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Pause-cafe entre monteurs-ses – Véronique Barbe, CCE et Catherine Legault

Episode 012 - Véronique Barbe, CCE et Catherine Legault

Pause-café entre monteurs-ses est une série d’entretiens amicaux avec des monteurs-ses du Canada et d’ailleurs.

Véronique Barbe, CCE

Paul also directed episodes of Dark Matter and webisodes for Lost Girl.

One of the co-founders of the Canadian Cinema Editors, Paul continues to pursue expanding the industry profile of editors and elevating the importance of their craft.

Where to watch Paul’s recent work (US & Canada):

Into The Badlands” – Netflix & Apple TV

Dark Matter” – Netflix

The Expanse” – Prime Video

Catherine Legault

Depuis une quinzaine d’années, Catherine Legault signe le montage de nombreux films documentaire et fiction présentés internationalement dans les festivals, au cinéma et à la télévision.

Diplômée de l’Université Concordia en Film Production, elle est récipiendaire d’un prix Iris pour le montage de « La démolition familiale », en 2017, ainsi que de deux Gémeaux pour « 21 jours », en 2017, et pour « Ma caravane au Québec », en 2013. En 2019, elle est de nouveau en nomination au gala Québec Cinéma pour le montage du film de Serge Giguère, « Les lettres de ma mère ». Ses collaborations incluent plusieurs films primés, parmi lesquels « PilgrIMAGE », de Peter Wintonick et Mira Burt-Wintonick, « Mort subite d’un homme-théâtre », de Jean-Claude Coulbois, « La démolition familiale », de Patrick Damien, « Rebels on Pointe », de Bobbi Jo Hart, « Les lettres de ma mère », de Serge Giguère, et plus récemment, « FANNY: The Right to Rock », de Bobbi Jo Hart. En 2019, Catherine réalise et monte son premier long-métrage documentaire « Sisters: Dream & Variations ».

Catherine valorise la place du montage dans le processus de création. Elle est habituée à travailler avec une grande quantité de matériel provenant de sources variées et l’intégration d’archives vient couramment enrichir sa construction narrative. Ses montages sont appréciés pour leur sensibilité et leur fluidité, leurs différents niveaux de lecture et leur habilité à naviguer à travers l’espace et la temporalité. L’art dans toutes ses formes, le voyage, la famille et la transmission intergénérationnelle sont des thèmes qui ont souvent accompagné Catherine dans sa pratique du montage.

Où voir le travail récent de Catherine Legault:

« Sisters: Dream & Variations », de Catherine Legault En salle prochainement et sur CBC en 2021

« Les lettres de ma mère », de Serge Giguère Les Productions du Rapide Blanc

« Rebels on Pointe », de Bobbi Jo Hart CBC Gem

« La démolition familiale », de Patrick Damien EyeSteelFilm Distribution

katelegault.com

Credits

Edited By

Jonathan Dowler

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Articles

Our Board 2020-2022

Our Board 2020-2022

CCE Board 2020-2022

We are pleased to introduce our CCE Board for 2020-2022.

President  |  Président – Stephen Philipson, CCE

Vice President  |  Vice-Présidente  – Jane MacRae

Treasurer  |  Trésorier – Allan Lee, CCE

Secretary  |  Secrétaire – Amanda Mitro

Events & Education Chair  |  Responsable des événements et de l’éducation – Maureen Grant

Bilingualism Chair  |  Responsable du bilinguisme – Pauline Decroix 

Communications Chair  |  Responsable des communications – Jennifer Kidson

Sponsorship Chair  |  Responsable des commandites – Chris Coulter

Ontario Regional Chair  |  Représentant régional de l’Ontario – Rick Bartram

British Columbia Regional Chair  |  Représentant régional de la Colombie-Britannique – Trevor Mirosh

Western Canada Regional Chair  |  Représentante régionale de l’Ouest canadien – Sarah Taylor

Québec Regional Chair  |  Représentante régionale du Québec – Isabelle Malenfant, CCE

Atlantic Canada Regional Chair  |  Représentante régionale du Canada atlantique – Kimberlee McTaggart, CCE 

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Video Content

Coffee With an Editor – Annellie Samuel, CCE

Episode 011 - Annellie Samuel, CCE

Coffee with an Editor is a series of friendly one-on-one interviews with editors from Canada and around the world.

