Liste des finalistes et lauréat.e.s
Winner(s)/Lauréat.e.s: Roderick Deogrades, CCE & Sam Patterson – CHARLOTTE
Danny Palmer – MATT & BIRD BREAK LOOSE: Ep. 101 – HUMANS TOGETHER
Ed Fuller – PAW PATROL: THE MOVIE
Orion McCaw & Mat Garneau – CARMEN SANDIEGO: Ep. 408 – THE DARK CAPER
Max Szentveri, Greg Canning, Ryan Jobling & Leland Miller – THE SNOOPY SHOW: Ep 01 – HAPPINESS IS A DANCING DOG
Sponsored by/Commandité par: Picture Shop
Winner(s)/Lauréat.e.s: Eui Yong Zong – ONE OF OURS
Anouk Deschênes – WINTOPIA
Ben Lawrence – MY TREE
Omar Majeed – THIS STAINED DAWN
Robert Swartz, CCE – DISPATCHES FROM A FIELD HOSPITAL
Sponsored by/Commandité par: JAM Post
Winner(s)/Lauréat.e.s: Amélie Labrèche – MON ONCLE PATOF
Anouk Deschênes – LE SPECTRE DES ONDES
Chase Ashbaugh – BROWN ENOUGH
James Blokland – BORN BAD
Rick Bartram – IF SO, DO SO
Sponsored by/Commandité par: Boris FX
Winner(s)/Lauréat.e.s: Eamonn O’Connor & Nick Taylor – FOR HEAVEN’S SAKE: Ep. 01 – THE DISAPPEARANCE
Ben Kaplan – HISTORY OF THE SITCOM: Ep. 02 SEX & THE SITCOM
James Hebbard – IN THEIR OWN WORDS: Ep. 201 – POPE FRANCIS
Ian Daly & Bill Towgood – WHILE THE REST OF US DIE: Ep. 201 – THE GAME IS RIGGED
Peter Denes – DARK SIDE OF THE 90’S: Ep. 102 – THE VIPER ROOM: HOLLYWOOD’S SANCTUARY
Sponsored by/Commandité par: Rolling Picture Company
Winner(s)/Lauréat.e.s: Rich Williamson – SCARBOROUGH
Arthur Tarnowski, ACE – DRUNKEN BIRDS (LES OISEAUX IVRES)
Christopher A. Smith – DRINKWATER
Shaun Rykiss – WILDHOOD
Sophie Leblond – SIN LA HABANA
Sponsored by/Commandité par: Blackmagic Design
Winner(s)/Lauréat.e.s: Mike Scott – BLOWN AWAY: MIRROR MIRROR
Michael Tersigni, CCE – HOME TOWN TAKEOVER: FIRST HAMMER SWING
Peter Hordylan – CELEBRITY IOU: JOYRIDE, OCTAVIA SPENCER – THIS ONE IS FOR YOU, KEANU!
Swapna Mella – THE GREAT CANADIAN BAKING SHOW: CAKE WEEK
Wesley Finucan & Pat Fairbairn – GREAT CHOCOLATE SHOWDOWN: DO YOU HAVE WHAT IT BAKES?
Sponsored by/Commandité par: Annex Pro
Winner(s)/Lauréat.e.s: Guillaume Marin & Léonie Tremblay-Clavette – LA SOIRÉE MAMMOUTH 2021
Chris Mutton, CCE – HOLLY HOBBIE: Ep. 303 – THE POSING PERFORMER
Courtney Goldman – GHOSTWRITER: Ep. 13 – THE GHOSTWRITER PART 3
Jamie Alain, CCE – THE BARBARIAN AND THE TROLL: Ep. 111 – I WILL SURVIVE
Patrick Carroll – RISE AND SHINE, BENEDICT STONE
Sponsored by/Commandité par: IATSE Local 891
Winner(s)/Lauréat.e.s: Gareth C. Scales, CCE – THE PURSUIT OF LOVE: Ep. 01
Dominique Champagne – BÊTE NOIRE: Ep 01 – ÉTAT DE CHOC
Louis-Philippe Rathé – WAY OVER ME (SORTEZ-MOI DE MOI): EP. 01 – I AM THE SOLUTION
Matthew Hannam, CCE – THE NORTH WATER: Ep. 02 – WE MEN ARE WRETCHED THINGS
Myriam Coulombe – WAY OVER ME (SORTEZ-MOI DE MOI): Ep 05 – LA VÉRITÉ
Sponsored by/Commandité par: Take 5 Productions
Winner(s)/Lauréat.e.s: Cam McLauchlin – TOGETHER
Alexander Maxim Seltzer – 10-33
Anna Catley – LITTLE BIRD
Guillaume Marin & Anouk Deschênes – AU PLAISIR LES ORDURES ! (SEE YOU GARBAGE!)
