Catégories
The Editors Cut

Episode 013: The Bigger Picture – Editing & Mental Health

Episode 013: The Bigger Picture: Editing & Mental Healthon Animation Editingson


Episode 013: The Bigger Picture - Editing & Mental Health

In this episode we are taking some time to focus on the mental and overall health of editors. Laura Di Vilio a registered psychotherapist and Zack Arnold, ACE, offer us a wealth of information on how we can live happier and more productive lives both in and out of the edit suite.

Laura Di Vilio a registered psychotherapist

Laura Di Vilio

Laura has been working as a psychotherapist for over 25 years and her experience has taught her how best to help clients gain insight, healing and inspiration. She uses a relational approach to depth-oriented psychotherapy which facilitates deep, lasting change. Laura is based in Toronto, Ontario.

Zack Arnold, ACE

Zack Arnold, ACE

Zack Arnold, ACE, is an award-winning Hollywood film and television editor based in LA. You can see his work on Cobra Kai, Empire, Burn Notice, Shooter and Glee, just to name a few. He is also a documentary director, and creator of the Optimize Yourself program and podcast. He helps editors work smarter and not harder so they can do the best creative work they?re capable of… without sacrificing their sanity in the process.

Laura has been working as a psychotherapist for over 25 years and her experience has taught her how best to help clients gain insight, healing and inspiration. She uses a relational approach to depth-oriented psychotherapy which facilitates deep, lasting change. Laura is based in Toronto, Ontario.

Resources from Laura: Apps to help with depression and anxiety

SuperBetter & SuperBetter at Work were developed by a game designer Jane McGonigal to help with her concussion symptoms. She uses games to improve psychological well- being. See her Ted Talk. She also has a book by the same name.

Headspace meditation app that makes meditating easy. They provide really good meditation instructions as well as meditations that are as short as one minute.

Happify claims that its games can help increase your happiness and reduce stress while teaching you life-changing habits.

Sanvello provides space for you to track your moods, health, and habits, offering relaxation techniques and mindfulness exercises tailored to your specific needs. It also offers curated audio exercises to deploy if you are having a panic attack.

Worry Watch helps you track your mental state over time by asking you first to write down the cause of your stress, and later asks you to return to the app to reflect on the worry and note whether the ultimate outcome was good or bad.

TalkSpace matches users with licensed therapists in their area almost instantly.

In its own words, the goal of brain.fm, an app developed in consultation with neuroscientists, is ?unlocking music?s potential to influence cognitive states.?

Books for dealing with anxiety and depression:

Books for dealing with work drama:

The School of Life is a global organization helping people lead more fulfilled lives. A resource for helping people understand themselves, for improving relationships, careers and social lives. They do this through films, workshops, books and gifts – as well as through a warm and supportive community which you can connect to on their app.

Resources from Zack:

Ultimate Guide to Optimizing Your Creativity (And Avoiding Burnout)

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Bryan Atkinson

James Vandewater

Katie Chipperfield

Krysia Szyszlo

Alison Dowler

Jane MacRae

Hosted and Produced by

Sarah Taylor

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Catégories
The Editors Cut

Episode 014: Films Making a Difference Cutting Content with an Important Social Message

Episode 014: Films Making a Difference Cutting Content with an Important Social Message

Episode 014: Films Making a Difference - Cutting Content with an Important Social Message

This is part one of our four-part series covering EditCon 2019.

The EditCon 2019 series was generously sponsored by Deluxe

Episode 014: Films Making a Difference Cutting Content with an Important Social Message

Unarmed Verses et Sgaawaay K’uuna (Edge of the Knife) are films that have intertwined themes of social justice into compelling stories, bringing important social messages to the screen in their respective genres of narrative and documentary film.

Meet editor Andres Landau and producer Lea Marin of Unarmed Verses and editor Sarah Hedar and director Helen Haig-Brown of Sgaawaay K’uuna (Edge of the Knife). The duos behind both of these films discuss the process of collaboration, sensitivity approaching the subject matter, and what each role contributes to the crafting of a powerful narrative. This panel was moderated by Michèle Hozer, CCE. Unarmed Verses (Trailer) from NFB/marketing on Vimeo.

Unarmed Verses

Sgaawaay K'uuna (Edge of the Knife)

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Maureen Grant

the EditCon Committee

Alison Dowler

Jane MacRea

Boris FX

Hosted and Produced by

Sarah Taylor

EditCon 2019 Panels Recorded by

Jason Kanoza

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Deluxe

Catégories
The Editors Cut

Episode 015: Frame by Frame A Primer on Animation Editing

Episode 015: Frame by Frame A Primer on Animation Editingson


Episode 015: Frame by Frame A Primer on Animation Editing

This is part two of our four-part series covering EditCon 2019.

