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Celebrating Indigenous People’s Day

Celebrating National Indigenous People’s Day

Every Child Matters 2021 BEST CHILDREN'S OR YOUTH NON-FICTION PROGRAM OR SERIES 2021 CSA

The Canadian Cinema Editors celebrates Indigenous People’s Day today, on June 21, 2021. Here are some works that celebrate Indigenous voices across Turtle Island.

EMPIRE OF DIRT

Edited by: Jorge Weisz

EMPIRE OF DIRT Edited by: Jorge Weisz Where to watch: CBC GEM

EVERY CHILD MATTERS

Edited by Cathy Gulkin, CCE, Craig Anderson, James Kinistino, Ken Yan

EVERY CHILD MATTERS Edited by Cathy Gulkin, CCE, Craig Anderson + other editors Where to watch: CBC Gem

FAST HORSE

Edited by Sarah Taylor

FAST HORSE Edited by Sarah Taylor Where to Watch: CBC GEM

FALLS AROUND HER

Edited by: Teresa De Luca, CCE

FALLS AROUND HER Edited by: Teresa De Luca, CCE Where to watch: Prime

THE GRIZZLIES

Edited by: Ron Sanders, CCE, Michele Conroy, and James Vanderwater

THE GRIZZLIES Edited by: Ron Sanders, CCE, Michele Conroy, and James Vanderwater Where to watch: Netflix

MOHAWK GIRLS

Edited by: Simon Webb, CCE, Arthur Tarnowski, ACE + other editors

MOHAWK GIRLS (TV series) Edited by: Simon Webb, CCE, Arthur Tarnowski, ACE + other editors Where to watch: CBC GEM

Nîpawistamâsowin: WE WILL STAND UP

Edited by: Hans Olson

Nîpawistamâsowin: WE WILL STAND UP Edited by: Hans Olson Where to watch: CBC Gem

QUERENCIA

Edited by: Maureen Grant

QUERENCIA Edited by: Maureen Grant Where to watch: APTN

TRICKSTER

Edited by: D. Gillian Truster, CCE, Katie Chipperfield, and Kye Meechan

ANGRY INUK

We recently held our BEANS event with editor Sophie Farkas Bolla, moderated by filmmaker Jessie Anthony. Sophie also edited director Alethea Arnaquq-Baril award winning documentary, ANGRY INUK.

Sophie also edited director Alethea Arnaquq-Baril award winning documentary, ANGRY INUK. Where to watch: CBC GEM

SGAAWAAY K’UUNA (EDGE OF THE KNIFE)

Edited by Sarah Hedar

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11th Annual CCE Awards Nominees and Winners

11th Annual CCE Awards

List of Nominees & Winners

Winner(s)/Lauréat.e.s: Sam Thomson, Joel Gregorio & Thomas Bolger – BLACK-ISH: ELECTION SPECIAL: PART 2

Allan Cordero & Mike Goodings – HERO ELEMENTARY – EP. 1116A: BUGGING OUT

Dan Lee, Stephanie Duncan, CCE, Jason Cohen & Doug Appeldoorn – OLLIE’S PACK

Orion McCaw – CARMEN SANDIEGO SEASON 3: THE LUCHADORA TANGO CAPER

Paul Hunter & Merissa Tse – NATURE CAT: TALLY HO, A VOLCANO!/NO REST FOR THE SQUEAKY

Sponsored by/Commandité par: Annex Pro/AVID

Winner(s)/Lauréat.e.s: Jonah Malak – DAVE NOT COMING BACK

Dan Hawkes – FEAR OF DANCING

Eugene Weis – HOWIE MANDEL, BUT ENOUGH ABOUT ME

Kyle Gregory Sanderson – RUNNING WILD: THE CATS OF CORNWALL

Michael Brockington, Caroline Christie, CCE & Astrid Schau-Larsen – FIRST WE EAT

Sponsored by/Commandité par: REDLAB

Winner(s)/Lauréat.e.s: Sarah Taylor – JESSE JAMS

Andrea Beça – SOLIDARITY FILM CAMP

Hart Snider & Jason Schneider – MARTHA

Kyle Gregory Sanderson – PASS THE SALT

Rachel Guergis – THE PILGRIMAGE

Sponsored by/Commandité par: Boris FX

Winner(s)/Lauréat.e.s: Steve Taylor & Eamonn O’Connor – TED BUNDY: FALLING FOR A KILLER: EP. 101

Carole Larsen – REBELLION

Ian Daly, Thomas Lieu, Steven Budd & Christina To – WHILE THE REST OF US DIE: COLLAPSE

Rob Chandler, BFE – BANGED UP ABROAD: POP STAR SMUGGLER

Robert Kew – STILL STANDING: RANKIN INLET, NUNAVUT

Sponsored by/Commandité par: IATSE local 891

Winner(s)/Lauréat.e.s: Amélie Labrèche – LE RIRE

Amélie Labrèche – NADIA, BUTTERFLY

Andres Landau – AKILLA’S ESCAPE

Matthew Hannam, CCE – THE NEST

Matthew Hannam, CCE – POSSESSOR

Sponsored by/Commandité par: Blackmagic Design

Winner(s)/Lauréat.e.s: Elianna Borsa – ALL ROUND CHAMPION: EP. 207 – ICE CLIMBING

Andrew Gurney – ALL-ROUND CHAMPION: EP. 206 – SNOWBOARDING

Lindsay Ragone – ALL-ROUND CHAMPION: EP. 107 – BMX RACING

Michael Tersigni, CCE – HOME TOWN: FROM LOS ANGELES TO LAUREL

Wesley Finucan, Baun Mah  & Peter Topalovic  – GREAT CHOCOLATE SHOWDOWN: EP. 101 – THE WORLD NEEDS S’MORE PEOPLE LIKE YOU

