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Événements passés

En conversation avec Sophie Farkas Bolla : Beans

En conversation avec Sophie Farkas Bolla : Beans
le 5 juin, 2021

Cet événement a eu lieu le 5 juin 2021

Presented in English / Conférence en anglais

Joignez-vous à nous le 5 juin pour une conversation intime entre la monteuse chevronnée Sophie Farkas Bolla (BEANS, LES ROUTES EN FÉVRIER) et la modératrice Jessie Anthony (scénariste et réalisatrice de BROTHER, I CRY) qui aborderont sous tous ses angles le montage du film à succès BEANS. 

La biographie suivante est uniquement rédigée dans la langue de présentation.

Moderator Jessie Anthony in Master SeriesWriter/Director/Producer Jessie Anthony is a proud Haudenosaunee woman from the Onondaga Nation, Beaver clan, born and raised on the Six Nations of the Grand River Territory in Ontario Canada. Jessie is a graduate of the Indigenous Independent Filmmaking Program and Bachelor of Motion Picture Arts Degree from Capilano University. Jessie is a Telefilm Talent to Watch winner for her first feature film titled “Brother, I Cry” which won the 2020 BC Emerging Filmmakers Award at the Vancouver International Film Festival and picked up the Audience Choice Award in the 2020 imagiNative Film Festival. She is currently in post-production with the series QUERENCIA which won the imagineNATIVE Pitch Competition, gaining a broadcast deal with APTN/The Bell Fund.

Jessie has produced shorts funded by Telus Optik and BravoFact as well as many music videos. She was the first Assistant Director on The Edge of the Knife, co-directed by Helen Haig-Brown and Haida Artist, Gwaai Edenshaw. Jessie was a finalist at the MPPIA short film award competition, where she received an honourable mention. She directed the documentary Through My Needle, which follows a Mohawk designer and her family; exploring culture and clan through the beading and design of indigenous regalia. Jessie worked on the Girlfriends’ Guide to Divorce (NBC Universal), River of Silence (Telefilm), Going For Broke (Telus/Red Castle Films), Man in the High Castle (Amazon) and La Quinceanera (Lucha Gore -Time Warner) and many more. When Jessie isn’t working within film you can find her on her Facebook live feeds helping indigenous communities with healing and spiritual guidance.

Editor Sophie Farkas Bolla in Master Series

Filmmaker and editor, Sophie Farkas Bolla was born in Montréal and started being involved in both visual and performing arts at a very young age. She attended Concordia University in Film Production and graduated in 2006. Soon after, she began working as a film editor while continuing to develop her own films.  In 2009, she directed CHRONICLES BY THE OTHER, which enjoyed a good festival run. In 2012, she completed her second short entitled, ISTVAN AND THE FUR TROUT, a cinematic tale about growing up and disillusionment. WHEN MONSTERS WERE REAL (2015) is her third film and explores our fears from childhood. She is also writing her first features, NAGYPAPA, a dramatic comedy evolving in a charming, yet particular family and JULES AU PAYS D’ASHA a fable set in 1940’s Québec where imagination and reality collide. This film is in pre-production and will be shot this summer.

When Sophie is not working on her own projects, she is also an editor and in 2018 she was nominated for an Iris awards for best documentary editing for P.S. JERUSALEM by Danae Elon (official selection TIFF and Berlin). Among the many fiction and documentary films that Sophie has edited, there is the award-winning ANTOINE (2009) by Laura Bari (Iris nomination), ANGRY INUK (2016) by Alethea Arnaquq-Baril (Audience award at HotDocs), MY DAUGHTER IS NOT FOR SALE (2017) by Anaïs Barbeau-Lavalette, ROADS IN FEBRUARY (2018) by Katherine Jerkovic (Best Canadian First Film Award, TIFF 2018) and most recently BEANS (2020) by Tracey Deer (TIFF, Berlinale) and THE GIG IS UP! (2021) by Shannon Walsh. Finally, Sophie was also a Filmmaker-Trainer for Wapikoni Mobile and accompanied many young people from Tobique First Nation in their creative journey, including Oqim Nicholas with his film AMONG THE FOREST (2018) (Award for best pan-Canadian student film at the FNC).

Merci à nos commanditaires

À propos de l'événement

juin 2021

12.30h HAE

en ligne

Catégories
Événements passés

Atelier : Le métier d’assistant.e-monteur.se, avec Paul Whitehead

Atelier : Le métier d’assistant.e-monteur.se, avec Paul Whitehead
le 10-11 avril, 2021

Cet événement a eu lieu le 10-11 avril 2021

Presented in English / Présenté en anglais

Ce cours d’une durée de deux jours abordera non seulement les aspects procéduraux et logistiques de la fonction de l’assistant.e-monteur.euse, mais inclura également un survol global des enjeux politiques et psychologiques du montage et la façon dont ils affectent tout le monde impliqué dans le processus. Avec vingt ans d’expérience en tant qu’assistant-monteur, Paul Whitehead saura vous livrer généreusement ses conseils et ses anecdotes pour illustrer des leçons apprises à la dure. Les personnes débutantes comme les plus expérimentées pourront tirer profit de ce cours. À noter : ce cours n’enseigne pas l’utilisation d’Avid, de Premiere ni d’aucun autre logiciel.  

La biographie suivante est uniquement rédigée dans la langue de présentation.

Paul Whitehead

Paul Whitehead has been a fixture in the Toronto Post Production community for over 30 years. He has worked as First Assistant Editor on over 50 film and television productions, and now edits episodic television and feature films. His career began at the dawn of non-linear editing technology, which allowed him to witness and contribute to its development over the years. Paul has taught others the art of assisting throughout his career both one on one and at the college level, and believes strongly that experience must be passed on to maintain the high standards that Canadian crews are known for.  

Paul Whitehead Workshop Screenshot

À propos de l'événement

avril 2021

9h à 17h HNE

en ligne

Catégories
Membres Événements passés

En conversation avec Jenypher Fisher, CCE, Kelly Morris, CCE et Tim Wanlin, CCE

En conversation avec Jenypher Fisher, CCE, Kelly Morris, CCE et Tim Wanlin, CCE
le 16 mars 2021

Cet événement a eu lieu le 16 mars 2021

Presented in English / Conférence en anglais

Join us on March 16th for In Conversation with Jenypher Fisher, CCE, Kelly Morris, CCE and Tim Wanlin, CCE. Veteran unscripted Vancouver editors Jenypher Fisher CCE, (RUST VALLEY RESTORERS) Kelly Morris CCE (HIGHWAY THRU HELL) and Tim Wanlin CCE (HEAVY RESCUE: 401) discuss their vast knowledge on crafting factual storytelling; the importance of finding the story’s truth, it’s language, and the importance of a strong, pivotal opening that will begin the audience’s emotional journey.