The EditCon 2019 series was generously sponsored by Deluxe.

Learn from Canada?s leading animation editors about the critical role they play in crafting animated films.

How does the process differ from editing live action?

At what point does the editor?s work start?

What does the collaboration look like with team members and the director?

These questions and more will be answered in this lively group discussion with Paul Hunter and Lesley Mackay Hunter.

This panel was moderated by Chris Mutton.

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Maureen Grant

the EditCon Committee

Alison Dowler

Jane MacRae

Annex Pro & Avid

Animé, produit et monté par

Sarah Taylor

EditCon 2019 Panels Recorded by

Jason Kanoza

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Deluxe

Catégories
The Editors Cut

Episode 016: Behind the Cut

Episode 016: Behind the Cut


Episode 016: Behind the Cut

This is part three of our four part series covering EditCon 2019.

The EditCon 2019 series was generously sponsored by Deluxe

In this masterclass, award-winning editor Ron Sanders, CCE will be sharing insight from his career, notably his work with celebrated director David Cronenberg. Their collaboration spans 19 films, for which he won four Genie Awards for Excellence in Film Editing and three Best Editor Awards from the Directors Guild of Canada. Ron discusses scenes from Eastern Promises, A History of Violence, A Dangerous Method et Maps to the Stars. This panel was moderated by Jim Allodi.

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Maureen Grant

the EditCon Committee

Alison Dowler

Jane MacRae

Annex Pro & Avid

Hosted and Produced by

Sarah Taylor

Monté par

Chris Coulter

Recorded by

Jason Kanoza

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Deluxe

Catégories
The Editors Cut

Episode 017: This Year In Dramatic Film

Episode 017: This Year In Dramatic Film

Episode 017: This Year In Dramatic Film

This is part four of our four-part series covering EditCon 2019.

In this episode we will hear from indie feature editors Michelle Szemberg of Un Traductor, Christine Armstrong of The New Romantic and Isabelle Malenfant, CCE of Pieds nus dans l’aube. There?s no formula to a festival hit, but these three editors, each with a recent feature film on the circuit, shed light on their respective experiences.

This panel discussion, moderated by Lisa Grootenboer, CCE, focuses on their careers in indie film, their process in editing these films, getting a festival run, and what lies ahead.

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Jane MacRae

Cathy Gulkin

Hosted and Produced by

Sarah Taylor

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Vancouver Short Film Festival

Catégories
The Editors Cut

Episode 018: Meet the CCE

Episode 018: Meet the CCE

Episode 018: Meet the CCE

Meet the current executive and the past founders of the CCE.

This episode was generously sponsored by Post City Picture and Sound

In this episode Sarah Taylor sits down with the founding members of the Canadian Cinema Editors Paul Day, CCE, Roger Mattiussi, CCE and Paul Winestock, CCE as well as the current CCE president and vice president Stephen Philipson, CCE and Jane MacRae. We discuss where the CCE came from, where we are currently and what we hope for the future of the CCE.

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Jane MacRae

Paul Day, CCE

Roger Mattussi, CCE

Paul Winestock, CCE

Stephen Philipson, CCE

Hosted and Produced by

Sarah Taylor

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Vancouver Short Film Festival

Catégories
The Editors Cut

Episode 019: Interview with Dean Balser, CCE

Episode 019: Interview with Dean Balser, CCE

Episode 019: Interview with Dean Balser, CCE

In this episode Sarah Taylor sits down with the 2019 Lifetime Achievement Award Recipient Dean Balser, CCE.

This episode was generously sponsored by Post City Picture and Sound.

Interview with Dean Balser, CCE

Dean worked on the series The littlest Hobo, Night Heat and countless dramas, comedies, documentaries and factual programs. He was at the forefront of the evolution of editing from film to digital, working on the most advanced editing platforms of the day, including being an early user of Avid systems.

Dean became acclaimed not only for his editing work, but also for his role as a friend and mentor to many in the industry.

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Jane MacRae

Dean Balser, CCE

Hosted and Produced by

Sarah Taylor

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Post City Picture and Sound

Catégories
The Editors Cut

Episode 020: FAST HORSE Q&A with Sarah Taylor

Episode 020: FAST HORSE Q&A with Sarah Taylor

Episode 020: FAST HORSE Q&A with Sarah Taylor

This episode is a Q&A with Sarah Taylor that took place in March 2019 in Edmonton, Alberta about the short documentary FAST HORSE.