Rick Bartram – WISH
Yvann Thibaudeau – LES MONSTRES
Sponsored by/Commandité par: Formosa
Winner(s)/Lauréat.e.s: Craig Webster, CCE & Sam Thomson – SORT OF: Ep. 108 – SORT OF BACK AGAIN
Isabelle Malenfant, CCE – LES BEAUX MALAISES 2.0: Ep. 09 – FLORENCE A 18 ANS
Justin Lachance, CCE – M’ENTENDS-TU?: Ep. 30 – DRAME DISCO
Sam Thomson – SORT OF: Ep.101 – SORT OF GONE
Yvann Thibaudeau – LES MECS 2: Ep. 09
Sponsored by/Commandité par: Company 3
Winner(s)/Lauréat.e.s: Wendy Hallam Martin, CCE, ACE – THE HANDMAID’S TALE: Ep. 403 – THE CROSSING
Ana Yavari – THE HANDMAID’S TALE: Ep. 407 – HOME
Christopher Donaldson, CCE – THE HANDMAID’S TALE: Ep. 409 – PROGRESS
Jamie Alain, CCE – SNOWPIERCER: Ep. 206 – MANY MILES FROM SNOWPIERCER
Myriam Coulombe – PORTRAIT ROBOT: Ep.10
Sponsored by/Commandité par: Vanguarde Artist Management
Winner(s)/Lauréat.e.s: Isabelle Malenfant, CCE – JE NE SUIS PAS UN ROBOT: Ep. 01 – LE MAMELON DE TROP
Mahi Rahgozar & Chris Mutton, CCE – THE COMMUNIST’S DAUGHTER: Ep 01 – OPIUM FOR THE MASSES
Richard Schwadel – THE NOW: Ep 102 – DON’T SHUSH YOUR MOTHER
Shelley Therrien – SOMETHING UNDONE: Ep. 101 – TWO MINUTES AND FORTY NINE SECONDS
Steven Patoine & Juan Mendoza – CHASING WINTER: Ep. 103 – I WANNA GO THERE AND DO WELL
Sponsored by/Commandité par: Canadian Cinema Editors / Les Monteurs et Monteuses de cinéma canadien
Winner(s)/Lauréat.e.s:
Izabelle Langendoen – RUNS THROUGH THEIR BLOOD: A LIFE IMPACTED (Weengushk Film Institute)
Jéremie Mazan – AUX TRAVERS (Université du Québec à Montréal)
Justin Dong-Hyuk Im – WHY DO ANTS GO BACK TO THEIR NEST (York University)
Matthew Williams – ALFIE (Sheridan College)
Teleri McGuire-Astolfo – SOLITUDE (Sheridan College)
Sponsored by/Commandité par: Insight Productions
Récipiendaires des prix hommage
Ron Sanders a commencé sa carrière en tant que monteur de long métrage à Toronto dans les années 1970. Depuis, il a travaillé avec des réalisateur·trice·s comme Rex Bromfield, Mark Lester, Yves Simoneau, Robert Longo, Daniel Petrie Jr., Sturla Gunnarson, Norman Jewison, Stephen Silver, Henry Sellick, Nathan Morlando, Miranda de Pencier et Viggo Mortensen.
Il a collaboré avec le réalisateur David Cronenberg sur dix-neuf films qui lui ont valu neuf nominations pour meilleur montage aux prix Génie, honneur qu’il a remporté quatre fois avec ALTER EGO (1989), CRASH (1996), EXISTENZ (2000) et PROMESSES DE L’OMBRE (2007).
Ron a aussi reçu sept nominations pour meilleur montage de la Guilde des réalisateurs du Canada qui l’a récompensé cinq fois pour UNE HISTOIRE DE VIOLENCE (2006), PROMESSES DE L’OMBRE (2008), UNE MÉTHODE DANGEREUSE (2012), RÊVES NOIRS (2016) et FALLING (2020). En 2010, il a reçu une nomination aux prix American Cinema Editors pour son travail sur CORALINE.