Sponsored by/Commandité par: Bell Media

Winner(s)/Lauréat.e.s: Justin Li – THE HEALING POWERS OF DUDE

Courtney Goldman – GHOSTWRITER: CASE OF THE MISSING GHOST – PART 2

Courtney Goldman & Nathan Martinak – ENDLINGS: THE END IS THE BEGINNING – PART 2

Gordon Rempel, CCE – UPSIDE-DOWN MAGIC

Justin Li – THE ASTRONAUTS

Sponsored by/Commandité par: MELS

Winner(s)/Lauréat.e.s: Pia Di Ciaula, ACE, CCE – QUIZ

Diane Brunjes – THE CLARK SISTERS: FIRST LADIES OF GOSPEL

James Patrick – CHRIS WATTS: CONFESSIONS OF A KILLER

Lisa Binkley, CCE – ZOMBIES 2

Sandy Pereira – CARDINAL: SCOTT

Sponsored by/Commandité par: APM Music

Winner(s)/Lauréat.e.s: Pauline Decroix – YOU WILL STILL BE HERE TOMORROW

Ben Lee Allan – TIGRESS

Lucius Dechausay – A REVOLUTION OF LOVE

Rick Bartram – LOLA’S WAKE

Yvann Thibaudeau – OUROBOROS

Sponsored by/Commandité par: Vanguarde Artists

Winner(s)/Lauréat.e.s: Paul Winestock, CCE – SCHITT’S CREEK: EP. 613 START SPREADING THE NEWS

Caroline Christie, CCE – JANN: EP. 202

Isabelle Malenfant, CCE – EN TOUT CAS: EP. 27

Kyle Martin, CCE – LETTERKENNY

Trevor Ambrose, CCE – SCHITT’S CREEK: EP. 614 HAPPY ENDING

Sponsored by/Commandité par: SIM

Winner(s)/Lauréat.e.s: Vesna Svilanovic, CCE – DEPARTURE: EP. 101: VANISHED

Aaron Marshall, CCE – VIKINGS: EP. 610

David B. Thompson, CCE –  FORTUNATE SON: EP. 108

Eric Genois – FAITS DIVERS: EP. 32

Jay Prychidny, CCE – SNOWPIERCER: EP. 101:  FIRST, THE WEATHER CHANGED

Jay Prychidny, CCE & Liyana Mansor – THE ALIENIST: EP. 204: ANGEL OF DARKNESS: GILDED CAGE

Sponsored by/Commandité par: Company 3

Winner(s)/Lauréat.e.s: Shaun Rykiss – EP. 101: PILOT – I AM SYD STONE

Alvin Campana – FOR THE RECORD: THE BROKEN HEARTS TOUR

Jon Anctil – 50 STATES OF FRIGHT: RED RUM (COLORADO) – PART 1

Justin Li – 50 STATES OF FRIGHT: ALMOST THERE (IOWA) – PART 3

Sabrina Pitre – 50 STATES OF FRIGHT: STEPS TO HELL (WASHINGTON) – PART 2

Sponsored by/Commandité par: Take 5 Productions

Calum Hotchkiss – CONTINUUM (University of Windsor)

Josh Wood – DOWN DELORO RIVER (Sheridan College)

Lexy Troth – ANAMNESIS (Sheridan College)

Nicolas Orska – MARIONETTES (Emily Carr University)

Sponsored by/Commandité par: Insight Productions

Special Award Recipients

Lifetime Achievement Award

michel arcand, cce

2021 CCE Awards Michel Arcand, CCE Lifetime Achievement Recipient

Michel Arcand’s career as an editor has spanned more than 40 years, earning him a unique place in the Canadian cinema community amongst the artists and professionals whose careers he has watched emerge and mature.

He has even guided—and continues to guide—some of our greatest filmmakers: Léa Pool, Jean-Claude Lauzon, Pierre Falardeau, Robert Ménard, Charles Binamé, Chloé Robichaud, and Sébastien Pilote, to name but a few.

Michel Arcand is part of that elite group of artisans and creators whose reputation transcends borders. His work, too, is internationally recognized, with movies like TOMORROW NEVER DIES: JAMES BOND #18, SUNSHINE and THE SIXTH DAY being enjoyed by hundreds of thousands around the world.

Generous with his time and wealth of experience, he is a founding member of the Comité des Treize, an independent group whose mission is to unite editors of all stripes to promote the field and restore its prestige.

Arcand has long been a freelancer, which likely fuels his drive to ensure better working conditions not just for himself, but also for his fellow editors. His mission to support his community led him to sit on the Board of Directors of the Academy of Canadian Cinema. He has been on the Board of Directors of the Alliance of Image and Sound Technicians (AQTIS Local Section 514 IATSE) since 2006.

A man of principle, he cares deeply about collective values and ensuring equity for all roles in production. To that end, he is an advocate of a strong, unified organization to represent those roles and ensure that investments are made in professional development and training the next generation of creators.

Career Achievement Award

Jane Tattersall

2021 CCE Awards Jane Tattersall Career Achievement Recipient

Jane Tattersall’s career in sound began during a rainstorm. A graduate of Queens University (philosophy), her first job in film was as a researcher/writer on a BBC/TVO documentary series. When the picture editor added the rumble of thunder to an otherwise merely beautiful landscape scene, it was love at first sound.

Ask Jane about her success over 30 years and she attributes it to her luck of being mentored by some of the best sound editors and mixers in the business. Great filmmakers such as Jaco van Dormael, Bill Forsyth, Deepa Mehta, David Cronenberg, and Istvan Szabo contributed to her education.

Jane built relationships with Canadian filmmakers like Clement Virgo, Sarah Polley, Richie Mehta, and Mike McGowan. Jane’s passion for sound excellence and hard work helped this next generation of filmmakers take the stage at the Oscars, at Cannes, in Toronto and at film festivals around the world.

Jane’s work has taken her to studios beyond Canada, including stints in Berlin, Brussels, Budapest, London, LA, Skywalker, and New York. Numerous credits, nominations and awards followed and today Jane counts over 170 credits (film and television), and over 100 nominations and awards. Jane’s recent sound supervising includes THE HANDMAID’S TALE, THE NORTH WATER and 13 MINUTES.