Sarah Taylor from Edmonton, Alberta chapter, editor of Fast Horse

FAST HORSE follows the return of the Blackfoot bareback horse racing tradition in a new form: the Indian Relay. Siksika horseman Allison Red Crow struggles to build a team with second-hand horses and a new jockey, Cody Big Tobacco, to take on the best riders in the Blackfoot Confederacy at the Calgary Stampede.

The Q&A was moderated by fellow editor Brenda Terning. If you would like to see FAST HORSE there is a screening on November 20th in Toronto, Ontario at the TIFF Lightbox Theater or you can watch it on Vimeo where it recently received a staff pick.

SUNDANCE FILM FESTIVAL 2019, ?Special Jury Prize for Direction? 2020

CINEMA EYE ?SHORTS LIST? Nominee

TRAVERSE CITY FILM FESTIVAL 2019, ?Best Short Documentary?

SEATTLE INTERNATIONAL FILM FESTIVAL 2019, ?Special Jury Mention?

Sarah Taylor from Edmonton, Alberta chapter, editor of Fast Horse
Sarah Taylor from Edmonton, Alberta chapter, editor of Fast Horse
Sarah Taylor from Edmonton, Alberta chapter, editor of Fast Horse

IMAGINATIVE FILM FESTIVAL 2019, ?Best Short Documentary?

MAORILAND FILM FESTIVAL 2018, ?Best Short Documentary?

BANFF MOUNTAIN FILM FESTIVAL 2018, ?World Tour Selection?

YORKTON FILM FESTIVAL 2019, ?Best of the Festival? & ?Best Short Documentary?

Director: Alexandra Lazarowich

Producer: Niobe Thompson

Composer: Jonathan Kawchuk

Cinematography: aAron Munson, Daron Donahue, Sergio Olivares

Executive in Charge of Production, CBC Docs: Lesley Birchard.

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Jane MacRae

Brenda Terning

Hosted and Produced by

Sarah Taylor

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Catégories
The Editors Cut

Episode 021: Interview with Cathy Gulkin, CCE

Episode 021: Interview with Cathy Gulkin, CCE

Episode 021: Interview with Cathy Gulkin, CCE

In this episode Sarah Taylor sits down with award-winning editor Cathy Gulkin, CCE.

This episode was generously sponsored by Vancouver Short Film Festival

For much of her career, Cathy has focused on long form social issue documentaries, but the breadth of her talent is demonstrated with a wide-ranging filmography with credits in music docs, comedy TV shows, theatrical feature films, children’s programs, reality and lifestyle series. Her work has been recognized with several editing awards for such films as the classic feature documentary Forbidden Love (1992 Atlantic Film Festival), The Four Seasons Mosaic (2005 Gemini nomination, Best Editing in a Performance Program), And We Knew How to Dance (1994 Columbus, Best Documentary) and Omar Khadr: Out of the Shadows which received a 2016 Emmy nomination and won 2016 DGC Award.

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Jane MacRae

Cathy Gulkin, CCE

Hosted and Produced by

Sarah Taylor

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Vancouver Short Film Festival

Catégories
The Editors Cut

Episode 022: Interview with Pia Di Ciaula, CCE, ACE

Episode 022: Interview with Pia Di Ciaula, CCE, ACE

Episode 022: Interview with Pia Di Ciaula, CCE, ACE

In this episode Sarah Taylor sits down with award winning editor Pia Di Ciaula, CCE, ACE.

This episode was generously sponsored by Post City Picture and Sound

Pia is originally from Toronto and is now based in the UK. She is a BAFTA and CCE award winning editor best known for editing Tyrannosaur, The Crown et A Very English Scandal.

À écouter ici !

Abonnez-vous là où vous écoutez vos balados

Que voulez-vous entendre sur L'art du montage?

Veuillez nous envoyer un courriel en mentionnant les sujets que vous aimeriez que nous abordions, ou les monteurs.euses dont vous aimeriez entendre parler, à :

Crédits

Un grand Merci à

Jane MacRae

Pia Di Ciaula, CCE, ACE

Hosted and Produced by

Sarah Taylor

Design sonore du générique d'ouverture

Jane Tattersall

ADR Recording by

Andrea Rusch

Mixé et masterisé par

Tony Bao

Musique originale par

Chad Blain

Sponsor Narration by

Paul Winestock

Commandité par

Post City Picture and Sound

fr_CAFR

stay connected

Subscribe to our mailing list to
receive updates, news and offers

Aller au contenu