Tout au long de sa carrière, Ron a activement soutenu les talents émergents dans la salle de montage et fait une place aux étudiant·e·s et à toute personne intéressée à en savoir plus sur cet aspect de notre industrie.
Jean-Marc Vallée (1963-2021) was a Canadian filmmaker, film editor, and screenwriter. After studying film at the Université de Montréal, Vallée went on to make a number of critically acclaimed short films, including STÉRÉOTYPES, LES FLEURS MAGIQUES, and LES MOTS MAGIQUES.
His debut feature, BLACK LIST, was nominated for nine Genie Awards, including nods for Vallée’s direction and editing. His fourth feature film, C.R.A.Z.Y., received further critical acclaim. Vallée’s follow-up, THE YOUNG VICTORIA, garnered strong reviews and received three Academy Award nominations.
His sixth film, CAFÉ DE FLORE, was the most nominated film at the 32nd Genie Awards. Vallée’s next films, the American dramas DALLAS BUYERS CLUB and WILD continued this acclaim and the former earned him a nomination for the Academy Award for Best Film Editing and Best Picture.
Vallée ventured into television by executive producing and directing two projects BIG LITTLE LIES and SHARP OBJECTS. For the former, he won an Emmy for Outstanding Directing for a Limited Series, Movie, or Dramatic Special.
Vallée was a keen collaborator in the edit suite, with editing credits on many of his own projects, often under pseudonyms that played on his initials.
Deux choses étaient primordiales pour lui dans ses projets. D’abord, il établissait qu’il ne voulait pas travailler avant 9 h du matin ni après 18 h. Ensuite, il tenait toujours à avoir un bon budget réservé à la musique, car il croyait que la musique était au centre de toute bonne histoire.
Célébrer les assistant·es-monteur·euses
À l'approche de la remise des Prix CCE, nous voulons célébrer les assistant·e·s-monteur·euse·s qui sont une part inestimable de l'équipe de montage.
Vous trouverez ici les noms des assistant·es-monteur·euses qui ont contribué aux projets en nomination cette année :
Darren Adams
Matt Ahrens
Joana Asurmendi
Katie Awad
Charles Boisvert
Jared Bryer
Nathan Burke
Todd Buttenham
Frédérique Chalifoux-Bazinet
Charles Chase
Andrew S. Clark
Sarah Corbeil-Jarry
Andreanne Cousineau
Mercédesz Czanka
Philippine de Sars
Carl Roméo Desjardins
Lisa Diallo
Joanie Drouin-Laplante
Vanessa P. Dubé
Veronica Formos
Teddy Freedman
Dale Gagne
Erika Gagné
Adriane German
Marie-Lou Gingras
David Grave
Shayne Hontiveros
Jay Houpt
Francois Jacob
Edwin Janzen
Jasmin John
Julie Kelly
Marie-Alexandre Kerouac
Azed Kettani
Cédrick Kluyskens
Mary Komech
Pete Kopchek
Jean-Francois Lalonde
Alexandra Larocque-Pierre
Caroline Longpré
Shelley Maclean
Alison MacMillian
Catherine Maheu
Ashley McCloud
Will Mitchell
Holden Mohring
Gabriel Morasse
Mylene Papillion
Katherine Paradis
Keven Parent
Aurore Paulin
Jerrard Pulham
Jenny Reed
Jennifer Richards
Nora Richter
Genevieve Roberge
Rafael Yamin Ronzani
Frank Ruszczynski
Benjamin Salman
Victor Sandrasagra
Josh Schonblum
Blair Scott
Anna Chiyeko Shannon
James Sheridan
Marie-Pier Sicard
Heather Skeoch
Fiona Starogardzki
Maxime Taimiot
Golzar Taravati
Lavinia Terletchi
Shelley Therrien
Nakkita Toumi
Maxyme Tremblay
Vincent Tremblay
Lexy Troth
Darren Tucker
Paul Wilson
Lois Yap
Emma Zinck
Tirage au sort
Félicitations aux gagnant.e.s du tirage
Rick Bartram & Shelley Thierren
Bill Towgood
1 licence de Davinci Resolve Studio
Sam Thomson
James Hebbard
1 abonnement d'un an à Sapphire
Orion McCaw
1 abonnement d'un an à Continuum
Robert Swartz, CCE
1 abonnement d'un an à Mocha Pro
Isabelle Malenfant, CCE
Rich Willliamson & Mahi Rahgozar
Notre animateur Richard Crouse
Richard Crouse est le critique de cinéma régulier sur les chaînes d’information en continu CTV News Channel et CP24. Il est fréquemment invité à de nombreuses émissions de radio et de télévision au Canada. Son émission de radio entendue partout au pays le samedi après-midi, THE RICHARD CROUSE SHOW, est diffusée à partir de la chaîne News Talk 1010 à Toronto. Il est aussi l’auteur de dix ouvrages sur l’histoire de la culture populaire, notamment de "Who Wrote the Book of Love," du best-seller "The 100 Best Movies You've Never Seen," sa suite intitulée "The Son of the 100 Best Movies You've Never Seen," le succès de librairie "Raising Hell: Ken Russell and the Unmasking of The Devils" et de l’essai "Elvis is King: Costello's My Aim is True." Il écrit aussi sur la culture populaire et les automobiles pour le Toronto Star.