L’événement sera modéré par la créatrice, productrice, réalisatrice et scénariste Kelly McClughan.

La biographie suivante est uniquement rédigée dans la langue de présentation.

Kelly McClughanA passion for factual story-telling and exploration has led me to some of the most remote and intriguing places on earth. I care about getting it right, thrive in challenging environments, and have successfully filmed in traditionally difficult to access communities. As a showrunner, producer, director and writer, I’ve created thousands of hours of factual television for Canadian, US and international markets, and am frequently consulted to help develop, shape and pitch TV projects. An extensive background in journalism has equipped me to apply my skills across multiple genres. As VP Production for Canadian factual producer Great Pacific Media from 2014-2019, I was involved in all aspects of pre-production, production and post, including hands-on story crafting, content oversight and development.

Jenypher Fisher, CCEThrough hard work and determination, Editor Jenypher Fisher has developed a unique style, rivalled only by her keen sense of story and humour. Born and raised in Vancouver, British Columbia, for the past 20 years Jenypher has been responsible for crafting a wide and varied array of Canada’s unscripted series. Projects include RUST VALLEY RESTORERS, WILD BEAR RESCUE, ICE PILOTS, THE BACHELOR CANADA, JADE FEVER, YUKON GOLD, THIS IS HIGH SCHOOL, QUEEN OF THE OIL PATCH, THE NATURE OF THINGS, ER: LIFE & DEATH AT VGH, PARAMEDICS: LIFE ON THE LINE & EXPECTING!

Kelly Morris, CCEKelly Morris CCE, is a Vancouver Based film and television editor and former president of the Canadian Cinema Editors, best known for his body of work in documentary and as senior editor for factual series. He has a passion for feature length film, investigative journalism and gritty reality. Series of note that he has worked on include Discovery Channel’s HIGHWAY THRU HELL, JADE FEVER and JETSTREAM, CBC’s HIGH ARCTIC HAULERS and investigative journalism series THE FIFTH ESTATE, natural history series BBC NATURAL WORLDLAND NAT GEO WILD, in addition to a wide breadth of documentary films, the most recent being Citizen Bio for Showtime. Shows he has worked on have received accolades including winner of the duPont-Columbia University Award for Broadcast Journalism (NUCLEAR JIHAD), a Sundance Grand Jury Prize Nomination (SEX: THE ANNABEL CHONG STORY), Gemini (THE FIFTH ESTATE) and CCE (A WOLD CALLED STORM) award nominations for Best Picture Editing.

Tim Wanlin, CCETim Wanlin is based in Vancouver where he has been editing for the last thirty years. During that time his focus has been to seek out projects that allow him to draw out the strongest story, both visually and narratively. He has amassed over seventy documentary credits. Highlights include CTV’s Gemini Award winning, PEACE WARRIOR, WHEN THE DEVIL KNOCKS, which premiered in the 2010 Vancouver Film Festival and CBC’s Canadian Screen Award winning, WILD CANADIAN YEAR. More recently, while continuing to follow his passion for documentaries, Tim is busy with unscripted series work including BORDER SECURITY, JADE FEVER and his current project, HEAVY RESCUE: 401.

In Conversation with Jenypher Fisher, CCE, Kelly Morris, CCE and Tim Wanlin, CCE

Merci à nos commanditaires

À propos de l'événement

mars 2021

1700h HNP

en ligne

Catégories
Membres Événements passés

Tax Workshop for Freelancers & Creatives with Sunny Widerman

Tax Workshop for Freelancers & Creatives with Sunny Widerman
le 6 mars 2021

Cet événement a eu lieu le 6 mars 2021

Presented in English / Atelier en anglais

Presented by Sunny Widerman of Personal Tax Advisors, this session is an entertaining and information-packed presentation about the financial and tax aspects of running your own business. Yes, we said entertaining! Hundreds of participants in dozens of workshops over the years can attest that you won’t be intimidated, and you definitely won’t be bored!

In this workshop, you’ll learn about deductible expenses, how to use RRSPs to protect your income, how CERB effects for your taxes and why doing what you love is great business. Take the opportunity to ask all your lingering tax questions during the Q&A from an expert who has been working in taxes since 2002. No judgement, just great advice and information with a sense of humour on the side.

À propos de l'événement

mars 2021

13:00h-15:00h HNE

Canada

Catégories
Membres Événements passés

EditCon 2021

EditCon 2021

Retour sur l’EditCon 2021

Dans la salle de montage, tout est toujours nouveau.
EditCon 2021 Jinmo Yang
Jinmo Yang, ACE
Monteur, PARASITE
Le CCE a tenu sa 4e édition de l’EditCon en ligne, avec deux jours formidables de tables rondes, de discussions en salles intimes et de réseautage avec plus de deux cents participant.e.s du Canada et de partout dans le monde.
 
Presented under the theme “Shifting World, Shifting Industry,” keynote discussions on both days featured award-winning editors Michelle Tesoro, ACE (THE QUEEN’S GAMBIT, GODLESS, WHEN THEY SEE US), and Jinmo Yang, ACE (PARASITE, OKJA, TRAIN TO BUSAN). Additional panels featured editors from the hit TV series EUPHORIA, I MAY DESTROY YOU, THE HANDMAID’S TALE, NORMAL PEOPLE, VIDA, #BLACKAF, as well as feature films BLOOD QUANTUM, BACKCOUNTRY, MAMA, RABID, and many more.
 
La CCE a terminé les choses en beauté avec le traditionnel tirage de l’EditCon grâce à des dons de nos généreux commanditaires et les participant.e.s ont pu discuter dans un univers de réseautage virtuel unique. 

Vous n'avez pas pu être des nôtres?

Abonnez-vous à nos balados pour ne pas manquer les épisodes qui relaieront les conférences de l’EditCon 2021.

Présenté en anglais

Conférence en français

Partenaires communautaires de l'EditCon 2021

JOUR 1 : Tables rondes et conférences

MOT DE BIENVENUE

Travailler de la maison : est-ce que la COVID-19 a durablement changé notre dynamique de collaboration ou est-ce que nous attendons impatiemment le retour au bureau? Stephen Philipson, CCE, et D. Gillian Truster, CCE, ouvrent le bal en échangeant des anecdotes sur la façon dont on a dû encaisser les coups au cours de cette dernière année. Ils se demanderont aussi si le métier de monteur.euse connaîtra des changements à long terme une fois la pandémie terminée.

