Lara Mazur is an award-winning Canadian fi lm and television editor. Lara approaches the craft of editing as a collaborative effort, weaving artistry and performance into the fabric of the story. She began her career as an apprentice editor with the National Film Board of Canada in Winnipeg, and, for over three decades, has moved seamlessly between documentary and scripted stories. Lara has collaborated with some of Canada’s top directors and producers, bringing stories with universal themes to audiences around the world on shows such as: Chris Haddock’s DaVinci’s Inquest and Intelligence; Strange Empire and Arctic Air; Norma Bailey’s Daughters of the Country, Bordertown Café and The Pastor’s Wife; No One Would Tell and Van Helsing – all receiving award nominations for editing.

On the television series Flashpoint, Lara received a DGC Award and a Gemini nomination. On Anne Wheeler’s feature film Suddenly Naked, she received a Genie award, and three nominations for editing on Rachel Talaley’s television movie On the Farm. In recognition of her body of work, Lara received an award from Women in Film and Television. Lara continues to mentor many emerging filmmakers and give valued advice to many seasoned storytellers. Currently, Lara is editing a movie for Netflix.

In a career that has spanned over forty years, Fred Brennan has become one of Canada’s preeminent dialogue and supervising sound editors. He has worked on many Canadian feature films, major international co-productions and hundreds of hours television. His many awards include Genies and Geminis, recognition by The Director’s Guild of Canada and the Motion Picture Sound Editor’s Guild in Los Angeles. Some of Fred’s credits include Littlest Hobo, American Psycho, Call Me Fitz, Barney’s Version and Pompeii.