Thank you to our Volunteers!
Merci à nos commanditaires
Platine
Or
Argent
Bronze
Remerciements à nos comités et bénévoles :
Comité des prix CCE :
Lisa Binkley, CCE
Majda Drinnan
Lesley Mackay Hunter, CCE
Jennifer Kidson
Jane MacRae
Arielle Skolnik
Comité des communications du CCE :
Pauline Decroix
Jennifer Kidson
Jane MacRae
Stephen Philipson, CCE
Sarah Taylor
Remerciements à notre équipe CCE :
Responsable des opérations du CCE :
Alison Dowler
CCE Communications Coordinators:
Andreia Furtado
Samantha Ling
Site Web :
Conception et réalisation du site web du CCE :
Simone Smith est une monteuse de cinéma et de télévision primée basée à Toronto. Elle a notamment collaboré aux productions FIRECRACKERS, GOALIE et NEVER STEADY, NEVER STILL. Elle a récemment terminé le montage de la série THE LAKE pour Amazon. Elle travaille présentement au long métrage FLOAT, mettant en vedette Andrea Bang et Robbie Amell, pour Lionsgate.
Orlee Buium is an editor with a passion for films with socially conscious content. She has 15 years of experience in the editorial department including assisting on KICK-ASS 2, THE EXPANSE and THE BROKEN HEARTS GALLERY. Her feature credits as an editor include QUEEN OF THE MORNING CALM (nominated for a DGC Editing Award), THE RETREAT (Showtime) and RUN WOMAN RUN. Most recently, Orlee locked picture on Michael McGowan’s latest feature ALL MY PUNY SORROWS, which premiered at TIFF 2021 as a Special Presentation.
Jorge Weisz, CCE was born and raised in Mexico City and is currently based in Toronto. He has worked on award-winning films such as Peter Stebbings’ EMPIRE OF DIRT, which premiered at TIFF 2013, Michel Franco’s LAS HIJAS DE ABRIL, which won the Un Certain Regard’s Jury Prize at the 2017 Cannes Film Festival, and recently on Danis Goulet’s NIGHT RAIDERS, which premiered at the 2021 Berlinale. Currently, he is teaming up again with Christian Sparkes for the film SWEETLAND.
Après avoir obtenu son diplôme du programme de cinéma à l’université York, Michelle a travaillé longtemps comme assistante-monteuse. Ceci lui a permis de côtoyer les plus grands noms du cinéma canadien et d’apprendre énormément à leurs côtés. En tant que monteuse, elle a travaillé entre autres sur NATASHA, SOUS SES LÈVRES, BETWEEN, UN TRADUCTOR (présenté à Sundance en 2018) et TROUVER LE NORD. Son dernier film, qui a remporté un prix GCR, est ALL MY PUNY SORROWS, présenté au TIFF en 2021.
Arthur Tarnowski, ACE is a prolific editor whose work ranges from auteur cinema to popular comedies – with a penchant for action films. His feature credits span many genres and include DRUNKEN BIRDS, BEST SELLERS, THE DECLINE, THE HUMMINGBIRD PROJECT, THE FALL OF THE AMERICAN EMPIRE, THE TROTSKY, BRICK MANSIONS, DEADFALL, WHITEWASH and COMPULSIVE LIAR. His television work includes 19-2, BAD BLOOD, BEING HUMAN, MOHAWK GIRLS, THE MOODYS and VIRAGE. He has also created over 150 film trailers, including some of the biggest Box-office hits in his native Quebec.