Michel Arcand’s career as an editor has spanned more than 40 years, earning him a unique place in the Canadian cinema community amongst the artists and professionals whose careers he has watched emerge and mature.

He has even guided—and continues to guide—some of our greatest filmmakers: Léa Pool, Jean-Claude Lauzon, Pierre Falardeau, Robert Ménard, Charles Binamé, Chloé Robichaud, and Sébastien Pilote, to name but a few.

Michel Arcand is part of that elite group of artisans and creators whose reputation transcends borders. His work, too, is internationally recognized, with movies like TOMORROW NEVER DIES: JAMES BOND #18, SUNSHINE and THE SIXTH DAY being enjoyed by hundreds of thousands around the world.

Generous with his time and wealth of experience, he is a founding member of the Comité des Treize, an independent group whose mission is to unite editors of all stripes to promote the field and restore its prestige.

Arcand has long been a freelancer, which likely fuels his drive to ensure better working conditions not just for himself, but also for his fellow editors. His mission to support his community led him to sit on the Board of Directors of the Academy of Canadian Cinema. He has been on the Board of Directors of the Alliance of Image and Sound Technicians (AQTIS Local Section 514 IATSE) since 2006.

A man of principle, he cares deeply about collective values and ensuring equity for all roles in production. To that end, he is an advocate of a strong, unified organization to represent those roles and ensure that investments are made in professional development and training the next generation of creators.

2021 CCE Awards Jane Tattersall Career Achievement Recipient

Jane Tattersall’s career in sound began during a rainstorm. A graduate of Queens University (philosophy), her first job in film was as a researcher/writer on a BBC/TVO documentary series. When the picture editor added the rumble of thunder to an otherwise merely beautiful landscape scene, it was love at first sound.

Ask Jane about her success over 30 years and she attributes it to her luck of being mentored by some of the best sound editors and mixers in the business. Great filmmakers such as Jaco van Dormael, Bill Forsyth, Deepa Mehta, David Cronenberg, and Istvan Szabo contributed to her education.

Jane built relationships with Canadian filmmakers like Clement Virgo, Sarah Polley, Richie Mehta, and Mike McGowan. Jane’s passion for sound excellence and hard work helped this next generation of filmmakers take the stage at the Oscars, at Cannes, in Toronto and at film festivals around the world.

Jane’s work has taken her to studios beyond Canada, including stints in Berlin, Brussels, Budapest, London, LA, Skywalker, and New York. Numerous credits, nominations and awards followed and today Jane counts over 170 credits (film and television), and over 100 nominations and awards. Jane’s recent sound supervising includes THE HANDMAID’S TALE, THE NORTH WATER and 13 MINUTES.

Our Host Richard Crouse

Richard Crouse Host CCE AwardsRichard Crouse is the regular film critic for the 24 hour news sources CTV’s News Channel and CP24 and is a frequent guest on many national Canadian radio and television shows. His nationally syndicated Saturday afternoon radio show, THE RICHARD CROUSE SHOW, originates on News Talk 1010 in Toronto. He is also the author of ten books on pop culture history including Who Wrote the Book of Love, the best-selling “The 100 Best Movies You’ve Never Seen”, its sequel “The Son of the 100 Best Movies You’ve Never Seen”, the best selling “Raising Hell: Ken Russell and the Unmasking of The Devils” and “Elvis is King: Costello’s My Aim is True”. He also writes about pop culture and cars for The Toronto Star.

CONGRATULATIONS TO OUR RAFFLE WINNERS
Adobe EditCon 2021 Sponsor

2 x 1 YEAR ADOBE CREATIVE CLOUD SUBSCRIPTION

Rachel Guergis | Matt Hannam, CCE (prize donated to Josh Wood)
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1 BLACKMAGIC DESIGN EDITOR KEYBOARD

Kyle Gregory Sanderson

1 COPY OF DAVINCI RESOLVE STUDIO

Rick Bartram

Boris FX Logo Sponsor

3 x 1 YEAR SUBSCRIPTION TO BORIS FX SUITE

Gordon Rempel,CCE | Sabrina Pitre | Chen Sing Yap

2020 New CCE Logo

2 x 1 YEAR CCE MEMBERSHIP

Denise Lee | Joan Hutton

With thanks to our Sponsors

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With thanks to our Sponsors

Platinum

APM Music Sponsor Logo
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JAM Post Logo Sponsor
SIM Logo 2021 Sponsor Awards

Gold

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Boris FX Logo Sponsor
Company 3 (Formally Deluxe) logo Sponsor
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Thank you to our board & volunteers:

Awards Committee:

Rick Bartram

Chris Coulter

Majda Drinnan

Lesley Mackay Hunter

Jennifer Kidson

Jane MacRae

Arielle Skolnik

CCE Communications Committee:

Pauline Decroix

Jennifer Kidson

Jane MacRae

Stephen Philipson, CCE

Simone Smith

Sarah Taylor

Thank you to our CCE staff:

CCE Operations Manager:

Alison Dowler

CCE Communications Specialist:

Nancy Kenny

Website:

CCE Website Design and Implementation:

Pauline Decroix

Jennifer Kidson

Jane MacRae

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2021 Iris Award Nominees

2021 Iris Award Nominees

Congratulations to our CCE members who have been nominated:

Best Editing

Arthur Tarnowski, ACE –  JUSQU’AU DÉCLIN

Yvann Thibaudeau –  TARGET NUMBER ONE

 

Best Editing in Feature Documentary

Annie Jean, CCE –   LE CHÂTEAU

Annie Jean, CCE –  THE FORBIDDEN REEL

Amélie Labrèche (+1 monteur) – ERRANCE SANS RETOUR

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Members Press Release

2021 CCE Awards Lifetime Award and Career Award Announcement

Lifetime Achievement and Career Achievement Award - 2021 Press Release

Lifetime Achievement Award

Michel Arcand, CCE

2021 CCE Awards Michel Arcand, CCE Lifetime Achievement Recipient

The CCE is thrilled to announce the recipient of the Lifetime Achievement Award for 2021 — Michel Arcand, CCE. For over 40 years, Michel’s work has elevated the craft of picture editing within Canada and beyond. His continued contributions to the editing community as a mentor and fierce advocate for editors have been immeasurable. The CCE will proudly present this honour to Michel virtually at the 11th Annual CCE Awards on June 3rd, 2021.