Stephen is an award-winning editor of TV series such as ALTERED CARBON (Netflix), AMERICAN GODS (Starz), ANNE WITH AN E (CBC/ Netflix), and HANNIBAL (NBC), and films such as THE WILD HUNT (by Alexandre Franchi), GROWN UP MOVIE STAR (by Adriana Maggs) and documentary PROM NIGHT IN MISSISSIPPI (starring Morgan Freeman), which premiered at Sundance, broadcast on HBO, and screened at The White House. Stephen is honoured to serve as CCE President and help the CCE advocate for editors across Canada.

Originaire de Toronto, Gillian a débuté dans le métier en tant qu’assistante-monteuse. Elle a depuis grandement diversifié sa carrière en devenant monteuse sur des séries dramatiques, des longs métrages et des téléfilms de tous les genres et elle a eu la chance de travailler avec des producteur.trice.s, des réalisateur.trice.s et scénaristes reconnu.e.s et célébré.es. Gillian est notamment connue pour son travail sur ORPHAN BLACK, ANNE WITH AN E et THE EXPANSE. Elle a remporté deux prix Écrans canadiens, un prix de la GCR et reçu onze nominations.

Il faut persévérer, toujours se mettre au défi.
Editcon 2021 Michelle Tesoro
Michelle Tesoro, ACE
Monteuse, LE JEU DE LA DAME

Conférences d'ouverture: en discussion avec Michelle Tesoro, CCE

Michelle Tesoro, ACE, is a master of drama, intrigue and suspense. From FRINGE to THE NEWSROOM, Michelle’s work shows a range of storytelling techniques. Join Paul Day, CCE, and Michelle Tesoro, ACE, as they discuss Michelle’s work, including her most recent feat of editing an entire mini-series, THE QUEEN’S GAMBIT.

Paul has been a picture editor for 25 years and has worked with such companies as Netflix, MGM, AMC, Showtime and many more. Some of his recent editing credits include ANOTHER LIFE, RANSOM, INTO THE BADLANDS, DARK MATTER and LOST GIRL. He is one of the Canadian Cinema Editors’ co-founders and currently sits on the National Board for the Directors Guild of Canada.

Cutting-edge picture editor Michelle Tesoro, ACE, is an industry rising star. Tesoro cut Netflix’s top-rated series THE QUEEN’S GAMBIT, Emmy-nominated series WHEN THEY SEE US, GODLESS, HOUSE OF CARDS, and HBO’s series THE NEWSROOM. She also cut features like Focus Features’ Supreme Court Justice Ruth Bader Ginsburg biography ON THE BASIS OF SEX, Participant Media’s SHOT CALLER, and SXSW’s Grand Jury Prize-winning film NATURAL SELECTION, which earned Tesoro the 2011 SXSW Award for Best Editing.

Me faire un café, m'asseoir à mon bureau et regarder les rushes : c'est ça le bonheur. Nous sommes tous.tes créatif.ve.s. Créer, c'est un besoin.
EditCon 2021 Stephen OConnell
Stephen O'Connell
Monteur, NORMAL PEOPLE:DES GENS NORMAUX

Table ronde: La télévision nous a sauvés - le passage au visionnement à la maison

Pour des spectateurs confus devant l’actualité mondiale, les histoires et les personnages sont plus cruciaux que jamais. Le monde du divertissement se transforme pour pouvoir combler des besoins sans précédent en matière de contenu captivant livré sur demande à un auditoire confiné. Comment cela changera-t-il les histoires que nous racontons et la façon dont nous les racontons? Des monteur.euse.s de séries complètement addictives nous parleront de la réception de leurs émissions en cette période particulière, de ce que ces histoires ont apporté à leurs auditoires et comment leur travail a été affecté par la pandémie.

Christopher Donaldson’s work as an editor spans an extensive variety of dramatic and documentary features and television. His credits include THE HANDMAID’S TALE for Hulu, AMERICAN GODS for Starz, PENNY DREADFUL for Showtime/SkyAtlantic, Atom Egoyan’s REMEMBER, Sarah Polley’s TAKE THIS WALTZ, THE KIDS IN THE HALL: DEATH COMES TO TOWN for CBC, and SLINGS & ARROWS for TMN/Showcase/Sundance Channel.

Amy started as an Assistant Editor on films like MY OWN PRIVATE IDAHO, CORRINA, CORRINA, and TO DIE FOR. She edited 20 features, including HIGH ART, LAUREL CANYON, ELEGY and Gus Van Sant’s remake of PSYCHO, and TV series such as DEXTER, THE KILLING, VIDA and most recently, HUNTERS. She is currently editing the limited series MARE OF EASTTOWN, starring Kate Winslet, for HBO. Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.

Multiple award-winning editor Wendy Hallam Martin is best known for her work on the Emmy and Golden Globe winning series, THE HANDMAID’S TALE. Wendy has received two Emmy nominations and won her first Emmy for the second season premier entitled “June”. She also won an ACE/Eddie award for the pilot, “Offred”. Her other work includes the critically acclaimed cable series AMERICAN GODS, MGM’s spy thriller CONDOR which she edited and co-produced, Showtime’s THE TUDORS, THE BORGIAS and QUEER AS FOLK, to name a few.

Born in Dublin, Ireland, Stephen has been editing drama & documentary across Europe for 25 years. His work spans time with U2 on music promos and documentaries in the 1990’s to television dramas for BBC, RAI, Amazon, Netflix, Starz, CBC, HULU, SKY amongst others. Projects include THE NAME OF THE ROSE, HOWARD’S END and NORMAL PEOPLE, to feature films VIVA, THE MAN WHO INVENTED CHRISTMAS, and MAUDIE for which he won the CSA award for best editing in 2018.

Laura Zempel grew up in Sacramento, CA and received a BFA in Film Production from Chapman University. She began her career in Film and TV as an assistant editor on DEXTER, and has gone on to edit HBO’s ROOM 104, EUPHORIA, and most recently AMC’s DISPATCHES FROM ELSEWHERE.

SALLES DE DISCUSSION

Adobe fera la présentation d’un démo interactif de Productions Premiere Pro pour les monteur.euse.s qui travaillent de façon indépendante, qui collaborent avec une équipe ou qui ont besoin de travailler à distance. Entièrement conçu avec la collaboration de grand.e.s réalisateur.trice.s et d’équipes de montage d’Hollywood, cette suite offre de nouveaux outils pour la gestion de projets, pour la répartition des tâches et pour une organisation optimale. Des versions antérieures de cette technologie ont été testées sur le terrain avec des productions comme MANK, TERMINATOR : SOMBRE DESTIN et DOLEMITE IS MY NAME.