Rich Williamson is an Oscar-shortlisted filmmaker based in Toronto. His work blends the best of fiction and documentary technique together with a focus on social-issue subjects. SCARBOROUGH is his first dramatic feature with partner and co-director Shasha Nakhai. It made its World Premiere at the 2021 Toronto International Film Festival, where it won the Shawn Mendes Foundation Changemaker Award, was 1st runner up for People’s Choice, and received an Honourable Mention for Best Canadian Feature.
Gillian est une monteuse basée à Toronto et qui a touché tant aux séries dramatiques qu’aux longs métrages et aux téléfilms en tous genres. Elle a eu la chance de pouvoir travailler avec plusieurs producteur·trices·, réalisateur·trice·s et scénaristes reconnus et célébré·e·s. Gillian est notamment connue pour son travail sur SANS ORIGINE : ORPHAN BLACK, ANNE WITH AN E et THE EXPANSE. Elle a remporté deux prix Écrans canadiens, un prix de la GCR et elle a reçu douze nominations.
Melissa first fell in love with editing while studying film at Western Michigan University. She then made her way to California and earned a Master’s in Editing from Chapman University Dodge College of Film & Media Arts. In 2007 she earned a coveted internship with ACE, which jump-started her career. Melissa credits include the CW’s LIFE SENTENCE and WHISKEY CAVALIER on ABC. Her work on TED LASSO earned her an Eddie Award and an Emmy nomination in 2021.
Nona Khodai is an Iranian-American Picture Editor stemming from Southern California. Her most recent credits include Marvel’s WANDAVISION and the Amazon series THE BOYS. Her past editing credits include REVOLUTION, COLONY, THE STRAIN, and AMAZING STORIES. She is currently working on another Disney + series that will be released sometime late this year.
Omar Majeed is a Pakistani-Canadian writer, editor, and filmmaker. His editing credits include THE FRUIT HUNTERS, OMEGA MAN: A WRESTLING LOVE STORY, WORLD IN A CITY, INSIDE LARA ROXX, THE ARTISTS: THE PIONEERS BEHIND THE PIXELS and SORT OF. In 2018 he received a CSA for his work on THE ARTISTS and in 2001 for QUEERTELEVISION. Although he’s called many cities home including Montréal, Baltimore, and Lahore, Omar currently resides in Toronto with his wife and young child.
Jim Flynn is an American born Editor. He studied film at Emerson college in Boston. He then moved to Los Angeles where he began working as an Assistant Editor. Teaming up with Alan Heim on Nick Cassavetes’ ALPHA DOG he began his transition to Editor. He edited several more films with Cassavetes including MY SISTERS KEEPER and THE OTHER WOMAN. Most recently, Jim has been editing Netflix series, including THE HAUNTING OF HILL HOUSE and BRIDGERTON.
Sam is a picture and animatic editor based in Toronto, with over a decade of experience in scripted storytelling. In addition to SORT OF, his credits include the award-winning series SAVE ME AND FOR THE RECORD, CORNER GAS ANIMATED, and animated specials for BLACK-ISH and ONE DAY AT A TIME. Sam is a proud member of the Director’s Guild of Canada, The Academy of Canadian Film and Television, and the Canadian Cinema Editors.
Un esprit vif, des compétences techniques solides et une bonne connaissance des raccourcis, ce ne sont là que quelques-unes des qualités requises pour exceller en tant qu’assistant·e-monteur·euse. Joignez-vous aux assistantes-monteuses derrière COMPANY TOWN, BIG BROTHER CANADA, SCARBOROUGH et THE PORTER pour poser vos questions, trouver des réponses et passer un bon moment.
Created by filmmaker Ava DuVernay and led by an all-women executive team, ARRAY Crew is a personnel database, to ensure that studio executives, department heads and producers are able to access a robust pipeline of qualified below-the-line women, people of color and those from underrepresented backgrounds to staff their television and film crews. ARRAY Crew is partnered with all of the major Hollywood studios and streamers and has recently expanded to Canada. Join ARRAY Crew’s Director of Industry Relations, Meredith Shea, for an exclusive conversation with Editing Crew Members and Studio Executives.
Racontez des histoires plus riches et créez une atmosphère spéciale en vous servant de puissants outils d’effets et de correction colorimétrique dans Adobe Premiere Pro. En compagnie de la monteuse, réalisatrice et productrice Christine Steele, explorez des techniques qui donneront à vos vidéos un aspect cinématographique. Découvrez comment le montage vidéo peut bouleverser et accrocher le spectateur.
