.

Yet despite these successes, the statistics show that more needs to be done. While other below-the-line departments have flourished, this has not translated to comparable opportunities for editors.

READ THE FULL REPORT HERE

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Past Events

The 7th Annual CCE Awards Nominees and Winners

The 7th Annual CCE Awards Event Gala
The 7th Annual CCE Awards

Award Nominees & Winners

Paul Hunter & Aaron Woodley – Spark *WINNER*

Allan Cordero & Mike Goodings – Freaktown: Conquer with Kindness

Kurt Skyers & Paul Gitlin – Dot: Remembering Ogopogo/Scaremaster 2.0

Marc Brenzil – Fangbone: The Pitch of Black/Keepers of Toe

Tom Berger – Paw Patrol: Pups Save a Robosaurus

Brenda Terning – Vital Bonds *WINNER*

Greg West, CCE – Building Star Trek *WINNER*

Brenda Terning – The Nature of Things: Wolverine Ghost of the Northern Forest

Geoff Klein – Interrupt This Program 2: Lagos

Jason Schneider – Facing: Facing Escobar

Tony Kent – Spirit Unforgettable *WINNER*

Andres Landau & Ryan J. Noth – The Stairs

Bill Towgood – Black Watch Snipers

Jim Munro & James Yates – All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone

Nick Hector, CCE – How to Prepare for Prison

Jane MacRae – Thresher *WINNER*

Ashley Lynch – Summoned

Jamie Alain, CCE – FTL

Michael Pierro – Imposter

Paul Skinner – Married to Giants: 5 Shorts

Sam Thomson & Jay Wolting – Save Me: HBD 101 *WINNER*

Jonathan Eagan – Cold: 110

Maureen Grant – That’s My DJ: 207

Matt Lyon – The Leaf: Blueprint Bouncing Back

Marianna Khoury – True Dating Stories: Jordan Part 2

Robert Kew – Still Standing: Inuvik *WINNER*

Jorge Parra – Still Standing: Maple Creek

Ken Yan – Dead Set On Life: North of Saskatoon

Kristi Macaulay – Wild Things with Dominic Monaghan: The Philippines

Sarah Taylor – UpRooted: The Oyster Harvest

Jonathan Dowler, Michael Tersigni, Al Manson Dave McMahon, Ryan Monteith & Cynthia Flengeris – The Amazing Race Canada: Second Place Isn’t Good Enough *WINNER*

Allan Hughes, Miles Davern, Dave McMahon Kyle Martin, Colin Kelday, Jordan Wood, Jared Bryer – Masterchef Canada: Finale

Jonathan Dowler, Al Manson, Jordan Wood Ryan Monteith, Baun Mah & Dave McMahon – Big Brother Canada: Finale

Michael Tersigni, Ben O’Neil, Jonathan Dowler, Burak Ozgan & Allan Hughes – The Amazing Race Canada: Who’s Ready to Let it All Hang Out?

Wesley Finucan – Chopped Canada: Judge or be Judged

Justin Richard-Dostie – Days of Eva (Concordia University)

Steven Patoine – Misaligned (Sheridan College)

Etienne Lacelle & Guillaume Lebel – Les Beiges (Concordia University)

Kayla Salt & Eilish McBreaty – I Am The Wolf (Sheridan College)

Ted Poole – Hard Close (Centennial College) 

Sabrina Pitre – MECH-X4: Let’s Dig Deep *WINNER*

Dev Singh – People of Earth: Significant Other

Jonathan Eagan – Workin’ Moms: Bare

Kye Meechan – Kim’s Convenience: Gay Discount

Lindsay Allikas – Michael: Every Day: Making a Friend

Aaron Marshall – Penny Dreadful: A Blade of Grass

Aaron Marshall – Vikings: All His Angels

Allan Lee, CCE – Dirk Gently’s Holistic Detective Agency: Horizons

Carina Baccanale – L’imposteur: Episode 10

Jay Prychidny, CCE – Orphan Black: The Scandal of Altruism

Kye Meechan – ARQ *WINNER*

Duff Smith – Weirdos

Greg Ng – Come and Find Me

Jane MacRae & Tyler Nelson – Rememory

Mark Arcieri – Awakening The Zodiac

 

The 7th Annual CCE Awards Event GalaMairin (also known as Mo) was born in England and came to Canada in 1969 with her young family.   She studied film in the Faculty of Fine Arts at York University and then worked professionally in the burgeoning film and television industry as a picture editor, story editor, post production supervisor and teacher.

As a dramatic picture editor she was involved with many award winning productions, the two mini-series Anne of Green Gables and Anne of Green Gables – The Sequel each won many international awards and Geminis, Anne of Green Gables won a primetime Emmy for Outstanding Children’s Program in 1986.  Mairin and James Lahti each earned Gemini nominations for best picture editing on both shows. Other acclaimed shows she has worked on include Butterbox Babies, Jane of Lantern Hill, Isaac Littlefeathers, Clown White, Under the Piano, Seasons of Love, Anne of Green Gables – The Continuing Story, Happy Christmas Miss King and The Lawrenceville Stories. 

As a series editor Mairin’s credits include seven seasons of The Road to Avonlea, six seasons of Wind at my Back, War of the Worlds and Adderly.   She has also edited many documentaries, corporate documentaries and music videos.

Mairin was the Associate Producer in charge of production on season two of The Road to Avonlea and Story Editor on season five.  She spent two years as a Course Director at York University’s Department of Film and Video, teaching the 4th year graduating class.

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A Night of Celebration
6th Annual CCE Awards
CCE Awards Archive
8th Annual CCE Awards
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