Tucked away in a cabin in the woods, Geoffrey Boulangé and Sophie Deraspe set about editing the award winning film, ANTIGONE. In this session Geoffrey Boulangé discusses the processes that went into editing the film; including cutting while shooting; working in FCPX, and co-editing with director Sophie Deraspe.

Les nouveaux flux de travail représentaient déjà un défi, mais comment arrivons-nous à surmonter les difficultés mentales et physiques que présente le télétravail pendant une pandémie? Joignez-vous à cette table ronde de plusieurs membres de l’IATSE 891 pour discuter de ce que vous mettez en place pour rester motivé.e.s, pour prendre soin de votre santé mentale et physique (par exemple, ce que vous faites quand vous vous sentez déprimé.e.s) et pour communiquer avec votre équipe et garder les canaux ouverts. Nous parlerons aussi des changements dans la relation monteur.euse/assistant.e, des défis reliés aux horaires et à la gestion du temps de travail. Au cours des deux jours de l’EditCon, divers membres de l’IATSE 891, tant des monteur.euse.s que des assistant.e.s-monteur.euse.s se joindront à la discussion : Daria Ellerman, CCE, Gordon Rempel, CCE, Rehan Khokar et Lianne Oelke.

Les compétences requises pour être assistant.e-monteur.euse en animation sont différentes de celles d’un tournage conventionnel. Il n’y a pas de rushes à traiter et synchroniser, il faut plutôt bâtir des émissions, mettre à jour des épisodes et fournir du matériel utile et de l’inspiration aux artistes. La monteuse d’animation Merissa Tse puise dans son savoir et son expérience pour nous faire le portrait d’un.e bon.ne assistant.e-monteur.euse dans le domaine de l’animation.

La supervision de postproduction est souvent un mystère pour plusieurs. Qui fait ce travail, quel est-il et en a-t-on besoin sur chaque production? Venez entendre Nahid Islam dans cette discussion intime sur les coulisses de la postproduction; elle répondra à vos questions sur les secrets du métier.

Cette table ronde, animée par le monteur et monteur son Roderick Deogrades, se penchera sur l’importance du mentorat et sur la relation entre monteur.euse.s et assistant.e.s. Cette discussion interactive touchera divers sujets comme l’importance (de bien se former) de la formation, de donner au suivant et de se bâtir un réseau, de même que les avantages du mentorat tant pour l’assistant.e que pour le ou la monteur.euse.

Il s'agit de raconter une histoire, ce n'est pas une question de technique. Je veux créer un environnement propice et offrir aux assistant.e.s la chance de monter.
EditCon 2021 Rod Deogrades
Roderick Deogrades
Monteur et mentor

JOUR 2 : Tables rondes et conférences

Conférences d'ouverture: en discussion avec Jinmo Yang, ACE

Action, comedy, drama, romance, horror and thriller – Jinmo Yang, ACE’s outstanding body of work covers almost every genre in filmmaking. His mastery of pacing and tone is often on display as he rides the line between genres, from the action/comedy of LUCK-KEY, to the thriller/comedy PARASITE. Whether working on or off set Mr. Yang is truly a master of his artform. Multitalented moderator Sook-Yin Lee sits with Oscar-nominated editor Jinmo Yang, ACE for an in-depth conversation about the craft of Picture Editing.

Sook-Yin Lee is a Canadian filmmaker, musician, actor, and multimedia artist. The award-winning radio and TV broadcaster starred in John Cameron Mitchell’s ground- breaking LGBTQ movie, SHORTBUS, which premiered at Cannes. YEAR OF THE CARNIVORE, Leeʼs feature film debut as writer-director, premiered at TIFF. Sook-Yin won the 2014 Canadian Screen Award for Best Performance by a Lead Dramatic Actress for her role as “Olivia Chow” in JACK. Her movie, OCTAVIO IS DEAD! won Best Director and Best Picture awards at the Downtown LA Film Festival 2018. Her feature movie DEATH AND SICKNESS streams on CBC Gem in Canada.

Jinmo Yang est un monteur de cinéma sud-coréen primé qui a monté plus d’une douzaine de longs métrages, incluant les succès planétaires PARASITE, OKJA et DERNIER TRAIN POUR BUSAN. Avec PARASITE, du réalisateur Bong Joon-ho, M. Yang a obtenu une reconnaissance internationale, sous la forme notamment d’une nomination aux Oscars pour meilleur montage et un prix Eddie de l’ACE pour meilleur montage d’un long métrage de fiction. C’était la première fois qu’un film tourné dans une autre langue que l’anglais remportait ce prestigieux prix.

J'aime monter des films d'horreur. Surtout les histoires de fantômes...parce que c'est magique dans la salle de montage.
EditCon 2021 Michele Conroy
Michele Conroy
Monteuse, MAMA

TABLE RONDE: Fièvre et frissons - le montage des films noirs et d’horreur

La dernière année a été généreuse en événements anxiogènes, et pourtant les films de peur nous servent toujours autant de moyen d’évasion. Joignez-vous aux monteur.euse.s Michele Conroy (DANS LES HAUTED HERBES, UN SILENCE DE MORT, MAMA), Jeff Barnaby (BLOOD QUANTUM, RIMES POUR REVENANTS), Dev Singh (GHOSTLAND, BACKCOUNTRY) et à la modératrice Erin Deck (RABID) qui livreront leur vision du montage dans un genre qui nous divertit, mais qui joue aussi avec nos peurs et nos anxiétés.

Erin Deck est une monteuse de cinéma et de télévision. Son travail lui a valu plusieurs nominations et récompenses aux prix GCR, Écrans canadiens et CCE. Elle a notamment monté les séries télévisées ALTERED CARBON, INTO THE BADLANDS, GINNY & GEORGIA et KILLJOYS. Au cinéma, elle a entre autres travaillé sur RABID, OUR HOUSE, BIG SKY, LES 12 COUPS DE MINUIT et LA FORÊT.

Jeff Barnaby was born and raised on the rural Mi’gMaq reserve of Listuguj, Quebec. A multi-disciplined artist, he has won several awards for his artwork, pœtry, short stories, music and films. His work provides a bare-knuckled view of post-colonial Mi’gMaq life, defying stereotypical treatments of First Nations’ narratives by using horror/sci-fi tropes to explore themes of violence, gender, race and Indigenous futurism.