Michel Arcand’s career as an editor has spanned more than 40 years, earning him a unique place in the Canadian cinema community amongst the artists and professionals whose careers he has watched emerge and mature.

He has even guided—and continues to guide—some of our greatest filmmakers: Léa Pool, Jean-Claude Lauzon, Pierre Falardeau, Robert Ménard, Charles Binamé, Chloé Robichaud, and Sébastien Pilote, to name but a few.

Michel Arcand is part of that elite group of artisans and creators whose reputation transcends borders. His work, too, is internationally recognized, with movies like TOMORROW NEVER DIES: JAMES BOND #18, SUNSHINE, and THE SIXTH DAY being enjoyed by hundreds of thousands around the world.

Generous with his time and wealth of experience, he is a founding member of the Comité des Treize, an independent group whose mission is to unite editors of all stripes to promote the field and restore its prestige.

Arcand has long been a freelancer, which likely fuels his drive to ensure better working conditions not just for himself, but also for his fellow editors. His mission to support his community led him to sit on the Board of Directors of the Academy of Canadian Cinema. He has been on the Board of Directors of the Alliance of Image and Sound Technicians (AQTIS Local Section 514 IATSE) since 2006.

A man of principle, he cares deeply about collective values and ensuring equity for all roles in production. To that end, he is an advocate of a strong, unified organization to represent those roles and ensure that investments are made in professional development and training the next generation of creators.

Career Achievement Award

Jane Tattersall

2021 CCE Awards Jane Tattersall Career Achievement Recipient

The CCE is delighted to announce the recipient of the Career Achievement Award for 2021 — Jane Tattersall. This award is presented to a non-editor who has shown great support for Canadian editors and the editorial profession over the course of their career. Jane has been a fixture in the Canadian post-production industry for over 30 years. Her enormous support for Canadian filmmakers, from our most recognized artists to first-time storytellers, has fostered incredible growth of talent across our industry. The CCE will proudly present this honour to Jane virtually at the 11th Annual CCE Awards on June 3rd, 2021.

Jane Tattersall’s career in sound began during a rainstorm. A graduate of Queen’s University (philosophy), her first job in film was as a researcher/writer on a BBC/TVO documentary series. When the picture editor added the rumble of thunder to an otherwise merely beautiful landscape scene, it was love at first sound.

Ask Jane about her success over 30 years and she attributes it to her luck of being mentored by some of the best sound editors and mixers in the business. Great filmmakers such as Jaco van Dormael, Bill Forsyth, Deepa Mehta, David Cronenberg, and Istvan Szabo contributed to her education.

Jane built relationships with Canadian filmmakers like Clement Virgo, Sarah Polley, Richie Mehta, and Mike McGowan. Jane’s passion for sound excellence and hard work helped this next generation of filmmakers take the stage at the Oscars, at Cannes, in Toronto and at film festivals around the world.

Jane’s work has taken her to studios beyond Canada, including stints in Berlin, Brussels, Budapest, London, LA, Skywalker, and New York. Numerous credits, nominations and awards followed and today Jane counts over 170 credits (film and television), and over 100 nominations and awards. Jane’s recent sound supervising includes THE HANDMAID’S TALE, THE NORTH WATER and 13 MINUTES.

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In Conversation with Jenypher Fisher, CCE, Kelly Morris, CCE and Tim Wanlin, CCE

In Conversation with Jenypher Fisher, CCE, Kelly Morris, CCE and Tim Wanlin, CCE
March 16, 2021

This event took place on March 16, 2021

Presented in English / Conférence en anglais

Join us on March 16th for In Conversation with Jenypher Fisher, CCE, Kelly Morris, CCE and Tim Wanlin, CCE. Veteran unscripted Vancouver editors Jenypher Fisher CCE, (RUST VALLEY RESTORERS) Kelly Morris CCE (HIGHWAY THRU HELL) and Tim Wanlin CCE (HEAVY RESCUE: 401) discuss their vast knowledge on crafting factual storytelling; the importance of finding the story’s truth, it’s language, and the importance of a strong, pivotal opening that will begin the audience’s emotional journey.

This event will be moderated by Showrunner, Producer, Director and Writer, Kelly McClughan.

The following bios are only written in the presenting language.

Kelly McClughanA passion for factual story-telling and exploration has led me to some of the most remote and intriguing places on earth. I care about getting it right, thrive in challenging environments, and have successfully filmed in traditionally difficult to access communities. As a showrunner, producer, director and writer, I’ve created thousands of hours of factual television for Canadian, US and international markets, and am frequently consulted to help develop, shape and pitch TV projects. An extensive background in journalism has equipped me to apply my skills across multiple genres. As VP Production for Canadian factual producer Great Pacific Media from 2014-2019, I was involved in all aspects of pre-production, production and post, including hands-on story crafting, content oversight and development.

Jenypher Fisher, CCEThrough hard work and determination, Editor Jenypher Fisher has developed a unique style, rivalled only by her keen sense of story and humour. Born and raised in Vancouver, British Columbia, for the past 20 years Jenypher has been responsible for crafting a wide and varied array of Canada’s unscripted series. Projects include RUST VALLEY RESTORERS, WILD BEAR RESCUE, ICE PILOTS, THE BACHELOR CANADA, JADE FEVER, YUKON GOLD, THIS IS HIGH SCHOOL, QUEEN OF THE OIL PATCH, THE NATURE OF THINGS, ER: LIFE & DEATH AT VGH, PARAMEDICS: LIFE ON THE LINE & EXPECTING!