Join the veteran editor behind DRUNKEN BIRDS to discuss his latest film, answer your burning questions, and talk about all things editing. Arthur’s extensive experience spans almost 3 decades, and includes documentary & narrative film of all genres, television, shorts and trailer editing. Don’t miss this chance to pick the brain of a master of the craft. This panel will run in English but questions in French are welcome and encouraged.
Pull up a seat, bring your questions and settle in for a riveting conversation with the editorial maven of NIGHT RAIDERS. Jorge’s knowledge and passion for film is boundless; his storytelling expertise runs deep. His prolific work in feature films over the past eleven years has continuously brought one festival hit after another. This conversation is a must for those interested in narrative feature editing.
Spend some quality time with the brilliant dynamic duo behind ALL MY PUNY SORROWS. Michelle and Orlee will answer all your questions about their processes co-editing this award winning film, which marks their second outing as co-editors. Between them these two share over thirty years of experience in post production, from assistant editing to editing, these two know it all. This is a conversation you won’t want to miss.
Joignez-vous aux deux monteurs de SORT OF : Omar et Sam répondront à toutes vos questions, requêtes et curiosités! Ces grands esprits partagent une vaste expérience en montage télévisuel, documentaire, d’animation et bien plus encore. Vous pourrez tout savoir lors de cette conversation intime portant sur leur montage d’une série profondément innovante.
Appréciez ce moment passé en compagnie du talent incroyable derrière le film à succès SCARBOROUGH, un film que Rich a non seulement monté mais aussi coréalisé. Rich a une profonde compréhension du cinéma documentaire et du court métrage. Son dernier film marque ses débuts en montage de fiction. Plongez, posez vos questions et découvrez le procédé unique qui a mené à l’aboutissement de cet excellent film.
Chris is a Toronto-based film and television editor. His credits include four films which premiered at the Toronto International Film Festival (TIFF) including EASY LAND, PORCUPINE LAKE, CLEO and SILAS. The film LUBA won the Audience Choice Award at the Canadian Film Fest and earned Chris a CCE award nomination. Chris’ television work includes four seasons of the Emmy nominated and CSA winning Hulu series HOLLY HOBBIE, CBC Gem comedy THE COMMUNIST’S DAUGHTER, and music documentary series ON THE RECORD.
With two films on the Oscar shortlist, multiple award winning Michèle Hozer has been working as a filmmaker and editor since 1987. PROMISE TO THE DEAD picked up her first Emmy nomination and her co-directorial debut of GENIUS WITHIN: THE INNER LIFE OF GLENN GOULD was on the Oscar shortlist. In 2015 Michèle completed SUGAR COATED which won The Donald Brittain Award at the CSAs. Today Michèle is exploring new adventures in Prince Edward County as story editor on multiple projects including Buffy Sainte Marie’s feature length doc.
Ricardo has been working in the film industry for over 25 years. He has been awarded with an Emmy, and has been nominated several times to Genie, Gemini, CCE and CS Awards Ricardo came to Canada from his native Cuba in 1993, where he studied and worked at the world-renowned Cuban Film Institute in Havana. His outstanding work and keen sense of the human condition has contributed to the making of several award-winning and award-nominated films. Some credits include: 15 TO LIFE, MARMATO, THE SILENCE OF OTHERS and HERMAN’S HOUSE.
Brina Romanek est une réalisatrice et monteuse de films documentaires. Elle a travaillé comme réalisatrice pour True Calling Media, RogersTV et CBC Short Docs. Comme monteuse, Brina a contribué à des films qui ont été diffusés sur Zoomer Media, Crave TV, The Travel Channel, TVO et CBC. Plus récemment, Brina a eu l’honneur de collaborer avec l’équipe de Cream Productions pour créer la série documentaire d’horreur en deux parties, BATHSHEBA. Brina est aussi la monteuse audio attitrée du balado Indigenous Climate Action.
Jordan Kawai is a documentary film editor based in Toronto. He has edited for both short form (BOAT PEOPLE) and feature documentary film (CHANNEL’S STAGE: THE CULINARY INTERNSHIP and BANGLA SURF GIRLS), as well as video installation (NOTES FROM THE UNDERGROUND). Jordan holds an MFA in Documentary Media Studies from Ryerson University and was a participant in the Mentorship program at the Montreal International Documentary Festival. His personal film work explores family lore and narratives of Japanese Canadian Internment.