Michele Conroy is a veteran film and television editor. Her work has earned multiple DGC awards including: MAMA, POMPEII and SPLICE, which was produced by Guillermo del Toro and directed by long- time collaborator Vincenzo Natali. Other collaborations with Natali include the ensemble romance PARIS, JE T’AIME, NOTHING, GETTING GILLIAM, and most recently IN THE TALL GRASS. Other theatrical releases include LITTLE ITALY, THE GRIZZLIES, and GINGER SNAPS: UNLEASHED. Her TV credits include VIKINGS, PENNY DREADFUL, FLASHPOINT, and THIS IS WONDERLAND

I edit movies and television. I hold a BSc in Biochemistry from Queen’s, attended Ryerson’s Film Studies program, and was a resident at the Canadian Film Centre. I’ve been fortunate to work with many wonderful artists and it is a joy to count them amongst my friends and collaborators. My credits include the acclaimed Backcountry, PEOPLE OF EARTH, and PICTURE DAY. In theatres and festivals soon: CINEMA OF SLEEP and SPIRAL. I’m currently working on the RESIDENT EVIL reboot.

Jouer dans le carré de sable et créer cet espace dans la salle de montage est la meilleure façon d'offrir du soutien aux créateurs.
Christine Armstrong
Monteuse, #BLACKAF

TABLE RONDE: Briser le moule de séries TV

We’re currently experiencing a watershed moment for increased representation in storytelling. This year we’ve seen a wealth of stories originating from the BIPOC, LGBTQ2S and female perspectives that not only tackle tough topics surrounding mental health, addiction, sexual assault and racial prejudice, but also present powerful aesthetic and editorial triumphs. The editors behind I MAY DESTROY YOU, EUPHORIA, and #BLACKAF join us to discuss their groundbreaking work.

Shonna Foster est une réalisatrice, une créatrice et une productrice primée. Elle a obtenu un baccalauréat en théâtre de l’université York, où elle a étudié au Creative Ensemble Conservatory. Elle travaille actuellement comme réalisatrice, productrice et conseillère au scénario indépendante pour le cinéma, la télévision et le contenu de marque et elle siège depuis longtemps sur le CA de l’organisme BIPOC TV & Film.

Christine Armstrong is a picture editor splitting her time between Los Angeles and Toronto. She has edited a variety of feature films, television series, short films, web series and commercials. Armstrong’s recent work includes editing the series #BLACKAF (Netflix), BARBELLE (Amazon) and feature films SUGAR DADDY, MARY GOES ROUND and THE NEW ROMANTIC which premiered at SXSW and won the Special Jury Recognition for Best First Feature. She is currently editing the series RUTHERFORD FALLS (NBCUniversal/Peacock) starring Ed Helms.

Shannon Baker Davis is an award-winning television and film editor. She began her career in unscripted television on iconic and Emmy-winning shows such as TOP CHEF and PROJECT RUNWAY. Her feature film credits include collaborations with directors Stella Meghie (THE WEEKEND, THE PHOTOGRAPH), and Ali LeRoi (THE OBITUARY OF TUNDE JOHNSON). She has worked with creators Issa Rae (INSECURE), Ava DuVernay (QUEEN SUGAR), and Kenya Barris (GROWN-ISH, #BLACKAF).

Julio C. Perez, IV lives and works in Los Angeles, editing in both narrative and documentary. His feature film work includes Chad Hartigan’s award-winning THIS IS MARTIN BONNER, which screened at Sundance, and an ongoing collaboration with director David Robert Mitchell, editing THE MYTH OF THE AMERICAN SLEEPOVER, IT FOLLOWS, and UNDER THE SILVER LAKE which have all screened at Cannes. He has recently worked with director Sam Levinson on the series EUPHORIA, as well as the upcoming feature MALCOLM AND MARIE.

Christian is a film editor, and occasional screenwriter. His career started in the writers room and as editor on the surreal comedy series CAMPUS. Recent work includes I MAY DESTROY YOU, SALLY4EVER, LOVE WEDDING REPEAT, and the upcoming FROM DEVIL’S BREATH, directed by Orlando von Einsiedel (VIRUNGA/THE WHITE HELMETS). In 2018 he wrote and edited TO WENDY WHO KICKED ME WHEN I SAID I LOVE YOU, an off- beat, romantic short film which premiered at the London Film Festival.

SALLES DE DISCUSSION

En compagnie du monteur Ryan Morrison (STOWAWAY, ARCTIQUE) et de l’assistant-monteur Russell Anderson (MANK), nous allons examiner les défis que présente le travail à distance et comment ils ont réussi à les surmonter dans leurs plus récents projets.

As editors our jobs are constantly expanding, with more and more tools at our fingertips it’s important to keep our technical skills as sharp as can be. Editing and co-ordinating with VFX can be daunting at times, but it’s always important to get it right. Editor Christopher Malanchen shares some tips, tricks and best practices that he learned from editing on Vice’s THE DEVIL YOU KNOW (Season 2) and Cooking Channel’s BITCHIN’ KITCHEN and from his tenure as the VFX Editor for BIG LITTLE LIES (Season 2).

Les nouveaux flux de travail représentaient déjà un défi, mais comment arrivons-nous à surmonter les difficultés mentales et physiques que présente le télétravail pendant une pandémie? Joignez-vous à cette table ronde de plusieurs membres de l’IATSE 891 pour discuter de ce que vous mettez en place pour rester motivé.e.s, pour prendre soin de votre santé mentale et physique (par exemple, ce que vous faites quand vous vous sentez déprimé.e.s) et pour communiquer avec votre équipe et garder les canaux ouverts. Nous parlerons aussi des changements dans la relation monteur.euse/assistant.e, des défi s reliés aux horaires et à la gestion du temps de travail. Au cours des deux jours de l’EditCon, divers membres de l’IATSE 891, tant des monteur.euse.s que des assistant.e.s-monteur.euse.s se joindront à la discussion : Mauri Bernstein, Sabrina Pitre, Gloria Mercer et Kelvin Tseng.

Every production starts with a solid plan but step by step as each phase inches closer and closer to being received by an editor’s invisible hand, that plan will unravel. Even if it is due to a global pandemic, it is on the editor to shift gears, to persevere for the story and aim to produce beyond what was undone. Let us discuss how we do this. Join the editor behind THE NATURE OF THINGS episode “The Covid Cruise” for a conversation about filmmaking in the Covid era.

Join editors Adam Phipps and Francis Laliberte, as they discuss the post-process for AMPLIFY, a 13-part documentary series about Indigenous musicians creating new works. Each episode features a different songwriter working through the creative process in-studio, while revealing how they personally relate to their new song. Further insight is brought to bear as Indigenous experts weigh-in on the deeper meaning of the song’s inspiration. All of this … on FCPx … seriously!

