Le Festival international de films Fantasia
Le CCE est un fier commanditaire du Festival international de films Fantasia. John-Daniel Arauz qui a monté le court métrage KITTY THE VIPER a remporté le prix du meilleur montage des Monteurs et Monteuses de cinéma canadien. Félicitations à John-Daniel et nous avons hâte de voir ce que l'avenir lui réserve. John-Daniel Arauz qui a monté le court métrage KITTY THE VIPER a remporté le prix du meilleur montage des Monteurs et Monteuses de cinéma canadien. Félicitations à John-Daniel et nous avons hâte de voir ce que l'avenir lui réserve.
Annie Ilkow is a Montreal-based editor whose recent work includes Ghosts (CBS, single-camera comedy), TRANSPLANT (2 seasons, for NBC/CTV), and BLOOD & TREASURE (2 seasons, CBS action-adventure). She also edited the critically-acclaimed drama 19-2, the seminal DURHAM COUNTY. A graduate of the film program at Concordia University, she earned her MFA in Cinema at the University of East Anglia, UK. 
Born in BC, Raised in NS, calls Halifax home since 1998. Met Mike Clattenburg and edited his low budget feature TRAILER PARK BOYS in 1999. Since then has been doing anything TRAILER PARK BOYS related. Started editing things with Cory Bowles whenever our schedules allowed. Married with three kids and owns and operates Digiboyz Inc. (Post Production) since 2001.
Award winning film and television editor Lisa Binkley began her career in post-production after having studied theatre and film production at U.B.C. She graduated from the Media Resources Program at Capilano University. Since then she has worked on numerous feature films, MOWs and television series.
Roderick is an award-winning Picture and Sound Editor who has worked in the film industry for over twenty years. His extensive knowledge of both sides of the post equation has proven invaluable. His experience in feature films, TV series, shorts and documentaries has established him as one of the industry’s most sought-after collaborators. On the picture side, he is known for his work on STILL MINE (2012), VICTORIA DAY (2009) and ONE WEEK (2008). For television, he has edited THE EXPANSE (Season 3 to 6), KILLJOYS (Season 4 & 5), and Chapelwaite (2021). He picture edited acclaimed documentaries such as 100 FILMS & A FUNERAL (2007), THE GHOSTS IN OUR MACHINE (2013), DAVID & ME (2014) and SILAS (2017). His sound editing work includes SPLICE (2009), PASSCHENDAELE (2008) and SILENT HILL (2006). He is currently picture editing the series BILLY THE KID.
Sarah Taylor is an award-winning editor with over eighteen years of experience. She has a passion for storytelling and has cut a wide range of documentaries, corporate videos, television programs, and full length feature films. Her work has been seen in festivals around the world including Sundance. She is a member of the Directors Guild of Canada (DGC) and is the host of the CCE podcast The Editor’s Cut.
Writer/Director/Producer Jessie Anthony is a proud Haudenosaunee woman from the Onondaga Nation, Beaver clan, born and raised on the Six Nations of the Grand River Territory in Ontario Canada. Jessie is a graduate of the Indigenous Independent Filmmaking Program and Bachelor of Motion Picture Arts Degree from Capilano University. Jessie is a Telefilm Talent to Watch winner for her first feature film titled “Brother, I Cry” which won the 2020 BC Emerging Filmmakers Award at the Vancouver International Film Festival and picked up the Audience Choice Award in the 2020 imagiNative Film Festival. She is currently in post-production with the series QUERENCIA which won the imagineNATIVE Pitch Competition, gaining a broadcast deal with APTN/The Bell Fund.
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