2023 DGC Award Winners

Wendy Hallam Martin, CCE – The Handmaid’s Tale, Safe
Chris Mutton, CCE, Sandy Pereira & Dev Singh – Essex County, Episode 3
Sam Thomson – Sort Of, Sort of I Love You
Mike Munn, CCE & Dave Kazala, CCE – To Kill a Tiger
All My Puny Sorrows
A.rtificial I.mmortality
Duet for Solo Piano
BEST PICTURE EDITING – DRAMATIC SERIES
American Gods, Episode 305, Sister Rising
Ginny & Georgia, Episode 103, Next Level Rich People Shit
The Expanse, Episode 509, Winnipesaukee
Coroner, Episode 310, Christmas Day
Pretty Hard Cases, Episode 105, Kids
BEST PICTURE EDITING – MOVIES FOR TELEVISION AND MINI–SERIES
Dino Dana: The Movie
Faith Heist
BEST PICTURE EDITING – COMEDY OR FAMILY SERIES
The Hardy Boys, Episode 113, While the Clock Ticked
For Heaven’s Sake, Episode 101, The Disappearance
Kim’s Convenience, Episode 510, Who’s Pranking Who?
BEST SOUND EDITING – DRAMATIC SERIES
Hudson & Rex, Episode 307, All in the Litter
Ron Sanders, CCE
Falling
Caroline Christie, CCE (plus 1 other editor)
Meat the Future
Aaron Marshall, CCE
The Handmaid’s Tale, Episode 309, Heroic
Sandy Pereira
Cardinal: Until the Night, Scott
Paul Winestock, CCE
Schitt’s Creek, Episode 613, Start Spreading the News
The EditCon 2019 series was generously sponsored by Deluxe
In this masterclass, award-winning editor Ron Sanders, CCE will be sharing insight from his career, notably his work with celebrated director David Cronenberg. Their collaboration spans 19 films, for which he won four Genie Awards for Excellence in Film Editing and three Best Editor Awards from the Directors Guild of Canada. Ron discusses scenes from Eastern Promises, A History of Violence, A Dangerous Method and Maps to the Stars. This panel was moderated by Jim Allodi.
Please send along any topics you would like us to cover or editors you would love to hear from:
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Edited by
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ADR Recording by
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This episode was generously sponsored by Vancouver Short Film Festival
For much of her career, Cathy has focused on long form social issue documentaries, but the breadth of her talent is demonstrated with a wide-ranging filmography with credits in music docs, comedy TV shows, theatrical feature films, children’s programs, reality and lifestyle series. Her work has been recognized with several editing awards for such films as the classic feature documentary Forbidden Love (1992 Atlantic Film Festival), The Four Seasons Mosaic (2005 Gemini nomination, Best Editing in a Performance Program), And We Knew How to Dance (1994 Columbus, Best Documentary) and Omar Khadr: Out of the Shadows which received a 2016 Emmy nomination and won 2016 DGC Award.
Please send along any topics you would like us to cover or editors you would love to hear from:
A special thanks goes to
Hosted and Produced by
Main Title Sound Design by
ADR Recording by
Mixed and Mastered by
Original Music by
Sponsor Narration by
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This episode was generously sponsored by Post City Picture & Sound.
Kimberlee has been working in the Canadian film industry for over 30 years. She graduated from York University with a BFA in film, where she won the Dean’s Prize for Excellence and a national prize from the Academy of Canadian Cinema and TV.
More importantly, she met a bunch of cool people who inspired her then and continue to do so today. Despite spending her university years in Toronto, a city she loves, she was immediately drawn back to her home province of Nova Scotia where she has carved out a varied and successful career.
Kimberlee produced, directed, and/or edited several award-winning documentaries before beginning to work exclusively in post production in 1994. She also began to work exclusively on non-linear systems, glad to leave the Moviolas and Steenbecks behind! Kimberlee has edited several dramatic series such as Lexx, Gullages, Made in Canada, This Hour has 22 Minutes, Call Me Fitz, Studio Black, Seed, Pure and Diggstown. Her work on the Call Me Fitz pilot brought her one of the last Gemini Awards.
She was also nominated for a Canadian Screen Award for her work on both Call Me Fitz and Seed, as well as the feature film Blackbird. Kim took a break from editing for a few years to run a production company where she and her business partner produced several documentaries and two documentary series. She also worked as a business affairs consultant for other companies during this time, and executive produced several short dramatic films.
And now, after being back in the editor’s chair for 10 years, she is dipping her toes back in to the producing waters, beginning with the award-winning short film Pearls. In addition to serving on the Board of the CCE, Kimberlee serves as the Chair of Women in Film and Television – Atlantic as well as the Editing Caucus Representative of the Atlantic Regional Council of the DGC.
Please send along any topics you would like us to cover or editors you would love to hear from:
A special thanks goes to
Hosted, Produced and Edited by
Mixed and Mastered by
Original Music by
Sponsor Narration by
Sponsored by
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Aaron Marshall, CCE
The Handmaid’s Tale, Episode 309: Heroic
D. Gillian Truster, CCE
Anne With An E, Episode 307, A Strong Effort of the Spirit of Good
Teresa De Luca, CCE
Coroner, Episode 208, Fire Part 2
Roderick Deogrades
Killjoys, Episode 501, Run, Yala, Run
Sandy Pereira
Cardinal: Until the Night, Scott
Lee-Ann Cass
Christmas Chalet
Paul Winestock, CCE
Schitt’s Creek, Episode 613, Start Spreading the News
Mike Fly, Aren Hansen, Nick Wong (plus 2 other editors)
Baroness Von Sketch Show, Episode 401, Humanity is in an Awkward Stage
Ron Sanders, CCE
Falling
Matthew Hannam, CCE
The Nest
Jorge Weisz
Hammer
Michelle Szemberg, Orlee Buium
Queen of the Morning Calm
Caroline Christie, CCE (plus 1 other editor)
Meat the Future
Lee Walker
Butterflies in the Storm
Caroline Christie, CCE
First We Eat
Nicholas Montgomery
No Roses on a Sailor’s Grave
Lara Johnston
Mouthpiece
Wendy Hallam Martin, CCE
The Handmaid’s Tale, Episode 201, June
Michelle Szemberg
Northern Rescue, Episode 101, Qué Sera
Janice Ierulli (and 7 others)
Northern Rescue, Episode 109, Wake Up