Kelly Morris, CCEKelly Morris CCE, is a Vancouver Based film and television editor and former president of the Canadian Cinema Editors, best known for his body of work in documentary and as senior editor for factual series. He has a passion for feature length film, investigative journalism and gritty reality. Series of note that he has worked on include Discovery Channel’s HIGHWAY THRU HELL, JADE FEVER and JETSTREAM, CBC’s HIGH ARCTIC HAULERS and investigative journalism series THE FIFTH ESTATE, natural history series BBC NATURAL WORLDLAND NAT GEO WILD, in addition to a wide breadth of documentary films, the most recent being Citizen Bio for Showtime. Shows he has worked on have received accolades including winner of the duPont-Columbia University Award for Broadcast Journalism (NUCLEAR JIHAD), a Sundance Grand Jury Prize Nomination (SEX: THE ANNABEL CHONG STORY), Gemini (THE FIFTH ESTATE) and CCE (A WOLD CALLED STORM) award nominations for Best Picture Editing.

Tim Wanlin, CCETim Wanlin is based in Vancouver where he has been editing for the last thirty years. During that time his focus has been to seek out projects that allow him to draw out the strongest story, both visually and narratively. He has amassed over seventy documentary credits. Highlights include CTV’s Gemini Award winning, PEACE WARRIOR, WHEN THE DEVIL KNOCKS, which premiered in the 2010 Vancouver Film Festival and CBC’s Canadian Screen Award winning, WILD CANADIAN YEAR. More recently, while continuing to follow his passion for documentaries, Tim is busy with unscripted series work including BORDER SECURITY, JADE FEVER and his current project, HEAVY RESCUE: 401.

In Conversation with Jenypher Fisher, CCE, Kelly Morris, CCE and Tim Wanlin, CCE

With thanks to our sponsors

About the Event

March 2021

5:00pm PST

Online

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Tax Workshop for Freelancers & Creatives with Sunny Widerman

Tax Workshop for Freelancers & Creatives with Sunny Widerman
March 6, 2021

This event took place on March 6, 2021

Presented in English / Atelier en anglais

Presented by Sunny Widerman of Personal Tax Advisors, this session is an entertaining and information-packed presentation about the financial and tax aspects of running your own business. Yes, we said entertaining! Hundreds of participants in dozens of workshops over the years can attest that you won’t be intimidated, and you definitely won’t be bored!

In this workshop, you’ll learn about deductible expenses, how to use RRSPs to protect your income, how CERB effects for your taxes and why doing what you love is great business. Take the opportunity to ask all your lingering tax questions during the Q&A from an expert who has been working in taxes since 2002. No judgement, just great advice and information with a sense of humour on the side.

CCE Event 2021 Workshop Sunny Widerman Tax Workshop

About the Event

March 2021

1:00pm -3:00pm EST

Canada

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EditCon 2021

EditCon 2021

EditCon 2021 in Review

In the editing room, everything is new.
EditCon 2021 Jinmo Yang
Jinmo Yang, ACE
Editor, PARASITE
The CCE took the 4th annual EditCon online with two days of amazing panel talks, virtual breakout rooms, and networking for over two hundred attendees from Canada and around the world.
 
Presented under the theme “Shifting World, Shifting Industry,” keynote discussions on both days featured award-winning editors Michelle Tesoro, ACE (THE QUEEN’S GAMBIT, GODLESS, WHEN THEY SEE US), and Jinmo Yang, ACE (PARASITE, OKJA, TRAIN TO BUSAN). Additional panels featured editors from the hit TV series EUPHORIA, I MAY DESTROY YOU, THE HANDMAID’S TALE, NORMAL PEOPLE, VIDA, #BLACKAF, as well as feature films BLOOD QUANTUM, BACKCOUNTRY, MAMA, RABID, and many more.
 
The CCE rounded out the weekend with our traditional EditCon raffle, thanks to prize donations from our generous sponsors, and attendees mingled in a unique virtual networking world. 

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Presented in English

Presented in French

EditCon 2021 Community Partners

DAY 1: Panels & Talks

WELCOME ADDRESS

Working from home: has Covid-19 changed the collaboration dynamic forever, or are we just waiting to head back into the office? Stephen Philipson, CCE, and D. Gillian Truster, CCE, kick things off by sharing stories of rolling with the punches this past year, and reflecting on how the job of editing may or may not change when the pandemic finally ends.

Stephen is an award-winning editor of TV series such as ALTERED CARBON (Netflix), AMERICAN GODS (Starz), ANNE WITH AN E (CBC/ Netflix), and HANNIBAL (NBC), and films such as THE WILD HUNT (by Alexandre Franchi), GROWN UP MOVIE STAR (by Adriana Maggs) and documentary PROM NIGHT IN MISSISSIPPI (starring Morgan Freeman), which premiered at Sundance, broadcast on HBO, and screened at The White House. Stephen is honoured to serve as CCE President and help the CCE advocate for editors across Canada.

Hailing from Toronto, Gillian began her career as an assistant editor. She has since had a diverse career editing drama series, feature films, and MOWs in a variety of genres, and the good fortune to work with many prominent and celebrated producers, directors, and screenwriters. Gillian is best known for her work on ORPHAN BLACK, ANNE WITH AN E, and THE EXPANSE. She has won two CSA awards, a DGC award, and has earned eleven award Nominations.

Keep cutting, keep challenging yourself.
Editcon 2021 Michelle Tesoro
Michelle Tesoro, ACE
Editor, THE QUEEN'S GAMBIT

KEYNOTE: In Conversation with Michelle Tesoro, ACE

Michelle Tesoro, ACE, is a master of drama, intrigue and suspense. From FRINGE to THE NEWSROOM, Michelle’s work shows a range of storytelling techniques. Join Paul Day, CCE, and Michelle Tesoro, ACE, as they discuss Michelle’s work, including her most recent feat of editing an entire mini-series, THE QUEEN’S GAMBIT.