Cool heads, quick wits and sharp technical knowledge are just some of what is needed to be a great Assistant Editor. They are the lifeblood of post-production and our guests are at the top of their game. Join the Assistant Editors behind some of Canada’s most anticipated films from 2020: POSSESSOR, PERCY, and FUNNY BOY, as they discuss their approaches, challenges and answer your questions.

Dès l'instant où quelqu'un se sent moins seul grâce à une chose que j'ai faite, je me dis que j'ai accompli mon travail.
Editcon 2021 Julio Perez
Julio C. Perez IV, ACE
Monteur, EUPHORIA
FÉLICITATIONS AUX GAGNANT.E.S DU TIRAGE
Adobe_2024_SPON

2 X 1 ABONNEMENT D'UN AN À LA SUITE ADOBE CREATIVE CLOUD

Matt Lyon | Samantha van der Bent
Black Magic Design Logo Sponsor

1 CLAVIER DE MONTAGE BLACKMAGIC DESIGN

Varunraj Gandhi

1 LICENCE DE DAVINCI RESOLVE STUDIO

Shelley MacLean

Boris FX Logo Sponsor

3 X 1 ABONNEMENT D’UN AN À LA SUITE BORIS FX

Joel Varickanickal | Rob Chandler | Jim Page

2020 New CCE Logo

2 X 1 ABONNEMENT D'UN AN AU CCE

Majda Drinnan | Nupur Desai

Remerciements à nos comités et bénévoles :

Comité de la programmation de l'EditCon :

Maureen Grant

Rick Bartram

Stephen Philipson, CCE

Comité de l'EditCon

Rick Bartram

Maureen Grant

Jennifer Kidson

Jane MacRae

Isabelle Malenfant, CCE

Stephen Philipson, CCE

Sarah Taylor

Comité des communications du CCE :

Pauline Decroix

Jennifer Kidson

Jane MacRae

Stephen Philipson, CCE

Simone Smith

Sarah Taylor

Bénévoles de salles de discussion:

Rick Bartram

Chris Coulter

Lesley Mackay Hunter

Isabelle Malenfant

Trevor Mirosh

Amanda Mitro

Chris Mutton

Remerciements à notre équipe CCE :

Responsable des opérations du CCE :

Alison Dowler

Spécialiste des communications du CCE :

Nancy Kenny

Remerciements à notre équipe chargée de l'événement :

Coordinatrice de l'EditCon :

JoAnn Alafriz

Conception graphique et stratégie de marque pour l'EditCon :

Frances Limfat

Site Web :

Conception et réalisation du site web du CCE :

Jennifer Kidson

À propos de l’EditCon

février 2021

en ligne

Catégories
Événements passés

En discussion avec Myriam Poirier, CCE

En discussion avec Myriam Poirier, CCE
le 19 janvier 2021

Cet événement a eu lieu le 12 janvier 2021

Conférence en français  /  Presented in French

Myriam Poirier signe le montage et la conception sonore du film 14 jours, 12 nuits, de Jean-Philippe Duval. Nous parlerons avec elle de son double rôle sur ce projet, qui lui a permis de renouer avec le travail de monteuse sonore, qu’elle a exercé au début de sa carrière. Ce somptueux film, tissé tout en finesse, nous démontre l’importance accordée au langage tant visuel que sonore d’un film.

L’événement sera animé par Isabelle Malenfant, CCE.

Isabelle Malenfant nourrit une passion pour les histoires dramatiques, mais aussi un intérêt pour les projets qui la poussent à apprendre de nouvelles techniques. C’est cette curiosité qui l’a amenée à toucher à la comédie (Steak, Dans Une Galaxie Près de Chez Vous 2, Fabuleuses), aux projets d’effets spéciaux (Assassin’s Creed, Watch Dogs), et à l’animation (Mune, The Procession). Fidèle collaboratrice de Francis Leclerc, elle a travaillé avec lui sur le populaire sitcom Les beaux malaises, les séries Le Phoenix, Marche à l’ombre et Mon meilleur ami, de même que sur les longs métrages Pieds nus dans l’aube et L’arracheuse de temps. Elle a aussi travaillé aux côtés des réalisateur.trice.s Yves Simoneau, François Jaros, Louise Archambault, Quentin Dupieux, Olivier Asselin et Mélanie Charbonneau. Elle a souvent été en nomination aux Gémeaux, aux Jutra de même qu’aux prix CCE. En 2018, elle a remporté le prix CCE pour meilleur montage d’un long métrage avec Pieds nus dans l’aube. Elle aime être impliquée sur le CA du CCE pour mettre en lumière le talent des monteur.euse.s québécois.e.s lors des événements francophones et échanger à propos de notre art créatif avec le reste de la communauté du CCE.

Myriam Poirier, CCE, cumule près de 35 ans d’expérience en montage. Après des débuts en tant que monteuse sonore, elle se consacre uniquement au montage autant en documentaire qu’en série télévisée et long-métrage de fiction. Parmi les oeuvres auxquelles elle a collaboré, on note entre autres les documentaires “Citizen Lambert : Jeanne d’Architecture” et les docu-séries “Marché Jean-Talon”, “École de danse” et “Manifestes en série”; les séries dramatiques “Belle Baie”, “Prozac”, “Mensonges”,” L’imposteur”, “Fugueuse” et “Unité 9”; les films “La chasse-galerie ” et “14 jours, 12 nuits”. Plusieurs de ces projets sont le fruit de son étroite collaboration avec le réalisateur Jean-Philippe Duval. Elle a aussi mis son talent artistique à contribution auprès de Renée Blanchar, Teri Wehn-Damisch, Éric Tessier et Yan Lanouette-Turgeon.

Merci à nos commanditaires

À propos de l'événement

janvier 2021

19h HNE

Canada

Catégories
Événements passés

Editing Seduced: Inside the NXIVM Cult with Inbal B. Lessner, ACE and Gillian McCarthy

Editing Seduced: Inside the NXIVM Cult with Inbal B. Lessner, ACE and Gillian McCarthy
le 12 janvier, 2021

Cet événement a eu lieu le 12 janvier 2021

Presented in English / Présenté en anglais

Seduced: Inside the NXIVM Cult chronicles the extraordinary and harrowing journey of India Oxenberg – the daughter of Hollywood actress Catherine Oxenberg and a descendant of European royalty – who was seduced into the modern-day sex-slave cult NXIVM. More than 17,000 people, including India, enrolled in NXIVM’s “Executive Success Programs,” a front for the cult and a hunting ground for its leader, master predator Keith Raniere. Women in DOS, a secret master-slave society within NXIVM, were sex-trafficked and branded with a cauterizing iron. Both about a mother trying to save her daughter and recovery from trauma, the series follows India’s seduction, indoctrination, enslavement, escape – and her role as “co-conspirator” in assisting the U.S. government with bringing down Raniere and his criminal enterprise. In addition to being a rigorous and unsparing examination of India’s abuse and her own culpability, it explores how India and a chorus of other women are still grappling to make sense of their experience. The series also showcases extensive insider footage and exposes the inner circle of enablers around Keith Raniere.