Annellie Samuel, CCE is an Animation Film and TV editor who recently moved back from Montreal after working on the animated feature Riverdance.

She is presently working on “He-man, Master of the Universe”, after this she will move onto “Pine,” an Apple animated original series.

Where to watch Annellie’s recent work (US & Canada):

The Magic Schoolbus Rides Again – Netflix

Producing Parker – Amazon Prime

Credits

Edited By

Chrissy Papaioannou

Categories
Articles

Condolences for the Passing of Dean Balser

Condolences for the Passing of Dean Balser, CCE

Dean Balser Banner

It is with great sadness that we announce the passing of Dean Balser, CCE.

We had the honour of celebrating Dean last year at the CCE Awards with our Lifetime Achievement Award. We send our condolences to the Balser family during this sad time.

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L'art du montage

Episode 004: Interview with Michel Arcand, CCE

Épisode 004: L’art du Montage: Rencontre avec Michel Arcand, CCE, Interview with Michel Arcand, CCE

Episode 4: Interview with Michel Arcand, CCE

This episode dives into the heart of the impressive career of the distinguished editor, Michel Arcand, CCE.

L'art du montage episode 004 michel arcand editor

The career of Michel Arcand is intimately linked to the history of Quebec cinema. He has worked on renowned Canadian and international productions, including the hit James Bond film, TOMORROW NEVER DIES.

Presented in French.

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Credits

A special thanks goes to

Michel Arcand, CCE

Isabelle Malenfant, CCE

Sarah Taylor

Maud Le Chevallier

MELS Studios, Rachel Lampron, Louis-Antoine Lassonde

Hosted by

Myriam Poirier

Edited by

Pauline Decroix

Sound recording studio

MELS Studios - Sound Department

Opening Sound Design

Jane Tattersall, adapted in french by Pauline Decroix

Mixed and Mastered by

Tony Bao

Music generously offered by

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Articles

Congratulations: 2020 Rosie Award Winners

Congratulations: 2020 Rosie Award Winners

2020 Rosie Award Banner Feature Image

Congratulations to our CCE members who have been nominated for Prix Gémeaux!

Hans Olson

nîpawistamâsowin: We Will Stand Up 

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The Editors Cut

Episode 001: Documentary Confidential

Episode 001: Documentary Confidential


Episode 001: Documentary Confidential

This episode is part one of a four-part series covering EditCon and features multi award winning documentary editors Mike Munn, CCE, Michéle Hozer, CCE and Nick Hector, CCE as they discuss their work with moderator Jay Prychidny, CCE.

The Editors Cut Episode 001 - documentary confidential - edticon panel

This episode features award winning drama editors Daria Ellerman, CCE, Lara Mazur, CCE and Nicole Ratcliffe, CCE as they discuss with moderator Karen Lam some of the impactful projects, they have worked on in their editing careers. 

Mike Munn, CCE

Mike shares his experiences working with Sarah Polley on Stories We Tell, which investigates her family secrets.

Michéle Hozer, CCE

Michéle talks about the challenges of being both the director and editor of Sponsorland, her film about Syrian refugees in Canada.

Nick Hector, CCE

Nick explains how he honoured the vision of Sharkwater Extinction, after the tragic death of director Rob Stewart.

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What do you want to hear on The Editors Cut?

Please send along any topics you would like us to cover or editors you would love to hear from:

Credits

A special thanks goes to

Bryan Atkinson

the EditCon panelists

EditCon Series Produced by

Roslyn Kalloo

Hosted by

Sarah Taylor

Main Title Sound Design by

Jane Tattersall

Sound Recording by

Craig Scorgie

ADR Recording by

Andrea Rusch

Mixed by

James Bastable

Featuring Music by

Yung Koolade, Album House and Madrid

Sponsor Narration by

Paul Winestock

Photos by

Dino Harambasic

Sponsored by

the DGC

Categories
The Editors Cut

Episode 002: TV Editing in the Golden Age

Episode 002: TV Editing in the Golden Age


Episode 002: TV Editing in the Golden Age

This episode is part two of a four-part series covering EditCon and features editors from the hugely successful TV dramas The Handsmaid's Tale, Big Little Lies and Anne and is moderated by editors Roslyn Kalloo, CCE and Teresa De Luca, CCE.