Paul has been a picture editor for 25 years and has worked with such companies as Netflix, MGM, AMC, Showtime and many more. Some of his recent editing credits include ANOTHER LIFE, RANSOM, INTO THE BADLANDS, DARK MATTER and LOST GIRL. He is one of the Canadian Cinema Editors’ co-founders and currently sits on the National Board for the Directors Guild of Canada.

Cutting-edge picture editor Michelle Tesoro, ACE, is an industry rising star. Tesoro cut Netflix’s top-rated series THE QUEEN’S GAMBIT, Emmy-nominated series WHEN THEY SEE US, GODLESS, HOUSE OF CARDS, and HBO’s series THE NEWSROOM. She also cut features like Focus Features’ Supreme Court Justice Ruth Bader Ginsburg biography ON THE BASIS OF SEX, Participant Media’s SHOT CALLER, and SXSW’s Grand Jury Prize-winning film NATURAL SELECTION, which earned Tesoro the 2011 SXSW Award for Best Editing.

Making a jug of coffee, sitting down at my desk, and watching dailies has got to be the best feeling. We're all creatives. We have a need to output.
EditCon 2021 Stephen OConnell
Stephen O'Connell
Editor, NORMAL PEOPLE

PANEL: When TV Saved Us - The Shift to Home Viewing

As the world settled into lockdown, TV entertainment went from distraction to lifeline. With audiences trying to make sense of world events, stories and characters matter more than ever. As the entertainment landscape shifts to meet an unprecedented need for engaging content delivered on-demand to an audience stuck at home, how will this change the stories we tell, and the way we tell them? The editors of some of the most binge-worthy shows reflect on how their work landed in this time and place, what the stories meant to audiences, and how that affected their process during a pandemic.

Christopher Donaldson’s work as an editor spans an extensive variety of dramatic and documentary features and television. His credits include THE HANDMAID’S TALE for Hulu, AMERICAN GODS for Starz, PENNY DREADFUL for Showtime/SkyAtlantic, Atom Egoyan’s REMEMBER, Sarah Polley’s TAKE THIS WALTZ, THE KIDS IN THE HALL: DEATH COMES TO TOWN for CBC, and SLINGS & ARROWS for TMN/Showcase/Sundance Channel.

Amy started as an Assistant Editor on films like MY OWN PRIVATE IDAHO, CORRINA, CORRINA, and TO DIE FOR. She edited 20 features, including HIGH ART, LAUREL CANYON, ELEGY and Gus Van Sant’s remake of PSYCHO, and TV series such as DEXTER, THE KILLING, VIDA and most recently, HUNTERS. She is currently editing the limited series MARE OF EASTTOWN, starring Kate Winslet, for HBO. Amy graduated from the University of Arizona with a BFA in Fine Arts Studies.

Multiple award-winning editor Wendy Hallam Martin is best known for her work on the Emmy and Golden Globe winning series, THE HANDMAID’S TALE. Wendy has received two Emmy nominations and won her first Emmy for the second season premier entitled “June”. She also won an ACE/Eddie award for the pilot, “Offred”. Her other work includes the critically acclaimed cable series AMERICAN GODS, MGM’s spy thriller CONDOR which she edited and co-produced, Showtime’s THE TUDORS, THE BORGIAS and QUEER AS FOLK, to name a few.

Born in Dublin, Ireland, Stephen has been editing drama & documentary across Europe for 25 years. His work spans time with U2 on music promos and documentaries in the 1990’s to television dramas for BBC, RAI, Amazon, Netflix, Starz, CBC, HULU, SKY amongst others. Projects include THE NAME OF THE ROSE, HOWARD’S END and NORMAL PEOPLE, to feature films VIVA, THE MAN WHO INVENTED CHRISTMAS, and MAUDIE for which he won the CSA award for best editing in 2018.

Laura Zempel grew up in Sacramento, CA and received a BFA in Film Production from Chapman University. She began her career in Film and TV as an assistant editor on DEXTER, and has gone on to edit HBO’s ROOM 104, EUPHORIA, and most recently AMC’s DISPATCHES FROM ELSEWHERE.

BREAKOUT ROOMS

Adobe presents an interactive demo of Premiere Pro Productions for editors working independently, collaborating with a team, or needing remote editing workflows. Designed from the ground up with input from top filmmakers and Hollywood editorial teams, this suite provides new tools for managing projects, sharing assets between them, and keeping everything organized. Early versions of the underlying technology were battle-tested on recent films such as MANK, TERMINATOR: DARK FATE, and DOLEMITE IS MY NAME.

Tucked away in a cabin in the woods, Geoffrey Boulangé and Sophie Deraspe set about editing the award winning film, ANTIGONE. In this session Geoffrey Boulangé discusses the processes that went into editing the film; including cutting while shooting; working in FCPX, and co-editing with director Sophie Deraspe.

The new workflows are already a challenge, but how do we deal with the mental and physical difficulties of working from home during a pandemic? Join a panel of IATSE 891 members to discuss keeping yourself motivated; mental & physical health (e.g. feeling low and what to do about it); communicating with your team, how to keep the lines open; changes to the editor / assistant relationship; scheduling challenges and managing your hours. Over the 2 days we will have various IATSE 891 editors and assistant editors joining the discussion: Daria Ellerman, CCE, Gordon Rempel, CCE, Rehan Khokar and Lianne Oelke.

The skills required of an assistant editor in animation are quite different from those working in live-action. There are no takes to log, nor dailies to process and sync. Instead you are building shows, updating episodes and providing necessary materials and inspiration to artists. Animation editor Merissa Tse shares her wisdom and experience of what makes a good assistant editor in the field of animation.

The post production supervisor is often a mystery to many. What do they do, who are they and does every show need one? Join Nahid Islam for an intimate Q&A on the ins and outs of post production fundamentals and answering your questions about the process behind the scenes.

This panel, hosted by picture editor and sound editor Roderick Deogrades, will focus on the importance of mentorship and the editor/assistant relationship. This interactive discussion will cover topics like the importance of training, benefits of mentorship for both the assistant and the editor, paying it forward and building a network.