This series is about women by women. It had women in all key positions, and they took great care in creating an environment for the cult survivors who shared their stories, in which they felt supported before, during and after filming. We will discuss the ins and outs of shaping such a complex and sensitive story and the challenges that Inbal and Gillian came across in the edit suite.

Seduced: Inside the NXIVM Cult is available on Crave in Canada and on the Starz app almost anywhere else, a secure link will also be shared with people who RSVP! This talk will be moderated by Sarah Taylor.

Sarah Taylor is award-winning editor with over eighteen years of experience. She has a passion for storytelling and has cut a wide range of documentaries, corporate videos, television programs, and full length feature films. Her work has been seen in festivals around the world including Sundance. She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut.

Inbal B. Lessner, ACE, is an Emmy® and Eddie-nominated editor and producer. On her latest project, “SEDUCED: Inside the NXIVM Cult,”  which she co-created with her filmmaking partner, Director Cecilia Peck, she takes on the roles of Lead Editor, Writer and Executive Producer. This four-part documentary series, premiering on STARZ, follows one young woman’s perilous journey through the dark and criminal world of NXIVM, the notorious self-help-group-turned-sex-slave-cult. 

Inbal and Cecilia Peck’s last collaboration was the Emmy-nominated feature documentary Brave Miss World, which debuted on Netflix in 2014. It is the story of an Israeli beauty queen, who was raped seven weeks prior to her winning the Miss World pageant, and her crusade to reach out to fellow survivors while trying to keep her own rapist behind bars. 

In 2019, Inbal edited and co-produced “The Movies: The Golden Age,” executive produced by Tom Hanks, Gary Goetzman and Mark Herzog. This was the latest in her 4-year-long collaboration with the team that produced CNN’s Emmy-nominated “Decades” series. Inbal has edited seven episodes in the series and was nominated for an ACE Editing Award for “The Nineties: Can We All Get Along.”

Inbal’s editing credits include ReMastered: The Two Killings of Sam Cooke (Netflix Original, Dir. Kelly Duane), nominated for an Outstanding Documentary NAACP Image Award, and Autism: The Sequel, (HBO, Dir. Tricia Regan), a follow-up to the Emmy-winning Autism: The Musical (2007). She edited and co-produced the internationally acclaimed, award-winning, I Have Never Forgotten You, about Nazi hunter Simon Wiesenthal.  Inbal also directed the docudrama Night Bites and was second-unit producer on the HBO/ARTE documentary Watermarks.

Over the course of her career, Inbal has worked in the cutting rooms of directors such as Davis Guggenheim (Teach), R.J. Cutler (“American Candidate”), Kief Davidson and Daniel Junge (A Lego Brickumentary), Jeremy Simmons (“Transgeneration”), Tracy Droz Tragos (Be Good, Smile Pretty) as well as Natalie Portman’s feature directorial debut (A Tale of Love and Darkness). 

Inbal began making films when she was in high school and later produced training films for the Israeli Defense Forces.  At NYU, she was the recipient of the prestigious, merit-based, WTC Johnson Fellowship, awarded to one student filmmaker a year.  Since moving to Los Angeles, Inbal has edited hundreds of hours of non-scripted network and cable television shows. She was also a Visiting Professor at UNCSA Film School, and a mentor in the Karen Schmeer Diversity in the Edit Room Program.

Gillian McCarthy is an accomplished editor whose creative style combines compelling storytelling with a cinematic sensibility.  Her feature documentary credits include the Oscar nominated Operation Homecoming: Writing the Wartime Experience, Girl Rising, and Above and Beyond: 60 Years of NASA. Her television credits include work for ABC, PBS, Showtime, STARZ, Discovery and OWN.  She learned her craft working in the most precise form of visual storytelling, the television commercial, editing countless national campaigns in New York and Toronto.  A dual American and Canadian citizen, she lives in Los Angeles.

Merci à nos commanditaires

À propos de l'événement

janvier 2021

17h HC

Canada

Catégories
Articles Événements passés

The 10th Annual CCE Awards Nominees and Winners

10e prix CCE
Virtual Edition

Award Nominees & Winners

Kevin Pavlovic, David Ian Salter, Ellery VanDooyeweert & Emma DuPell – The Addams Family. *WINNER*

Isabelle Malenfant, CCE – The Procession

Joycelyn Poon & Brian Karn – The Most Magnificent Thing

Lesley Mackay Hunter – Arctic Dogs

Orion McCaw, Gina Pacheco & Michael Hillmer – Carmen Sandiego: The Daisho Caper

Chelsea Bennett & Clark Masters – White Space *WINNER*

Kyle Sanderson – Pugly

Rachel Guergis – This Ink Runs Deep

Robert Swartz, CCE – The Impossible Swim

Sonia Godding Togobo – Mr. Jane and Finch

Nick Hector, CCE – Prey *WINNER*

Carole Larsen – She Walks With Apes

Cathy Gulkin, CCE & Kathryn Lyons – Margaret Atwood: A Word after a Word after a Word is Power

Danny Palmer – Rat Park

Eamonn O’Connor & Daniel Roher – Once Were Brothers: Robbie Robertson and The Band

Pauline Decroix – Ma Dame au Camélia *WINNER*

Amélie Labrèche – Jaeborn by Numbers

Mahi Rahgozar – Wiisgaapte (Bitter Smoke)

Maureen Grant – It’s Nothing

Yvann Thibaudeau – Delphine

Dave McMahon – Hip Hop Evolution: Pass the Mic *WINNER*

Cameron Nixdorf – Vacations of the Brave: Tamika &Cleve

Peter Denes – Children of the Snow: The Darkest Winter

Ben Kaplan & Clark Masters – Dark Side of the Ring: The Last of the Von Erichs

Steve Taylor – Hip Hop Evolution: The Dirty South

Colin Waugh – Renewable: Youth for Climate *WINNER*

Ben Lawrence – Tokens: Episode 3

Micah Rix-Hayes – The Ninth: The Balk

Sam Thomson & Thom Smalley – Save Me Season 2: Birdie’s End

Thom Smalley & Sam Thomson – Save Me Season 2: Animal

Michelle Szemberg – Northern Rescue: Qué Sera *WINNER*

Daniel Sadler – Northern Rescue: Making Lemonade

Lauren Brandon – Holly Hobbie: A Whole New Holly

Lee-ann Cass – Christmas Chalet

Sabrina Pitre – Kim Possible

Michael Tersigni, CCE & Andrew Gurney – The Brigade: Race to the Hudson, Against the Current *WINNER*