Sarah Taylor is a multi-award winning editor with over nineteen years of experience. She has cut a wide range of documentaries, television programs, short and feature films. Sarah strives to help shape unique stories from unheard voices. Her work has been seen in festivals around the world including Sundance. She is a member of the Directors Guild of Canada (DGC), on the board of The Canadian Cinema Editors (CCE) and is the host of the CCE podcast The Editor’s Cut.
Elísabet Ronaldsdóttir was born and raised in Reykjavik, Iceland. She has edited over 40 feature films, television programs, and documentaries, as well as an animated feature film. Her editing work also includes active industry participation. She is best known for her collaborations with film directors David Leitch for JOHN WICK, ATOMIC BLONDE, DEADPOOL 2 and the upcoming film BULLET TRAIN. She recently partnered with director Destin Daniel Cretton on the Marvel film SHANG-CHI AND THE LEGEND OF THE TEN RINGS.
Nathan Orloff is an American film editor and Chapman University graduate. Raised in Seattle, Orloff began his career at JJ Abrams’ BAD ROBOT Productions. His time there includes work as Associate Editor on 10 CLOVERFIELD LANE and Digital Intermediate Supervisor on STAR WARS: THE FORCE AWAKENS. Since his breakout, Orloff became a frequent collaborator with director Jason Reitman, notably cemented through TULLY and THE FRONT RUNNER. Orloff’s most recent work includes editing credits on PLAN B and GHOSTBUSTERS: AFTERLIFE.
Harry Yoon is a Korean American editor based in Los Angeles. Yoon’s previous credits include SHANG-CHI AND THE LEGEND OF THE TEN RINGS, MINARI, EUPHORIA, THE NEWSROOM, DRUNKTOWN’S FINEST, HALF-LIFE, DETROIT, THE BEST OF ENEMIES and THE LAST BLACK MAN IN SAN FRANCISCO. Yoon has also worked as a VFX editor and assistant editor on ZERO DARK THIRTY, THE REVENANT, THE HUNGER GAMES, FOOTLOOSE, THE CRAZIES and LORD OF DOGTOWN.
Dylan Tichenor, ACE got his start in editing as an assistant on Robert Altman films including: THE PLAYER, SHORT CUTS, PRÊT-À-PORTER, KANSAS CITY, and as co-editor on the documentary JAZZ ’34. His credits as editor include: BOOGIE NIGHTS, MAGNOLIA, THERE WILL BE BLOOD, UNBREAKABLE, THE ROYAL TENENBAUMS, BROKEBACK MOUNTAIN, THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD, DOUBT, WHIP IT, THE TOWN, LAWLESS and ZERO DARK THIRTY. Recent projects include: PHANTOM THREAD, ANTLERS and ETERNALS.
Nat Sanders, ACE has edited a range of acclaimed films such as MOONLIGHT, SHORT TERM 12 and IF BEALE STREET COULD TALK. He is a two-time winner of the Independent Spirit Award and was nominated for an Academy Award for his work on MOONLIGHT. SHANG-CHI AND THE LEGEND OF THE TEN RINGS marks his fourth collaboration with writer/director Destin Daniel Cretton, following his work on JUST MERCY, THE GLASS CASTLE and SHORT TERM 12. Other credits include: MEDICINE FOR MELANCHOLY, YOUR SISTER’S SISTER, HUMPDAY, GIRLS and TOGETHERNESS.
Les histoires sont puissantes : elles transmettent des enseignements et elles sont les dépositaires de la langue et de la culture d’une communauté. Elles sont aussi le lien entre le passé et le présent, entre le présent et l’avenir. Tania Choueiri et Elie-John Joseph, de Wapikoni, nous parleront de souveraineté narrative et de son importance quand vient le temps de raconter les réalités autochtones.
Frame.io Camera to Cloud (C2C) enables footage to be delivered instantly from set to editorial. It’s a whole new way of working that lets everyone from editors to producers and other key stakeholders provide real-time collaborative feedback during production. In this interactive demo, you’ll learn how easily C2C enables production to automatically transmit proxies, audio, camera reports, and more — as soon as the Director calls “cut.” Once you use C2C, you’ll wonder how you worked any other way.
