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Congratulations: 2021 Leo Award Winners

2021 Leo Award Winners

Congratulations to our Leo Award Winners!

Best Picture Editing – Documentary Series

Patrick Carroll (+1 editor)

TITANIC: STORIES FROM THE DEEP, SURVIVOR GUILT

 

Best Picture Editing – Youth or Children’s Program or Series

Gordon Rempel, CCE

UPSIDE-DOWN MAGIC

 

Best Picture Editing – Music, Comedy or Variety Program ir Series Winner

Lisa Robison, CCE

LOUDERMILK: WHEN I’M ALONE

 

Best Picture Editing – Motion Picture

Greg Ng, CCE

SNIPER: ASSASSIN’S END

 

Best Picture Editing – Dramatic Series

Christopher Smith

WARRIOR NUN: REVELATION 2:10

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Members

Message of Solidarity with our members

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Members

Member Access to Perkopolis Discount Code

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2021 Iris Award Nominees

2021 Iris Award Nominees

Congratulations to our CCE members who have been nominated:

Best Editing

Arthur Tarnowski, ACE –  JUSQU’AU DÉCLIN

Yvann Thibaudeau –  TARGET NUMBER ONE

 

Best Editing in Feature Documentary

Annie Jean, CCE –   LE CHÂTEAU

Annie Jean, CCE –  THE FORBIDDEN REEL

Amélie Labrèche (+1 monteur) – ERRANCE SANS RETOUR

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Articles

ACE Eddie Awards 2021 Winner

ACE Eddie Awards 2021 Winner

Congratulations to Trevor Ambrose, CCE, who won an ACE Eddie Award yesterday!

BEST EDITED COMEDY SERIES FOR COMMERCIAL TELEVISION

SCHITT’S CREEK: HAPPY ENDING

Watch it on CBC GEM!

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Press Release

EditCon 2021

EditCon 2021

RELEASED: 9am | DECEMBER 18, 2020

Shifting World, Shifting Industry

The Canadian Cinema Editors is pleased to present EDITCON 2021, the fourth annual conference on the art of picture editing, as a two-day online conference on Saturday February 20th and Sunday February 21, 2021.

EDITCON 2021 is presented under the theme of Shifting World, Shifting Industry.

It’s been a year of unprecedented change. Covid-19 has impacted every aspect of our lives and the Black Lives Matter movement led the call for racial justice globally. Our industry is seeing a push to achieve racial equity and inclusion, both in front and behind the camera. As storytelling shifts so does distribution. With cinemas shuttered, and festivals online, movie goers have little choice but to turn to streaming services to fulfill their viewing habits.

As editors, our working lives have followed suit. More of us are working from home or remotely than ever before. Will the shifts in distribution, from cinemas to straight-to-streaming have an effect on budgets? How does working remotely impact the creative and technical process, and will it change how we work post-pandemic? How can we make post production equitable? EditCon 2021 will create a space to reconnect and explore the ways in which our professional lives and the industry have changed.

Partnering with Nordest Studio and their new platform Neme.TV, we are creating a unique and interactive conference experience. In addition to fantastic panels featuring both Canadian and international guests, there will be a series of breakout rooms, which are limited-capacity panels where a smaller audience allows for more intimate conversation and questions, and for tech demonstrations from industry experts. Moving beyond zooms, we’re leveraging new technologies to create unique social networking experiences. We’ll have games, raffles, and more to make this event more than just another webinar.

Tickets will be available starting January 1, 2021. Panelists and guests to be announced soon!

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Members

Staying Connected to Member News

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Congratulations: Rosie Award Nominations

Congratulations: Rosie Award Nominations

Rose Awards Nominees banner

Congratulations to our CCE members who were nominated for a Rosie Award.

Best Editor (Drama under 30 minutes)

Sarah Taylor (plus 1 other editor)

Caution May Contain Nuts

Season 5 – “Monsters, Necro and Delmer”

Best Editor (Drama under 30 minutes)

Ken Filewych, CCE

Heartland – “The Passing of the Torch”

Best Editor (Drama under 30 minutes)

Hans Olson

nîpawistamâsowin: We Will Stand Up

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Articles

Congratulations: Gémeaux Award Nominations

Congratulations: Gémeaux Award Nominations

MEILLEUR MONTAGE : FICTION

Benjamin Duffield

C’EST COMME ÇA QUE JE T’AIME « Épisode 4 »

(Productions Casablanca)

 

Dominique Champagne

FRAGILE « Épisode 4 – Le 16 mai 2014 »

(Amalga)

 

Claude Palardy

FRAGILE « Épisode 10 – La fin »

(Amalga)

 

Justin Lachance, CCE

M’ENTENDS-TU? – SAISON 2 « Épisode 11 »

(Trio Orange)

MEILLEUR MONTAGE : HUMOUR, VARIÉTÉS TOUTES CATÉGORIES

Mathieu Bouchard, David Di Francesco (+7 autres monteurs.ses)

SI ON S’AIMAIT « Épisode 36 »

(Duo Productions)

MEILLEUR MONTAGE : AFFAIRES PUBLIQUES, DOCUMENTAIRE – ÉMISSION

Yvann Thibaudeau

TOUTE LA VIE LE DOCUMENTAIRE: LA MATERNITÉ ADOLESCENTE – HIER ET AUJOURD’HUI

(Aetios Productions)

 

Annie Jean, CCE

ZIVA POSTEC. LA MONTEUSE DERRIÈRE LE FILM SHOAH

(Films Camera Oscura)

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Past Events

Behind the Screen Series

Behind-The-Screen

We have held three Behind the Screen events so far. The first was with Simone Smith as she talked about her work on Firecrackers. Our second was with Mark Arcieri as he discussed Workflow from Prep to Delivery and our third one was with Konstantin Bock for his work on the film Capernaum.

These events took across around the world from Germany, to Australia and other parts of the globe. Hosting Zoom events has really been a great opportunity to connect with others. With thanks to our speakers Simone Smith, Mark Arcieri and Konstantin Bock and also to our moderators Maureen Grant and Dody Dorn, ACE.

We have two upcoming Behind the Screen Events:

June 21st: Behind the Screen – Queering the Script

June 30th: Behind the Screen – Avid ScriptSync & PhraseFind

Behind the Screen Series
en_CAEN

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