We had the honour of celebrating Dean last year at the CCE Awards with our Lifetime Achievement Award. We send our condolences to the Balser family during this sad time.
The career of Michel Arcand is intimately linked to the history of Quebec cinema. He has worked on renowned Canadian and international productions, including the hit James Bond film, TOMORROW NEVER DIES.
Presented in French.
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Hans Olson
nîpawistamâsowin: We Will Stand Up
This episode features award winning drama editors Daria Ellerman, CCE, Lara Mazur, CCE and Nicole Ratcliffe, CCE as they discuss with moderator Karen Lam some of the impactful projects, they have worked on in their editing careers.
Mike shares his experiences working with Sarah Polley on Stories We Tell, which investigates her family secrets.
Michéle talks about the challenges of being both the director and editor of Sponsorland, her film about Syrian refugees in Canada.
Nick explains how he honoured the vision of Sharkwater Extinction, after the tragic death of director Rob Stewart.
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This episode features award winning drama editors Daria Ellerman, CCE, Lara Mazur, CCE and Nicole Ratcliffe, CCE as they discuss with moderator Karen Lam some of the impactful projects, they have worked on in their editing careers.
Wendy Hallam Martin, CCE, talks about how she approached the riveting scenes of The Handmaid’s Tale.
Justin Lachance and Véronique Barbe will reveal the unconventional process used in the cutting of Big Little Lies.
D. Gillian Truster, CCE, shares her insights on the evolving editing techniques that inspired her work on the updated version of Anne.
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Richard will talk to director Jim Allodi about the importance of the editor’s input at script stage and about the strategies he uses when he realizes there is a better way to tell the story.
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Matt Hannam, CCE, Stephen Philipson, CCE and Andrew Coutts, CCE share their experiences with Chris Mutton about cutting shows like Star Trek: Discovery, American Gods and The OA as well as indie feature films in the United States.
Andrew Coutts tells us about some of the differences he found working on the LA based series Star Trek: Discovery.
Matt Hannam talks about the difficulties of getting into the American unions and his work on Swiss Army Man.
Stephen Philipson explains why he chose to make the big move to a highly competitive environment.
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Michael and Sabrina discuss her work on the Disney series Mech X4, Sisters and Brothers and Freaks.
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Pauline and Sarah talk about her journey from Paris to now Toronto, her time at the Canadian Film Centre and her work on the feature documentary Sans Maman. Pauline shares with us some great insight into her world of editing.
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The Vancouver Women in Post series was generously sponsored by IATSE Local 891
This episode features award winning documentary editors Erin Cumming, Carmen Pollard and Jenn Strom as they discuss their work with moderator Sharon McGowan.
Erin Cumming talks about the dynamics of working with different story editors and her work on the series Ice Pilots.
Carmen Pollard discusses the challenges of working on the historical documentary The Ninth Floor. You can watch The Ninth Floor here!
Jenn Strom shares some of the organizational methods she uses while editing and discusses her work on the musical documentary The Road Forward.
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