Join the two time Oscar nominated editor behind Marvel’s recent blockbuster, ETERNALS. With a career spanning 25 years there’s nothing Dylan hasn’t tackled. From BOOGIE NIGHTS; THE ROYAL TENENBAUMS; BROKEBACK MOUNTAIN and ZERO DARK THIRTY are just a few of the brilliant films from his back catalog. Bring your questions and grab your notebook, you’re going to want to take notes.
Brace yourself for a thrilling question period with one of Hollywood’s go to action editors. Her work co-editing SHANG-CHI AND THE LEGEND OF THE TEN RINGS is her latest outing in her long run of action packed features including JOHN WICK; ATOMIC BLONDE and DEADPOOL 2 to name a few! If action is your thing this is a room you won’t want to miss.
Gather your best questions and get ready for an amazing session with one of the co-editor’s of SHANG-CHI AND THE LEGEND OF THE TEN RINGS. Harry’s rock solid knowledge of editing such dramas as DETROIT, EUPHORIA and the Oscar nominated MINARI was instrumental in creating this film’s smashing success. Make sure you’re prepared to take in all you can from this rare talent.
Asseyez-vous avec ce duo mentore/mentorée pour tout savoir sur la relation de mentorat. Apprenez-en davantage sur leur façon de travailler et leur co-montage de A CURE FOR THE COMMON CLASSROOM, sur l’importance du mentorat et bien plus.
Put on your thinking cap and bring your queries for this mentor/mentee pair. They’ll dig into your questions about how their mentorship relationship has evolved, how BETRAYAL came to be and all things mentorship.
Salia, fondatrice de Aurora Chinese Medicine, massothérapeute agréée, praticienne en médecine chinoise. Elle est spécialisée dans les soins holistiques de la peau et le massage pédiatrique Tuina.
Stéphane’s interest in health care began in his teens with lifeguarding and first aid services with the Canadian Red Cross Society. He competed in lifeguard competitions across Quebec and was involved with the Canadian Red Cross Society in disaster relief locally and internationally, as well as in first aid training.
Annie Ilkow is a Montreal-based editor whose recent work includes Ghosts (CBS, single-camera comedy), TRANSPLANT (2 seasons, for NBC/CTV), and BLOOD & TREASURE (2 seasons, CBS action-adventure). She also edited the critically-acclaimed drama 19-2, the seminal DURHAM COUNTY. A graduate of the film program at Concordia University, she earned her MFA in Cinema at the University of East Anglia, UK. 
Born in BC, Raised in NS, calls Halifax home since 1998. Met Mike Clattenburg and edited his low budget feature TRAILER PARK BOYS in 1999. Since then has been doing anything TRAILER PARK BOYS related. Started editing things with Cory Bowles whenever our schedules allowed. Married with three kids and owns and operates Digiboyz Inc. (Post Production) since 2001.
Award winning film and television editor Lisa Binkley began her career in post-production after having studied theatre and film production at U.B.C. She graduated from the Media Resources Program at Capilano University. Since then she has worked on numerous feature films, MOWs and television series.
Roderick is an award-winning Picture and Sound Editor who has worked in the film industry for over twenty years. His extensive knowledge of both sides of the post equation has proven invaluable. His experience in feature films, TV series, shorts and documentaries has established him as one of the industry’s most sought-after collaborators. On the picture side, he is known for his work on STILL MINE (2012), VICTORIA DAY (2009) and ONE WEEK (2008). For television, he has edited THE EXPANSE (Season 3 to 6), KILLJOYS (Season 4 & 5), and Chapelwaite (2021). He picture edited acclaimed documentaries such as 100 FILMS & A FUNERAL (2007), THE GHOSTS IN OUR MACHINE (2013), DAVID & ME (2014) and SILAS (2017). His sound editing work includes SPLICE (2009), PASSCHENDAELE (2008) and SILENT HILL (2006). He is currently picture editing the series BILLY THE KID.
Sarah Taylor is an award-winning editor with over eighteen years of experience. She has a passion for storytelling and has cut a wide range of documentaries, corporate videos, television programs, and full length feature films. Her work has been seen in festivals around the world including Sundance. She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut.
Paul Whitehead has been a fixture in the Toronto Post Production community for over 30 years. He has worked as First Assistant Editor on over 50 film and television productions, and now edits episodic television and feature films. His career began at the dawn of non-linear editing technology, which allowed him to witness and contribute to its development over the years. Paul has taught others the art of assisting throughout his career both one on one and at the college level, and believes strongly that experience must be passed on to maintain the high standards that Canadian crews are known for. 
FR 
EN 