It’s about how to be a storyteller, it’s not about the technical. I want to create an environment that is nurturing and offer opportunities for assistants to cut.
EditCon 2021 Rod Deogrades
Roderick Deogrades
Editor & Mentor

DAY 2: Panels & Talks

KEYNOTE: In Conversation with Jinmo Yang, ACE

Action, comedy, drama, romance, horror and thriller – Jinmo Yang, ACE’s outstanding body of work covers almost every genre in filmmaking. His mastery of pacing and tone is often on display as he rides the line between genres, from the action/comedy of LUCK-KEY, to the thriller/comedy PARASITE. Whether working on or off set Mr. Yang is truly a master of his artform. Multitalented moderator Sook-Yin Lee sits with Oscar-nominated editor Jinmo Yang, ACE for an in-depth conversation about the craft of Picture Editing.

Sook-Yin Lee is a Canadian filmmaker, musician, actor, and multimedia artist. The award-winning radio and TV broadcaster starred in John Cameron Mitchell’s ground- breaking LGBTQ movie, SHORTBUS, which premiered at Cannes. YEAR OF THE CARNIVORE, Leeʼs feature film debut as writer-director, premiered at TIFF. Sook-Yin won the 2014 Canadian Screen Award for Best Performance by a Lead Dramatic Actress for her role as “Olivia Chow” in JACK. Her movie, OCTAVIO IS DEAD! won Best Director and Best Picture awards at the Downtown LA Film Festival 2018. Her feature movie DEATH AND SICKNESS streams on CBC Gem in Canada.

Jinmo Yang is an award-winning South Korean film editor who has edited over a dozen feature films, including the international hits PARASITE, OKJA, and TRAIN TO BUSAN. With PARASITE, directed by Bong Joon-ho, Mr. Yang gained international acclaim and recognition including an Academy Award nomination for Best Editing, and an American Cinema Editors Award for Best Edited Feature Film (Dramatic), the first non-English-language film to win this top prize.

I love cutting horror. Especially ghost stories...because it is magical in the edit suite.
EditCon 2021 Michele Conroy
Michele Conroy
Editor, MAMA

PANEL: Thrills & Chills - Editing Dark Genre in Feature Film

The past year has brought our lives no shortage of fear-inducing moments, and yet films that offer us frights continue to be one of our greatest escapes. Join editors Michele Conroy (IN THE TALL GRASS, THE SILENCE, MAMA), Jeff Barnaby (BLOOD QUANTUM, RHYMES FOR YOUNG GHOULS), Dev Singh (INCIDENT IN A GHOSTLAND, BACKCOUNTRY) and moderator Erin Deck (RABID) as they share their insights into crafting successful films that both entertain us and play upon our fears and anxieties.

Erin Deck is an editor in both film and television. Her work has earned her multiple nominations and awards through the DGC, CSA and CCE. Some of her TV credits include ALTERED CARBON, INTO THE BADLANDS, GINNY & GEORGIA, and KILLJOYS. Her film credits include RABID, OUR HOUSE, BIG SKY, AFTER THE BALL, and THE BARRENS

Jeff Barnaby was born and raised on the rural Mi’gMaq reserve of Listuguj, Quebec. A multi-disciplined artist, he has won several awards for his artwork, pœtry, short stories, music and films. His work provides a bare-knuckled view of post-colonial Mi’gMaq life, defying stereotypical treatments of First Nations’ narratives by using horror/sci-fi tropes to explore themes of violence, gender, race and Indigenous futurism.

Michele Conroy is a veteran film and television editor. Her work has earned multiple DGC awards including: MAMA, POMPEII and SPLICE, which was produced by Guillermo del Toro and directed by long- time collaborator Vincenzo Natali. Other collaborations with Natali include the ensemble romance PARIS, JE T’AIME, NOTHING, GETTING GILLIAM, and most recently IN THE TALL GRASS. Other theatrical releases include LITTLE ITALY, THE GRIZZLIES, and GINGER SNAPS: UNLEASHED. Her TV credits include VIKINGS, PENNY DREADFUL, FLASHPOINT, and THIS IS WONDERLAND

I edit movies and television. I hold a BSc in Biochemistry from Queen’s, attended Ryerson’s Film Studies program, and was a resident at the Canadian Film Centre. I’ve been fortunate to work with many wonderful artists and it is a joy to count them amongst my friends and collaborators. My credits include the acclaimed Backcountry, PEOPLE OF EARTH, and PICTURE DAY. In theatres and festivals soon: CINEMA OF SLEEP and SPIRAL. I’m currently working on the RESIDENT EVIL reboot.

Playing in the sandbox and creating that space in the edit suite is the best way to support the creators.
Christine Armstrong
Editor, #BLACKAF

PANEL: Breaking the Mold in Series TV

We’re currently experiencing a watershed moment for increased representation in storytelling. This year we’ve seen a wealth of stories originating from the BIPOC, LGBTQ2S and female perspectives that not only tackle tough topics surrounding mental health, addiction, sexual assault and racial prejudice, but also present powerful aesthetic and editorial triumphs. The editors behind I MAY DESTROY YOU, EUPHORIA, and #BLACKAF join us to discuss their groundbreaking work.

Shonna Foster is an award-winning director, storyteller, and producer. She received her BFA honors degree in Theatre from York University, where she studied in the Creative Ensemble Conservatory. She currently works as a freelance director, producer, and story consultant in film, television, and branded content, and is a longstanding board member of BIPOC TV and Film.

Christine Armstrong is a picture editor splitting her time between Los Angeles and Toronto. She has edited a variety of feature films, television series, short films, web series and commercials. Armstrong’s recent work includes editing the series #BLACKAF (Netflix), BARBELLE (Amazon) and feature films SUGAR DADDY, MARY GOES ROUND and THE NEW ROMANTIC which premiered at SXSW and won the Special Jury Recognition for Best First Feature. She is currently editing the series RUTHERFORD FALLS (NBCUniversal/Peacock) starring Ed Helms.