Episode 002: TV Editing in the Golden Age

This episode features award winning drama editors Daria Ellerman, CCE, Lara Mazur, CCE and Nicole Ratcliffe, CCE as they discuss with moderator Karen Lam some of the impactful projects, they have worked on in their editing careers. 

Episode 002: TV Editing in the Golden Age
Episode 002: TV Editing in the Golden Age

Wendy Hallam Martin, CCE, talks about how she approached the riveting scenes of The Handmaid’s Tale.

Justin Lachance and Véronique Barbe will reveal the unconventional process used in the cutting of Big Little Lies.

D. Gillian Truster, CCE, shares her insights on the evolving editing techniques that inspired her work on the updated version of Anne.

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What do you want to hear on The Editors Cut?

Please send along any topics you would like us to cover or editors you would love to hear from:

Credits

A special thanks goes to

Bryan Atkinson

the EditCon panelists

EditCon Series Produced by

Roslyn Kalloo

Hosted  by

Sarah Taylor

Main Title Sound Design by

Jane Tattersall

Sound Recording by

Craig Scorgie

ADR Recording by

Andrea Rusch

Mixed by

James Bastable

Featuring Music by

Yung Koolade, Album House and Madrid

Sponsor Narration by

Paul Winestock

Photos by

Dino Harambasic

Sponsored by

the DGC

Categories
The Editors Cut

Episode 003: Behind the cut with Richard Comeau, CCE

Episode 003: Behind the cut with Richard Comeau, CCE


Episode 003: Behind the cut with Richard Comeau, CCE

This is episode three of a four-part series covering EditCon and spotlights Richard Comeau, CCE, the multiple award-winning editor of Maelstrom, Polytechnique, Rebelle, 2 Lovers and a Bear and Eye on Juliet.

Richard will talk to director Jim Allodi about the importance of the editor’s input at script stage and about the strategies he uses when he realizes there is a better way to tell the story.

Episode 003: Behind the cut with Richard Comeau, CCE, Editcon 2018
Episode 003: Behind the cut with Richard Comeau, CCE, Editcon 2018

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What do you want to hear on The Editors Cut?

Please send along any topics you would like us to cover or editors you would love to hear from:

Credits

A special thanks goes to

Bryan Atkinson

the EditCon panelists

EditCon Series Produced by

Roslyn Kalloo

Hosted by

Sarah Taylor

Sound Design by

Jane Tattersall

Sound Recording by

Craig Scorgie

ADR Recording by

Andrea Rusch

Mixed by

Tony Bao

Featuring Music by

Yung Koolade, Album House and Madrid

Sponsor Narration by

Paul Winestock

Photos by

Dino Harambasic

Sponsored by

the DGC

Categories
The Editors Cut

Episode 004: Crossing the 49th

Episode 004: Crossing the 49th

Episode 004: Crossing the 49th

This is the final episode of the EditCon series, and it covers the ups and downs of working in LA.

att Hannam, CCE, Stephen Philipson, CCE and Andrew Coutts, CCE share their experiences with Chris Mutton

Matt Hannam, CCE, Stephen Philipson, CCE and Andrew Coutts, CCE share their experiences with Chris Mutton about cutting shows like Star Trek: Discovery, American Gods and The OA as well as indie feature films in the United States.

Editor Andrew Coutts, CCE

Andrew Coutts, CCE

Andrew Coutts tells us about some of the differences he found working on the LA based series Star Trek: Discovery.

Editor Matt Hannam, CCE

Matt Hannam, CCE

Matt Hannam talks about the difficulties of getting into the American unions and his work on Swiss Army Man.

Editor Stephen Philipson, CCE

Stephen Philipson, CCE

Stephen Philipson explains why he chose to make the big move to a highly competitive environment.

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Subscribe Wherever You Get Your Podcasts

What do you want to hear on The Editors Cut?

Please send along any topics you would like us to cover or editors you would love to hear from:

Credits

A special thanks goes to

Bryan Atkinson

the EditCon panelists

EditCon Series Produced by

Roslyn Kalloo

Hosted by

Sarah Taylor

Main Title Sound Design by

Jane Tattersall

Sound Recording by

Craig Scorgie

ADR Recording by

Andrea Rusch

Mixed by

James Bastable

Featuring Music by

Yung Koolade, Album House and Madrid

Original Music by

Chad Blain

Sponsor Narration by

Paul Winestock

Photos by

Dino Harambasic and Victoria McGlynn

Sponsored by

the DGC

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