Andrew Gurney – Blown Away: Dual Intent

Andrew Gurney, Mike Scott & Michael Tersigni, CCE – The Brigade: Race to the Hudson, All or Nothing

Jonathan Dowler, David Yenovkian, Lisa Barley, Olivia Shin & Michael Tersigni, CCE – The Amazing Race Canada: Clamageddon Continues

Mike Scott – Blown Away: Body Parts

Christopher Minns – Cavendish: House of Wax *WINNER*

Aren Hansen – Kims Convenience: Cutie Pie

John Nicholls, CCE – Little Dog: Round Eight

Jonathan Eagan – Workin’ Moms: Birth Daze

Matthieu Bouchard & Olivier Binette – Like-Moi: Episode 35

Matthew Anas – Cardinal: By The Time You Read This: Sam *WINNER*

James Ilecic, CCE – The College Admissions Scandal

Lara Mazur, CCE – The Knight Before Christmas

Richard Rotter – Damaged

Stephen Roque – Mary Kills People: Wolf, Meet Henhouse

Ashlee Bishop – Cosmo (Sheridan College)

Brad Wickman – Passion of the Poster (Humber College)

Emerson Chan – Hang Up (Sheridan College)

Glenn McGarry – Anemone (Sheridan College)

Yasmeen Tayara – The Repeal (Humber College)

Wendy Hallam Martin, CCE – The Handmaid’s Tale: Mayday

Ana Yavari – The Handmaid’s Tale: Witness

Carina Baccanale – Les Pays d’en haut: #37

Christopher Donaldson, CCE – The Handmaid’s Tale: Night

D. Gillian Truster, CCE – Anne with an E: A Strong Effort of the Spirit of Good

Amélie Labrèche, Myriam Verreault & Sophie Leblond – Kuessipan *WINNER*

Carina Baccanale & Cedric Coussy – Jouliks

Isabelle Malenfant, CCE – Fabuleuses

Véronique Barbe, CCE & Aisling Chin-Yee – The Rest of Us

Yvann Thibaudeau – Target Number One

Lara Mazur is an award-winning Canadian fi lm and television editor. Lara approaches the craft of editing as a collaborative effort, weaving artistry and performance into the fabric of the story. She began her career as an apprentice editor with the National Film Board of Canada in Winnipeg, and, for over three decades, has moved seamlessly between documentary and scripted stories. Lara has collaborated with some of Canada’s top directors and producers, bringing stories with universal themes to audiences around the world on shows such as: Chris Haddock’s DaVinci’s Inquest et Intelligence; Strange Empire et Arctic Air; Norma Bailey’s Daughters of the Country, Bordertown Café et The Pastor’s Wife; No One Would Tell et Van Helsing – all receiving award nominations for editing.

On the television series Flashpoint, Lara received a DGC Award and a Gemini nomination. On Anne Wheeler’s feature film Suddenly Naked, she received a Genie award, and three nominations for editing on Rachel Talaley’s television movie On the Farm. In recognition of her body of work, Lara received an award from Women in Film and Television. Lara continues to mentor many emerging filmmakers and give valued advice to many seasoned storytellers. Currently, Lara is editing a movie for Netflix.

The 10th Annual CCE Awards Event Gala

In a career that has spanned over forty years, Fred Brennan has become one of Canada’s preeminent dialogue and supervising sound editors. He has worked on many Canadian feature films, major international co-productions and hundreds of hours television. His many awards include Genies and Geminis, recognition by The Director’s Guild of Canada and the Motion Picture Sound Editor’s Guild in Los Angeles. Some of Fred’s credits include Littlest Hobo, American Psycho, Call Me Fitz, Barney’s Version et Pompéi.

Catégories
Événements passés

Behind the Screen Series

Behind-The-Screen

We have held three L’Envers de l’écran events so far. The first was with Simone Smith as she talked about her work on Firecrackers. Our second was with Mark Arcieri as he discussed Workflow from Prep to Delivery and our third one was with Konstantin Bock for his work on the film Capernaum.

These events took across around the world from Germany, to Australia and other parts of the globe. Hosting Zoom events has really been a great opportunity to connect with others. With thanks to our speakers Simone Smith, Mark Arcieri and Konstantin Bock and also to our moderators Maureen Grant and Dody Dorn, ACE.

We have two upcoming L’Envers de l’écran Events:

June 21st: Behind the Screen – Queering the Script

June 30th: Behind the Screen – Avid ScriptSync & PhraseFind

Behind the Screen Series
Catégories
Événements passés

Fundamentals of Freelancing Event – March 7th

Fundamentals of Freelancing
2020 Course

Fundamentals of Freelancing Event Review

On Saturday March 7th, 2020 the CCE held the Fundamentals of Freelancing Event. The day started out with a presentation on taxes with Sunny Widerman. She delivered a well informed presentation and had the crowd engaged with her knowledge and humor (who knew taxes could be fun!) The second part of the event were Round Table discussions. Our guests got to participate in 5 different discussion topics. Again, our round table hosts were well informed, engaging and happy to answer all the questions (so much so, that it made it hard to get groups to move on to the next table as everyone were deep in conversation).

Thank you to our round table hosts: Ricado Acosta, CCE (Deals in Factual), Erin Deck, CCE (Navigating Genre), Michelle Szemberg (Work/Life Balance), Dev Singh (Career Strategy) and Sunny Widerman (Taxes).

We would also like to thank eOne for hosting our event.

À propos de l'événement

The Canadian Cinema Editors is proud to present EDITCON 2020, the third annual day-long conference on the art of picture editing, on Saturday February 1st, 2020 at the TIFF Bell Lightbox in Toronto. This year, we are very excited to welcome master editor Susan Shipton for an in-depth discussion of her work. The day will also feature panel discussions on editing comedy, theatrical films, and unscripted programming, with some of Canada’s top editors sharing a wealth of knowledge and experience. Admission will include a welcome breakfast, lunch, and a post-panel social and networking session, as well as raffles and giveaways from our sponsors. Earlybird tickets go on sale for CCE Members starting November 28, with general admission available for non-members and students on December 16.

March 2020

8:30am - 11:00pm

134 Peter Street, Toronto

fr_CAFR

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