Shannon Baker Davis is an award-winning television and film editor. She began her career in unscripted television on iconic and Emmy-winning shows such as TOP CHEF and PROJECT RUNWAY. Her feature film credits include collaborations with directors Stella Meghie (THE WEEKEND, THE PHOTOGRAPH), and Ali LeRoi (THE OBITUARY OF TUNDE JOHNSON). She has worked with creators Issa Rae (INSECURE), Ava DuVernay (QUEEN SUGAR), and Kenya Barris (GROWN-ISH, #BLACKAF).

Julio C. Perez, IV lives and works in Los Angeles, editing in both narrative and documentary. His feature film work includes Chad Hartigan’s award-winning THIS IS MARTIN BONNER, which screened at Sundance, and an ongoing collaboration with director David Robert Mitchell, editing THE MYTH OF THE AMERICAN SLEEPOVER, IT FOLLOWS, and UNDER THE SILVER LAKE which have all screened at Cannes. He has recently worked with director Sam Levinson on the series EUPHORIA, as well as the upcoming feature MALCOLM AND MARIE.

Christian is a film editor, and occasional screenwriter. His career started in the writers room and as editor on the surreal comedy series CAMPUS. Recent work includes I MAY DESTROY YOU, SALLY4EVER, LOVE WEDDING REPEAT, and the upcoming FROM DEVIL’S BREATH, directed by Orlando von Einsiedel (VIRUNGA/THE WHITE HELMETS). In 2018 he wrote and edited TO WENDY WHO KICKED ME WHEN I SAID I LOVE YOU, an off- beat, romantic short film which premiered at the London Film Festival.

BREAKOUT ROOMS

Join editor Ryan Morrison (STOWAWAY, ARCTIC) and assistant editor Russell Anderson (MANK) as they explore the challenges with remote editing work- flows and how they have solved them in their recent projects.

As editors our jobs are constantly expanding, with more and more tools at our fingertips it’s important to keep our technical skills as sharp as can be. Editing and co-ordinating with VFX can be daunting at times, but it’s always important to get it right. Editor Christopher Malanchen shares some tips, tricks and best practices that he learned from editing on Vice’s THE DEVIL YOU KNOW (Season 2) and Cooking Channel’s BITCHIN’ KITCHEN and from his tenure as the VFX Editor for BIG LITTLE LIES (Season 2).

The new workflows are already a challenge, but how do we deal with the mental and physical difficulties of working from home during a pandemic? Join a panel of IATSE 891 members to discuss keeping yourself motivated; mental & physical health (e.g. feeling low and what to do about it); communicating with your team, how to keep the lines open; changes to the editor / assistant relationship; scheduling challenges and managing your hours. Over the 2 days we will have various IATSE 891 editors and assistant editors joining the discussion: Mauri Bernstein, Sabrina Pitre, Gloria Mercer and Kelvin Tseng.

Every production starts with a solid plan but step by step as each phase inches closer and closer to being received by an editor’s invisible hand, that plan will unravel. Even if it is due to a global pandemic, it is on the editor to shift gears, to persevere for the story and aim to produce beyond what was undone. Let us discuss how we do this. Join the editor behind THE NATURE OF THINGS episode “The Covid Cruise” for a conversation about filmmaking in the Covid era.

Join editors Adam Phipps and Francis Laliberte, as they discuss the post-process for AMPLIFY, a 13-part documentary series about Indigenous musicians creating new works. Each episode features a different songwriter working through the creative process in-studio, while revealing how they personally relate to their new song. Further insight is brought to bear as Indigenous experts weigh-in on the deeper meaning of the song’s inspiration. All of this … on FCPx … seriously!

Cool heads, quick wits and sharp technical knowledge are just some of what is needed to be a great Assistant Editor. They are the lifeblood of post-production and our guests are at the top of their game. Join the Assistant Editors behind some of Canada’s most anticipated films from 2020: POSSESSOR, PERCY, and FUNNY BOY, as they discuss their approaches, challenges and answer your questions.

The moment someone feels less alone because of something I did, I've done my job.
Editcon 2021 Julio Perez
Julio C. Perez IV, ACE
Editor, EUPHORIA

EditCon 2021 Sponsors

CONGRATULATIONS TO OUR RAFFLE WINNERS
Adobe EditCon 2021 Sponsor

2 x 1 YEAR ADOBE CREATIVE CLOUD SUBSCRIPTION

Matt Lyon | Samantha van der Bent
Black Magic Design Logo Sponsor

1 BLACKMAGIC DESIGN EDITOR KEYBOARD

Varunraj Gandhi

1 COPY OF DAVINCI RESOLVE STUDIO

Shelley MacLean

Boris FX Logo Sponsor

3 x 1 YEAR SUBSCRIPTION TO BORIS FX SUITE

Joel Varickanickal | Rob Chandler | Jim Page

2020 New CCE Logo

2 x 1 YEAR CCE MEMBERSHIP

Majda Drinnan | Nupur Desai

Thank you to our board & volunteers:

EditCon Programming Committee:

Maureen Grant

Rick Bartram

Stephen Philipson, CCE

EditCon Committee:

Rick Bartram

Maureen Grant

Jennifer Kidson

Jane MacRae

Isabelle Malenfant, CCE

Stephen Philipson, CCE

Sarah Taylor

CCE Communications Committee:

Pauline Decroix

Jennifer Kidson

Jane MacRae

Stephen Philipson, CCE

Simone Smith

Sarah Taylor

Breakout Room Volunteers:

Rick Bartram

Chris Coulter

Lesley Mackay Hunter

Isabelle Malenfant

Trevor Mirosh

Amanda Mitro

Chris Mutton

Thank you to our CCE staff:

CCE Operations Manager:

Alison Dowler

CCE Communications Specialist:

Nancy Kenny

Thank you to our event team:

EditCon Event Coordinator:

JoAnn Alafriz

EditCon Graphic Design & Branding:

Frances Limfat

Website:

CCE Website Design and Implementation:

Jennifer Kidson

About EditCon

February 2021

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